THEURGY 2018

Philosophy, Initiation, & Magic by Iona Miller, (c) June 2018

Soul is the Archetype, Intuition is the Instinct

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"The last stage is reached when, in the highest tension and concentration, beholding in silence and utter forgetfulness of all things, it [the soul] is able as it were to lose itself. Then it may see God, the fountain of life, the source of being, the origin of all good, the root of the soul. In that moment it enjoys the highest indescribable bliss; it is as it were swallowed up of divinity, bathed in the light of eternity." --Plotinus


THEURGY NOW & THEN
by Iona Miller, (c)2018

"We shall no longer hang on to the tails of public opinion or to a nonexistent authority on matters utterly unknown and strange. We shall gradually become experts ourselves in the mastery of the knowledge of the Future." –Wilhelm Reich



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"This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower, it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul--learn to discern the real from the false. Listen only to the Voice that is soundless... Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation." --P. D. Ouspensky, The Symbolism of the Tarot

"'These palaces are not built in space, then. They are the only space available. They project their own space when they arise. There is no repressed negativity around them that seeks to enter. Nothing exists, then, but what the imagination, which has brought forth the palace, has constituted.' (Paul Veyne (1988), pp. 121-2)

"... palaces of the imagination... are not mere fictions but... aspects of all human endeavour, our reality itself. Beyond these palaces (in which gods may dwell) lies …nothing. To conceive essences from this nonspace is simply to expand the palaces and further push back the horizons of the unknown, ‘that untraveled world whose margin fades / For ever and for ever when I move’, as Tennyson’s Ulysses put it." --Gregory M. Nixon, "Myth and Mind: The Origin of Consciousness in the Discovery of the Sacred" (322-323)


PREFACE: Why Magic & Theurgy?

"Magic is a way of living. If one has done one's best to steer the chariot, and one then notices that a greater other is actually steering it, then magical operation takes place." -Carl Jung, The Red Book, Page 314.

"The ancients devised magic to compel fate. They needed it to determine outer fate. We need it to determine inner fate and to find the way that we are unable to conceive." -Carl Jung, The Red Book, Page 311.

"The last stage is reached when, in the highest tension and concentration, beholding in silence and utter forgetfulness of all things, it [the soul] is able as it were to lose itself. Then it may see God, the fountain of life, the source of being, the origin of all good, the root of the soul. In that moment it enjoys the highest indescribable bliss; it is as it were swallowed up of divinity, bathed in the light of eternity."–Plotinus

"This is in the end the only kind of courage that is required of us: the courage to face the strangest, most unusual, most inexplicable experiences that can meet us. The fact that people have in this sense been cowardly has done infinite harm to life; the experiences that are called ‘apparition,’ the whole so-called ‘world of spirit,’ death, all these things that are so closely related to us, have through our daily defensiveness been so entirely eliminated from life that the senses with which we might have been able to grasp them have atrophied." —Rainer Maria Rilke (from the Duino Elegies)

"Why do we think love is a magician? Because the whole power of magic consists in love. The work of magic is the attraction of one thing by another because of a certain affinity of nature." --Marsilio Ficino

"How about it, then? Will I not walk in the footsteps of my predecessors? I will indeed use the ancient road—but if I find another route that is more direct and has fewer ups and downs, I will stake out that one. Those who advanced these doctrines before us are not our masters but our guides. The truth lies open to all; it has not yet been taken over. Much is left also for those yet to come." -Seneca

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"Why do we think love is a magician? Because the whole power of magic consists in love. The work of magic is the attraction of one thing by another because of a certain affinity of nature." --Marsilio Ficino

"How about it, then? Will I not walk in the footsteps of my predecessors? I will indeed use the ancient road—but if I find another route that is more direct and has fewer ups and downs, I will stake out that one. Those who advanced these doctrines before us are not our masters but our guides. The truth lies open to all; it has not yet been taken over. Much is left also for those yet to come." -Seneca

Today, we define our own concept of existence, of meaning, of the universe, and of the mystery of human life. Naturally, we tend to combine innovation with tradition for a more adaptable, fluid, and dynamic view, incorporating current perspectives. This includes the psyche, body, relationships and the total environment, with which we share a common destiny.

Whether activated or dormant, the vital principle still living in our substance and essence, re-enchants the world. There is more to life than just matter. The unconscious modifies the conscious.

The invisible force of animation is an immense force of nature -- metaphysical, biological, and phenomenological resonance. Unknown factors contribute to the way we interact with the world. What do magic and theurgy have to offer in the 21st century?

The unconscious is a virtual mixing operator, co-creating natural magic and ceremonial invocation. The theurgic process has poetic strategies for releasing potential knowledge from the unconscious. Words, metaphor, and images carry mythical and archetypal resemblances within them.

We can engage, investigate, and discover them in the interiors of our own psyches. The seer enters a trance state which quiets the conscious mind for the influx of divine energy and divine light (luminous visions,  formless luminous apparitions). It includes states of Theophoría (bearing a God), Enthousiasmós (having a God within, entheos), Epípnoia (inspired by a God).

Invoking Archetypes & Evoking Images

Theurgy reveals such unknown factors as a way of establishing greater self-knowledge. The aspirant performs a poetic fantasy in which the soul is deepened by the affective capability of word and metaphor bridging phenomenal and noumenal realities through the mythic connection. To "invoke" is to "call in", while to "evoke" is to "call forth." It 'tunes'' us like a specific resonant frequency.

Words share in archetypal activity drawing us inwards, connecting the known and the unknown, mundane and sublime, through soul-making. Theurgy provides a medium of communication with a God or Daimôn that purifiesthe