WHY NOT THEURGY?
And What Is It, Anyway?
Iona Miller, (c)2018
"The practice of magic consists in making what is not understood understandable
in an incomprehensible manner." ~Carl Jung, The Red Book
"At last I discovered that they [The East] call the unconscious consciousness,
indeed enlightenment." ~Carl Jung, ETH Lectures, Page 204.
"Seeing into darkness is clarity.
Knowing how to yield is strength.
Use your own light and return to the source of light.
This is called practicing eternity."
--Lao Tzu
INTRODUCTION
"The creation of the world becomes the archetype of every human gesture, whatever its plane of reference may be. Every construction or fabrication has the cosmogony as paradigmatic model." --Mircea Eliade, The Sacred and the Profane
Like our Medieval, Renaissance, and Enlightenment counterparts, we are rightly concerned with the true nature of reality. Philosophies and rituals evolve over time. The 'New Renaissance' paradigm recognizes an urgent need for change and multidimensional renewal in a period of crisis for philosophy, the arts, science, and society. Our awareness allows us to confront and engage the symbolic dimension of the imaginal.
The great enigmas of our existence remain the riddle of matter, the origin of the universe, the origin of life, and the human mind or consciousness (including supramental activity). Post-metaphysical philosophy has become a matter of therapy and discovery. We are looking at them now as self-organizing, open systems beyond the individual self, appearing as the phantasmagoria of the unconscious.
Consciousness, dimensions, and infinity consciousness are divine forces. Extended consciousness and the laws of nature impact and influence us and we are impacting and influencing there -- a greater capacity for life and creation.
Phenomenology investigates the consciousness-self as lived experience. Deeper understanding comes only through direct experience which kindles the light of knowledge. In modern terms, it concerns ego-transcendence into cosmic selfhood. Self, a dynamic multiplicity, is the unifying archetype and the organizing principle of Psyche.
Archetypal Cosmos
“Heaven has become for us the cosmic space of the physicists...
But 'the heart glows,' and a secret unrest gnaws at the roots of our being.” --C.G. Jung
We are philosophers; we seek wisdom. We are in a romance with the Cosmos, the dark hunting ground of the Unknown. What is reality and what is it to be a human being? Like pandisciplinarian research, natural philosophy explores the cosmos by any means necessary to understand the universe. Form maps onto meaning. Nature is integrated biological wisdom.
Theurgy, natural magic, is the intuitive handmaiden of natural philosophy, a conscious experiential approach. Theurgy allows the soul to participate in creation as a co-evolving, co-creative presence in spiritual practice and psychological inquiry. The felt presence of direct experience is direct experience of felt Presence.
Consciousness experience is constructive in the sense that it is the result of ongoing self-organizing and self-creating (autopoietic) processes. The combined effect is an 'associational trance,' accomplished through associational strategies which access experiential responses.
We either consciously or unconsciously co-create the world we cognize. In the transcendental sense the word “world” signifies the absolute totality of the sum total of existing things. Self , (the stateless state prior to thoughts, memory, emotions, associations, perceptions, attention or intentions), increases while ego diminishes within the intentional relational field.
What is driving our psychology? What is the one concept that organizes everything in our
life? Disidentification clears the content of consciousness so we can celebrate the Self (multivocal dialogical nature).
Lived experience includes both self-referencing and no-self-referencing states of mind. Only self-referencing contains the constitutional shifts reflecting major changes in development and health. The indivisible continuum of life is a therapeutic premise.
It's not enough to just have a philosophical discussion. We extract from the code what it is we are to be doing. It's not what we learn but the doing that matters. Real magic is the imaginal power of the psyche, divine inspiration. It is a natural acquisition of human development, refinement of the soul, the spirit of fluid movement, expanded consciousness.
Consciousness, self-organization and information are connected at the level of semantic significance. Transpersonal consciousness, interconnects nonlocally in a participatory holistic and indivisible way with all levels of the universe. The unconscious is a source of latency, ingenious expressions of natural intelligence, indeterminacy, and pure potential.
"That is how we should understand the pleroma, the fullness, which is the origin of the existence of the world, where everything is contained but in potentia, as a possibility, anything can come out of it." (Carl Jung, ETH Lectures, Pg. 254).
What is the potential of awareness? Are we entangled with all minds? Is there a collective unconscious? What is the focus of consciousness, attentive awareness, and role of intention? How does it relate to the information of perception and objects of perception?
What is objective and what is subjective? What are the roles of learning, habits, and phenomenology, the distinctions of perception and reality, positive and negative feedback? Is consciousness always unchangeably subjective, while information and the energy fields that carry it are always unchangeably objective?
Theurgy is an integral art, rather than integral knowledge, opening doors into the realm of the collective unconscious. It clarifies ways of dealing with this primordial ocean, full of dangers and creative potentials. It presumes an engaged spirituality transforms the world and that the world can exercise an influence on the foundational structures of human consciousness.
As transitional objects, symbols are the origins of works of art and the life of the mind. Magical consciousness is an associative mode of thought, a compliment to rational analysis. Theurgy generates and integrates patterns of experience, connected living systems within a timeless matrix, a phenomenological map of the “cosmic man.”
The first lesson in magic is to “Know thyself,” after the Delphic oracle: "My advice to you, whoever you may be, Oh you who desire to explore the Mysteries of Nature; if you do not discover within yourself that which you seek, neither will you find it without. If you ignore the excellence of your own house, how can you aspire to find excellence elsewhere? Within you is hidden the treasure of treasures. Oh Man! Know thyself, and you will know the universe and the Gods." (Temple of Delphi)
Characterized by its diffuse and holistic orientation and sense of permeability of boundaries between material and non-material perceptions of reality, magical consciousness leads to a certain “knowing with others.”
Al-Jili (Jili, 1983), the 12th century Sufi, says: "Each individual of the human species contains the others entirely, without any lack, his [her] own limitation being but accidental... For as far as the accidental conditions do not intervene, individuals are, then, like opposing mirrors, in which one fully reflects the other..." (p. xxv)
Mythical figures are eternal metaphors of the imagination, the dynamics of psychic reality.
Consciousness of archetypes extends the limitations of our observations and knowledge base. This is the looking-glass of the soul, our imaginal interface with the divine and the laws of form.
The Cosmic Sublime
A cosmic sublime implies a noetic or global consciousness. The 'cosmic sublime' is an aesthetic ideal of a grandeur captured by a cosmic perspective, a sublime glimpse of cosmic power. It can be obtained from contemplating phenomena of a planetary scale, as well as the emotions associated with experience of the sublime -- unrepresentable grandeur.
Likewise, Cosmic Consciousness is grand, sublime, and beyond description. The mind and speech return from it baffled. This divine cosmology reflects an infinite cosmic space perpetually expanding into the exhilarating infinite.
Our awe of the sheer power of the universe is a transcendental engagement with space. The mind is so entirely filled with its object, that it cannot entertain any other. The passion aroused by the great and sublime in nature is astonishment.Understanding is the inner sense to which the outer senses are connected.
Kant said that as an earnest exercise of the imagination, the sublime permits the mind to go beyond limiting sensibility. The cosmic forces affecting human inner and outer senses are represented in the concepts of human understanding and in the ideas of human reason. All life “belongs to a single cosmic, dynamic system,” subject to a cosmological system of forces or primordial matter.”
What could be more simply magical than art which can continue to exert its influence and grandeur over centuries? The evolution of art styles through historical art cultures demonstrates the evolution of consciousness.
The sublime works both in human art and cosmic nature. As an aesthetic category, the cosmic sublime provides a vantage point for us to view how the human mind confronts and conceptualizes grandeur of an infinite dimension. A Taoist approach merges the aesthetic subject with the primal simplicity.
The cosmic sublime arising from a material point of origin rather than the rhetorical is more sublime. A spectrum runs from painful finite experience of the cosmos to joyful ideas of the vastness of space.
Transcendence becomes immanence, thinking in terms of cosmic space. Energy, matter, and time are rendered transcendent in the cosmos, beyond space and time, beyond the Big Bang singularity, beyond ourselves, and narratives of spiritual transcendence.
Do we need this transdisciplinary approach for a better understanding of both Nature and human arts? Why is aesthetics more related and applicable to cosmology than other divisions of metaphysics? One arguments is that cosmology is not solely metaphysical but must relate to physics for the completeness of its conceptual representations.
There is am inherent relation between aesthetics and cosmology. Aesthetics investigates the appearance of physical objects, human understanding, sense-intuitions, and sensory perceptions. The source of any aesthetic concept arises in the way cosmic forces communicate human inner and outer senses.
We need a simultaneous transition between the sensible and supersensible realms for the completeness of human understanding. We apprehend transition only when the moving forces do not exceed our intellectual or intuitive capacities. Our sense-intuitions and understanding can't apprehend and conceptualize any motion beyond our imaginative capacity.
Poetic approaches claim contact with the gods for inspiration, passion, and poetry -- a flight of the mind, generating thoughts of the sublime. Poetry can create a sense of transcendence, grandeur and the infinite, through which we can penetrate the very heart of the universe and confront its immensity, even if those depths are overhead.
The sublimity is of the depths within heights or the bottomless heights. We stare down into the abyssal void where it all takes place. Infinity opens out into a vast depth, the innermost treasure of the sky, concealing nothing in any direction.
Jung suggested myth is a revelation of the divine life in humanity, our unconscious grasp of the history of the world, the wild energies of creation, and our sense of embodiment. There are interdependent unconscious neural, phenomenological, and cognitive levels of embodiment.
Mind is not separate from bodily experience, but is naturally more than our conceptual experience. It is irrational. nonlinear, and entangled. There are no consistent level-independent truths. Even embodied truth is not absolute, objective truth, nor does it need to be but it allows us self-reflection.
Magic is a mytho-poetic irrational aspect of consciousness with its own form of reason -- associative thought, understood as a form of knowledge in its own right. What is going on when we communicate with spirits, divine the future or heal the sick? How can magic, as a mode of consciousness, be examined while avoiding the polarization of materialistic reduction and an uncritical belief in spiritual presence?
Lévy-Bruhl tried to described mystical mentality in terms of participation mystique, a mytho-poetic attitude with multi-leveled analogical relationships, a metaphorical holism with its own 'logic'-- a correspondence between phenomena. It is direct experience of the co-existence and identity of things that critical thinking would separate.
The two type of thought are present in all societies -- in pop terms, left and right brain thinking, a reasoning in different categories. Symbolically rich rituals amplify right-brain processing, the alternative consciousness of magical thinking. The psychological approach to such material is to engage it as an 'as if' reality, including autonomous personifications.
Pablo Neruda spoke of a literary genre, magical realism, a genre of narrative fiction, art (literature, painting, film, theatre, etc.) It encompasses a range of subtly different concepts, expresses a primarily realistic view of the real world, and adds or reveals magical elements. This narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction.
Amplifying our experiences can reveal their depth, purpose and significance. It creates sacred narratives. We inhabit a multiple metaphor environment. Initiates participate in myth as a lived experience through metaphor, gesture, and imagination.
Despite historical changes and enlightenment thinking, mystical and imaginal notion exist side by side with empirical knowledge. A magical orientation of mind makes analogical connections (rather than logical separations). Meaning, significance, purpose, and intentionality are hallmarks of magical thinking. Magical consciousness is a living, breathing unity-in-multiplicity, an intuitive “metaphorical language.”
Any dualisms of mind and body. mind and culture, or self and other are irrelevant in this perspective. The imaginal world is full of non-physical minds, acting not by mechanical laws, but by the entangled psychic laws of motivation, intention, desire, and emotion.
Animism is a relational psychic ontology found cross-culturally. Magical thinking is predominantly animistic; indeed, magical consciousness could be said to be animist thinking in action. The psychic worldview requires no explanation with physical facts. Even consciousness does not arise from known physical laws.
Echoing Neoplatonic notions, physicist Nick Herbert suggests in Elemental Mind that, far from being a rare occurrence in complex biological or computational systems, mind is a fundamental process in its own right, as widespread and deeply embedded in nature as light or electricity.
Theurgy is a panpsychic philosophy. Panpsychism is the doctrine that mind is a fundamental feature of the world which exists throughout the universe. Panpsychism, in philosophy, is either the view that all parts of matter involve mind, or the more holistic view.
The universe is an organism that possesses a mind. It is stronger than animism, which holds only that all things are alive. Panpsychism doesn't believe that all matter is alive or even conscious but rather that the constituent parts of matter are composed of some form of mind and are sentient.
In context, mystical thought is normal, complex, and developed and not necessarily taken literally. To the mythmaking mind, rituals don't recall a miraculous event; they are that psychic and spiritual event. The environment as a holistic behavioral field is neither inner nor outer, but both/and non-material and material.
This orientation can be described as analogical rather than logical, a web of connections. Within this conception, there is no contradiction between apparently mutually incompatible and exclusive states such as “life in death” or “unity and multiplicity of being.”
The key concept is engagement with an inspirited or ensouled world, primary process discourse working on conscious and unconscious processes. The core human psyche is an analogical mode of consciousness, multiples centers of consciousness.
A felt sense of the participatory awareness of magical consciousness and non-material perception of reality do not exclude a search for the naturalistic, with wide ramifications that affect the whole organism and its environment.
Analytical and analogical thought in reality occur simultaneously all the time. Such universal features of human thought were first reported by Plato and Aristotle and carried forward in Neoplatonism. Plotinus argued that the universe should be considered a god itself.
Aristotle called the soul equivalent to the psyche, the animating “principle of life." He imagined psyche as the form or soul of all living organisms, including plants and other animals, as well as human beings.
Marsilio Ficino (1433–1499) and Giovanni Pico della Mirandola (1453–1494) regarded magic as an elementary force pervading natural processes. Iamblichus and Proclus insist that true communion with Truth and the Divine are achieved not through rational contemplation alone.
Philosophy involves “theurgy” or ritual acts involving affective, associative magical thinking. There is no way to truly approach and connect with the Divine and highest level of knowledge without accessing non-verbal, physiognomic, and ecstatic/ emotional modalities.
Magical experience is intrinsically personal, a network of connections special is its relation to a synchronous pattern of connections. Meaning comes through a process of associations. Experience changes how magic is perceived.
Magical Consciousness
Magic is an orientation of consciousness and mode of thinking. Jung notes, "Thinking is life just as much as doing is." Magical consciousness is affective, associative, and synchronistic, shaped through individual experience within a particular environment. The real impact of magic happens at a more fundamental level of individual awareness that includes emotions, feelings, and beliefs.
Theurgy is an active intentional imaginal act. Archetypes [or gods] are rooted in gestalt, figure-ground perception. We look for objects that we can distinguish and name to make sense of what we see, and so interact with them. The figure-ground principle states that we instinctively perceive objects as what we should be focusing on.
Poets exploit our habitual figure-ground organizations in extra-linguistic reality to shift attention from one aspect to another by inducing us to reverse the habitual figure-ground relationships through poetic effect -- the event-structure metaphor, instinctive event cycles.
Theurgy is a primary modality for mythodrama, combining a variety of arts -- a transpersonal approach in the interdisciplinary sense, transforming old conceptual frameworks to account for new experiences and inner sources of human existence.
It is not so much about curing people as about assisting in psychospiritual growth, which can solve the pathologies of one stage by advancing a person to another, a profound personality transformation. Bringing to consciousness all deeper suppressed feelings liberates us from dependencies, fears and superficial boundaries.
Psyche is a multi-layered being relatively autonomous from consciousness, which encompasses the divine element. Mind, matrix, and metaphor integrate patterns of experience. If we talk too freely about anything within us that carries power, it starts to lose that power.
One tacit metaphor is the event structure metaphor "PURPOSEFUL ACTION IS A JOURNEY." The purpose of the action is expressed by the place to which the journey leads. A more specific instantiation of this metaphor is "LIFE IS A JOURNEY," and it is revealed in autonomous self-arising images.
Purpose is reintroduced by the metaphor: light as knowing, understanding, or proper guidance. Emergence is a holistic approach to change. The nothingness or openness is light, luminous radiance, is the primordial ground of all that is.
Consciousness-at-rest and conscious-energy are the two primary manifestations of the one ultimate, self-contained consciousness. The power of the ground includes biological instincts, emotive potentials, autosymbolic imagination. It is a source of psychic energy, covert impulses, and unconscious projections.
The fluid self reveals the myth of the fixed personality. The thoughts we experience as idle and free-flowing, for example, echo the flow of figures moving in and out of the ground that is the conscious mind. If we focus, these figures can become more fully formed and brought completely into awareness by attending to them more vigorously.
Figure-Ground
Figure-ground organization shows that, “Insight is a patterning of the perceptual field in such a way that the significant realities are apparent; it is the formation of a gestalt in which the relevant factors fall into place with respect to the whole.” (Heidbreder, 1933)
We are strengthened by exposure to a range of perspectives. The figure is the image that stands out from the ground. The gestalt principle that applies most to space is that of figure-ground. The principle of figure/ground is one of the most basic laws of perception. A figure 'stands out' against an undifferentiated ground.
The unbounded and formless ground does not move us towards meaning-making and figure formation. But it provides the "context that affords depth for the perception of the figure, giving it perspective but commanding little independent interest" (Polster & Polster, p. 30).
Ground evolves from our past experiences, from our unfinished business, and from the flow of the present experience. Our entire life forms the ground for the present moment (p. 32). Perceptual organization drives us to creating a figure to pay attention to. They are based more on our creative application of prior experiences instead of the data and information directly available to us in the moment.
We need to consciously understand patterns being constructed in the human pre-conscious mind. These pre-conscious effects simultaneously impact the human psyche and beliefs: Enhance, Obsolesce, Reverse and Retrieve (McLuhan, Laws of Media). They impact our memory storage and retrieval. Our technologies and religions are all about re-membering.
Our environment is structured by our paradigms or worldview. The deeper we go the more the ground comes to the fore. It reminds us to attend to what is out of awareness where nothing is determined as much as what is in awareness.
Thought-creating beings live in a mental universe beyond conceptualization (universal mind), patterns of continuity and discontinuity, unremitting invisible effects that shape us whether we notice or not, and natural consequences. The One is ineffable, incomprehensible, super-celestial unconditioned reality. Plotinus's maxim claims the Absolute "has its center everywhere but its circumference nowhere."
Root drives animate archetypal expression, forms, and metaphors drive its action in the psychological landscape it operates in. The confluence of the rational and irrational that helps or hinders the soul's ascent to the divine is perhaps best described as imaginal -- the realm of soul. Ordinary consciousness becomes extraordinary.
Even our physics tells us we only experience an illusory sliver of an infinitely larger reality. There is a kind of progression that leads us to wisdom. Contemporary art also explores and questions notions about vague beliefs and subliminal conceptions. 'The Other' means that the subject is imaginal, the otherness within the self, beyond the artist's own range.
Jung’s archetypal Self is the archetype of wholeness or unity, ultimately and inescapably otherness itself. This “ultimate other” is always purely potential, forever beyond our experience. There are elements of consciousness -- objects, ideas, beliefs -- that may be illusory. Religion is a natural phenomenon.
Imagination is the liminal space that is essential for consciousness and the unconscious to connect. Ritual practices encourage us to reconnect to the renewing function of affect and imagination. Imagination is a piece of heaven concealed within us, a divine connection to the cosmic One Mind, “the Star in Man, a celestial or supercelestial body.” (Rulandus, Lexicon of Alchemy, 1612). We voice various possibilities.
The tacit self is grounded in embodied practices, generally inaccessible to conscious awareness. Tacit, inarticulate, taken-for-granted contexts of human meaning are grounded in our embodied capacities, dispositions, shared practices and forms of life. They constitute a fundamental condition of intelligibility of meaningful human activities and expressions.
Our individual encounter with our psyche, dialogical otherness within the self, and the bringing of its elements into consciousness is central to the process. The sense of the other in self is animated by its own agency. The Other can't speak for itself, so we speak for the Other, and as we do the Other becomes us. From necessity, myth breaks into being. As Blake said, "Imagination is not a State: it is Existence itself."
Philosophy of nature (Latin, philosophia naturalis) is described as the philosophical study of nature and the physical universe. Theurgy, a Neoplatonic practice, is active participation in the theurgic world as theophany, a 'breathing with' the divine, divine inspiration, a living moment granted by a deliberately and exquisitely configured universe.
Some people may be genetically predisposed to ritual by the VMAT2 gene, associated with mystic experiences, including the presence of God and feelings of connection to a larger universe. It plays a key role in regulating the brain levels of serotonin, dopamine and norepinephrine.
A 40% of the variation in self-transcendence is due to genes, but beliefs are social memes. In one sense, we approach religion like a relationship: the fantasy that there is a Magical Other out there who will fill all our voids and meet all our needs.
We are wired to experience God. Different researchers have slightly different names for the religious syndrome. Ramachandran calls it “the God module.” Persinger calls it the “God experience.” Both researchers indicate waves of temporal lobe excitation with hemispheric coherence underlie spiritual experience and religious belief. “The Kingdom of heaven is within.” Sub-clinical temporal lobe epilepsy also correlates with so-called spiritual experiences.
This later spiritual interest can be rooted in subjective experiences of a variety of phenomena kindled by electrical instabilities in the brain. They include, but are not limited to depersonalization, time distortion, anxiety or panic, floating or falling sensations, peripheral imagery.
A sense of presence either sacred or malefic, apparitions, downloading of memory sequences and false memory confabulations or fantasies, voices and visionary experiences range from heavenly to hellish, and a panoply of psychophysical manifestations.
Grounded in the fundamental nature of the soul, consecrated ritual work is directed towards the gods. We create simulations of alternative realities. By becoming receptive to their illumination, we become like them. Gods that had once been worshiped as idols became worshiped through the whole living self.
Knowing their ontological essence means we learn to live ethically through them. Our living reality is that as individuals we secure our being by transcending our individuality for identification with the universal.
The theurgist performs actions, facilitating natural sympathies in the quest for transcendence that align soul with continual revelation. It affirms primordial particularity while elevating the particular to the universal. The private realm of introspection is a non-social phenomenon that simulates an encounter, so we can 'live out' fulfilling imaginative occurrences within that analogue space.
Soul participates in all material things. Connectedness is a biological imperative. The physicality of ritual affirms the divinity of the material cosmos against thoughts that it is irredeemably fallen. All objects naturally participate in the divine. All objects are considered images or symbols of the gods -- the immanence of divine energy. The universal is only active and authentic in the particular.
Psychic influence can be drawn down into terrestrial likenesses. Theurgy connects heaven and earth; theurgists are those who connect the heavens and earth, who gain mastery over the illusory nature of reality itself, while realizing there is no question of 'controlling' the gods. The universe and the unconscious are inherently irrational.
An aesthetic approach to astrological symbolism and significations aligns it with the hieratic arts, particularly through visual representation, poetry and music. Music of the spheres, like harmonious sensory music, is divinely rational, though capable of manipulating the irrational parts of the soul for the purpose of the ascent to the divine or the One, the hypercosmic realm.
Neoplatonism included a complex relationship between divination, rationality, and ritual. Theurgic magic neither seeks to manipulate nor constrain the gods. Theurgy and contemplation were interlinked ways to truth of transcendental mysticism.
The help of the gods for the soul to ascend was actualized through theurgy. The general non-coercive theory of ritual practice is that symbols draw down divine energy into the theurgists's soul, permitting a union with the gods.
The highest stages were noetic, immaterial, and incorporeal conceptions -- 'seeing' drom the perspective of the gods. Inner ritual needs no overt physical expression for transforming the theurgist's consciousness. Truth is perceived beyond reason. The final stage of union is non-discursive.
The gods 'call' to us and the theurgist 'calls' back by invocations. The cosmic feedback loop is closed, like the serpent biting its tail. Theurgy works by invoking the gods through their symbols connected to their divine causes, a continuous emanation of divine energy, or divine love allowing sympathy to arise. The Chaldean Oracles alluded to divine love and reversion of the soul to the divine and the transcendent One.
Plotinus claims that magic is always already there in nature. It culminates in a loss of self, absorption into the divine by becoming one (henosis) with God. The last words of Plotinus were "Strive to bring back the god in yourselves to the God in the All" (Porphyry, Life of Plotinus 2). Such transcendental idealism and self-consuming love was the telos of post-Medieval philosophy.
Renaissance theurgy and alchemy were concerned with techniques to transfigure or spiritualize the human body, to divinize the soul. The body is considered a location of greatest individual authenticity. The most authentic center of Individual soul and the All-Soul are one (Ennead IV.1). Nature is Soul's expressive act. Pico emphasized that high magic is not
so much working wonders as diligently serving nature as she works them.
Consciousness is the crown of Nature. Consciousness of Crown is super-consciousness. The entire universe implodes through our consciousness. It remains our greatest mystery and frontier. It is rooted in the internal qualitative aspect of the quantum functioning of the 'ground of being,' at the threshold of psyche and matter. The “threshold” represents the metaphorical separation of conscious mind from the unconscious, the invisible, unbounded realm.
Indivisible awareness of the absolute space of all phenomena is beyond the duality of external and internal space. Primordial consciousness of the process of reality is non-dual consciousness/awareness. Absolute space is the central metaphor, void of of matter but not devoid of an infinite subquantal ocean of energetic potential.
Natural philosophy returns as the concept of mind, life and matter emerging from the
nature of the quantum vacuum, the energy sea that underlies all of spacetime. Space is no longer secondary to matter. Absolute space of the vacuum is the primary reality.
Things we know as matter (mass, with properties of inertia and gravitation) appear as the consequence of interactions in the depth of this universal field. Our “essential nature” must be here, now. And in the emerging concept there is no "absolute matter," only an absolute matter-generating energy field.
All manifestations emanate from configurations of this absolute vacuum. Empty space is full of seething energy. Psyche or soul is a purposeful self-regulating system that is directed toward amplifying innate consciousness and individuation. We can consciously realize our role in the universal drama taking place.
So, knowledge of the source field is self-knowledge. Consciousness is described as the root of matter, including our own matter. Whether we call it the boundless reality of God, or the pre-spacetime vacuum that gives rise to matter, this Mystery is the quintessence of impenetrable darkness that contains the spark of life.
Ervin Laszlo proposed that the quantum vacuum, the field from which the universe is born, is conscious with all the information from the Big Bang to now. Laszlo says the universe as conscious life emerges from the quantum vacuum. Such field theories are a metaphysic so can never be known in their entirety.
Even Scientific American (Kastrup, Stapp, Kafatos; 2018) reports, "our argument for a mental world does not entail or imply that the world is merely one’s own personal hallucination or act of imagination. Our view is entirely naturalistic: the mind that underlies the world is a transpersonal mind behaving according to natural laws. It comprises but far transcends any individual psyche." (May 29, 2018, "Coming to Grips with the Implications of Quantum Mechanics").
"The claim is thus that the dynamics of all inanimate matter in the universe correspond to transpersonal mentation, just as an individual’s brain activity—which is also made of matter—corresponds to personal mentation. This notion eliminates arbitrary discontinuities and provides the missing inner essence of the physical world: all matter—not only that in living brains—is the outer appearance of inner experience, different configurations of matter reflecting different patterns or modes of mental activity."
"According to QM, the world exists only as a cloud of simultaneous, overlapping possibilities—technically called a “superposition”—until an observation brings one of these possibilities into focus in the form of definite objects and events. This transition is technically called a “measurement.” One of the keys to our argument for a mental world is the contention that only conscious observers can perform measurements."
https://blogs.scientificamerican.com/observations/coming-to-grips-with-the-implications-of-quantum-mechanics/
"What preserves a superposition is merely how well the quantum system—whatever its size—is isolated from the world of tables and chairs known to us through direct conscious apprehension. That a superposition does not survive exposure to this world suggests, if anything, a role for consciousness in the emergence of a definite physical reality."
"Now that the most philosophically controversial predictions of QM have—finally—been experimentally confirmed without remaining loopholes, there are no excuses left for those who want to avoid confronting the implications of QM. Lest we continue to live according to a view of reality now known to be false, we must shift the cultural dialogue towards coming to grips with what nature is repeatedly telling us about herself." (Bernardo Kastrup, Henry P. Stapp, Menas C. Kafatos)
From 'the Ground' Up
Primordial consciousness is the internal aspect of the fundamental quantum field of potentiality. Many contemplatives throughout the world report that introspective inquiry can lead to knowledge, not only of the ultimate ground of being, but of the fundamental laws of nature as well. (Wallace)
Physicist Archibald Wheeler suggested the 'imagination' of primordial consciousness (an empty energy field of potentiality with luminous clarity, self-awareness) "brings all of creation into being." Emptiness understands and illumines itself. Self-understanding is self-clarity, is self-awareness. By observing itself, psyche somehow transforms the properties of both bodies and unconscious contents -- the development of the soul as an individual self.
The most basic state of consciousness is essentially an absolute vacuum of consciousness, analogous to the absolute vacuum of physics. Vacuum fluctuations cannot explain why spacetime arises and mystics call primordial awareness 'self-arising.
Continuous direct experience of the ground level of awareness is an experience of enlightenment, timeless awareness. Limited awareness dissolves into its universal source. Jung said,"I simply believe that some part of the human Self or Soul is not subject to the laws of space and time."
Uncertainty is reflected in the ultimate foundations of the quantum and its implications. We cannot know it anymore than we can know the ineffable, the unconscious, or the self. The medieval metaphor for God or the God-image was 'the Cloud of Unknowing.'
THE SHADOW OF GOD: "The higher sense, however, is the path, the way, and the bridge to what is to come: this is the God who is yet to come, not the God who is to come, but His image, which appears in the higher sense. it is an image, and those who worship it must adore it in the image of the higher sense. The higher sense is neither a sense nor a contradiction, it is image and strength in one, magnificence and strength together. The upper sense is the beginning and the end. It is a bridge of passage and fulfillment. The other gods died because they were in time, but the superior sense never dies, turns into meaning and then into contradiction, and from the flames and the blood of the clash between the two rises the higher sense, again rejuvenated. The image of God has a shadow. The upper sense is real and casts a shadow. In fact what is real and physical that does not have a shadow? The shadow is nonsense. It is impotent and has no consistency in itself. But nonsense is the inseparable and immortal brother of the higher sense. Like plants, even men grow, some in the light, others in the shade. There are many who need shade and not light. The image of God casts a shadow, which is as big as he is. The upper sense is big and small, it is as large as the space of the firmament and tiny as the cell of a living body. " --Jung, The Red Book
Specific forms of consciousness emerge from a latent mode of consciousness when the appropriate conditions are met. That underlying consciousness is “the ground of becoming,” the nature of beginningless, naturally pure, radiant awareness.
The ‘individual self’ is merged with the ‘universal consciousness’, the liberated state -- static, undifferentiated and universal. This superconscious state is a superposition of the awake, dream, and deep dream states (gamma, alpha, and theta brainwaves). There is no object-subject polarity (duality) in this universal state and it is unitary or singular.
Our awareness of the physical universe moves into the quantum level and subquantal substrate as awareness of conscious mind moves into the unconscious. We discover soul as a transcendent element linking conscious and unconscious, both physical and psychic that creates radical shifts in consciousness. It elevates understanding from the concrete to the symbolic image and beyond into the transcendent and invisible worlds. (Jane Weldonour, Platonic Jung, 2017)
All of Nature and our own nature arises from the omnipresent centerpoint of Zero-Point Energy or vacuum fluctuation, beyond energy/matter. There is an infinite realm of pure potential beyond the threshold of the Mystic Veil of manifestation. It is the primal Source of all light and life, love and wisdom, passion and creativity, healing and well being.
The strength of our connection to Source determines our relative psychophysical health, our freedom to be and express our essential nature, and to manifest our own potential. The "software" of human personality is a construct of interlocking concepts. "Reality" is what our brains make of the sensory input fed through biological transduction.
Massless virtual particles are constantly being created and destroyed everywhere, including our bodies. They arise from and sink back into the void. Our whole body flickers in and out of existence at the quantum level in trillionths of a second. Quantum mechanical zero point oscillations are real; an incessant dance of subatomic particles flicker into and out of physical existence. Each of our quantum re-creations is an opportunity to transform utterly. Given the equivalence of mass and energy, the vacuum energy must be able to create particles.
The essence of consciousness is described as a return to our origins, undifferentiated primordial consciousness. Primordial awareness is pre-conceptual and pre-linguistic nothingness, openness, emptiness or voidness -- the Absolute spaciousness of the ground of being. This "change of mind" implies making a decision to turn around toward the Light, to face a new direction -- a spiritually transformative change of heart.
Miller, Iona, Holographic Archetypes https://holographicarchetypes.weebly.com/
Neoplatonic Philosopher-Practitioners
Like Buddhism, Neoplatonism, a magical philosophy of nature and our nature, is a transformative theory and practice for uniting divided consciousness with its unified non-dual source, self-arising luminosity, the unconscious.
Both Plato and Jung described a natural world of opposites that have to be distinguished to reunite. We cannot understand Soul or our own cavernous inner recesses, with rationality or language. Soul is innately numinous, perplexing, paradoxical, but above all, experiential.
We can discover the soul for ourselves through imaginal experience of the existential and initiatory dimension, finite and infinite being, by building and living in our spiritual body. William Blake said, "Imagination is not a State: it is Existence itself." Heraclitus considered soul as 'limitless depth.'
We might add the epistemological necessity of Beauty in its archetypal and spiritual nature, as a means of experiential apprehension opening and embracing the aesthetic dimension of the soul. But even scenes of great beauty can also conceal deep darkness, including the dim light of mythic consciousness.
Our mistakes, imperfections, improvisations, and sorrows are woven into the beauty of it all with a life-affirming 'yes.' Hillman concurs that imagination is not a mere faculty, but more akin to being and becoming, a process of deepening and re-visioning, ensoulment or soul-making, rather than any final destination.
"The claim that it is a faculty has been precisely what has deceived us most about imagination. We have considered it one function among others; whereas it may be essentially different from thinking, willing, believing, etc. Rather than an independent operation or place, it is more likely an operation that works within the others as a place which is found only through the others — (is it their ground?)." (Hillman, J. (1979), "Image-sense," Spring 1979, p. 133)
The innate essence of being is transformed through active mentation in the act of Creation, cosmic consciousness, incorporeal levels of awareness. There is an innate intelligence and fundamental awareness that unfolds within us.
Soul shares the same nature as that which illuminates it, access to being and access to soul's truth. Illumination arises as rediscovery and remembrance -- discovery of the truth of oneself. Soul grasps the dual-unity of being and becoming.
The Transpersonal Self, unchanging in essence, is reality, sharing the same nature as Universal Reality. The Transpersonal Self on its own level must use the superconscious as its vehicle of experience and expression, as a means through which its energy is “transformed” or “stepped down” into a form that can be realized by personality (Assagioli).
https://kennethsorensen.dk/en/the-superconscious-and-the-self/#The_Self_as_the_Void
Our personal Zero-Point is our sub-atomic core self, our Essence or fundamental character present in each quantum which connects us directly with our hyperspace Source. The invisible Lifeforce behind the Mystic Veil of Zero Point fluctuation is formless and more fundamental than matter/energy.
We have our existence through this evanescence and in it as the infinite bound within us. It is the radiational and vibrational quanta in matter. ZPE correlates with the primordial mindfield. Psyche is not separate from matter. We are a psychophysical Reality. We are a microcosmic expression of the metaphysical axiom of scale invariance: "As Above; So Below."
THE ESSENCE OF BEING: This upwelling ZERO POINT creative process manifests cosmos, nature and consciousness. It dissolves and regenerates all forms. It is the source of formation, transformation, healing and creativity. It is the center of Being. The essence of this transformative, morphological process is chaotic -- purposeful yet inherently unpredictable holistic repatterning.
Healing is the psychophysical equivalent of creativity. Creativity is embodied inspiration and imagination. To the extent we intentionally commune with the source of infinite peace, love, health, bounty, and oneness we encourage their manifestation in outer reality. Their embodiment is the natural result of personal growth.
Creation is a co-creative act of life and sentience. “Communion,” suggests a shared identity that precedes any interaction. The divine influx of the higher spiritual world is experienced as luminous and numinous, an opening to the sense of eternity, infinity, and universality, as the aspects which help us proceed along that path.
But, “co-creation”specifies the making of something new. Such a spiritual ecology enables such co-creations or synergies. We are awash in an ocean of symbolic manifestations and imagery of the timeless patterns of human life. The the absence of specific quality is the void in a positive sense, which contains all life, to which everything belongs, and in which all is combined (Assagioli).
Metanoia, a fundamental transformation, catapults us out of ordinary awareness into a state of ecstasy and bliss that is transcendent experience of the reality that everything is connected in a 'participatory universe.' A microcosm of the 'continuous creation,' we renew and rebirth ourselves in a continuous process of Metanoia.
Metanoia is access to being, access to its own truth, and a complete transformation of the soul. It is a reorganization of memory in relationship to the truth and the self. Focus changes from rediscovery of the depths of the self to the soul's obligation to say what it is. The injunction becomes 'go to the truth, but on the way don't forget to tell who you are authentically, or you will never arrive at the truth.'
"I must, before I die, find some way to say the essential thing that is in me, that I have never said yet – a thing that is not love or hate or pity or scorn, but the very breath of life, fierce and coming from very far away. Bringing into human life the vastness and the fearful passionless force of non-human things," (Bertrand Russell, letter to Constance Malleson, 1918).
The Neoplatonic worldview is the basis of metaphysical insight and visionary revelations through contemplation. Cosmos pervades all aspects of existence; each human soul participates consciously or unconsciously; and we can embody divinity through visionary intuition and experience even in the mortal life. We transcend ourselves by overcoming our limited domain.
In the Neoplatonist view we have a certain strength of reality of our own but need to participate in a bigger strength and story for understanding greater or higher things -- participating in operations of the gods. The mechanism of self-excitation, self-observation, and self-reflection is a fundamental aspect of non-individuated primordial consciousness.
In post-traumatic growth, the intense experience of crises creates an opportunity for the conscious and volitional rearrangement of the self, including a reformulation and reprioritization of one's values and beliefs. We can form a new image of our ideal personality. With this ideal as a guide, the lower aspects of the self are inhibited and higher goals and aspirations emphasized.
Rituals and magical practices of Platonic theurgy transform consciousness by traversing the porous boundaries of the objective and subjective, subliminal and supraliminal. Theurgy is facilitation by 'hidden' correlations and correspondences between mind and matter. An inborn latent pattern of the individual self is capable of uniting all levels of Being in the soul.
States of identification with those realities include the visionary insights of ineffable union. When mind reflects on its own operations, it inevitably generates active forms of transformation of information, which do not have to have “come from” anywhere.
The psychic and physical, psyche and substance includes nonlocal interconnections and interdependencies underlying consciousness. Consciousness is more than a retrospective narrative. The narratives of religion draw upon thousands of years of narrative in mythology and ritual. Quantum cosmology continues to echo and substantiate in the macrocosm what also takes place in our microcosm -- vacuum fluctuation of the ground state.
The core aim of mystical paths is direct experience of deep and transcendent aspects of reality. The Path of Return is described in many ancient metaphysical doctrines by encounters with the World Soul, the Demiurge or Universal Mind (cosmic consciousness), and the Good or the One, the hidden source beyond being, the undivided source of manifestation.
How do we explore the depths of our reality and experience, seeing underneath that which appears on the surface? We are mostly unconscious everyday, thrown back on unknowing, seeking the as-yet-unknown reality of our unknown possibilities.
Chuang Tzu said, "In the deep dark the person alone sees light." Traditions of 'Light' continue to inform our conceptions of reality. What we call reality and consciousness depends on our level of observation and mystical penetration. Kabir says, "Wherever you are is the entry point."
The most common error is conflating 'consciousness' and 'awareness'. Consciousness is a product of widespread communication, while awareness is a focal capacity. Jung said, "Consciousness is essentially the psyche's organ of perception, it is the eye and ear of the psyche." (ETH Lectures, Vol. II, Page 98).
There are many natural approaches to the unconscious, to the paradoxical mystery of Self and non-Self -- conscious, unconscious, ritualized, hermetic, religious, therapeutic, philosophical, psychological, magical, and artistic. This approach to the ongoing flow of experience is post-analytic and extra-analytic, aesthetic, and poetic.
What is philosophy for? How should philosophy be done? Should philosophy protect us against dangerous illusions by being a kind of therapy? Should we loosen the grip of the assumptions of previous, metaphysical philosophy? Nature has an aesthetic sensibility and a sensuality that is visceral.
Can we steer clear of revisionary metaphysics? What are the psychological effects of believing in ideas? Here we have an account not just of concepts but of things or phenomena. Every belief has some connection to experience but the connection is never direct. Ontological beliefs about reality are answerable to experience.
The Roman Cicero thought the study of philosophy prepared one for death. The later and Neoplatonic thinker Plotinus asked, ‘What, then, is Philosophy?’ He answered, ‘Philosophy is the supremely precious’ (Enneads, I.3.v): a means to blissful contact with a mystical principle he called ‘the One.’
Nothing is isolated in this cosmos. We are not limited to space and time in a linear way. We become incandescent. A supernormal stimuli provokes a supernormal reflex, a transcendent response far beyond what we know begins to speak through you -- supersimultaneity. The autonomy of meaning is fused with the irreducibility of experience.
Why can we translate the patterns of nature into so many different symbol systems and different substances? Why do central metaphors work? We are literally as old as the universe, inchoate energy older than space or time, as old as the protons that make up our existence, pre- and post-linguistic. A material miracle turns nothing into something -- a soup of atoms: quarks, galaxies, stars, molecules, cells, and DNA -- an infinite well of souls.
How does the cosmos, of which we are part, create explosive novelties, electrifying inventions, colossal shocks and breakthroughs, astonishments? How does a cosmos of elementary particles and gravity make the impossible real, the ordinary into the new reality? What is our relation to a conversational cosmos that is the root of our identity? How does cosmic creativity work its wonders in human beings?
We're aware we didn't do this, that there is supernormal intelligence. But we are more than that. We work symbiotically with all the other human beings, bacteria, the plant and animal world, and it all contributes to us minute by minute, collective brain, reciprocally influencing one another. The gods are in our imaginations, emotions, passions, hearts, and minds, guts, and gonads.
We are embedded in nature and ensouled or rooted in the mystery of Being and Words to be spoken. To the ancients all language was divine, mythic, metaphorical language of participatory evocation and remembrance. Care of the soul was natural and instinctual, expressed through ritual, ceremony, sacred sites, an oral tradition of story, myth, and art.
We are concerned here with immeasurable interiority -- the fundamentals of images, imaginal and transformative aesthetics -- the relation of substance and image, and the 'divine darkness' (super-consciousness) of Pseudo-Dionysius. He says that after all speaking, reading, and comprehending of the names ceases, there follows a divine silence, darkness, and unknowing.
Living images come to light and life through transformation and theophanic revelation, received through encounter. In divine self-revelation God (unmediated Presence) manifests to humans, through “union” with the ineffable, invisible, unknowable godhead. Ours is a philosophical, psychological and transformative art that does not flee from the existential Abyss of the transcendent numinous.
Inner connectedness is the antithesis of the void. Dissolution of the boundary between conscious and unconscious states is unitive knowledge of the One Mind or One Soul at work both within and without. The unitive experience, Krishnamurti says, is not an experience since the experiencer has dissolved.
Myth is the key to our memory of deep time and our potential realization. Mythic forms, the polyphonic and mythical basis of the psyche, are stored in our own protean memory banks. Some operate as sophisticated unconscious behavior guidance systems: perceptual, evaluative, and motivational. Romanticism regards religion not as a body of truths and skills to be tested, but as an evolving expressive art.
Theurgy is doing divine things, performing sacramental works. Theurgy is a practice-led inquiry, mechanism of change, and a transformational mystery. It is one of many means for the liberation of archaic memory images. It presumes a deep knowledge of the secret nature of things and the hidden connections that hold things together.
The foundations of Platonism are the theory of forms and the immortality of the soul. Greek philosopher Thales said, "the whole world is full of gods." The idea that the world itself in all its particulars has soul was reborn in the Renaissance as Neoplatonism, a "mystical theology."
Its spirit phenomena include visions, revelations, ecstasy, prophecy, truth. Its metaphysics includes unity of the universe, hierarchy of being, transcending the cycle of birth and death, and becoming like god. Symbolic death leads to transformation (rebirth) through creativity.
The path of our awareness is natural liberation, ecstatic transcendent dissolution. The distinction between the persona ("the mask of the soul") and the shadow (a sort of "counter-persona") is, from a philosophical perspective, akin to the difference between falseness (appearance) and authenticity (essence). What is the meaning of “light” in this context? The
persona is fake light for the authentic (but heavy and darkened) shadow.
"Fear of self-sacrifice lurks deep in every ego, and this fear is often only the precariously controlled demand of the unconscious forces to burst out in full strength.... It is possible to cut beyond ego-consciousness, to become aware of the enormous treasury of ancient… knowledge welded into the nucleus of every cell in your body." --LAM
https://ionamillersubjects.weebly.com/archetypal-light.html
Co-Emergent Process
"Before the soul can see, the Harmony within must be attained, and fleshly eyes be rendered blind to all illusion. Before the Soul can hear, the image (man) has to become as deaf to roarings as to whispers, to cries of bellowing elephants as to the silvery buzzing of the golden fire-fly.Before the soul can comprehend and may remember, she must unto the Silent Speaker be united just as the form to which the clay is modeled, is first united with the potter's mind. For then the soul will hear, and will remember. And then to the inner ear will speak." (Blavatsky, The Voice of the Silence)
Theurgy uses mental images, including memories and memory objects ultimately to facilitate cognitive-affective access to self-arising non-dual states of consciousness -- archaic primordial awareness. Within each of our vital experiences is an image, bearing meaning, that contains and structures it and directs us.
Speech is the groundwork of magic; being is the principle, speech is the means. Logos realizing itself is the revelation of speech confirmed by acts. The chain may be established in three ways by signs, by mystic speech, and by contact in Neoplatonic, Hermetic, and Kabbalistic theurgy.
Jewish mystics view the names as “access codes” that allow them to tap certain aspects of divine power (Mid. Teh. 3.2). To invoke God’s name in the world means you can invoke God’s presence—if you are in the appropriate moral and spiritual condition. The theology of divine unity that grounds all Jewish theurgy.
Theurgists are not asked to believe in a god, but called to meet them in living contact with Supreme Consciousness. Individual contact is the corner-stone of relationship with the Great Presence. Universal life fills and reveals all truth. It is the state of reality in which we become nobody and we remain as we are, which is deathless awareness. An enlivened world beckons toward cosmic space.
"Eternity is not something that has to come. Eternity is not even a long period of time. Eternity has nothing to do with time. Eternity is the size of here and now that it is excluded from the thought that moves within time terms. If we don't get it here where we are, we won't get it anywhere else." (Joseph Campbell, The Power of Myth)
The theurgist learns to function effectively at higher levels of arousal to amplify the experiential awareness field. Theurgists take on the forms of the gods that Proclus called the primordial and self-sufficient principles of being. When aroused we expand our sense of self even to the cosmic scale even as our focus narrows (cosmic consciousness).
Primordial awareness is your basic self, your subjectivity, your awareness. Awareness is non conceptual knowingness, light, or luminosity that illuminates itself and illuminates experience.
The paradoxical image of a darkness that shines mirrors the threshold of psyche and matter, the virtual vacuum fluctuation, where photons flit in and out of existence. Manifestation arises from the same dark source as the Mystery of illuminated darkness.
'...the mystery of the structure of the universe, was in themselves, in their own bodies and in that part of the personality which we call the unconscious, but they would say in the life of their own material existence. ...They thought that instead of taking outer materials you could just as well look inside and get information directly from that mystery because you were it. After all, you too were a part of the mystery of cosmic existence, so you could just as well watch it directly. Even further, you could ask matter, the mystery of which you consist, to tell you what it is, to reveal itself to you.' (M.-L. vonFranz)
This darkness filled with light or a shine contains the qualities of both light and darkness -- an ethereal body that is not simply material but also “subtle” and primordial. The subtle body links subjective and objective realms. Theurgy is a creatively emergent participatory self-organizing process.
The subtle body is consciously mobilized in theurgy, impacting physical, cognitive, emotional, and spiritual life. Heightened body awareness is the source of emotion and agent of healing. Subtle body is the same substance as Diamond Body, body of light, astral body, glorious body, the Self, or God. Soul for Plato was a body of light in dynamic motion.
Jung considered subtle body a transcendent idea beyond language and philosophy, because it is beyond time and space, i.e. the virtual substance of the Self with the qualities of light (virtual photon flux).
https://books.google.com/books?id=AW--DgAAQBAJ&pg=PT134&lpg=PT134&dq=,threshold+of+psyche+and+matter&source=bl&ots=GcMgm33ggg&sig=YYdyHYBGfK3OPIfIjSgyyq9r7ro&hl=en&sa=X&ved=0ahUKEwigzJbXy6nbAhXky4MKHXlpAEI4ChDoAQgoMAA#v=onepage&q=%2Cthreshold%20of%20psyche%20and%20matter&f=false
The divine darkness is light-giving, a fertile darkness from which all things of the world shine forth, its own intrinsic luminosity is lumen naturae, the light of nature. As he died, Goethe said he saw 'black light.' Jung called the soul “an eye destined to behold the light.”
Light is another way of speaking about knowing, consciousness, openness, a sense of potentialities. The metaphysical theory of light is also known as the Neoplatonic principle of emanation. Light is the primary metaphor for consciousness (naturally manifest awareness, luminous and empty) that drives our spiritual and therapeutic sensibilities.
Dzogchen teacher, Dudjom Rinpoche writes, ”although hundreds or thousands of explanations are given, there is only one thing to be understood. Know the one thing that liberates everything -- awareness itself, your own true nature.”
Exalting the entire perceptual field with stimulation evokes a paradoxical switch to transcendent cosmic emptiness -- the beingness of all being. Nothingness or openness, voidness, or spaciousness of the ground of primordial awareness is openness to light, luminous radiance.
The metaphysical theory of light is also known as the Neoplatonic principle of emanation. Light is the primary metaphor for consciousness that drives our spiritual and therapeutic sensibilities.
In Neoplatonism, the unified Divine Principle, which Plotinus calls ‘the One’ and to which the Areopagite refers as ‘the ever-radiant Light’, descends into the lower world and becomes absorbed by material objects and particular forms. Each material form contains a particle of the ideal Light. The whole universe becomes the world of lights, each of them striving to return to the One, to reunite with the source which endowed them with radiance. (Roklina)
The primordial ground of all that is becomes the nucleus of radiant light at the heart of all beings. Extremes of hypo- and hyper-arousal create mystic experiences of the Self, which are interpreted as bliss whether as an experience of the Plenum of cosmic consciousness (hyper-arousal) or the Void (hypo-arousal).
At their extremes, meditative and exalted states reflect psychological and physiological paradox. At the moment of ritual climax or “eureka” there is a dramatic switchover to the sympathetic system in the experience of the unborn and undying nature of luminous awareness, awareness of awareness which is awareness itself. After the ceremonial act there a return to the recuperative parasympathetic system. https://ionamiller.weebly.com/emotional-alchemy.html
Psychic Archaeology
Jung's individuation is a process of transformation that brings the personal and collective unconscious into consciousness to be assimilated into the whole personality. Natural individuation is an unconscious process that follows the natural course of a life and passages in which individuals become what they always were.
Transformation in individuation is often experienced, and described, as a process of turning inwards. It emerged partly due to the renaissance and post-renaissance epistemological need to interiorize psychological life (Romanyshyn 1982, 1984) We need to take “inner” literally so. We can also look outside with an interiorizing vision, rooted in an increasingly interiorized soul life -- an interization of self, community, world, and cosmos.
While Jungians and post-Jungians stop short of promoting unitive experience, some of its philosophy maps onto and provides a contemporary context for Neoplatonism. Life-changing experiences, unitive mystical experiences are generally spontaneously occurring states of consciousness characterized by a sense of unity or “oneness” that transcends sensory or cognitive apprehension (Stace, 1960).
Stace explained that in profound spiritual experiences the complex multiplicity of normal consciousness collapses into a simpler state where a sense of an all-encompassing unity or “oneness” with others, the world and/or “God” is felt. He emphasized that there is a collapse in the most fundamental dualities of consciousness (i.e., self vs. other, subject vs. object and internal vs. external) in the unitive state.
Stace identified seven core characteristics or universal components of the spiritual experience: 1) diminished spatial and temporal awareness, 2) diminished subjectivity (equivalent to increased objectivity), 3) feelings of profound joy and peace, 4) a sense of divinity, 5) paradoxicality (where two opposing things appear to be true), 6) ineffability (the difficulty of expressing the experience in words) and 7) a sense of oneness with the world, otherwise known as “the unitive experience.”
Jon Mills suggests, "Despite it being the focal point of his theoretical system... Jung vacillated between viewing archetypes as analogous to primordial images and ideas inherited from our ancestral past, formal a priori categories of mind, cosmic projections, emotional and valuational agencies, and numinous mystical experience, but the question remains whether a ‘suprapersonal’ or ‘transubjective’ psyche exists."
Lionel Corbet says, "Some of Jung's writing reveals a non-dual sensibility, especially when he describes the Self as the totality of the psyche, and in his stress on the unus mundus and synchronicity. But overall he tends to favor a dualistic approach to the psyche; he never relinquishes the importance of the ego, he believes that the Self needs the ego to become conscious of itself, and he does not focus on pure consciousness beyond its images."
Without hypostatizing the idea to some otherworldly plane, Jung suggested our primordial behavior is informed by archetypal images. This is the difference between a psychological and a metaphysical, "spiritual," or religious approach and worldview. Jung saw consciousness as "essentially the psyche's organ of perception, it is the eye and ear of the psyche." Even the scientific view is still infused with unconscious myths and symbols, as "all that comes into our heads proceeds from the unconscious." (ETH Lecture II, April 27, 1934, pg. 98).
Metaphysics is a broad area of philosophy marked out by two types of inquiry. The first aims to be the most general investigation possible into the nature of reality: are there principles applying to everything that is real, to all that is? We can abstract from the particular nature of existing things what distinguishes them from each other, and what can we know about them simply because they exist?
All it takes is literally looking at the matter more closely. In Matter and Memory (1896), Henri Bergson suggested that memory 'imports the past into the present while contracting many moments of duration into a single intuition, while reshaping it. Multidimensional memory resonates in many directions, intersecting pasts and undefined futures. When the personal level collapses into the archetypal core, we have a unitive experience. We look forward and backward in a different way.
Paradoxically, it requires digging down into the unconscious strata of the deep past with 'psychic archaeology,' with its intrusions, excursions, and displacements.
Such a journey implies the creation of a set of beliefs and emotive issues imperative for such an irrational underground journey where time is abolished. There is always a context for a process. Enduring pressures must have kept driving people underground, as they drive our emotional descents today.
Relevant artifacts may or may not be found in definable layers of exposed strata. The archaeological matrix has distinct features revealed in the ways that ancient societies thought and their symbolic structures. The cave itself is an integral part of the image. Picasso implied inherent genius when he said of the cave painters, "None of us could paint like that."
We can only attempt to discern the context and thought processes of ancient people. Cave and community were once synonymous. Parietal art is the archaeological term for artwork done on cave walls or large blocks of stone. Of prehistoric origin, some date to 40,000 years or more. The deep realm of no light gives birth to the creative impulse. Every color is an illumination in ensembles of images stacked upon one another.
We should remember such art was dynamic not static, likely accompanied by music and chants, as well as flickering light that encourages pareidolia. The image-maker interacts with the animated cave wall, which comes alive with imagination. This is not just making art, but making something special.
We can respond to a stimulus, usually an image or a sound, by perceiving a familiar pattern where none exists. Was this the suggestive template of early art as well as nature, dreams, and rituals? We still see creatures and faces in unusual places; they inhabit and enliven our imaginal world. Just because you change your religion, or change your gods, doesn't change that special places remain sacred.
We're still somehow squeezing through narrow openings in the translucent material of our depths. We may hear the thunder of underground streams doing their own sculpting in the depths. It forces us to crawl again, even to slither down mud banks, little realizing a confrontation awaits informing our exhausting journey. Each nook and cranny a potential revelation, such crawlspaces can even lead upwards to new passages at higher levels.
Is it any wonder that when we turn within we still grope our ways through the dark of the labyrinth of subterranean passages and chambers with metaphorical flaming torches and delicate tallow lamps? Is the entrance to our underground passage blocked by ancient debris, by the Paleo- and Neolithic baggage of our remote ancestors? The questions we can ask about those original artists are the same ones we can ask of ourselves today.
Why did they undertake such a hazardous journey 13,000 years ago; what emotions did they experience; why did they believe their art was important; what did they believe about the images on the wall; what did the subterranean journey do for them?
Why does the human mind fashion unseen forces and spirits? They take us to the heart of what it is to be human today. Like geological history, our lives can be punctuated with virtually catastrophic events from which we rise or fall.
The way we answer these questions leads through the labyrinths of Western thinking, cultural circumstances, and philosophy Long before Plato, the 'mind in the cave' was the oldest image of the emergence of consciousness and art.
Areas of interest revealed in discovering our human antiquity include personal identity, selfhood, subjectivity, memory, consciousness, spirituality, emotion, motivation, cognition, madness, and mental health.
Psychological anthropology and archeology is the study of human mental activity in the past. The archeology of our current behavior uncovers hidden sources. The “ruins” of personality architecture and cultural landscapes are hidden sources, including intentional and nonconscious motivations.
The in-depth surface may be tilted or contain burrows, or other anomalous features, metaphorical and real. We have to keep digging underneath the obvious and questioning meaning and our interpretations, mining for psychological gold and the fossilized bones of our ancestors for their lived and unlived lives.
Psyche exists as a source of knowledge: "…nature exists without human aid, can deal with her processes herself, has everything in herself to bring about transformations, to move from the depths to the heights and down into the depths again." (Jung, Modern Psychology, Page 42).
The secret is inside the creation and based in the study of nature and our own nature. We become more integrated by bringing more of the unconscious and mythic into consciousness. Fundamental awareness has no intrinsic form, content, or characteristics. So awareness is less about the dualism of mind and matter, light or dark, or polarized good and bad, but more about the dualism of awareness and the contents of awareness.
Continually recurring fundamental ideas can arise from the archetypal potentials of objective psyche. Generally similar ideas are modified by era and context. We can recognize their archetypal core. We live in archaic identity with the absolute unconscious. Archetypes are the psychophysical interface of emotion and energy, linking inner and outer realms. The form of opposites become distinct but conjoined as they enter consciousness.
Such numinous assertions and feelings produced by psyche may or may not express universal 'truths'. We perceive the psyche with intuition, but not everyone has discriminating intuition and clarity. Our universal vision is as limited as our rational and irrational human vision. Intuition exalts and redeems us through connection with our core -- the midpoint of our internal Cosmos.
Sacred symbols resonate in the archetypal levels of the human psyche and can cause spiritual change and expand consciousness. Transformation is from a mechanical or conditioned mode of being to a lively energetic being.
We learn to function at coherent energy levels that can be manipulated with various subtle methodologies to harmonize the flow of vital energy, letting us know and be known in the inner realm. Novalis said, "The seat of the soul is where the inner world and the outer world meet. Where they overlap, it is in every point of the overlap." (Blutenstaub, Pollen)
Individuation is “coming to selfhood” or “self-realization,” the act of becoming a distinct and integrated unity. It is the explicit realization of what was previously implicit and latent, the extension of personhood beyond the human. It is a completely natural process necessary for the integration of the psyche -- patterns, coherence, connectedness.
The Jungian process of individuation involves the addition of unconscious psychic tropes to consciousness in order to achieve a trans-conscious center to the personality. Jung never intended this addition to take the form of a complete identification of the Self with the Unconscious.
Passage through adulthood reveals the need for the realization of natural potential to be an innate process. We exercise it without conscious awareness. The psychological approach echoes ancient philosophy, healing, and magic disciplines. Those lacking such experience can never understand it, but that does not nullify its existence. Getting it conceptually is not the same as knowing it experientially, thus, all "esoteric" secrets remain concealed from the uninitiated.
“The difference between the "natural" individuation process, which runs its course unconsciously, and the one which is consciously realized, is tremendous. In the first case consciousness nowhere intervenes; the end remains as dark as the beginning. In the second case so much darkness comes to light that the personality is permeated with light, and consciousness necessarily gains in scope and insight. The encounter between conscious and unconscious has to ensure that the light which shines in the darkness is not only comprehended by the darkness, but comprehends it. ...the source from which the individuation process rises and the goal toward which it aims is nameless, ineffable.” (C.G. Jung, Answer to Job)
Jung calls individuation an unconscious natural spontaneous process but also a relatively rare one, something: “only experienced by those who have gone through the wearisome but indispensable business of coming to terms with the unconscious components of the personality.” (1954, para 430).
Jung said, "Consciousness is essentially the psyche's organ of perception,
it is the eye and ear of the psyche." (ETH Lectures, Vol. II, Page 98).
Deific Self
Arguably, individuation can do without the teleological goal of attaining the Self in all its humanity and divinity, but in magic it is primary. The presence of this deific self is not indicated by wonderful personal powers but by archetypal images. "As all images can gain this archetypal sense, so all psychology can be archetypal … ‘Archetypal’ here refers to a move one makes rather than to a thing that is” (Hillman 1977 b).
The glorification of a subject to divine level, apotheosis, means"making into a god", a belief, and an art. It isn't tools that set humans apart, but art, including the invocation of cosmic apotheosis. From earliest times art and religion went together, the power to represent and create -- the genius of artistic instinct.
If the expression isn't rigid or blank, even a statue can signal interiority and invite us as spectator to psychologize it. It acquires a body, a soul and that is what allows us to interact with it, to bring it into existential partnership. The ideal body proportions, a god-like or perfect form, embodies harmony and virtue of the cosmos.
Art is an adventure into an unknown world. Art engages our spiritual impulses and has always been used to express our spiritual longings. The noetic field is the most inviting medium because it is not flat, but multidimensional.
"...mythical figures... provide the poetic characteristics of human thought, feeling, and action, as well as the physiognomic intelligibility of the qualitative worlds of natural phenomena.” We are, "deliberately affiliated with the arts, culture, and the history of ideas, arising as they do from the imagination." (Hillman)
The collapse of superpositions of all potential, a multiplicity of perspectives, into the singular embodiment of the aspirant means transformation and augmentation as an archetypal image. Archetypal images universalize, depersonalize, and amplify. Everything has a symbolic dimension. This conviction evokes the deific self-image, enlivens the deific mask as we recognize its essential and collective importance.
What do we assume about how the human self reacts in the presence of God, gods, or other 'divine' forces, entities, or elements? What does it mean to physically embody human as temple and cosmos in material being -- juxtaposition, fusion, blending? What is the essential nature of our lived relationship to the divine, the blended self, the centripetal and centrifugal self, divine fluidity and embodiment -- divine/nondivine self-conception?
Magic is an archaic way of encouraging the unfolding potential of natural individuation, including a way of thinking about the world. In “Access to Western Esotericism,” Antoine Faivre says that magic rears its head when we try to process correspondences that “unite all visible things and likewise unite the latter with invisible entities.”
Magic has always been a traditional but controversial approach in which action precedes reflection. Theurgy is an esoteric approach to enlightenment -- a great multidimensional magical system of self-cultivation through initiation and divine works of consciousness rooted in the subliminal realm. "The magical word is one that lets “a primordial word resound behind it”'; magical action releases primordial action." (Carl Jung, Letters Vol. 1, Pages 59-63)
The mystical center or inner temple of humanity is an internal numinous reality, the way we perceive and interpret the world and intuitive recollection of implicit memories. An important part of memory actually belongs not solely to what emerges on the surface of our affective consciousness but equally to what stays in the background.
The past remains: not as hidden senses or traces in some deep repository of the mind, but rather in the way these events shape and change one’s experience and thereby prefigure the totality of one’s attitudes towards the present and the future. The unconscious past-horizon is what enables the present itself to be experienced in a way that has a meaning within, and is coherent with, the whole of our experience.
Unconscious Goal Pursuit
In nature, the “unconscious mind” is the rule, not the exception. We can discover the intentional nature of the unconscious, the unsuppressed mind. Raising subliminal content to consciousness intensifies it. The unconscious mind is a pervasive, powerful influence over such higher mental processes, priming and automaticity effects; it is highly intelligent and adaptive.
The interaction of unconscious reflexes and explicit, conscious memory is to simulate future, potential actions --being and becoming. Unconscious goal pursuit is an open-ended system. The active goal or motive is the local agent by which the genetic influence from the distant past finds expression. Evolution works through motives and strategies. Studies show that unconscious goal pursuit produces the same outcomes as conscious goal pursuit.
Conscious goal pursuit makes use of already-existing unconscious motivational structures (Campbell, 1974; Dennett, 1995). The goal operates on whatever goal-relevant information happens to occur next in the supraliminal experimental situation, which could not be known to us beforehand. The unconsciously operating goal is able to adapt to whatever happens next and use that information to advance the pursuit of the goal.
The goal concept, once activated with or without the participant’s awareness, operates over extended time periods, with or without the person’s conscious monitoring, to guide thought or behavioral impulses towards the goal. This is essentially the transformative process and multidimensional source intelligence.
In contextual priming, the mere presence of certain events and figures automatically activates not only our representations of them, but all of the internal information (goals, knowledge, affect, symbol chains) stored in those representations that is relevant to responding back. The unconscious is no less flexible, complex, controlling, deliberative, or action-oriented than conscious awareness. Individuation actualizes the latent existential self which is creative, living, fluid.
Spirit Becomes Personal
Theurgy is a sacramental mystery rite that overlaps into the realm of magic and the occult. It is a ritual process in which the initiate’s mind and vision is purified to behold and “see” the majesty of the gods, through consecrations, prayers, unintelligible incantations and various meditative practices.
The theurgists were concerned with purifying and raising the consciousness of individual practitioners to the point where they could have direct communion with the gods. They inherited the tradition of ancient Greek Mysteries which aimed to introduce the candidate directly to the gods.
Magic, a triggering stimulus, develops a relationship between them. With theurgy, ideally one could experience union with the divine and prepare ritually for the peak experience of encounter and union with the innermost core of reality. The transcendental condition of the possibility of all knowledge is human as a concrete, embodied, spiritual being who is not above and outside empirical reality but is distinct from purely natural human.
The theurgist had a concrete embodied experience of the doctrines and truths developed on paper. The new living reality comes alive. We are a small universe is the basis for knowing ourselves. Truth as a living force creatively transforms reality. This theurgic aspect of knowledge is the field effect of absolute space.
Direct experience became the only way to determine fact from legends of antiquity. The Egyptian theory of salvation became the purpose of Greek philosophy. The doctrines of Plato are traced to their Egyptian origin, as he taught nothing new. Magic is the key to the interpretation of ancient religion and philosophy.
http://www.thehouseofsankofa.com/books/eBook%20Stolen%20Legacy.pdf
To be a philosopher was a vocation and a commitment to a way of life. In their day Greek philosophers were a minority of undesirable citizens, who were victims of relentless persecution at the hands of the Athenian government. Anaxagoras was imprisoned and exiled; Socrates was executed; Plato was sold into slavery and Aristotle was indicted and exiled; while the earliest of them all, Pythagoras, was expelled from Croton in Italy.
That conscious-unconscious connection is honed down through time into the beyond, not blocked by their philosophy. Concept activation and primitive associative learning can occur unconsciously, enhancing our ability to process subliminal-strength information. (Bargh, Morsella, 2008)
Sacred Art of the Adepts
Magic is a holistic approach prioritizing transpersonal aspects of the unconscious, enhancing complementarity of conscious and unconscious. There are two main approaches in the phenomenological understanding of the unconscious. The first explores the intentional theory of the unconscious.
The second develops a non-representational way of understanding consciousness and the unconscious, the pre-cognitive life of subjectivity. This sedimented unconscious contributes to the way we implicitly interpret reality, fill in the gaps of uncertainty, and invest our interactions with meaning. Archetypes are our non-representational relation to the past, a sort of over-the-horizon GPS from our archaic past.
Theurgy means ritual knowledge, theoretical and operative which connects the aspirant with the one Self, "One" or "All", or "Universal Mind", the unitive agent, ‘perfectly ineffable’, even "God," to experience other entities and spiritual realities. Divinity is nothing other than the Gods themselves.
A wealth of esoteric knowledge is managed and deployed in an intuitive system organized in a contemporary operational key. Each of these experiences have powerful consequences in the awareness of the Initiate. Proper alignment with the divine current is what true, authentic, and genuine initiation does.
Magic and theurgy share similarities but differ in approach, agency, and intentionality. Both employ varying degrees of ritual, and use mental imagery or words to express the desired goal. In magic, the rituals, mental imagery, and words are used to raise and empower the personal ego and its egoic will. Theurgy is not personalistic, and the rituals, mental imagery, and words are used to merge the personal will with God's Will, The Way of the Heart.
The theurgist gets into a special state of mind, direct access to the wondrous mystery of existence, an ascent into darkness and silence, contacts universal knowledge or Source, and unites in a non-dual epiphany, an experience of sudden and striking self-realization. We can extract meaning from stimuli of which we are not consciously aware.
Theurgy is presented as more elevated than theoretical philosophy, as a legitimate method of ascent in Neoplatonism. It is really a self-selecting path for the very few who are called to the ancient philosophical practice, a synthesis of magic and cosmogony.
Understanding is crucial to properly engage the material and non-material cosmos through the hieratic art. The "hieratic" style, means "sacred" or "holy" -- a sacred aesthetic of awe. “Sacred art,” hieratics implies ritual bound art is a relating quality, awareness of the aesthetic dimension. The hieratic image of an immobilized body is neither passive nor idle, but a disciplined body keeping still -- a statement of undisturbed presence, focus and concentration, even transport.
Visionary Art combines the Humanist and Hieratic Styles throughout history. Hieratic design can be understood anthropologically as an iconographic and ritual mode rooted in imagery, body habits, and physiological disposition. It is characterized by enhanced body postures and embodied power. It elevates the visual and acoustic environment.
Inspired Philosophy
Theurgy is a stepchild of Platonic philosophy, but part of a more ancient tradition -- the hieratic discipline of the Egyptians passed by the Pythagoreans on to the Hellenic Greeks. The story pf spiritual ascent and mystical union has history in it, but it is also a mystery tradition invented and maintained by writing about it. The audience are already philosophers with reverence for the written word. Divine revelation alone is true philosophy.
Theurgy can be applied in principle to any ritual. It flourished and evolved from its original, pagan associations with The Chaldean Oracles in the second century, through a peak in the 3rd to 6th c., to the Christian mystical theology of “Pseudo”- Dionysius the Areopagite in the early sixth century.
“For the theurgists do not fall into the herd which is subject to Destiny,” says the Chaldean Oracles. It implies, the theurgist is not compelled to reincarnate, but may choose to do so to help others on the path.
Porphyry was a skeptic, while Iamblicus was an enthusiast. Critics naturally wondered if theurgy is really essential and whether it achieves what its supporters claim. Each stage must be viewed in its own context. Philosophical discipline and theurgic practice is largely private but sometimes performed with a small group of initiates.
All eras or stages don't map onto one another, but contain discontinuities in timeline, theory and practice, different elements and emphasis, with common underlying themes within the ascension mode, connecting humans and the divine, and producing visions.
Theurgy is the work that the gods themselves do, presumably in and through the theurgist, who becomes a vessel for divine action. It helps enable activation of the full potential of the individual soul at the highest level possible in the hierarchy of reality.
The ancient philosophy, in its original Orphico-Pythagorean and Platonic form, is a way of life in resonance with the divine or human intellect (nous). It is also the way of alchemical transformation and mystical illumination achieved through initiatic 'death' and subsequent restoration at the level of divine light. Cosmic initiations were aimed at the pneumatic and luminous vehicles of the soul. The aspirant is made whole again after dispersion into multiplicity.
The divine way of life that had been the inheritance of Platonists and Pythagoreans was being lost, according to Iamblichus, due to mistakes in metaphysical thinking, especially the exaggerated importance of abstract thought over the direct experience of the gods. He encouraged theurgists to receive the gods in their bodies. For Iamblichus, our aesthetic experience is not an obstacle to deification; it is, in fact, the only way to embody the god.
This is the practice of primacy of experience over belief signifying a heightening in the sensory and imaginal dimensions -- a convergence of the peculiar properties of visual space, tactile space, kinetic, proprioceptive, and cosmic space. It emphasizes manifestation of the divine in the created world, as natural objects, the self, and art.
Modern philosophy mirrors the old notion of animism. Animism is mirrored in modern scientific theory as panpsychism, the doctrine or belief that everything material, however small, has an element of individual consciousness. Emergent panpsychism denies that macroexperience is grounded in microexperience.
Panprotopsychism is the view that fundamental entities are proto-conscious: they have certain special properties that are precursors to consciousness and that can collectively constitute consciousness in larger systems. If it is the ground of macroexperience, all phenomenal truths are grounded in protophenomenal truths concerning these entities -- for example, fundamentals of mass and charge.
This ground for both physical and phenomenal properties may be mixed -- some phenomenal and some protophenomenal or unrelated to the phenomenal. Panprotopsychism does not need subjects at the bottom level. (Chalmers)
The idea that some fundamental physical entities have protophenomenal properties is a modern retrieval of archaic thought. It's all ensouled psychic being with phenomenal properties. Animism is the extension of human mind into nature.
Neoplatonics is a philosophy, metaphysics, and magical practice. The practice of natural magic is one of its major recommendations. The theurgist enters that ontological reality 'as if' it was real. Shaw (1967) contends that theurgy was a coherent approach, a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. We wake up to ignorance to transform it into wisdom.
Theurgy (3rd-6th c. CE) defines not what the soul does, but what the gods do through the soul. Iamblichus replaced the philosophical ascent of Plotinus with the divine ascent of the theurgists. Both begin with quieting the senses. The later Platonists were after more than a rational understanding of divinity. They wanted to recover an “innate gnôsis of gods ... superior to all judgment, choice, reasoning, and proof.”
Psyche fosters the deliteralization of life. Animism informed all life as the worldview that animals, plants, and inanimate objects—possess a soul or spiritual essence. As Plotinus said, "The stars are like letters which inscribe themselves at every moment on the sky. Everything in the world is full of signs. All events are coordinated. All things depend on each other; as has been said: "Everything breathes together."
To recover this gnôsis was to recover our divinity and Iamblichus maintained that the Greeks had lost touch with this sacred mystagogy -- radical non-dualism. Iamblichus unified the teachings of Plato and Aristotle within a Pythagorean framework and integrated this philosophic synthesis with the oldest forms of traditional worship.
Proclus integrated theurgy with culture, religion, philosophy, myth, and ritual. His key principle was that theurgy and philosophy are both rooted in imitation of the divine demiurgical activity of the cosmos.
Theurgy ritually enacts a way to enter mysteries that discursive thinking, necessarily divided, cannot penetrate. Theurgy is not opposed to philosophical thinking but is its culmination. The theurgy of the later Platonists followed Plotinian lines of reflection to the very roots of thought. The Lesser Mysteries, cleansing of the soul from bodily fixation, is a means to receive the transformative vision, the Greater Mysteries.
Theurgy is described as an effort to bring the Platonic tradition closer to Plato himself (and Pythagoras) and away from the radical dualism of the Gnostics. Theurgy implies a worldview whose consideration of the sensible world is deeply embedded in Plato's demiurgic cosmogony and Hermetic rebirth. The writings of theurgic Platonists and Hermetists share a common purpose: to make the soul immortal and divine.
Unlike the dualistic and gnostic deprecation of matter, material embodiment became the vehicle of salvation for theurgists, an attempt to ritually realign the human soul with the cosmos. The practice of this hieratic art united theurgists with gods through rituals specifically coordinated with their conditions and capacities. Deified theurgists do not escape from their bodies or from nature. They embrace both from a divine perspective.
An initial mistake is to read Platonism as dualism, assuming that Platonists want to escape from the material realm to enter the noetic world of immaterial Forms. This misreading of Plato is based on a literalizing his mythical language regarding the Forms.
It is certainly a misreading of theurgic Platonism. From a theurgic perspective, dualism and acosmicism mark a preliminary stage of the initiate’s experience followed by a monist or non-dualist embrace of the entire cosmos, one that marks the culmination of rebirth and immortalization. The initiate's limited, mortal view is replaced by the universal perspective of a god, the goal of both theurgy and Hermetism. (Shaw)
Hermes insists that rebirth into divinity “cannot be taught.” Hermes demonstrates rebirth as becoming united with the will of the Demiurge, participating in cosmogenesis, chanting or singing the universe into being. Entering this state is shifting orientation from part to whole, from mortal to immortal.
Rebirth is giving birth to the cosmos. The trigger for this transmission is silence, when the mind becomes still, when we become utterly receptive. What cannot be thought can still be received and enacted.
Iamblichus maintains that theurgy cannot even be thought. For Iamblichus “contact with the divine is not knowledge (oude gnôsis).” True knowledge of the gods, he says, cannot be reached through dialectical discussion, for “what would prevent theoretical philosophers from achieving theurgic union with the gods?
Generated by the gods, this world is the channel of return: “Iamblichus’s solution was that the blessedness of embodiment as portrayed in the Timaeus was available to the particular soul only by imitating the activity of the Demiurge, and this was possible only through theurgic rites” (Shaw, 55).
Magic was pursued as enactment of the divine will and an aid in regeneration. Organic unity of the cosmos was held together by natural correspondences that could be harnessed. Active natural magic can positively reshape identity and destiny.
Theurgy is way beyond our ordinary frame of reference. Even among those occultists, mystics, mages, or Jungians who might flirt with alchemy, qabalah, and astrology for symbolic insight, few become masterful practitioners of such arcane mantic arts and magical formulae.
The real revival of Neoplatonism ignited when humanists revealed the treasures of late antique Greece to the Renaissance intelligentsia of Italy, France, and Germany. A quintessential religious philosophy, Neoplatonism has motivated the development of both systematic metaphysical speculation and mysticism. Plotinus tried reconciling the Platonic paradigm of the philosophical life with highly elaborate metaphysics.
The orientation of this movement was an avid intellectual curiosity directed toward imaginal contemplation mainly in terms of the classical ideas and Gods, and by a particular devotion to Eros and to soul. It was held in the net of Neoplatonic metaphysics dependent on the Platonist fantasy of the psyche. Consciousness itself is essentially non-local existing outside of time and space.
Plotinus described an order of three primary, hierarchical realms or hypostases: the One or Good, Intellect (nous), and World-Soul (psyche). The One, worshiped in silence, is a complete unity-in-itself, nondual. The Intellect, the second hypostasis, is a unity-in-diversity. Its nature is undivided while multiplicity simultaneously subsists within it. As the Intellect is a unity-in-diversity, the World-Soul is a unity-and-diversity.
Plotinus asserts that our world and all entities are ensouled. The World-Soul is immanently present everywhere and in everything. This soul is the bearer of a precise form of consciousness. The plurality of souls subsist within a totality. Individual souls are the many facets of the world soul itself.
They also inform the human microcosm (immanence), as well as the universe of the macrocosm (transcendence), and the path of aspiring to the Good -- a participatory metaphysics. This Neoplatonic cosmology of reciprocal sympathy is a top-down view of the universe that is very human, namely what it means to be human.
Theurgy in Neoplatonism
Neoplatonism designates a strand of Platonic philosophy that began with Plotinus in the third century CE against the background of Hellenistic philosophy and religion. Neoplatonist notions on the subtle body inspired Renaissance thinkers such as Marsilio Ficino and Paracelsus in their formulations of the (World or Cosmic) Soul, spiritus, and the astral body.
In Neoplatonic metaphysics, spiritus governs and animates the body. Ficino defines spiritus as the element which links the immaterial soul to the material body. It retains images and memories perceived by the soul and elaborates new representations. Our memories are encased in fantasy. Through establishing contact with this spiritus we can contact the World Soul and the stars, for they are present in this spiritus.
The corpus mundi and anima mundi became linked by the ‘spiritus mundi’. According to Ficino it was ‘necessary’ to practice the ‘magia naturali’, natural magic. He rejected the more ‘demonic’ magic and conjuring that needed to be excluded, to nourish the spiritus and to support a healthy state of being.
Renaissance Neoplatonists developed the overall idea that the microcosmic Soul could merge with the macrocosmic World Soul that enables us to participate in universal wisdom. Spiritus was considered the first instrument of the Soul and it took a central place in the discourse of magic.
http://booksandjournals.brillonline.com/docserver/18725473/6/1/18725473_006_01_S03_text.pdf?expires=1525679051&id=id&accname=guest&checksum=C0DB68FDE2A3C17C084D798794B3EA0E
The three basic principles of Plotinus' metaphysics are called by him ‘the One’ (or, equivalently, ‘the Good’), Intellect, and Soul. Plotinus believed in one universal soul, which correlates with the Anima Mundi in which symbols are adoring the immaculate holiness of life. When Proclus proclaimed, "The God is One, the gods are many," he distinguished philosophical monism from polytheistic theology.
The objective psyche is the imaginal world revealing the secret essence of the gods. In the soul psyche is as real as the physical world. Finding, knowing and using mystical signs characterizes the theurgist, a master of the hieratic art. That symbolic understanding becomes fully incarnated by the grace of divine revelation and different modes of 'presence' at all levels of reality.
The Neoplatonists also referred to an imaginal body, theochema, a vehicle for operating in the subtle realms -- a subtle body or virtual reality. Synonyms include the astral body, the glorious body, the spirit-body, the radiant body, the resurrection body, the luciform body, the celestial body, the ‘augoeides’ (radiant) or ‘astroeides’ (star-like or sidereal body), and the diamond body.
The Western origin of the subtle body is rooted in Hermetic, Platonic, and Gnostic literature. The phenomenon was considered the heart of several forms of magical, mystical, and alchemical practices related to esoteric traditions such as (Tibetan) Buddhism, Theosophy, and Hermeticism.
This body of light, the central structure of worship, can be developed by magical (theurgic) practices. Theurgy is experimenting with the underlying categorical structure of imagination. The symbols of the gods are opaque to the human mind and do their work by themselves. They are for use, not explanations.
Theurgy relates ultimately to nondual experience beyond discourse. The dialogical self can be seen as a multiplicity (radical plualism) of I positions or possible selves, with a decentralized, polyphonic character. This view dissolves the sharp "self-not self" boundary.
Transpersonal theory is wholly based on the "Dynamic-Dialectical Paradigm," conversations between the ego and the dynamic ground of psyche (Washburn, 1988). Its static representation is the "Structural-Hierarchal Paradigm." In the therapeutic context, Jungians refer to this dialectical process as "active imagination," engagement of the ego and the unconscious.
Proclus thought that since philosophy is related to the divine, it should not disregard mythology and theurgy. Myth represents relationships outside space and time as events in mythological history.
Theurgy's invocations symbolically evoke divine illumination. The awakening of the occult life residing in the Divine Name is an image which enlarges the soul's field of vision. Symbolic operations resonate with the imagination and permit communication with the gods. Initiation is theurgic, and ideally culminates in nondual experience.
The history of theurgy is the history of the soul and our cosmological relationship to it and to spirit. Theurgy is an emotionally-loaded topic and magic, naturally, has been the object of religious persecutions in an attempt to keep paganism at bay, as described in Gregory Shaw's Theurgy and the Soul:
"Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240-325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. The theory and practice of theurgy was the most controversial and significant aspect of Iamblichus's Platonism. Theurgy literally means 'divine action.' Unlike previous Platonists who stressed the elevated status of the human soul, Iamblichus taught that the soul descended completely into the body and thereby required the performance of theurgic rites--revealed by the gods--to unite the soul with the One. ...Iamblichus's ideas persisted well into the Middle Ages and beyond. His vision of a hierarchical cosmos united by divine ritual became the dominant world view for the entire medieval world and played an important role in the Renaissance Platonism of Marsilio Ficino. ...But modern scholars have dismissed him, seeing theurgy as ritual magic or 'manipulation of the gods.' Theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. (Gregory Shaw, Theurgy and the Soul)
Magic is more than the mere use of occult qualities or invisible principles to bring about, by invisible media, a certain effect. The Greek word for magic means wisdom. How should wisdom be pursued and activated? Neoplatonism was an evolutionary leap from the dubious superstitious magic, conjuring, and necromancy of the Middle Ages.
The special knowledge of the magician is an understanding of the invisible cords which connect everything. Since the only means for manifesting the supra-cosmic gods was through the unity and sympathy of the material world, the theurgies which worked in both orders (spiritual and physical) have the same divine cause and are integrally related.
Magic is transformation, and the magician causes transformations in the inner world as well as the outer world. We must start with the inner world, however, in order to achieve the necessary self control.
There is a theurgy which concerns itself with worldly or material benefits from the intramundane gods working through sympathy. Another higher type of theurgy makes use of the lower level of reality but transcends it by analogically becoming it.
The aspirant is raised to the divine level and communes with the transcendent gods for immaterial benefits which concern the very 'salvation' of the soul and union with the radically transcendent divine. The writings of theurgic Platonists and Hermetists describe a common purpose: to make the soul immortal and divine.
They Know the Self
The central idea of philosophy is to 'Know Thyself.' If the theurgists were not interested in the ego-fulfillment of lower magic, what exactly were they seeking in rituals of unification? The profound understanding of the one self, the depth of the human being, and the nature of ultimate reality...the mind looking at itself. Cosmological mysticism with theurgy is a means to that nondual end -- using ritual to ignite the unitive state that transcends it.
There was a time when being a true philosopher meant loving wisdom in its nakedness, seeking the underlying principles which embodied her through direct experience -- pure awareness of awareness. The magician finds Nature beautiful in her essential nakedness, and hopes for a sacred union. We should pursue wisdom in that same nakedness -- non-conceptual, pure, intrinsic or natural primordial awareness -- empty awareness.
The "Great Perfection" of Tibetan Buddhism aims at discovering and continuing in the natural primordial state of being. Dzogchen refers to such self-liberation as 'the ground of primordial perfection,' sustaining our experience of being in naked awareness, by remaining within the field of timeless awareness, wisdom awareness, the radiance of awareness. Kabbalah calls it Ain Soph Aur, Limitless Light, "boundless (infinite) light." Radiant wholeness is the energetic field of being.
Light is an excitation of empty space, which is really a plenum. It is an unobservable infinite energy field – a sparkling, radiant diamond-expanse. This diamond-like clarity of truth unveiled is perceptible through meditation, wisdom, inspiration, creativity and genius. Undifferentiated creative energy is the source of Knowledge, gnosis.
There is tremendous spiritual potential in emptiness. A return to the absolute void is a return to the womb for rebirth after destructuring or creative regression. It means a process of ego dissolution and personality deconstruction, swimming upstream against the flow of the stream of consciousness to our Unborn roots. We reach “escape velocity” beyond our personalistic behaviors, emotions, thoughts, and beliefs about who "we" are.
The ego "takes the plunge." It lets go and dissolves its old matrix, its old boundaries. When its boundaries melt, ego-consciousness dissolves into deep consciousness. The "wave merges with the ocean," and experiences its own deep transpersonal nature.
It awakens to an infinitely wider reality of universal energy waves. In the ocean of creativity, "your own consciousness, shining, void and inseparable from the great body of radiance, has no birth, nor death." All substances are part of our own consciousness. This consciousness is vacuous, unborn, and unceasing. (Leary, 1964)
Jung associated universal mind, as the transpersonal source of being, with the Collective Unconscious, which contains all information in subtle form. All things in the universe have a connection with the universal mind. Nothing can exist without that unmanifest connection to everything else. Separation is an illusion for we are all one.
Jung termed the nondual "Pleroma," where nothingness is the same as fullness"...an Absolute in which there is no division between subject and object. Jung intuited this nondual Pleroma to be a collective transpersonal reservoir, an ocean of collective unconscious. From this omnipotent universal Pleroma our individual psyches coalesce around "attractor archetypes." In this sense Jung echoed the eastern axiom: "Emptiness is Form, Form is Emptiness."
Cutting through mere stillness reveals an undivided, wide-awake, clear and vivid state. Jung described his intuitive apprehension of the Pleroma exhaustively in Seven Sermons to the Dead. Jung's Plenum is a field of universal potential, unbound luminosity and infinite awareness. We penetrate the true nature of all phenomena.
Only the radiant state of clear consciousness remains. All clarity comes from this luminous substrate shining through normal sensory and mental phenomena. All phenomena emanate from absolute space, including those that constitute our subjective phenomenal experience. Absolute vacuum is only realized by contemplative insight in primordial consciousness. Awareness becomes limitless in scope. All states are permeated by the clear light of primordial awareness.
https://photonichuman.weebly.com/wisdom-light.html
Metaphysical Magic
Arguably, theurgy as metaphysical magic is the most controversial and significant aspect of philosophy. Metaphysical levels are also psychological states. Plato gave us a place in the cosmos, the one Self. Aristotle explained methods of absorption. Subsequently, the Stoics gradually built the bridge that linked universal pneuma with individual pneuma and health. Iamblichus, however, called the highest virtue ‘theurgic’ and was followed in this by his successors.
https://books.google.com/books?id=F_JsRSCAqy8C&printsec=frontcover#v=onepage&q&f=false
Theurgy is a highly eclectic system of spiritual development rooted in Platonic philosophy, using contemplation, ritual, and the employment of an elaborate cosmology. It is a wedding of Platonic mysticism and philosophy, Chaldean occultism, and the Near-Eastern magic of the time, ensoulment or “animation,” of sacred images.
It is not simply mediumistic. It has an aspirational ideal of self perfection (nondual), a dubious goal today if pursued as obsession. Perhaps we can call it using free creative acts to realize our god-given potential. Orphic theology was highly regarded by the late Platonists in the line of Iamblichus, who defended theurgy, based on the validity of the distinction between religion and magic.
Iamblichus thought invocation of the gods was the culmination of Platonic philosophy. Plato himself contended when you play, the noblest game is consecration to the divine. We must play philosophy as if we had no boundaries in searching for our own ignorance (synoptic vision).
Theodosius I encouraged and allowed the wide-scale massacre of philosophers and magicians, the ruin of Hellenic and Roman temples (which functioned as libraries), and the destruction of the famous Temple of Apollo at Delphi. In 393 CE, all pagan rituals were banned. The final banishment of the philosophers came under Emperor Justinian, when an extraordinary part of the western spiritual heritage was destroyed.
The paradigm of theurgy is activation of divine potencies in matter. Theurgy was retrieved with hermetics, Plato, and the Alexandrian mystics in the Renaissance by Ficino, Bruno, and Pico. These greatest thinkers of their era had humanistic and magical concerns. The pinnacle of the human condition is to be exalted and consumed in divinity.
Pico was a both a Neoplatonist and a humanist who synthesizes all the strains of Renaissance and late medieval thinking. He thought magic was a means, not an end, a way of purifying the soul and enlightening it before it sinks into the divine abyss at the peak of its non-dual experience. The soul’s perfection or teleiosis was still imagined as the climax of a rite of initiation. The ultimate was a loss of self, absorption into the divine by becoming one (henosis) with God.
The project that Dionysius defines at the start of the Mystical Theology is to move inward as well as upward to the divine “darkness of unknowing,” a voyage that demands “unqualified and unconditional withdrawal” from the world and finally from the self. The aim of this experiential theology is to be something, not to know something.
Bruno both criticized and endorsed astrological concepts. Bruno and Pico used kabbalah as an alternative method to contemplate nature. Their curriculum included grammar, rhetoric, moral philosophy, poetry, and history from Latin and Greek literary authors. Ficino's theurgy significantly influenced John Dee's magical practices.
Bruno adopted Kabbalistic elements in his cosmological system because of the mystical efficiency of the theosophical and theurgic Kabbalistic approach. He also accepted the magical Egyptian religion of Asclepius and saw the Egyptian magical religion as Neoplatonic theurgy and ecstasy, the ascent to the One. The creation and application of magical images is integral to Bruno's philosophy. Theurgy means "acting on god" as opposed to Theology.
First and foremost, theurgy is about the soul, with the aim of incarnating a divine force. The ingredients were the same in all of these cultures: the simultaneous existence of a spiritual philosophy which united humanity with the heavens, of a detailed paradigm for medicine, and of a sophisticated cosmology. In all three, an invisible life force or cosmic breath played a central role in the Renaissance rediscovery of Neoplatonic theurgy.
Though neither Iamblichus or Ficino were outspoken supporters of ritual magic and magical images or talismans that the Picatrix instructs how to create, they both use the same tools in their theurgy. Likewise, the two systems are not mutually exclusive as all three sources use the same techniques for similar effects. Theurgic invocation and rituals accessing the divine mind were the antecedents of Christian sacraments.
Natural philosophy included what we now call science. They believed that the liberal arts should be practiced by all levels of "richness." Plotinus held you don't need wealth, status, or even grace to discover your true self, the immaterial nature of pure thought. They also approved of self, human worth, and individual dignity. They believed that everything in life has a determinate nature, but our privilege is to be able to choose our own path.
The hieratic rites synchronize mind and soul with divine truths and exposes them to transcendent essences. The theurgist’s voice fills with the power of invocations and sacred words. Movements are synchronized with cosmic forms and inner transformations. Intent and focus are placed upon images that are connected to a higher essence, connecting an apparent diversity with a transcendent unity, renewing our relationship with the numinous.
The archetype of that energy finally steps forward to touch the ceremony with its energy. Proclus tells us, its power travels through all components of the ritual like lightning travels through all objects without losing its own essential nature. All the senses and energies of the theurgist fill with an overarching unity.
The divine essence of the soul raises itself above intellect to absolute being. Iamblichus says the aspirant becomes “filled from above with transcendent gods." Iamblichus thought that theurgy changed the character of sensation and imagination in order that the soul's vehicle might be filled with the good -- divine light, the fire of truth.
Archetypal Psychology
Archetypal psychology revived the Renaissance perspective in the 1970s with works like Hillman's Revisioning Psychology and Facing the Gods, and Miller's The New Polytheism. It isn't about animating statues and making personalistic talismans, but animating ourselves and the world, again. The symbol is not a material object, but an internal 'likeness,' the images of the gods in our souls. The divine names are regarded as “vocal images.”
The Soul is the bearer of its precise form of consciousness. As Raffaele Floro says: "Soul consciousness is Knowledge, but knowledge of the objective psyche, which means on the one hand to go beyond the personalistic vision of Soul and on the other not to consider in a literal sense the relationship with the interior. ...life events only as personal occasions that escape any meaning except the utilitarian one, while the impersonal attitude [we could also say transpersonal] towards Soul allows to cross the moments of life as experiences lived on an archetypal level and illuminated by a sense that is present in the depths of the soul, but of a soul that is not simply "within me" but rather "I am within the soul." ("In Search of Soul, The Return")
This reflection is amplified by Hillman, who says: "The more we concentrate [the soul] inside and interpret the interiority in a literal sense as something that is within our person, the more we lose the sense of the soul as a psychic reality existing in all things."
The soul is the seat of psychological experience. Partial revelation is revealed by reason. Archetypal psychology conceptualizes from the point of view of the soul, or more accurately, from what the ego imagines to be the point of view of the soul. It claims to be Neoplatonic but is selective about which methods it adopts from that philosophy, perhaps both unconsciously and deliberately so.
Experiencing the archetypes as personified gods and goddesses active in our lives reveals the great powers shaping our moods, choices, and actions. But theurgy is the road less taken in this pursuit. It has a history of academic disrespect and religious misunderstanding and persecution.
Figures of the Greek mythological imagination still inhabit the contemporary psyche. We can find mythical backgrounds for personal experiences and how the Gods & Goddesses influence symptoms, ideas, attitudes, relationships, & dream imagery.
They also effect our beliefs and worldview, whether or not we are aware of it. Philosophy helps us wake up from false thoughts about the self through breaking through via discourse and dialogue about the Self. Socratic method questions with critical thinking to draw out ideas and underlying presumptions. Platonic methods and their fundamental dialogues
Mind is a symbol for the conception function. Philosophy is mind distilled to a very high degree. We look at the roots of our thoughts, and see the grounds of our belief are inadequate, and no longer believe our own fictions.
Plato is a psychologically profound spiritual discipline for eliciting and revealing our deepest assumptions. Ideas help us to separate ourselves from physical "facts." It purifies the mind by using the mind itself, seeing the nature of the mind. The only difference is whether you want to understand it or not.
Philosophically, the worst thing of all is to have a false idea of the nature of self and soul. Soul is not about forming conceptions, receiving sense perceptions, or the private mental, physical, or psychoid worlds either.
Soul is a 'root metaphor.' There is no escaping soul. There is psychological meaning in everything. Any psychical state then can be input to a psychological experience. For Hillman, even death is a metaphor, perhaps akin to the ego death of spontaneous regeneration or rebirth. Soul doesn't understand things the way our egos do. "The soul is less an object of knowledge than it is a way of knowing the object, a way of knowing knowledge itself." (Hillman, Revisioning Psychology, 130-131.)
Hillman sought to shift "the focus of Jung's psychology from individuation to 'soul-making.''' It's not as if we can stop the natural process of individuation, even if we actively change our perspective. Beliefs are conceptual not phenomenological. Do we have to negate philosophical insight and illumination brought about by rational understanding and analysis? Analogy and allegory is central to Plato's thought and its application.
How can we retrieve Plato and Neoplatonic roots (16th c. revival), and tetrads (Platonic tetrologies)? Jung tried with alchemy, Hermetic thought, and quaternities to describe Light and images seen, and image thinking whose source is belief having nothing to do with the visible world. The language of our problem has to fit the predicament.
Natural things and their source include the soul which emerges from nature. But Jung always avoids Plato and his philosophical spirituality, sudden metaphysical enlightenment as a gift of god -- the Divine Luminosity. (Grimes). To have that vision, Plato says you have to 'become' the One itself, inwardly in one's self, completely one out of many. Plato says to 'study the words of the [nondual] philosophers,' and they are quoted in alchemy.
Jung echoed Platonic notions when he said we need imagination, meditation (repeated dialogue with the self), and devoted connection to source. The Anima corporalis sustains the life force of the inner dialogue process over a long period of time, including amplified attention to dreams to awaken the Nous, the intuitive part of the soul, akin to the divine.
Ultimately, soul and mind are not ontological realities, but invented terms that fill a logical need. Soul is not as transcendental, nor as biological, as either metaphysics or science would have us believe.
"On the one hand it is about life, about how people think, feel, behave, their problems and their ways, not about the organs and functions with which they do this. On the other hand, it is also about spirit and the meaning of life to people and the meanings are not exhausted by a history of ideas." (Christou, The Logos of the Soul, 30)
The philosophers work by making themselves One and turning the mind upon the soul. The secret of enlightenment is hidden in the unconscious mind. Where the philosophers agree, the truth lies hidden. Alchemists used their arcane language to avoid the inquisition so they could study the philosophers as more than a dead system. Philosophy as taught in academia remains dead, because misunderstood and not applied.
Ego oppress the inner multiplicity and also is a symbol for the one unified, consistent point of view that arises when the inner multiple voices are squelched. The problem is the basic drive in seeking spiritual freedom is a drive for [ego] security. The ego can't attain it.
We can grasp that insecurity, become vividly aware of own state of separation from divine, and focus on the desire to reach the supreme. The solution is becoming vividly aware of that out-going process. It uses the self to grasp the nature of the self.
Egoistic concerns block the pursuit. Continually focus on that and what the motives are to become more knowledgeable. This is the beginning of the way of realization, which helps us separate from and and focus on ego and its functions. This insight, the innate failure to understand, is the beginning of the spiritual path, a shift in consciousness.
We can only resort to finding the Presence in our way of realization, what is watching and what does the action. Let the self exist and function as it will, no discipline but love toward the supreme. Psychological phenomenon of the soul can only be observed by attachment and involvement. Plato would say everywhere we are blocked is ignorance; we are caught in an [unconscious] belief web we do not know, subject to the dialectic.
Soul is really not a concept, but a symbolic source for a point of view. The only true observer of a psychological phenomenon can be the experiencer. Subjectivity is so implicit in the psychological experience that the experience is its own description. It cannot be adequately described in any so-called objective language.
Our basic interest is selfless love for the Mystery of Life, directed toward realization as its proper end, to which we can awaken. The divine performs in and through us and there is no 'us.' It becomes the natural goal of nondual reflection, relaxing into it. You don't identify with what is going on or interfere in it. Watch it take place. What you will you experience; you have just those experiences you will. That perception of a moment in eternity awakens realization of the self.
Soul is a unifying principle. The inherent value of theurgy is becoming clearer, as a Neoplatonic practice. "In other words, only when imagination is recognized as an engagement at the borders of the human and a work in relationships with mythic dominants can this articulation of images be considered a psycho-poesis (David Miller) or soul-making." (Hillman, Archetypal Psychology, 27.)
Intellectual grasp, the exercise of intellect and understanding of the state of numinosity and Beauty itself is always accompanied by bliss. The intelligible world becomes an object of cognitive experience. What makes it possible is divine luminosity, the good, the One, which is the self -- an unfolding of the vision of Beauty in itself.
We have to establish the themes and actors behind our dramas, even without actively changing anything with discipline, but understanding in our own minds. Mind builds its notion of reality via conceptual formulation — the creation of ideas and reasoning power, inherent power of the word and discourse. Ideas are the unspoken word.
The ideas that the universe is in constant change and that there is an underlying order or reason to this change—the Logos—form the essential foundation of the European world view.
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Mythos and logos naturally co-exist in theurgy. Logos (word, thought, principle, or speech; utterance, logic, or reason) is used by philosophers and theologians. Philosophy deals with human reason (the rationality in the human mind which seeks to attain universal understanding and harmony). Logos is revealed in the kind of thought that accesses unchanging self-same Being, real and true, not through sense experience, which is unstable and untrue.
For Plato, Logos was the rational activity of the world soul created by the demiurge. It could be revealed through Ideas accessed by an intelligence stimulated by the dialectic of philosophical discourse. Aristotle thought the Logos was the inherent formula determining the nature, life and activity of the body, as well as, more narrowly, ‘significant utterance.’
These ideas inspired the Stoics to see dynamic Logos as a supreme directive principle, the source of all the activity and rationality of an ordered world, both intelligible and intelligent. The rational underlying structure of the universe is a concept which later underpinned the practice of ancient Stoicism. It was the ‘seminal reason’ or underlying principle of the world, manifest in all the phenomena of nature.
Theology deals with universal intelligence (the universal ruling force governing and revealing through the cosmos to humankind, i.e., the Divine). The Greek philosopher Heraclitus appears to be the first to have used the word logos to refer to a rational divine intelligence.
Philo of Alexandria interprets the Logos, which is the Divine Mind, as the Form of Forms (Platonic), the Idea of Ideas or the sum total of Forms or Ideas. Logos is the indestructible Form of wisdom comprehensible only by the intellect -- Anima rationalis, an exaltation of the soul into the highest vision - clear light.
Can we cherry-pick Neoplatonism for concepts while ignoring the apex of its spiritual methodology and practice in theurgy and magic? What is Neoplatonism without theurgy? How does one "make soul"? Mind is a different order of reality. The third order of reality created by the soul is equal to neither that of the body nor that of the mind, nor to the sum of the two. The soul does not construct its reality out of literal sense impressions.
If psychology as a science must emerge from the point of view of its subject-- soul -- how do we make soul without logos, the contrast of noumenal and phenomenal, what we think is real? How do we 'see' psychologically without logos, a logic or set of first principles by which the soul operates?
What is the logos of the soul in the philosophical, not theological sense? How can we imagine genuineness and depth tied to life in all its particulars, rather than the false self? Hillman uses some theological insights that help bolster his own ideas about soul. He does not consider the soul of theology to be wholly equivalent or wholly dissimilar to the soul of psychology.
Neoplatonic spiritual practices, and in particular theurgy, are at the root of Jungian and Archetypal psychology, a comprehensive understanding of the universe and our place in it, acknowledging and unifying both material and spiritual phenomena, the exterior and interior perspectives. Practice is the ladder of theory. It begins with a magical act of consecration which connects the aspirant to unique power sources through initiation.
The telos — the end — of these practices is integration of all components of the psyche, transpersonal as well as personal. The result is a psychologically undivided person, homo individuus, who understands —experientially as well as intellectually — their role in the life of the universe and in particular in the evolution of humankind — their “phylogenetic destiny” — and can engage the spiritual dimension to fulfill that destiny better.
Symbols are used to invoke a divine being into the theurgist’s presence to facilitate communication. In analytical psychology the corresponding process is called active imagination and is often used to engage dream figures or complexes, which are autonomous sub-personalities in our psyches.
The contemporary practice tends to depend more on immaterial symbols than on material symbols, but some psychologists recommend the use of special clothing or a regular temenos for the operation. Gods and daimons — that is, archetypes and complexes — are invoked, for example, by calling their appearance to mind along with the dream context in which they appeared.
The practitioner may invoke the spirit out loud or in their mind. Subsequent meetings can be arranged through the use of agreed upon symbols, tokens, invocations, ritual actions, and so forth. The next step is a kind of surrender, waiting for some signs of animation in the
surroundings, some evidence of the presence of an autonomous spirit.
Then the negotiation begins. Analytical psychologists stress the importance of treating the
spirit with respect while retaining your moral autonomy. This is the way we
negotiate an accommodation between contemporary life and our animated paleolithic god.
Epiphanic Encounter
Theurgy has universal potential for epiphany and is the forerunner of western occultism. We are speaking about what it means to take on the shape of the gods in a ritual or ceremonial setting. We engage through the human body, its interactions, feelings, emotions, and postures. The aesthetics of religion focuses on sensory perception or embodied consciousness of the receiver and producer of signs and how signs are perceived subjectively through non-linguistic phenomena.
Theurgy is the root system of the Mystery tradition. Philosophical or psychological theurgy doesn't rely on diluted relics from the Golden Dawn movement, Crowley, and subsequent sects with idiosyncratic practices, Jewish Kabbalah, or Christian Qabalah derivatives, or reinvention of Freemasonry. It doesn't require the stock arsenal of the modern hermetic school of aspiring magicians, gnostic countercultures, or their competing schools.
The history of magic came to include elements as diverse as Pythagoras and Orpheus, the Hermetica and the Neoplatonists, amulets and hieroglyphics, sacrifices and dream interpretation, the magic of herbs and healing, the history of astrology, the lore of curses and spells, folk customs, and ceremonies, Christian magic, Jewish mysticism. This is the pleroma of western esotericism.
All that remains is to choose how we bring this wisdom into life once its traces have been found and its symptoms confirmed. The wisdom of the theurgist, the sufi, the shaman, the yogi, the Taoist, and the Buddhist is not different.The ornamentation of this unitive wisdom with Platonic-Hermetic philosophy and practical magic is what we call Theurgy.
How can we revision theurgy and hermetic philosophy beyond the Greco-Egyptian form of mysticism or today's personalistic occult, new age, or eclectic practice? Highly emblematic “hieratic” art is woven with philosophical, mythological, and cosmological symbolism.
Can archetypal psychology weave a cosmogenesis and whole fabric of reality, rather than parsing out practices such as astrology and alchemy? Is it trying to avoid the accusation of mysticism that plagued Jung?
How can we make it 'real' and relevant for ourselves, embedded and enhanced by the Neoplatonic roots of Archetypal Psychology? Can it help us avoid the pitfalls and pratfalls of misguided inner authority when Orders are out of order?
How do we bring the understanding of this energy to a more transcendent level? We can't just wave our magic wands and make it so, or 'go to Kabbalah', weekly, or consult the local mage for the secrets of the universe, though some try. We have to do the rigorous work, the Great Work.
The post-Jungian school of thought has already embraced the archetypal methodology of alchemy and astrology, poetics and aesthetics as symbolic specialties. Such disciplines each have and extend our own repertoire of nuanced languages for psychic experience. But what is the status of a Self-directed process in a therapy that declares the notion of Self obsolete to retrieve polytheism?
Tetrad
Theurgy and magic are among the oldest of human endeavors. Marshall McLuhan adopts a revealing frame he called his Tetrad: “…we learned that they applied to more than what is conventionally called ‘media’; they were applicable to all the products of human endeavor, and also to the endeavor itself!"
A medium is any human technology, including magical, philosophical, or spiritual. The medium retrieves in a new form for amplification what has been obsolesced earlier, reminiscent of the framework described by McLuhan -- a compressed vision of history, language, metaphor, and technology. In this case, the retrieval is recasting, a means for direct experience of a soulful connection with the cosmos.
McLuhan's Four Effects (laws of media) compliment Aristotle’s Four Causes: Material, Efficient, Formal, and Final. The Four Effects are Retrieval, Reversal, Obsolescence, and Amplification or Enhancement. They apply simultaneously, not linearly or sequentially, mirroring the Four Causes. If applied properly and inventively, their perceptual impact is aural/visual, discontinuous, resonant interplay, as they reveal already present or future features of media, culture and technology, including spiritual technology.
Magic As Media
In retrieving ancient gnosis, people often look, consciously or unconsciously, to failed worldviews of by-gone eras. Usually, the best of the practice is adopted and recontextualized to modern views. So, our question becomes “what statements can we make about theurgy that anyone can test — prove or disprove — for oneself?"
If theurgy is retrieved as a spiritual technology, its reversal potential makes materialism and superstition both obsolete with direct imaginal experience and re-enchantment through the World Soul.
What does the artifact 'theurgy' Enhance or intensify or make possible, or accelerate? One answer is self-initiation, which by-passes objections to cultic practice with informed self-direction in an experiential / experimental mode. Theurgy retrieves the old gods and ancestors.
The method is what matters. It is applicable to any form and content of media, theory or human artifact. “We found that everything man makes and does, every process, every style, every artifact, every poem, song, painting, gimmick, gadget, theory, technology — every product of human effort — manifested the same four dimensions.” [Laws of Media: The New Science, Marshall and Eric McLuhan, University of Toronto Press, 1988]
Every new medium enhances some human faculty or function, or builds upon an existing medium. As McLuhan notes and we can apply to theurgy, "every technology extends or amplifies some organ or faculty of the user."
Enhance means Amplify. Extend. Speed up. Intensify. Increase. Upgrade. Improve the quality, value, reach of… For example, even standing becomes more than standing, breathing more than breathing, walking more than walking, speaking more than talk.
Transitional states of consciousness and liminality, body cultivation, sensual reconception, even animal mimesis, and mirroring are increased in ceremonial rites. Ritualistic behavior, hieratic gestures, enhances commonplace behavior -- walking, sitting, standing, lying. The transition is between physiological functional body posture, acting attitude, ritual creativity, and religiously meaningful aesthetic form from standing prayer to walking meditation.
Subtle senses are aroused of the Divine, of dreaming, of the mythic and imaginal, of desire, of memory, of synchrony, of presence, of exchange. Theurgy enhances or amplifies aesthetic ideologies, hieratic images, rhythm, balance, tension, and energy that generate awe and experiences of holiness, including kinesthetic postures, dynamic motions, and stillness different from common behavior. Even sitting and standing become symbolic, stylized corporeality.
Obsolete doesn’t mean dead — just no longer in charge, like the ego, materialism, or literalisms, in service to soul -- "when one area of experience is heightened or intensified, another is diminished or numbed.” [LoM, viii]. It might include monotheism, self-containment of the body, semiotic over-writing in religious contexts, and perhaps, human hierarchy, for example.
Reversal means "every form, pushed to the limit of its potential, reverses its characteristics.” [LoM, viii] Every medium also retrieves, reclaims, brings back, revives some previous medium like theurgy, but not in a retro but a more psychological way.
The invitation is to try them out on your own terms and topics and see what effects you can discover in the emergence of new (or old) media. What does it enhance? What does it make obsolete? What does it retrieve that had been obsolesced earlier? What does it flip into when pushed to extremes?” There is not one single answer to the questions. There are usually many. Answering the questions can be playful, a game. Treat it like brainstorming.
A medium is any human technology, including magical, philosophical, or spiritual. The medium retrieves in a new form for amplification what has been obsolesced earlier, reminiscent of the framework described by McLuhan -- a compressed vision of history, language, metaphor, and technology.
The aesthetic dimension and focus is most fecund for those phenomena that are not conservative or over-determined in a religious way. We cannot separate the spiritual dimension from the aesthetic and sensory. The retrieval of Theurgy is recasting, a means for direct experience of a soulful connection with the cosmos.
McLuhan's Four Effects (laws of media) compliment Aristotle’s Four Causes: Material, Efficient, Formal, and Final. The Four Effects are Retrieval, Reversal, Obsolescence and Amplification or Enhancement. They apply simultaneously, and not linearly or sequentially, mirroring the Four Causes. If applied properly and inventively, their perceptual impact is aural/visual, discontinuous, resonant interplay, as they reveal already present or future features of media, culture and technology, including spiritual technology.
Divine Self-Remembrance
Sacred ceremonial rites facilitate the Neoplatonic goal of soul's ascent to its divine source. For soul to co-create the cosmos it must remain in contact with its own source in noetic being. Theurgy stands alone as an exemplar of direct mystical experience between the soul and the divine. We can take an aspirational view toward it, whether we choose to practice this elegant and ancient method, or not. Direct experience is an entwining of the visible tangible sense-perceptual surface with its invisible imaginal depth.
It can still inform our practice with perceptual immediacy, sympathic magic, prayer, astrology and divination. From Plato, Plotinus recognized that the stars were ensouled, and he accepted the role of planetary gods in steering the souls for their descent to embodiment.
Plotinus treats “all soul” and the World Soul as one. He affirms the highest part of the soul is undescended, and that our soul has a common origin with the World Soul in Soul-Hypostasis. Hypostasis (Greek: ὑπόστασις) is the underlying state or underlying substance -- the fundamental reality that supports all else. In Neoplatonism the hypostasis of the soul, the intellect (nous) and "the one" was addressed by Plotinus.
Theurgic rites were seen to imitate the life of the gods. When we dive down into the nature of reality, we find it is all consciousness. Theurgy arises freely in the soul from a great attraction to the Gods. This great attracting power, is called Eros, Ǽrohs (Gr. Ἔρως).
The power of Love and Desire (Erôs), directed toward Beauty, raises the soul toward the Beauty of The One through an attempt to ritually realign the human soul with the cosmos. Every object within this grand vision appears clearly as a ripple on the ocean of Eros, a wave of yearning for the deep Source it will shortly return to. The self-concept of the advanced theurgist is also transfigured.
Plotinus discussed magic in a broader context of the effects of music, divination, the arts of love, astrology, prayer or healing. In Hermetics, the three parts of wisdom are alchemy, astrology and theurgy, holding everything together on the macrocosmic level as a World Soul. Plotinus accepted a transcendent source and cause of sympathy in the one immaterial soul, the source of both the soul of the world and our souls, and the final explanation of unity in the cosmos.
Theurgy means "God-working," magic used for personal growth, spiritual evolution, and for becoming closer to the Divine, and relies on an alliance with divine spirits (i.e. angels, archangels, Gods). Alchemy is the key to theurgy. The disciplines illuminate and potentiate one another. Astrology provides the timing.
The Archetypal Vision
Neoplatonism and archetypal psychology share major themes and approaches. Archetypal psychology is inspired by Neoplatonism. According to James Hillman, archetypal psychology is inspired by and rooted in the Neoplatonic tradition of Plotinus, Porphyry, Iamblichus and Proclus.
Theurgy has been ignored or largely under-reported in both Jungian and Archetypal psychologies, though it is the core of the magical traditions that emerged in the Middle East in archaic times. It is a heartful way we come to know and embody the gods, and the gods come to know us. This mutual engagement with presence is through direct experience, tending to them, and our inner and outer life with soulful devotion.
In antiquity, the God was quite simply that, with or without multiple attributes. But there has never been a single theology. As they say, "the gods always appear together." Much like modern Hindus insist their religion is not “polytheistic,” the ancient Greeks believed in Deity without a particular identification with one god among a pantheon of others. The poetic formulation of a pantheon had little to do with the actual elements of worship, theology and social culture which dominated life.
Such philosophies, now called Neoplatonism, were resurrected in the Renaissance. Ancient theology is the doctrine that a single, true theology exists, which weaves through all religions, and was given by God to man. Our notions of ancient theology come from the Florentine Renaissance scholar who revived Platonism, Marsilio Ficino (1433–1499).
Working for Cosimo di Giovanni de’ Medici (1389–1464), Ficino translated books and manuscripts, such as Greek texts, into Latin. He was about to translate the works of Plato, when about 1460 a Greek manuscript from Macedonia was brought to Florence by a monk. It was an almost complete copy of the Corpus Hermeticum.
Cosimo demanded that Ficino translate the Hermetica even before Plato. He presumed it was the wisdom and knowledge of the legendary Hermes Trismegistus. The the aging Cosimo wanted to read these 'more ancient' original sources before he died. Ficino did finish the translation just before Cosimo passed away in 1464. However, though attributed to antiquity, the Hermetica actually dates to the second and third centuries CE, though older surviving wisdom was likely woven into it.
Unity in diversity is the core of the Hermetic theme. The human form and soul is a reflection of the entire universe, and vice versa, so we carry a divine spark. Mind, consciousness, soul, and spirit permeate the universe and the material world. It is a manifestation of the universal soul and consciousness, which we experience directly through our imagination.
Egyptian philosophy, alchemical death/rebirth rites, dealt with transformation, elevation, and immortalization of the soul, for the dead and initiates. This Hermetic wisdom included the Asclepius (sometimes called The Perfect Word), a text known as the Emerald Tablet (or Smaragdine Tablet/Table) and the Corpus Hermeticum. The core of the Corpus Hermeticum consists of fifteen dialogues, the first fourteen of which were included in the manuscript that Ficino initially translated.
The first dialogue is known as the Pymander (Poimandres, Poemandres, Poemander). Pimander is sometimes translated as “Man-Shepherd,” but recently it has been suggested that it actually means “Knowledge of Re” (or “Ra”, the solar deity of ancient Egypt). Hermeticism transcends both Monotheism and Polytheism as well as Deism and Pantheism within its belief system, which teaches that there is a transcendent God, The All, or The One.
Ficino used the Pimander title for the entire Corpus Hermeticum whose reputed followers were Orpheus, Aglaophemus, Pythagoras, Philolaus, and Plato. In later works Ficino stated that Hermes Trismegistus introduced theurgy to the Egyptians while Zoroaster (Zarathustra) preached it among the Persians as a very ancient font of wisdom and divine knowledge (Frances A. Yates, Giordano Bruno and the Hermetic Tradition, 1964, pp. 14–15).
From Egypt, Plotinus had a special reputation for astrology, magic and the occult, so
we can assume familiarity with magic on his part. His desire to pursue ancient wisdom would have reinforced respect for high magic. His work reflects familiarity with magic in Gnostic and Hermetic writings.
Animate Mind
Iamblicus in De Mysteriis suggests, it is not by discursive reasoning or through philosophic thinking alone that we come to know the gods. It is through awakening the higher spiritual powers by the rite of magic. The wisdom and knowledge of the secrets of the universe of the long ages is consummated through this natural magic. We seek them not for power, but for self-knowledge, to comprehend reality as it is, rather than its distortions and projections.
"Gods and goddesses appear as the very structure of reality. "The Gods and Goddesses are not cute allegories and analogies, figures of speech for evangelizing and moralistic orators, just as they are neither psychological nor social roles. Rather, they are worlds of our existence; the deepest structures of reality." (D.L. Miller)
In Chaldean and Egyptian initiation, the soul travels the theurgic path; it flies upward, carried by sacred chanting of mantric names (simran) accompanied with inner visualizations (dhyan) and divine epiphanies (radiant form). For Proclus, the theurgic ascent is also comparable to the rite of hieratic invocation.
The ascent is conducted by initiation, contemplation, esoteric knowledge (gnosis), or by invocation of the Holy Name. Proclus compares theurgic ascent to the process of invocation, implying that each name recited or invoked lead the initiate to the supercelestial realm described in Plato’s Phaedrus, and even to the ineffable One.
Divine names are vocal images. To know the language of the gods means to be transfigured already during one’s lifetime. At the level of divine Intellect to which the Neoplatonic philosopher aspires, creation and the act of naming are identical. The ascent to the noetic realm (the all-transcending Silence) is conducted by certain dialectical, contemplative, and theurgic use of names, appropriate for each level of theophany and equated to the divine images.
The soul moves back from images to their noetic archetypes. The Mesopotamian incantation-priest (ashipu), for example, imagined himself able to journey to both the noetic realm and the netherworld in the guise of a star, to be incorporated into the court of these gods, the heavenly retinue.
Like depth psychologies, perennialism describes the essential bond between the material world and the mind, between the mundane and the spiritual, between the external and internal worlds. Our approach is not literal or 'magical thinking,' or spiritual improvement, per se, but a practical means of engaging in the unconscious in its full range of potential expressions, whether we call that world mind, soul, or use some other label.
Sacred Method
Myth is embodied in godforms, indigenous inhabitants of psyche. The entire panoply of symbolic correspondences, for which the god-form is the nexus, can be deployed interactively by the aspirant. We assume the task of 'form-giver' and careful observer of these evocative images and impulses 'from the deep.'
In the magical operation known as 'assumption of the god-form,' the participant identifies with the archetypal power and co-creatively enacts symbolic behaviors. The main thing is to find the archetype within ourselves. Such energy surfaces from within, transformed by the renewing of your mind.
Such archetypal figures are symbols, too. They become animated by our active imagination as intermediate power. We see through their eyes and such visionary apperception of reality is true theophanic vision, meaning "appearance of a god" which refers to the appearance of a deity to a human.
If we do not project it outward in personification, it remains embedded and embodied within us, a harmonious reintegration of parts (restoration of the scattered Osirian eidos in accordance with the whole truth, maat) and noetic satisfaction.
Symbolic expressions between the noetic archetypes and their existential images (the participating theurgist) complete the soul’s divine measures and reveal its re-assembled immortal body. The body is an index of the soul’s capacity to receive a divine presence. That soul engage the powers bestowed upon it, accelerating its emergence by means of theurgic rites.
In the Timaeus, Plato describes how the ratios of the soul are refined. Through the correct performance of measured theurgic rites the initiate imitates the activity of the Demiurge, conjoining parts to wholes and integrates the psychosomatic multiplicity into the presiding noetic unity.
We make sense of the noetic archetype or Platonic idea by assimilating it to our body, mind, and spirit, and a unity lying beyond. Henri Corbin spoke of “images in suspension”... "a concrete spiritual world of archetypal figures, apparitional forms and angels, an epiphanic space where the images of the archetypal world lie suspended." Like a votive statue awakening to life we become animated by the upwelling archetypal energy.
The theurgist creates an imaginal bridge between the archetype and the physical world, a powerful spiritual alignment between a magical persona and aspects of deity. We do not have to be or become 'gods,' except during ceremonial identification. This doesn't serve the ego's grandiosity, but soul. Basically, you invite the energy of the deity to be consciously present in you, accessing your innate godlike multidimensional power which remains impersonal.
Your consciousness does not leave, but becomes temporarily melded with the archetype. You assume the attributes of the deity, taking on its presence. The culmination of the rite is the assumption of the godform, where the aspirant is seized by the archetypal power called up. The creative power of this form subsumes the theurgist. This is the Opus of the Great Work, the process of Self-transformation.
By identifying ourselves with ancient idealized expressions in the form of 'gods,' we awaken similar potential within ourselves. We reflect the spiritual qualities of that deity which animates our being. We clothe our selves with their Astral form. Akasha simply means “space” in Sanskrit. Besides observable objects, another thing, which is not perceptible, must be looked upon as real. Absolute space as a continuous background fabric connects everything in the universe.
Structured Vacuum
We identify with that god, so that at the appropriate moment it is as if the god, not ourselves, is performing the ritual action in a fine body. Immortal divinity doesn't unite with the mortal, but with the divine in the mortal. It unites with itself, indifferent macrocosm with indifferent microcosm.
Whether we zoom out or zoom in, is it not possible that the same information processes engendering consciousness at one observable domain are occurring at smaller scales as well? We can extend our metaphor into engtanglement connecting the individual and universal.
https://ionamiller.wordpress.com/2012/01/29/consciousness-entanglement-and-reality/
An important goal of interdisciplinary dialogue on consciousness is to derive a general model that accommodates multi-level analysis of body-brain-environment. To have consciousness, a sense of separateness in the non-entangled state must exist as a precondition.
Therefore, in the entangled state, there also exists a kind of collective conscious (some would say collective unconscious), which acts as a kind of reference for the rest. Bell proved that reality is non-local. In other words, even though all the quantum facts are local, these facts cannot be simulated by an underlying local reality. Any reality that fits the facts must be non-local and entangled.
Whereas entangled states represent the unity in the cosmos, non-entanglement allows for individuality and apparent separateness and duality. We can examine the broad range of phenomena including quantum-level events, biological processes related to ‘ordinary states,’‘pathological’ states (e.g., mental illness) and so-called ‘non-ordinary’ states such as transpersonal experiences and claims of psychic functioning.
Cosmologists speculate the quantum vacuum is filled with entangled particles. Entanglement is the basis of quantum cosmology. Every particle in the universe is connected to every other particle, so that nanosecond to nanosecond they interact and are coupled across the vast distances of space. Entanglement has been suggested as an explanation of anomalous cognition and psi. Like cosmos, we behave in an entangled and in a quantized individualistic state.
Structuring the vacuum potential is an opportunity for rejuvenation at the fundamental creative level -- the negentropic source field. The missing 'structured' or archetypal part not described here must then be partly made up of virtual particles and photons. Because vacuum structures can be topologically stable only in three space dimensions time is irrelevant. This manifesting divinity communes with the nonmanifest divine in the cosmos.
Much like there are different ways a black hole can put energy out into the galaxy, such energy emerges from a 'black hole' of cosmic unconsciousness, resonating with the absolute space of our own primordial being, pervading everything, interacting with everything as quantum vacuum fluctuation. Your 'divine self' isn't 'yours', it is simply local. The structured vacuum is common to our immaterial and material being and archetypal structure.
This source of the material world reorganizes and energizes our psychophysical structure at the finest level. Space is not empty but a plenum of information as old or older than the creation, full of potential wisdom, knowledge and light. Manifestation is noetic and life-giving power, descending “soul,” imagining our potential forward because it has already experienced it, from cosmogenesis to our consciousness, our 'singularity.'
Thus, invocation becomes a genuine encounter with the divine presence, with the immanent “indwelling” of God’s transcendent energies. The information processes underlying life consciousness reside at a much deeper, intrinsic level of the universe. The gods do not literally dwell on earth in their cultic receptacles (statues, temples, human bodies, animals, plants), but rather install themselves through “animating” images and symbols, including ourselves, once we gain consciousness of the process, symbolically or otherwise.
“It is plain, indeed, from the rites themselves, that what we are speaking of just now is a method of salvation for the soul; for in the contemplation of the ‘blessed visions’ soul exchanges one life for another and exerts a different activity, and considers itself then to be no longer human – and quite rightly so: for often, having abandoned its own life, it has gained in exchange the most blessed activity of the gods. If, then, it is purified from passions and freedom from the toils of generation and unification with the divine first principle that the ascent through invocations procures for the priests, how on earth one can attach the notion of passions to this process?” (Iamblichus: De myster.41.9-42.1).
We taste their immortality as our own before returning to ordinary consciousness after temporarily incarnating deity, symbolically and perhaps more than metaphorically. They also speak and manifest archetypal realities. This presumes we are not arrogant, narcissistic, heroic, power mad, or otherwise possessed or driven by shadow or over-zealous ego in our practice.
Ancient godforms describe human behavior sets and transformational forces. To invoke a god through theurgy we clear and consecrate a working space and make it sacred. We arouse that superconscious potential within us and feel its dynamic force. Then we create a vivid and vibrant picture of the deity's characteristic appearance, attributes, attitudes, symbols and myths. The image is built detail by detail using concentration and visualization.
Perfumes and corresponding colors, numbers, metals, plants, animals, stones, etc. help complete the atmosphere of that universal force with excess correlation. This can be done physically or mentally once the process is internalized. Through mimesis, we can imitate the quality of those autonomous forces with an empathic connection which can expresses through us at that time.
David Miller explains that The New Polytheism “is the reality experienced by men and women when Truth with a capital 'T' cannot be articulated according to a single grammar, a single logic or a single symbol system."
"We enact many myths in the course of our lives. We feel deeply the configurations of many stories. We are the playground of a veritable theater full of Gods and Goddesses. What do the Gods and Goddesses want with us? Our task is to incarnate them, become aware of their presence, acknowledge and celebrate their forms, so that we may better be able to account for our polytheism."5
Consciousness ineffably and inherently permeates the mundane world. Psyche is different from matter. This is the ancient understanding. That consciousness appears in a diversity of forms that can be nurtured internally and in the world at large through an essentially polytheistic soul-making is the position of Archetypal Psychology.
Being 'called' to do so, we learn to differentiate the personalities of the gods and goddesses within our selves, a multi-centered god-image. Such is the powerful instinct, the destiny of some souls who are called to the artform of theurgy and to actively participate in the Mysteries. The soul seeks the underworld (descent) and the spirit seeks the stars (ascent).
We can acknowledge variousness, diverity, and many-sidedness in our creative imagination. It is inherent in our philosophical condition, when metaphors, stories, anecdotes, aphorisms, puns, dramas, and movies, with all their mysterious ambiguity, seem more compelling than the rhetoric of political, religious, and philosophical systems.
"Thus, that sense of weakness, inferiority, mortification, masochism, darkness, and failure is inherent to the mode of metaphor itself which defeats conscious understanding as a control over phenomena. Metaphor, as the soul’s mode of logos, ultimately results in that abandonment to the given which approximates mysticism.
"—The metaphorical transposition—this ‘death-dealing’ move that at the same time awakens consciousness to a sense of soul—is the heart of archetypal psychology’s mission, its world intention." (Hillman, "Senex and Puer" in *Puer Papers*, p. 22)
Multiple meanings exist with principles of relativism, irrationality, indeterminacy, and plural logic systems. Multiple centers mean polytheism. Everywhere we stand is a new center of meaning in the universe. Polytheism is not a historical or an academic matter. It is a feeling for the deep, abiding, urgent and exciting tension that arises when we experience the radical plurality of physical, social and psychological life.
We discover that a single story is not adequate to help in understanding the nature of real meaning. The beauty of stories is not only that they contain many elements all of which are moving in some process, but also that each element has many potential meanings, all at once. We are gripped by their stories, images, names, and rhythms. The narrative is the symbolic expression of a lively process, the plurality of life and meaning.
Proclus recognizes theurgic art as intellect (nous) acting by means of discoursive reason and imagination. All manifested realities, being just a plaything of the gods (as Plato explicitly states: Leg.VII.803) appear as the demiurgic dream of the Creator. The entire animated cosmos is like the miraculous ship constructed by the Egyptian initiate in the Duat, using the secret names and words of demiurgic (and, therefore, “magic”) power.
In this way both the Egyptian initiate, one who enters Duat before his physical death, and the Platonic philosopher follow the divine Intellect (the solar Atum-Ra) who produces all things and “in his bottomless thoughts” contains causally and in single simplicity the unified knowledge of all things and all divine works (theia erga) which are accomplished by the very fact of conceiving and noetically beholding them. It is, as Proclus says, “as if by the very fact of imagining all these things in this way, he were to produce the external existence of all the things which he possessed within himself in his imagination."
Therefore the soul is capable to see and to know all things, including figures of the gods who essentially are without any shape and figure, in this “Osirian” mode by entering into itself and awakening the inner powers which reveal the images and symbols of the universal reality. Neither the outward, nor the inward psychic seer is capable of seing without images. Thus, the nature of the things seen, in each case, corresponds to the nature and preparedness of the seer.
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"If the soul rises up to the gods, she becomes god-like and able to know the above and the below; she then obtains the power to heal diseases, to make useful inventions, to institute wise laws. Man has no intuitive power of his own; his intuition is the result of the connection existing between his soul and the Divine Spirit; the stronger this union grows, the greater will be his intuition, spiritual knowledge. Not all the perceptions of the soul are of a divine character; there are also many images which are the products of the lower activity of the soul in her mixture with material elements. Divine Nature, being the eternal fountain of Life, produces no deceptive images; but if her activity is perverted, such deceptive images may appear. If the mind of man is illumined by the Divine Light, the ethereal vehicle of his soul becomes filled with light and shining." -IAMBLICHUS, 333 AD
"Neoplatonism abhorred outwardness, the literalistic and naturalistic fallacies. It sought to see through literal meanings into occult ones, searching for depth in the lost, the hidden, and the buried (texts, words, leftovers from antiquity). It delighted in surprising juxtapositions and reversals of ideas, for it regarded the soul as ever in movement, without definite positions, a borderline concept between spirit and matter. ... [I]t recognized the signal place of imagination in human consciousness, considering this to be the primary activity of the soul. Therefore any psychology that would have soul as its aim must speak imaginatively. It referred frequently to Greek and Roman mythical figures - not as allegories, but as modes of reflection." [Hillman, Re-Visioning Psychology 198]
~ooOoo~
Archetypal psychology is rooted in a philosophical and psychological Neoplatonism. To live a fully human life, to become téleos (complete), we need to unify, integrate, and harmonize the conscious and unconscious aspects of our souls. We can maintain truth in spirit to that with which we begin our adventure.
Individuation connects us with the archetypes and their unified root, called the Higher Self, the Highest Soul, the God-image in the individual soul. The inward heaven is universal, whether imagined in psychic or subquantal imagery.
Knowledge of God requires more than a correct concept of what a God is. It requires conjunctions between the ordinary and the divine. The ultimate principle of Absolute Being is unconditioned and beyond limitation and conceptions, “beyond being,” an undetermined vacuum potential in the natural world.
This plenum/void lies at the heart of matter, the interface of psyche and matter that underlies all manifestation. We are initiated through a loving conjunction with the external natural world by participating in the Mystery that is pulsating with life, connecting with inner and outer transformation. Ideas are only made true by events.
We invite psychic forces more fully into our lives to aid spiritual realization. Both philosophy and theurgy include contemplation and action (ascent), conceived of as a spiritual way of living in accordance with the divine patterns and autonomous archetypes to fulfill our telos, endless repetition of the human repertoire, including the death/rebirth cycle. To enter that world is to enter eternity, here and now.
For the late Neoplatonists, theurgy is in fact, performed by the gods themselves (including all traditional liturgies, rites, and sacrifices. They are ordained, revealed as essential if the initiate priest is to attain the divine through the ineffable acts which transcend all intellection (Iamblichus De mysteriis 96.43-14). Iamblichus remarks, “the light of the gods illuminates its subject transcendently” (De myster.31.4).
Theurgy cannot be viewed simply as a ritualistic appendix of Platonism, but rather as its innermost core and its hidden essence. All acts are theurgical which involve the direct assistance of the superior classes (angels, daimons, and semi-mythic teachers) and which activate the self-revelatory illumination in re-ascending from the inferior to the prior, the human prototype.
Theurgy is not about the force of will. We reach out with theurgy, but are transformed by grace. So, a theurgic union with the gods is the accomplishment of the gods themselves acting through their sacramental tokens. The awakened divine symbols by themselves perform their holy work, thereby elevating the initiate to the gods whose ineffable power recognizes by itself its own images.
According to the late Neoplatonists, the gods are present immaterially in the material things, therefore the theurgic seats of elevating power are regarded as receptacles for the invisible divine irradiations involved in the cosmic liturgy of descent and ascent. The body, in its perfect primordial form serves as an image (eikon) of divine self-disclosure, the condition and quality of embodied matter indicate the soul’s internal condition.
http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools
Operative Theurgy
The contents of the Hermetica tend to be deeply varied; its approach to God and creation at times panentheistic (God is the whole cosmos and beyond), monist, at other times dualist (gnostic), polytheistic, pantheistic, and at other times just confusing. The main message of The Hermetica, following Hermes Trismegistus, is toward a direct knowledge and experience of God through gnosis. It still takes the Great Work to turn consciousness states into mature stabilized traits.
It begs the question: what is the nature of the Divine, and is it possible for us to achieve gnosis of that nature? One can practice philosophical theurgy or philosophical polytheism without joining a cult, developing a public occult persona, taking on the full magical lifestyle, Hellenic polytheism, or associating with dark forces or the black arts.
Hermeticism or Hellenism is not an organized movement though it has a theistic aim. It transcends the current prejudices and group think of contemporary paganism/polytheism.
The psychological approach is simply rooted in love of psyche, a devotional polytheism with no dark metaphysical pessimism, compensating theological virtues, or conceptions of faith. It simply recognizes the dynamics of the psyche as an intermediary of the lowest to highest experiences available to mankind.
Proclus believed that a philosopher “should be the hierophant of the whole world in common.” He was a true polytheist, who also honored the goddesses and gods from many pantheons and traditions. Polytheism and its practice of theurgy can promote pluralism, individuality, non-conformity, multiplicity, and an openness to encountering, experiencing, and honoring the divine in many different forms.
Theurgy is a way of transmuting personal into universal experience and life-enriching wisdom, a sanctification through devotion celebrating cycles of renewal and change. Theurgy is a practice that facilitates our circumabulation of psyche, recognizing all other divinities.
We don't have to believe in its ontological reality to use it for self-knowledge. We can simply make the experiments and see for ourselves what creating depth relationships with cosmic principles brings to our lives. Each Hermetic text had an anonymous, eclectic, and spontaneous origin, recognizing the many and the one. A well-informed mature practice can be self-directed and practiced in much the same way as meditation. While a teacher can help one avoid pitfalls, we don't have to to submit to anyone's 'power.'
All the negative cliches are from occult, not psychological or philosophical practice. Theury is magic without spells, though it uses ritualized language and correspondences. Alchemy and astrology are related arts also used as creative practices in archetypal psychology.
Philosophical theury is less about power and will, and more about wisdom and knowledge. It is a Middle Way, a balanced path, not a willful or traditional practice, controlled by a rampant heroic ego or the ideas and influence of others. The whole point is to find our own specific way, and formulate our own means of experience and engagement, without taking it literally.
There is no need to think in Absolute terms, or to strive for ultimate unities. In fact, that runs counter to the spirit of archetypal psychology, and a number of Hermetic commentators. For example, Hillman rejected a metaphysics of of an idealized zealous striving. Winther believed that Jung’s and Swedenborg’s emphasis on achieving the unity (conjunction) of a multifarious self is detrimental.
"After all, it is a form of one-sidedness to be obsessed with a this-worldly self-ideal, always striving after completeness. The self as a complexio oppositorum isn’t the whole truth about the human self. The self is really complementarian" (Mats Winther, 2011b, here).
Curiously, though rooted in Neoplatonism, Archetypal psychology has largely ignored its technology of theurgy, (practices/rituals aimed at uniting with the divine), preferring alchemy and its abstruse symbol language to the direct experiential mode of the traditional magus. Perhaps this is because the notion of 'magic' is controversial and has been co-opted by an eclectic melange of new age practitioners.
Widely embracing such notions brings accusations from 'magical thinking' to 'black magic.' It could be seen as an epistemic rupture with the science fantasy underlying psychology. The implications range from insanity to a selfish appropriation of divine resources, but it is simply a means of raising the ordinary human to the universal. Each movement of theurgy appears to communicate distinct moods and aspects, weaving a quasi-narrative of progress through struggle and darkness toward resolution and light.
Imagine the hapless client who comes for therapy and finds a core of magical practices and Neoplatonic metaphysics at the center of the therapeutic practice. Yet, Archetypal psychology likes to deny any spiritual root and present itself as no method, no metaphysics, and no dogmatic spirituality.
But just because psyche likes to express itself in a certain way, as archetypes, it says nothing about the metaphysical constitution of the world. Its truths are true in the imaginal, in the 'as if' reality. To bring such notions into the ordinary world would be an invasion by the unconscious. We simply seek to become conscious of our diversified nature, our personal complexes, and to transcend their direct and indirect domination over the soul. The psychological goal is to engage and unite the soul, or to make it whole again.
Perhaps one problem, besides skepticism and loathing of esoteric paradigms, is lack of contemporary exemplars who demonstrate the 'proof of the pudding.' It's safer for self and clientele to remain at the plateau of Jungian conventionality with its bullseye target of the Self, with its archetypal ducks all in a row, march through the agility course of persona, shadow, anima/animus, and self. Jung often echoed failed worldviews from history while attempting to unpack, justify, and reconcile his therapeutic and spiritual ideas. That can be part of a sincere search for soul.
Hillman intentionally marginalized what he called Jung's metaphysics (and the notion of the Self), but engaged in a curious denial of his own, even while recognizing its roster of philosophical antecedents.
We don't need to continue that denial, but can boldly experiment with the magical technology without taking it literally or reacting to it religiously as a Christianized, Kabbalistic, or pagan heresy. Kabbalah promotes human participation in the process of divine manifestation and unification of divine attributes. The transcendent aim enhances our theurgical, alchemical and mystical life, but also to bring the Spirit into the matter, to symbolically unite the King with his Queen.
Wolfson makes the important point that “it is necessary to reintegrate the theurgic and mystical elements of the religious experience of the kabbalist," too. Dr. Israel Regardie suggested that western esoteric tradition dispensed with the religious and metaphysical aspects of kabbala leaving a simple philosophical system based on the glyph of the Tree of Life as the framework of practical magic for direct experience. Other theurgic mystical paths are the deity work of Vajrayana Buddhism and the 'body of light' tradition in Sufism.
Neoplatonic theurgy traces back to its roots in Ancient Egypt. The ancient philosophy, in its original Orphico-Pythagorean and Platonic form, is a way of life in accordance with the divine. It is also the way of alchemical transformation and mystical illumination achieved through initiatic ‘death’ and subsequent restoration at the level of divine light.
Philosophy restores the soul’s wings and leads the purified lover of wisdom to Heaven. As a means of spiritual reintegration and unification, ancient philosophy is inseparable from the hieratic rites. The Platonic tradition of philosophy ultimately derives from the Egyptian and Mesopotamian temple liturgies and rituals, reinterpreted and revived by the Neoplatonists under the name of ‘theurgy’ in late antiquity. (Algis Uzdavinys, Philosophy and Theurgy in Late Antiquity)
The Neoplatonic world view has moved closer to psyche by giving experience and observation priority over philosophical, metaphysical, or epistemological theory. What the Neoplatonists demonstrated was a willingness to at least make the experiment for themselves, without assuming magical practice was a reviled ticket to eternal damnation. Rather, as a way of realization, it instantiates a return to our psychic and spiritual roots.
A Participatory Approach
Theurgy offers us a participatory understanding of creation, engaging soul through the minds of the gods with sacred ceremonials. For theurgist, the magical energy that they use comes directly through the deity that they are focusing upon. Acknowledging many gods simply recognizes the irreducibility of religious pluralism. Growing always takes experimentation, risk, and willingness to change and transform -- the core of archetypal freedom.
Participatory thinking doesn't have to trap us in relativistic dilemmas. We can simply remain open to the potential heuristic value and validity of alternative epistemic frameworks, archetypal principles, and embodied spiritual potentials and transformative energies. We recognize the imagination as an epistemic bridge between embodied experience and mental conceptualization.
Sure, we can also retain recognition of the value of fragmentation, dissolving, breakdown, and descent -- but in our self-directed practice, we don't have to be limited to that. Isn't this the basis of the royal marriage of soul and spirit, embracing the whole cycle of human potential?
We need to move beyond the strictures of outmoded postmodern dialectics and deconstruction to define our reality. This is the realm of noetic states that emerge through meditative, visionary, ecstatic, and contemplative practice. It includes the centrality of the body in spiritual and practice and experience, the role of empathy, the erotic, and emotion in spiritual knowledge, and the connection between the sexual and mystical.
Perhaps, these are some of the reasons that Jungian and post-Jungian practice has lost traction in the general public and in the psychological and spiritual supermarkets. But this has been largely due to inability to compete against psychiatric drugs and the monopolization of treatment by object-relations, ego-psychology, and quick-fix brief therapy that treats problems not people.
All that is spiritual is not developmental, heroic, or escapist. Transpersonal therapies are more open to embracing spiritual technologies for integration, but theurgy has not made inroads there, either, through oversight or whatever reasons. They speak of theurgy bluntly as the use of magic to achieve spiritual salvation. Theurgy remains the less appreciated 'road not taken,' except perhaps by those powerless to resist its call.
The failure of anti-depressants and other psychoactive treatment have led to studies showing that talk therapy remains just as effective, but more difficult to bill. It is time to implement and experiment with the core practices that underlie this philosophy of treatment, whether in the consulting room or in self-directed pursuit of self-knowledge.
Yes, it is complex, symphonic, and elegant, but it is also engaging and perhaps more fulfilling. We don't need to fear the complexity that is inherent in learning any artform at a masterful level. Would you deny your God a mere 10,000 hours of joyful practice?
That impulse is at the root of Theurgy as a Way of Return, through which we realize that the other world already exists in this world. It is a means to share or participate in the creative energies of the gods by constructing and consecrating their material receptacles. Theophany was resonance between the individual and god through the holy work, an emergent theosophy. Eternity is eternal presence.
Natural magic recognizes the creative power of the imagination and the value of caring for the soul by creating sacred space and time for such epiphanies. Individuation is a natural developmental process which can progress unaided to its natural end (Jacobi), as we see in those who have grown into wisdom and spiritual authority.
The Neoplatonic invocation of pagan deities was for the purpose of attaining unity with them. This unitive state is identical with von Franz’s alchemical goal of the union of the total person with the unus mundus.” The soul is our shared living presence -- that radiance we share with the divine, one infinite, all-embracing presence that infuses us all with life and vitality.
The concept of an underlying unified reality from which everything emerges and to which everything returns is also the energetic principle, the world-soul, unified psychophysical reality. Jung's archetypes are psychophysical patterns that reside in this transcendental layer of the universe.
Theurgy is an ancient philosophical spiritual practice, rooted in shamanism. Ancient Egyptian hieratic rites deal with spiritual alchemy including gnostic paideia as well as in transformation, elevation, and immortalization of the soul of the true philosopher or the initiate.
The Greek term theourgia may be some now forgotten Egyptian, Akkadian, or Aramaic term related to the complicated vocabulary of temple rites, festivals, and hermeneutical performances. Hermeneutics is the study of theories and methods of the interpretation of systems of meaning, including interpretations of experience, or human behavior generally, including language and patterns of speech, social institutions, and ritual behaviors.
Theurgists follow the paradigms of cosmogony and serve as vehicles of ascent conducted by the divine powers themselves. Accordingly, it would be incorrect to think that the Chaldean Platonists of Roman Syria, those who allegedly created and promoted this term, theourgia, also invented the thing itself, that is, the tradition of hieratic arts and of their secret, theurgical understanding.
Neoplatonic theurgy attracted deities with whom the theurgist could connect and be transformed. Given that Neoplatonism was a philosophical system, these deities did not need to be assimilated with the gods of mythology. They personified the symbolic ontology of primordial forces.
Theurgy includes the practice of rituals, sometimes seen as magical in nature. The magus emulates the creative forces of the Primordial Presence, but more than emulation, he or she participates in a continuous creation with moments of eternity breaking through. Paradoxically, the highest heaven equates with the deepest stratum of the unconscious, or unus mundus, our natural abode beyond time and space.
The theurgists invoke the action or evoke the presence of one or more gods, with the goal of a unitive experience. "...enlightened with the knowledge of visions, being both consecrated and consecrators of mystical understanding, we shall become luminous and theurgic, perfected and able to bestow perfection." (Dionysius EH372B)
The elementary universe is as much psychic as physical, as much consciousness as informed matter. Theurgy is the Art of raising the human soul to its own divinity through ritualistic practices which bring that soul into harmony with the divinity and diversity of the World Soul. These practices transcend the rational mind, and partake of the deeper Mind pervading the natural world.
Initiation begins the process, whether it is natural individuation, traditional, or self-initiation. Initiation magic is any act that sets these transformative forces in motion. We choose to commit to an arduous self-directed symbolic process.
Ritual evocation of the secret divine names was important because language is a foundational means of ascent to the divine. For example, in ancient Egyptian ritual, speech not only makes the archetypal realm of noetic realities manifest in visible symbolic tokens and actions, but also performatively accomplishes theurgical transition and transposition of the cultic events into the divine realm, thereby establishing relationship between the domain of noetic Forms and series of manifestation. In this hieratic context, the term akhu means “radiant power”, “noetic light”, “solar intelligence”, and is closely related with the conception of eidetic and demiurgic name (ran, or ren). Instead of supplying definitions, Egyptians would state names, that is, the sacred and secret names of things and actions that the priests had to know to exercise the radiant power of the words” http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools
Initiation into magic is self-dedication -- the moment when we make an explicit commitment to fulfill two obligations: 1) to realize to the utmost our individual potential, and
2) to serve other people with everything we have.
These two themes express the Great Work. They are often one in the same thing. That meaning unfolds slowly like individuation. The visionary grace is experiential contact with the archetypal gods in a spiritual dimension through a mystical theology. The theurgist can only prepare to accept the divine operation of symbols. We encounter these entities as real. They appear as distinctly other, like the presences we meet in dreams.
Such visionary experience was called a daimon by the poet Yeats, and an angel by Henri Corbin. The archetypal image emerges from the anima mundi, as a theophanic manifestation mediating between the sensible and the intelligible world. Theurgy is a bridge through which higher beings reveal themselves. It's a truism that the gods never appear alone. The theurgist takes on the shape of the gods, connecting spiritual and physical world.
Enactment & Engagement
Theurgists themselves are of the archetype Mystic or Saint. For them "philosophy was conceived as a sacred rite" and Plato a hierophant that revealed the world as theophany. Plotinus, once valorized as a “rational mystic,” practiced visualizations with all the features of a theurgic rite. His reason become an organ of theophany or cosmogony.
The Platonists of late antiquity believed that Plato was "divine and Apollonian." They recognized divine power throughout all of nature. The supernatural was not elsewhere but here, in nature. Gods were everywhere: in plants, in rocks, in animals, in temples and in us.
Theurgic images (godforms) can be incredibly elegant and complex depending on the aesthetics and ritual spaces available. Thee more corresponding elements employed in the archetypal field, the clearer the atmosphere of that form. Ideally, nothing in the field gives a dissonant signal because it doesn't fit.
We invite the figures, let the dialogue take its course, focus on ethics, and consciously perform the symbolic behavior. Focusing on personal meaning, its intrinsic value arises from the experience itself. The symbols themselves are healing and promote integration. Theurgists not only believed in God, but knew Him through their knowledge of His attributes as they exist in the Astral Light, or, as the old world Kabbalists called it, the Matrix of the World.
Theurgy demands commitment, preparation, and focused Intention. The rituals of Theurgy are accomplished through ritualistic prayers, which result in focusing the mind with symbols or archetypes that represent thoughts, qualities, virtues. One of the powers of theurgy is the ability to select our archetypes based on the situation.
What Jung called individuation, the Neoplatonists called henôsis, known only through a theurgical processes of Union. In Neoplatonism, the Inexpressible One is the ultimate principle of unity beyond all duality, beyond conceptualization, beyond Existence and Non-existence, beyond even Being and Non-being.
Individual Gods are understood as expressions of this ineffable Unity, as Beings radiating from The One, unified by Sameness and distinguished by Diversity. Neoplatonism recognizes the procession of The One into Multiplicity and Matter, and their return to The One in an eternal (timeless) cycle, often symbolized by the Ouroboros serpent. In the sacred myth, the Child's return, reborn, restarts the story, the essence of the Ouroboros cycle.
Both individuation and Neoplatonism, which fused Plato with other mystical traditions, suggest waiting until one is well-established after midlife to begin such practice. We learn to see with imaginal eyes the panoply of available images of the anima mundi, world soul and world mind. Often divination helps us discover something about the past that illuminates the present.
An expansion of consciousness includes unconscious contents so far as possible. First they are discriminated, then integrated. This integrative process brings one into contact with the unconscious archetypal forces that regulate all human lives, that is, to encounter the gods and goddesses. These eternal forms are as important to us as to our ancestors.
We learn to use their power to experience the intense awareness and recognition of a state of emotions symbolized in an imaginal pattern, natural principles, or universal prototype. Three shared phases include purification (soul/discursive mind), illumination, and unification. The gods can be consulted by oracles, but it works best if we are in a quandry and remain open to the question of interpretations.
Religion, philosophy, and theurgy were all ancient ways of life to learn how to live better, including practice using prayers, offerings, sacrifice, if not dogma and belief. What is important is to honor the gods not what you believe about them. Hence, it remains a Mystery.
The mutual goal of Jung's active imagination and theurgy is to live in partnership with the unconscious, self-discovery, and integration of the individual psyche. Communication is through the language of symbols and interaction with archetypes and complexes. When we invoke gods and daimons through symbols, they respond in symbols.
We complete the circuit between heaven and earth. We learn to see with the eyes of the soul. Jung stressed that it is mysterious and paradoxical, because it unifies all opposites, transcending being and not-being. It is beyond discursive reason and can be approached or grasped only by means of metaphors and symbols.
To speak of a world ensouled is to recall the Platonism and Neoplatonism. The Neoplatonists describe the fundamental nature of reality and allow us to peer into the reality construction process that separates us from our Source. The Renaissance Neoplatonists imagined the universe as a fountain with the flow of the soul of the universe running through all things of the world and then circling back to the ultimate source.
"In the Plotinian view, the soul at its highest in the Intellectual-Principle "has a nature lending itself to divisional existence" and is "attached to the Supreme and yet reaches down to this sphere." It partakes of the nature of both the infinite and finite-the unified and eternal and the multiple and ephemeral. But it "is parted without partibility" because no matter how fully it seems to divide itself among the transient multiplicities, its eternal unity is never sundered. I'll say more below about how the soul can appear to fragment and yet never lose "the vision inherent to that superior phase." (Mansfield)
Psycho-Physical Reality
According to James Hillman, archetypal psychology is rooted in the Neoplatonic tradition of Plotinus, Porphyry, Iamblichus and Proclus. Proclus describes the cosmos as the holiest of shrines, suggesting, “[Plato] speaks of the cosmos as an agalma (shrine) of the everlasting gods because it is filled with the divinity of the intelligible gods."
Proclus conceived of theurgy as a ritual method of recreating the characteristics of a god and tool of spiritual development. He systematized Plato's doctrines of recollection to include the soul's universal concepts and innate knowledge to bring them to conscious recognition.
Hillman argues that the rediscovery of soul and its paradoxical nature enabled the Renaissance. While psyche is in us, we are also in it. This ancient philosophy was a system of practices constituting a way of life and essentially a sacramental mystery rite -- a philosophy now seen as a prototype of Analytical and Archetypal psychology.
All things are one and the pleroma of being is indestructible. Divine powers knit together the energies of the sun, planets and stars, and they operate on all bodies, animate or inanimate. This is the notion of cosmic sympathy. This doctrine of sympathy applies to man in both body and spirit, in the magico-religious worldview of The Magus.
Hillman credits Plato's “Myth of Er” as his own source of understanding the notion of the daimon. The personal daimon is always grounded in the impersonal and unknowable depths of the psyche, but is also a manifestation of the Anima Mundi, or Soul of the World, the imaginal world -- Renaissance philosopher Marsilio Ficino's concept of Anima Mundi.
Mythic persons and archetypal events influence the psyche by conditioning perceptions, generating meanings, and shaping our lives. Our journey is a deepening, a 'seeing through', as James Hillman expresses it.
The three basic principles of Plotinus' metaphysics are called by him ‘the One’ (or, equivalently, ‘the Good’), Intellect, and Soul. Plotinus believed in one universal soul, which correlates with the Anima Mundi. The objective psyche is the imaginal world of the soul where psyche is as real as the physical world. The Neoplatonists also referred to an imaginal body, theochema, that carried you like a vehicle, or subtle body.
Hillman's theory is phenomenological Neoplatonism which means that only what we see should be regarded real, i.e., only what is apparent to consciousness is existent. Connections between our life and soul embody our soul-making process. Beauty has been defined by the neoplatonists as invisible presence in visible form and a divine enhancement of earthly things. According to Hillman, beauty is food for the soul.
Everything is personified and speaks through the masks of image and symbol, a matrix, field, or infinity of metaphor. 'Truth' is a semiotic fiction, ultimate rooted in fundamental Uncertainty, making the boundary between real and illusory fuzzy, a Cloud of Unknowing. It is more pursuit of the truth that is important than any particular truth.
The central question, “What is the nature of psychic reality?” can only be answered by direct experience. We can enter this Renaissance world of angels, daimons, gods and goddeses, aesthetics, personification, divination, poetics, and spiritual abstraction in our philosophical inquiry to rejuvenate our own souls.
An information transduction process occurs in our lives when we translate ideas into action or live what we aspire to. We can manipulate our reality and harness our energies, through concentration on purpose. Through this means we have the ability to change our desires into a new reality through skill, preparation, effort, persistence, commitment and integrity. We need to be aware where we are focusing our energy; what our objectives are; how we are communicating with others, and what we want others to see and believe.
We need to let Spirit guide that process of unfolding potential. The Egyptian Hermes Trismegistus was full of this metaphysical spiritual power. He is the godfather of all the Hermetic Arts, the mystic arts and occult powers, as well as science. He has power over language, writing, and signs like his predecessor, the Egyptian god, Thoth.
The Hermetica included works on magic, alchemy, astrology, healing, gnosis, theurgy, ritual and philosophy. These texts were based on notions of sympathetic magic, that like substances sharing an essence could influence one another through resonance effects. Likewise the hypnotic and magnetic qualities of charismatic individuals can create rapport with others to influence them.
Renaissance theurgy was described by Ficino as the translator of Plato, Plotinus, Proclus, the Hermetica, the Orphica, and especially Iamblichus and his largest surviving text, “On the Mysteries.” But Pico changed the character of western theurgy and esotericism by introducing the Jewish Kabbalah. Agrippa matured his predecessors’ work into a encyclopedic system, to which the physician Paracelsus wed alchemy while founding modern medicine. Bruno burned for dreaming of a bigger restored Pagan world.
Jung's is a more aspirational spiritual psychology (height), whereas Hillman prioritizes polyphonic psyche and soul-making (depth), including darkness and descent. Multiplicity of consciousness shows in the dissociability of the psyche into many complexes.
Renaissance Neoplatonists also evoked ancient thinkers in their personified images. The great men of the past were living realities to them because they personified the soul's needs for spiritual ancestors, ideal types, internal guides and mentors who can share our lives with us and inspire us beyond. We can also invoke the inspiration of our philosophical ancestors in Depth Psychology.
Jung related archetypes, unconscious potentials for psychical activity, with Platonic Ideas. These archetypal ideas or forms define the transpersonal structure of mind and correspond to phenomenological investigations of the Neoplatonists and of Jung. The deepest parallels or correlates arise because both conducted phenomenological experiments in the structure of the psyche, using techniques with similar effects that map onto one another.
Theurgy is an arcane tradition. Activating archetypes and complexes, theurgy invites or invokes, calls up or calls in the gods and daimôns, in much the same way that divination invites synchronicities. Theurgy, consciously performed symbolic behavior, is an often-overlooked multidiscipinary creative and expressive artform that meets and invites the grace of the transcendent function.
Modern theurgy is a valuable psychological soul process. Service means an imagination of caring for soul. Invocation is divine union. For the theurgist, the imaginal opens an epiphanic space, arousing images from suspension in a visionary apperception of reality with their own goals, techniques and outcomes. More than artistic or poetic, true theophanic vision is a wellspring of esoteric meaning.
In a pamplet W.B. Yeats wrote for the Golden Dawn in 1902, he contends that, "The central principle of all the Magic of power is that everything we formulate in the
imagination, if we formulate it strongly enough, realizes itself in the circumstances of life, acting either through our own souls, or through the spirits of nature."
Psychoid
Psychoid means the transcendental and psychophysical aspect of the archetype that describe the archetypal structures and behavior of organic and inorganic matter. Both inside and outside, psychical and physical are rooted in archetypal numbers and complex dynamics, for example as shown in Pythagorean theory and the 10 spheres of the Kabbalistic Tree of Life with its extensive lists of archetypal correspondences and correlations. The soul guide initiates the transformation process.
How can the demands of the archetypes (our genetically and neurologically encoded paleolithic gods) be satisfied in the context of modern life? This is one purpose of both Jungian techniques (such as Active Imagination) and Neoplatonic theurgy (and similar spiritual practices), which facilitate negotiation between the conscious ego and the unconscious.
Invocation conjures the image of the theurgist as primordial man in the imaginal realm of the breath and human speech expressing the creative power of the divine. The theurgist participates in the continual creation of the divine -- all things are manifestations of the breath of God. Breath speaks itself as a microcosm of the cosmic macrocosm.
Theurgy is a valuable technique for evoking and invoking the gods, which is rarely used in Jungian work, though praised in Neoplatonism. It should be added to the typical dreamwork, alchemy, and active imagination as an interdisciplinary means of connecting and relating to archai or paleo-gods.
The theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious. In Magick, we transcend the limits of ordinary consciousness and commune with various forms of divine consciousness.
The identification with a given energy is accomplished by a three-fold ritual. 1). Separation from the profane or ordinary state of consciousness. Dissolution of the ordinary state of consciousness. 2). The transition stage, or twilight zone which lies between. Creative or chaotic consciousness. 3). The new order or perception of reality which occurs in the sacred time of the soul.
Identification with an enhanced sense of self, greater well-being. Hermes is the lord of boundaries, or doorways, the threshold or liminal area. The inbetween, or twilight zone, in enables a state of receptivity to become established. It allows an emptying process, a letting go.
Ritual acts reawaken deep layers of the psyche. This brings the mythological or archetypal ideas back to memory. Though the basic, or original forms of Magick and schizophrenic fantasy (wish fulfillment) spring from the same roots, they are not synonymous. Magick is, in general, the transition from passivity to activity. The Will is essential.
Realistic action does not follow schizophrenic magic or magical thinking. The fantasy is a substitute for action. In lower forms of magic, practiced for personal gain or ego gratification or power, the ego is either weak or absent, or over-inflated. In ceremonial Magick there is a conscious effort directed at self-transformation, by harmonizing conscious and unconscious cycles or rhythms.
Sacred Rites
Theurgy doesn't need to imply literal worship, except through attention, nor is natural magic an artifact strictly of the overweening heroic ego. It does not even have to be aspirational or developmental, as much as a relational ritual tradition.
Stimulating right brain activity with creative engagement produces revelation, feelings of conviction and discovery, numinosity, and mystery, opening worlds of becoming and being. The theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious.
Hermeticism was not embodied in a single religious group, but instead was a philosophical system that is at the root of many traditions, some of which remain robust. Among the original esoteric texts, The Hermetica included works on magic, alchemy, astrology, healing, gnosis, theurgy, ritual and philosophy. Sympathetic magic contends that like substances sharing an essence can influence one another through resonance.
Hermetics is a Spiritual Technology. This natural means of self-initiation demands self-honesty, self-responsibility and an overarching desire to live life as a spiritual path. Generic symbolic languages such as esoterics, alchemy, and Qabalah help articulate the phenomenology of inner experience.
Hermeticism is a blend of ancient Egyptian religion, philosophy, science and natural magic, with elements of Greek Paganism, Alexandrian Judaism, ancient Sumerian religion and Chaldaean astrology/astronomy, and Zoroastrianism. It is associated with the philosophical schools of Platonism, Neo-Platonism, Stoicism and Pythagorianism.
Unlike Plotinus who broke from Platonic tradition and asserted an undescended soul, Iamblichus re-affirmed the soul's embodiment in matter believing matter to be as divine as the rest of the cosmos. He contended that that "the entire body of the cosmos is ruled by the World Soul..." and that macro/micro dynamics [as above; so below], requires that our vehicles both reveal and veil our essences. Marie-Louise von Franz (1974, 7) says, “The
lowest collective level of our psyche is simply pure nature.”
Iamblichus insisted on a special position for the human soul. It is separate from nous and the other higher souls, and holds an intermediate position between them and nature below. Hermetic rebirth and immortalization of the soul is realized as giving birth, not escaping from the world but creating it. Without the physical body it would not be rebirth.
Natural Philosophy & Natural Magic
To read hermetic rebirth as an escape from the material world is to miss the demiurgic dimension of the soul’s immortalization; this is certainly important for theurgists and Hermetists as well. He thought the goal of theurgy is insight and to “establish the universal soul in the demiurgic god in his entirety, distinguishing the universal soul from the particular soul.
One’s physical body is no longer a prison but becomes the nexus through which divinity is hermetically revealed and concealed. The initiate then exists in a particular mortal body but at the same time, as Hermes reports, “I went out of myself into an immortal body ...that is co-extensive with the cosmos." Hermetic rebirth means the initiate is reborn by giving birth to the world from the mystery of original silence. The way of Hermes is the way of immortality concealed and revealed in our mortal existence.
For the later Platonists, divinity is not a state; it is as an activity, an energy. Theurgy is demiurgy, world-generation via the ordering of pre-existent matter. Theurgy is "god work" that enables the embodied person to participate and communicate with divine energies. Archetypes are empirical, stable, and public sources of transcendent meaning, giving rise to archetypally meaningful situations or relationships that are numinous (hallowed, miraculous, uncanny, supernatural).
For example, in ancient Egyptian ritual, speech makes the archetypal realm of noetic realities manifest in the liturgical realm of visible symbolic tokens and actions. It also performatively accomplishes theurgical transition and transposition of the cultic events into the divine realm, thereby establishing relationship.
Theurgy is an archetypal process of mythic renewal. Theurgy is concerned with the work of spiritual regeneration, an ancient discipline, revered and nurtured throughout history by those few who know it, yet, barely acknowledged or understood by most.
The theurgist is in a conscious archetypal relation with the divinity, with the image as a medium for interaction. A convergence of related symbols activates an archetype or complex and invites projection of the corresponding god or daimon onto the image. The symbols tune the image animating it to become a vehicle to facilitate communication.
Exploring specific archetypes and complexes residing in the unconscious, the
theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious. initiates participate in this and actualizes it in themselves -- the archetype manifests in them. Hillman comments that “we become precisely the activity we enact, the memory we remember; man is many, Proteus, flowing everywhere as the universal soul and potentially all things” (Hillman, Loose Ends, 1978, p.151).
Theurgical practices facilitate individuation by enabling an accommodation and assimilation between our conscious minds and the personal and collective unconscious. This process advances from the daimons of the personal unconscious, to the archetypal gods of the collective unconscious, toward their root and source, the archetypal Self, the God-image, The Unspeakable One.
This contact is accomplished by means of symbolism, the discursively inexpressible and logically unconnected. Jung calls the symbol-making faculty of the mind the
transcendent function . In theurgy a symbol is something in the seira (the lineage) of a god,
whether it is an animal, plant, or stone, a mineral or a myth, a hymn or poem, a
drawn character or even a number.
A symbol is an inherent component of an archetype or complex, which can activate the archetype or complex, or by which the archetype or complex manifests in consciousness. A symbol serves both to invoke a god or daimon and to signal the arrival of a paleo-god or daimon.
Some symbols are inherent in the phylogenetic structure of an archetype and
are therefore universal, common to all humankind. Other symbols are in the
personal associative network that constitutes a complex or sub-personality arising
from the archetype. These symbols may be personal, cultural, or common to some
other group. In effect they invoke or signify a specific daimon (complex) that is engendered by a generic god, but associated with the individual or group.
Iamblichus understood the soul’s divinization as non-dual: "The benevolent and gracious gods shine their light generously on theurgists, calling their souls up to themselves, giving them unification, and accustoming them, while they are still in their bodies, to be detached from their bodies and turned to their eternal and noetic principle."
http://www.esotericarchives.com/oracle/iambl_th.htm
https://www.princeton.edu/~hellenic/Hermeneutica/ShawPaper.pdf
https://web.eecs.utk.edu/~mclennan/papers/EvolutionJungTheurgyUPS.pdf
http://web.eecs.utk.edu/~mclennan/papers/MacLennan-ISNS-2012.pdf
https://pdfs.semanticscholar.org/658b/e80b1da95ecdf3245a6e00229244507f2906.pdf
https://web.eecs.utk.edu/~mclennan/papers/MacLennan%20ISNS%202014%20rev.pdf
https://www.researchgate.net/publication/242238106_Individual_Soul_and_World_Soul_The_Process_of_Individuation_in_Neoplatonism_Jung
https://books.google.com/books?id=LxBg-ldSBUkC&pg=PA185&lpg=PA185&dq=,transpersonal+psychology,+theurgy&source=bl&ots=bMWgHwWBBl&sig=nNBXQwTM6dhUUKHl66Pwt7APV7A&hl=en&sa=X&ved=0ahUKEwjBtvGGqdvaAhVQs1kKHSBfDLkQ6AEIcjAI#v=onepage&q=%2Ctranspersonal%20psychology%2C%20theurgy&f=false
https://books.google.com/books?id=tTuJK1aovJEC&pg=PA108&lpg=PA108&dq=,theurgy,+paleo-gods&source=bl&ots=EUetxd94Hk&sig=NOfYQ9Cawc95kGd_mho3KIzq0yA&hl=en&sa=X&ved=0ahUKEwih45TcmNbaAhUJ3VMKHXIZAF04ChDoAQgtMAE#v=onepage&q=%2Ctheurgy%2C%20paleo-gods&f=false
Corbin’s mundus imaginalis was also called mundus archetypus, a concrete
spiritual world of archetypal figures,60 apparitional forms and angels, an
epiphanic space where the images of the archetypal world lie suspended--
Corbin used the expression “images in suspension”.61 Visionary
apperception of reality, and therefore true theophanic vision, was granted
by a spiritual faculty called active imagination, an intermediate power
which could produce symbols (archetypal figures could be intended as
symbols too).
C. G. Jung, Tibetan Tantra, and the Great... (PDF Download Available). Available from: https://www.researchgate.net/publication/305209675_C_G_Jung_Tibetan_Tantra_and_the_Great_Goddess_An_Exploration_of_Sacred_Entities_and_Archetypes [accessed Apr 26 2018].
http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools
For Plotinus the order of reality consists of three primary1, vertically graded realms or hypostases: the One (to hen) or Good (to agathon), Intellect (nous) and World-Soul (psuche). Plotinus says that the three hypostases endure within the human microcosm as well as in the universe of the macrocosm. The One/Good is the first2 cause, primal existent, source and goal of all things3 and the central axis upon which Plotinus' overall worldview revolves around4. The One is a God-beyond-God, transcending all predications of being, number5, essence6, existence7, name8, form, attribute, thought and limitation; a complete and absolute self-contained unity-in-itself. It is the Supreme Reality and Being-beyond-being (metaousia). The One is identified as such so as to deny all multiplicity of it9.
From the One proceeds a second principle, the Intellect (nous), which, as the Divine Mind, functions as the efficient cause of all things. Nous is the Intelligible universe holding the Ideal Forms (eidos) or perfect archetypes of every existent within itself and as such is the realm of Being (ousia)10. Therefore, it would be more correct to call the Intellect Theos (or God) rather than the One. Intellect begets the World-Soul which in turn engenders nature (phusis) and the material cosmos. At the furtherest end of this reality is privational Matter (hyle) - absolute negation and source of evil.
The procession of hypostases from the One to the World-Soul is one of necessary emanation. The One is superabundant source and it overflows and emanates Intellect without in anyway diminishing11. Intellect contemplates its Source, overflows and emanates its offspring, the World-Soul,
Towards the paternal Harbour
Proclean theurgy and the contemplation of the Forms
Robert van den Berg
http://www.kheper.net/topics/Neoplatonism/Proclus-theurgy.html
R. M. Van Den Berg
Proclus' hymns: essays, translations, commentary
"Proclus' Attitude to Theurgy"
Anne Sheppard
The Classical Quarterly, New Series, Vol. 32, No. 1 (1982), pp. 212-224
Iamblichus' De mysteriis: a manifesto of the miraculous
Emma C. Clarke
Theurgy and the Soul: The Neoplatonism of Iamblichus
by: Gregory Shaw
Iamblichus: De Mysteriis (Writings from the Greco-Roman World, V. 4.)
by: Iamblichus, Emma C. Clarke, John M. Dillon, Jackson P. Hershbell
J.dillon "Iamblichus' Defense of Theurgy: Some Reflections"
The International Journal of the Platonic Tradition 1 (2007) 30-41
The Greeks and the Irrational by: E. R. Dodds
Gregory Shaw "After Aporia: Theurgy in Later Platonism" in
Gnosticism and Later Platonism: Themes, Figures, and Texts (SBL Symposium Series, No. 12.)
by: John D. Turner, Ruth Dorothy Majercik
Offering to the Gods: a Neoplatonic perspective.(Critical essay)
Magic, Ritual, and Witchcraft | June 22, 2007 | Butler, Edward P. |
Sarah Iles Johnston "Rising to the Occasion: Theurgic Ascent in its cultural mileu" in Envisioning Magic
ed. Schafer, Kippenberg
Riders in the Sky: Cavalier Gods and Theurgic Salvation in the Second Century A.D.
Sarah Iles Johnston
Classical Philology, Vol. 87, No. 4 (Oct., 1992), pp. 303-321
Witchcraft and magic in Europe: Ancient Greece and Rome
By Bengt Ankarloo, Stuart Clark
G. Luck, "Theurgy and Forms of Worship in Neo- platonism," in Religion, Science and Magic: In Concert and
in Conflict, ed. Jacob Neusner
Luck, G. (1985). Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds.
Naomi Janowitz
Icons of Power: Ritual Practices in Late Antiquity (University Park, PA: Penn State University Press, 2002)
The Chaldean oracles: text, translation, and commentary
Julianus (the Theurgist.), Ruth Dorothy Majercik - Philosophy - 1989
Hans Lewy The Chaldean Oracles and Theurgy
Garth Fowden The Egyptian Hermes
Pseudo-Dionysius and Theurgy
Shaw, Gregory, "Neoplatonic Theurgy and Dionysius the Areopagite"
Journal of Early Christian Studies - Volume 7, Number 4, Winter 1999, pp. 573-599
Dionysius the Areopagite and the Neoplatonist Tradition (Ashgate Studies in Philosophy & Theology in Late
Antiquity) by: Sarah Klitenic Wear and John Dillon
Coughlin, Rebecca. “Theurgy, Prayer, Participation, and Divinization in Dionysius the Areopagite.”
Dionysius 24 (2006): 149-174.
Burns 'Proclus and the Theurgic liturgy of Dionysius', Dionysius 22 (2004), 111–132.
The theurgical self: The theological anthropology of the Pseudo-Dionysius
by: Hotz, Kendra G., Ph.D.
Carine Van Liefferinge, La Théurgie des Oracles Chaldaïques à Proclus. Kernos Supplément 9. Liège: Centre International d'Étude de la Religion Grecque Antique, 199. Pp. 319. ISBN (ISSN) 0776-3824. EUR 40.00. reviewed here http://bmcr.brynmawr.edu/2003/2003-07-40.html
Theurgy in Kabbalah
Kabbalah: New Perspectives by Moshe Idel
Bernd Roling "The Complete Nature of Christ: Sources and Structures of a Christological Theurgy in
the works of Johannes Reuchlin
in The metamorphosis of magic from late antiquity to the early modern
by Jan N. Bremmer, Jan R. Veenstra - 2002
Wolfson, Elliot R
Abraham Abulafia - Kabbalist & Prophet: Hermeneutics,Theosophy,Theurgy
Wolfson, Elliot R
"Language, Secrecy, and the Mysteries of Law: Theurgy and the Christian Kabbalah of Johannes Reuchlin,"
Kabbalah: A Journal for the Study of Jewish Mystical Texts 13 (2005): 7-41.
Seth Lance Brody, "Human hands dwell in heavenly heights: Worship and mystical experience in thirteenth century Kabbalah" (January 1, 1991). Dissertations available from ProQuest. Paper AAI9211913.
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The Enlightened Will Shine: Symbolization and Theurgy in the Later Strata of the Zohar (S U N Y Series in
Sources on Late Neoplatonic Theurgy
EGYPTIAN MAGIC RELATING TO LATER CLASSICAL THEURGY
Boylan, Patrick, Thoth: The Hermes of Egypt, Oxford University Press, Oxford UK, 1922 (Laysthe groundwork for the later “thrice-great” Thoth who becomes Hermes Trismegistus.Dieleman, Jacco, Priests, Tongues, and Rites: The London-Leiden Magical Manuscripts andTranslations in Egyptian Ritual, E.J. Brill, Leiden, 2005Ritner, Robert Kriech, The Mechanics of Ancient Egyptian Magical Practice, The OrientalInstitute of the University of Chicago,
Know Thyself is revelatory, non-linear, discontinuous; it is like a painting, a lyric poem, biography thoroughly gone into the imaginative act." --James Hillman, HEALING FICTION
A FUZZY REVOLUTION?
We can read the progressive theories of leading-edge science as modern myths. They both create and reflect changes in collective consciousness and the global worldview. These new myths permeate culture, fomenting change and opening new conceptual territory for exploration. The "new myth" seems to be one of "guiding fictions," even "healing fictions."
Mythic consciousness and its practice, ritual life, requires a telos to create momentum--the dynamics of consciousness. The fictional carrot dangles, ever-present before us. As a culture, we are in the position of having to take ritual fictions (including scientific theories) seriously, while recognizing their status as fiction at the same time. This means being in two ontological "places" at once, facilitating the development of new ways of thinking about the nature of knowledge, being, and reality. The myths are bigger than any one of us.
Yet through Creative Mysticism we can enter the imagination, not as an exercise in "doing our own thing," but as a disintegration of the reference points that make it possible for the archetypal energies to live through us. Thus radical deconstruction of ego leads beyond the paradoxes of yoked opposites. Dogmas dissolve and merge on their own. The surety of fact melds into psychic reality. The new myth is not one of polarity, but plurality--panoply. Given these choices, each of us is faced with a struggle to acquire an authentic sense of identity. We have been saddled with a cultural mandate to "pick one" and sustain a strong ego identification at the expense of empathy, compassion, and perspective. What for one is a liberating experience is terrifying for others, or leads to the despair of cultural disenfranchisement.
Our sense of identity impacts us individually, socially, and existentially. Broadening those boundaries opens us to an expanded sense of self. In my own search for identity, I first became aware of the notion of paradox as a teenager. I was given a button with the cryptic message, "Have you been to the Paradox?" Puzzling over its meaning, I finally found out it was a music club, which I subsequently patronized. On the broader scale, I became aware of another club--a "Reality Club." I continue to visit "the Paradox" as I define and refine myself, through opening not only to the opposites but to all degrees of interpenetration between.
At this "inn between," I've many times found the thread of my chaotic trajectory through life. Traditionally logic and chaos have held sway in two separate camps. But what of that boundary domain where the two meet and progressively meld into one another?
In this "twilight zone," two threads of the new science revolution have come together in a "sacred marriage" between logic and chaos. Ian Stewart (1993) gives an example of dynamic logic: "You take the train of thought involved in assessing the truth value of a set of self-referential statements and convert it into a dynamic process. Then you can apply all the techniques of chaos theory to that process. The escape-time plot is inspired by exactly the same method that creates all those wonderful multi-colored images associated with the Mandelbrot set: swirling spirals, sea horses, cacti, stars, and so on."
This statement could also be read as commentary on the self-referential consciousness process expressed as "Know Thyself." This Apollonian dictum is the utterance of the ancient god of logic Himself. The Jungian method of "Know Thyself" means a radical activation of imagination. It calls to us, echoing through the aeons--urging us to turn our consciousness back on itself, assessing and experiencing the relative "truth" of what we find within. Jung's solution to this injunction is summarized by Hillman: We have already been given the clue in the instructor's manual as to how this third realm traditionally called 'soul' can be re-established--and by anyone.
Jung says he treated the figures whom he met "as though they were real people." The key is that as though; the metaphorical, as-if reality, neither literally real (hallucinations or people in the street) nor irreal/unreal ('mere' fictions, projections which 'I' make up as parts of 'me', auto-suggestive illusions). In an 'as-if' consciousness they are powers with voice, body, motion, and mind, fully felt but wholly imaginary. This is psychic reality... "
Hillman points out that we can remember, associating backward and downward into the forgotten and repressed. And in psychic reality we find a multiplicity of answers to all major, archetypal, sorts of questions--relative answers. Each archetypal perspective has its way of self-knowing. In alchemy the multi-state paradigm is known as multiplicatio, which touches all points of the soul, all channels of images. According to Hillman, it is "spirit's self-knowledge in the mirror of the soul, soul's recognition of its spirits."
There is no single way of knowing thyself, even though psychology has favored the method of introspection and insight. According to Hillman, "Know Thyself terminates whenever it leaves linear time and becomes an act of imagination. A partial insight, this song now, this one image; to see partly is the whole of it. Self-understanding healed by active imagination."
Our unique method of knowing ourselves is through our own epistemological metaphors which reflect "how we know what we know" about ourselves. They are the result of our personal experience of archetypal experiences--our direct experience of the nature of reality, expressed as image. The non-linear co-relationship of simultaneous cause/effect means that archetypes become embodied as specific, yet dynamic, imagery.
The imperative to know ourselves challenges us to reflect on our identity, beliefs, assumed truths, interpretations, and even our archetypal experience and self-understanding. This dynamic recycling of consciousness creates/reveals the dynamic flux of holistic feedback patterns. It establishes a patterning matrix--a strange attractor--reflective of the organism's relationship to the whole, through a unique relationship of chaos and order.
The whole brain approach to existence is both/and chaotic and logical--logically chaotic, chaotically logical. It is a holding of the tension of the opposites between the logical and natural mind. Complex systems, such as human beings, manifest emergent properties which tend to be non-linear. They are sufficiently context dependent that they become unpredictable under normal circumstances.
The reason has to do with the fact that sufficient context dependence leads to self-reference. That is, insofar as one part effects another part, which in turn effects the first, the first can be seen to be effecting itself through the mediation of the second. Multiply the parts and the system gets really out of control, at least as an object of modelling.
Godel proved why such self-referential systems are inherently unpredictable. Any finitely axiomatized formal system rich enough in entailment to manifest self-reference displays true theorems not deducible from the axioms. Since all mathematical modelling systems can be formalized as axiomatic systems, and since the project of such modelling is the essence of deterministic reductionism, it follows that systems capable of self-reference cannot be reduced to deterministic causality. They can be modelled, but they become descriptive of organization, rather than predictive of future states (Naser, 1993, Bridge-L). Like a fractal, the individual embodies the whole, to a greater or lesser degree, depending on the initial conditions of existence. The physical body is conditioned by physical laws.
At the mesocosmic level, we either exist or we don't, we're alive or dead. But the flow of our essence within the whole is not so black and white. We remain ourselves, despite the loss of discrete body parts or faculties of perception. At the quantum level, our atomic "matter" merges with the environment and the vacuum of non-existence. The I-Not I dichotomy breaks down in pure consciousness. Our physical constituents remain, even after death, with their own molecular and quantum perceptions, but the genetic information becomes obsolete.
We all decay according to the same biological process. Free of the gravitational valley of corpo-reality, consciousness can soar unfettered. When consciousness flows into an "escape-time plot," we experience the boundary-dissolving transcendence of cosmic consciousness. An increased sense of freedom comes with liberation from the gravity of literalism. Yet we are neither exclusively biological nor psychospiritual beings. The nature of our existence is both/and--psychobiological.
https://ionamiller.weebly.com/paradox.html
PSYCHE EXISTS AS A SOURCE OF KNOWLEDGE
Iona Miller, (c)2015
…nature exists without human aid, can deal with her processes herself, has everything in herself to bring about transformations, to move from the depths to the heights and down into the depths again. ~Jung, Modern Psychology, Page 42.
We can experience gnosis not as a medieval religious belief but because
it happens to us unsought and unexpected. Gnosis is not Gnosticism. It doesn't require belief, scripture, or Apocrypha. The transformative perspective, observable in its real effects, unlocks the hermeneutics of the creative imagination. The life of the unconscious goes on within us without our conscious knowledge.
Gnosis is an emergent property, not merely an introverted religious attitude. Embracing gnosis does not mean embracing Gnostic dogma or medieval doctrines -- participatory convictions based on personal desires and fears. The secret is inside the creation and based in the study of nature and our own nature. We become more integrated by bringing more of the unconscious and mythic into consciousness.
Can we find the absolute in the depths of our soul -- the very source of symbols? Even physics declares our personal experience is profoundly subjective. There are two principle attitudes -- devotion and gnosis. Gnosis is not a philosophy, nor a way to rationally comprehend the world.
All that is knowable is our immediate subjective experience. Our most personal "I" is our core subjective experience which is identical to awareness. That awareness is the ground where the objects of awareness -- sensations, thoughts, images, memories, and emotions -- fluctuate and intermingle. Fundamental awareness has no intrinsic form, content, or characteristics. So awareness is less about the dualism of mind and matter, light or dark, or polarized good and bad, but more about the dualism of awareness and the contents of awareness.
Gnosis is not a ready-made religion but a more comprehensive view allowing psyche to speak for itself in dream, active imagination, synchronistic phenomena, premonitions, mythic living, and creative expression. "Self-redemption" is an arduous path that leads through self-deception. Insights in self-understanding come through grace, not labor or merit.
Gnosis is a spontaneous personal event of primordial psychic experience. Empirical experience of the psyche may appear in modern dreams. Experiences of the collective unconscious may be reflected in gnostic literature, but are not derived from it. Those lacking such experience can never understand it, but that does not nullify its existence. Getting it conceptually is not the same as knowing it experientially, thus, all "esoteric" secrets remain concealed from the uninitiated.
Continually recurring fundamental ideas can arise from the archetypal potentials of objective psyche. Generally similar ideas are modified by era and context. We can recognize their archetypal core. We live in archaic identity with the absolute unconscious. Archetypes are the psychophysical interface of emotion and energy, linking inner and outer realms. The form of opposites become distinct but conjoined as they enter consciousness.
Such numinous assertions and feelings produced by psyche may or may not express universal 'truths'. We perceive the psyche with intuition, but not everyone has discriminating intuition and clarity. Our universal vision is as limited as our rational and irrational human vision. Intuition exalts and redeems us through connection with our core -- the midpoint of our internal Cosmos.
True gnosis is an expansion of consciousness. But according to our concepts, beliefs, and assumed truths (psychological presuppositions), intuition can produce understanding or danger and destruction. Jung observed that belief is transformed into gnosis by individuation. Eternal knowledge or perennial wisdom is not intellectual.
We imagine we are imagining "the real" but such consciousness can be used correctly or incorrectly. Because the psyche and archetypes are bi-polar they can produce either wisdom or utter nonsense. There is the path through the labyrinth that is a descent to the underworld, but there are also false paths, deceptions, and dangers on that path. Each must beware of spiritual pretensions and gnostic inflation, careful not to mistake ego for the interior Light, which helps us realize our own darkness.
Rationality cannot eliminate the irrational but is part of the same phenomena. Beliefs arise from lack of experience and knowledge of psychic dynamics. More than one heart has been misled. The naive take the manifestations of the unconscious -- this natural psychic activity -- at face value, mistaking them for the essence of the world or revealed truth. Insights appear as natural revelations. Numinosities appear paradoxically true and untrue.
Some manifestations are simply misguided inner authority or inferior notions, ideas, images, motivations, emotions, and the disturbances they create. A sense of certainty is no guarantee of accuracy. Experience is mythic, projective, and subjective. All of it adds up to nothing without psyche's infusion of value and meaning -- living psychological process. Conscious and unconscious comprehension are united by myth, which is preconscious and therapeutic.
We must be modest, not mistaking 'our truth' for 'the truth'. Yet, it remains important to continue to pursue the search for truth in our lives. We are led inside ourselves by the assimilation of myth -- an inner journey. Sapientia Dei is revealed through the archetypes. The Gnostics considered themselves members of a new aeon marked essentially by the rise of spiritual man. Trusting their own spiritual powers, they plumbed their spiritual depths.
Deeper layers of the unconscious are independent of culture and time. Myths remain myths even if some people take them as literal revelations or eternal truths. Myths are renewed in retelling with new spiritual language. In psychological insight, knowledge and understanding correspond with symbolic expression of the myth. Myths die when they no longer live and grow.
Gnosis is characterized by the integration of archetypal contents. The holistic perspective on external and internal mirrors the alchemical "unus mundus." Today the same Gnostic or alchemical symbols and motifs arise from the collective unconscious. But the Promethean creative spirit goes largely unnoticed. The chthonic part of the psyche -- undifferentiated consciousness -- is our life-sustaining structure.
Gnosis is a general human phenomena which can appear any time, anywhere, independent of tradition. Experiential knowing is a spontaneous creative phenomenon that reflects a rich reserve of ideas and images absorbed consciously and unconsciously, newly organized in novel ways -- familiar material placed in a surprising and creative context -- an achievement of particular genius.
Man in antiquity differentiated between man's "daemon" and his "own mind".
~Carl Jung, Modern Psychology, Lecture VII, Page 50.
The world is an image to us, even when we have a scientific conception of it and assert: "This is so and so", it is still only an image. ~Carl Jung, Modern Psychology, Alchemy, Page 62.
But that "the One" should meditate, and that the world should be produced by the spirit in its creative role, is a conception which goes directly back to the philosophy about the Nous in antiquity. ~Carl Jung, Modern Psychology, Alchemy, Pages 59-60.
The theurgical practice called τελεστικὴ (telestikê) is a means of ἐμψύχωσις, ensoulment or “animation,” of a sacred image (ἄγαλμα), such as a statue. It is accomplished by placing in or on the image appropriate sunthêmata, including stones, plants, animals, scents, and figures. These material sunthêmata are supplemented by immaterial sunthêmata, such as invocations, chants, and prayers intended to “persuade” the god or daimôn to descend into the image.
Of course, as Iamblichus explains (De myst. 47, 6), theurgy does not compel a deity or daimôn; rather it prepares a suitable δοχή (receptacle or receiver). This is like preparing an object to better reflect a particular color of light; a golden object does not “compel” yellow light to appear, but it allows the presence of the yellow in white light to become manifest. Similarly, although the archetype is ever present, it is not normally manifest to consciousness. Therefore appropriate sunthêmata (i.e., symbols linked to a complex or archetype) invite projection of the daimôn or god onto the image, which becomes numinous. In this way, the theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious.
A common practice in Jungian analysis is active imagination, in which a person engages in dialogue and negotiation with an archetype or complex (Johnson 1986; Jung 1997). This is closely related to the theurgical practice of σύστασις, or liaison, with a god or daimôn in order to establish an alliance with it. As in the previous operations, sumbola and sunthêmata may be used to activate the archetype or complex; often the symbols are suggested by dream imagery. Σύστασις may also employ a human or nonhuman receiver, including an animal, plant, or nonliving thing, to receive the projections, but no concrete receiver is required.
Encounters with daimôns are more common than those with gods (since daimôns are nearer to the ego), and such daimôns may serve as intermediaries for their ruling god. Spirits engaged in σύστασις are not always truthful about their identity (or other things) for gods and daimôns are “beyond good and evil.” Therefore, theurgists are very concerned with discerning the identities of the spirits they evoke (e.g. Iamblichus De myst. Bk. II). Similarly, one is advised to maintain a conscious ethical stance in active imagination (since that is, in fact, part of the function of ego consciousness: Johnson 1986, 189–95).
Active imagination allows a person to interact with archetypes and personal complexes and to engage them in a critical dialogue concerning their desires, functions, and potential gifts. In this way one may benefit by living in accord with archetypal reality and avoid futile attempts to deny the archetypes and complexes. Further, psychological individuation proceeds by conscious integration of these otherwise unconscious personalities. In theurgical terms, συστάσεις are important for acquiring familiarity with the archetypal realm and for bringing the theurgist into the ἐνέργεια of a god, in order to turn toward its essence and be actualized in it. In this way theurgists may learn the will of the god so that they may act in better accord with it. Συστάσεις are also important for negotiating with personal daimôns, who may otherwise possess others or ourselves in undesirable ways. Finally, a daimôn may be recruited as πάρεδρος (familiar spirit or assistant) to help in various ways, including in the theurgical ascent.
The last theurgical operation that I want to mention is the most important, the ἀναγωγὴ or theurgical ascent. In all the preceding, the divinity is experienced as “other,” but in the ἀναγωὴ the theurgist ascends so that their soul, so far as possible, unites with the god; that is, they experience deification. The union may be with an individual god, especially the Demiurge, or more rarely with the Inexpressible One. (Porphyry, V. Pl. 23, tells us Plotinus achieved it four times while they were together.) In the latter case, by this contact with the Higher Self and by uniting with the archetypal Ἄνθρωπος, the theurgist is better enabled to live a fulfilling life in accord with Πρόνοια. That is, at least for a time, the theurgist experiences themselves as a psychical whole, integrating the conscious, personal unconscious, and collective unconscious minds.
The operation makes ritual use of sumbola and sunthêmata in order to activate the archetypes. These may facilitate the process of ascent when a more interior, contemplative approach, such as Plotinus advocates, is not effective. The suthêmata may be classified as physical (substances, scents, and so forth), as audible (such as chants, hymns, and ονόματα βάρβαρα or magic words), and as mental or noetic (such as silent prayers). All of these are effective for activating the archetypal Idea.
“Like knows like,” so in the ἀναγωγὴ the parts of the soul that are most like the One (or the intended god) must be separated from those least like it. Therefore the conscious and personal unconscious minds must be quieted; that is, the ego and other personal daimôns must be pacified. Separation is accomplished by the initiate enacting a symbolic θάνατος αὐθαίρετος (voluntary death), which therefore functions as a sensible sumbolon. Death-and-Resurrection is an archetypal Idea; therefore, through symbolic death and ascent the initiate participates in this Idea’s ἐνέργεια and actualizes it in themselves (i.e., the archetype manifests in them).
The hylic daimôns, whose office it is to bring the archetypal Ideas into physical manifestation, must be pacified and opposed. To this end, Heroes, recruited as πάρεδροι or assisting spirits, may be helpful in this reversion. In psychological terms, properly constellated complexes may lead the way to the archetypes.
http://web.eecs.utk.edu/~mclennan/other-res.html#neurotheol
Archi-writing: Proto-linguisticality
Derrida argued that as far back as Plato, speech had been always given priority over writing. In the West, phonetic writing was considered as a secondary imitation of speech, a poor copy of the immediate living act of speech. Pharmakon, in philosophy and critical theory, means remedy, poison, and scapegoat.
In Plato's Pharmacy, Derrida questioned this prioritizing by first complicating the two terms speech and writing. Derrida saw this complication in the Greek word φάρμακον pharmakon, which meant both "cure" and "poison". He noted that Plato argued that writing was "poisonous" to memory, since writing is a mere repetition, as compared to the living memory required for speech.
We have to look beyond the repetition of what is spoken out loud or written on a page to find the origin of the words. It is the in-between of what was meant by the writing and what was actually intended by the writing. The inner trace is already at work in speech and writing alike. For example, we find that Babel is 'heart' read in reverse (lebab). Egyptian 'spells' are among the earliest extant writings, and the root of our word 'spelling.'
In the neologism archi-writing, "archi-" meaning "origin, principle, or telos", attempts to go beyond the simple division of writing/speech. Archi-writing refers to a kind of writing that precedes both speech and writing; it differs from empirical writing. Derrida argued that archi-writing is a proto-language that it is already there before we use it. It is already has a pregiven, yet malleable, structure/genesis, which is a semi-fixed set-up of different words and syntax. This fixedness is the writing to which Derrida refers.
For our purpose, we can cite the example of archi -- Divine Names in Theurgy, which stand for numinous forces and the Self, also known as Tiphareth (Sun) in Qabalah. The Aramaic word for heaven or sky in Genesis 1 is Shamya which in Egyptian becomes Shem-re. Shamya in Hebrew is Shamayim.
The concept of the Divine Name (shem) is associated with the Sea (yam/mayim) and with fire (esh). Thus the name (shem) of the Divine Sea (yam/yammah) which is especially linked to divine mercy (khesed) became shamayim (heaven) and the name (shem) of the Divine Fire especially linked to divine Judgment (din/dinah) became shemesh (sun).
The Divine Names not only represent, but are the cultic universe. Hieratic “divine words” (medu neter , hieroglyphs) constitute the entire visible world. Multiform images, symbols, and traces of the ineffable, 'unspeakable,' divine principles.
In symbolic language symbols with a transformative and elevating power correspond with what is beyond any representation. They are woven into the very fabric of Being; they are directly attached and unified to the gods, which are themselves the symbolic principles of Being, the theurgic foundation of ancient civilizations that mythically express the dialectic of the One and the Many.
They become visible through certain images, things, numbers, sounds, colors, omens, or other traces of presence, assuming a communicative meaning. The constants are light, sound, and cyclic dynamics of descent and ascent. Symbols serve as a ladder for ascent to the divine. Chanting out the universe by the Name of everything, back to the life-giving wombs and the ineffable Silence.
Plotinus evokes the soul by describing the Cosmos and World Soul. The ancient hieratic art is based on the symbolic identity of the microcosmic human body and the animated divine statue. Plotinus in the Enneads (I.6.9, 7ff) describes the process of working on one’s own inner statue. Contemplation and noetic vision play important roles in theurgy. The soul is possessed by the divine and sees through the eyes of a deity.
This ‘demiurgic’ work is simply an interiorization of the ancient hieratic art (based on the symbolic identity of the microcosmic human body and the animated divine statue) that reveals its true esoteric meaning. Inner rituals of contemplation and theurgy evoke the affinities between symbols and intelligible dieties, attracting divine power into the aspirant's soul, a dynamic and conjunctive attraction of an image to its original.
Divine powers knit together the energies of the sun, planets and stars, and ... the various magical and theurgical procedures of which this literature is full. There is a fine line between magic and mysticism, especially in the use of divine names. Thanks to the image, we can grasp the archetype as well. Mysticism and theurgy can degrade into mundane magic, thaumaturgy -- the attempt to influence or control the physical plane. Then the master of the secret "names" himself takes on the exercise of power.
The radiant power of words is a given in ancient Egyptian ritual. Speech makes the archetypal realm of noetic realities manifest in the liturgical realm of visible symbolic tokens and actions. It also enacts theurgical transition and transposition of the cultic events into the divine realm. A relationship is established between the domain of Forms and series of manifestation.
VOICES OF THE FIRE: ANCIENT THEURGY AND ITS TOOLS
Descending lights and animated cult images—Figures, names, and tokens of the divine speech—The overwhelming Name of God—The descending and ascending paths of Heka—The Silence before the gods and its creative magic—Hekate's golden ball as a rotating 'vocal image' of the Father—The Sounding breaths of the All-Working Fire—The Elevating rays of the resounding light—The rites of hieratic invocation and ascent—The Tantric alchemy and the Osirian mummification—Golden seeds of the noetic Fire—Theurgic speech of the birds and solar knowledge—Tongues of the gods and their songs--
Myth and symbol are what makes the impossible happen—Metaphysics of creation and its images in pharaonic Egypt—Theogonic appearances and animated stones—Theology of images and its esoteric dimension—Privileged habitations for the immortal gods—Beholding the ineffable beauties—Divine bodies and representations in Indian Tantrism—Sense perception and intellection in Neoplatonism—Divine light and luminous vehicle of the soul—Divine presence in images—Living images of the Egyptian gods—To be made into a spirit of light—Rites of alchemical transformation—The opening of the statue's mouth—Mystical union with the noetic Sun—Revelation of the divine face—Divine statues and their sacred gifts—Salvation as return to the divine
https://en.wikipedia.org/wiki/Archi-writing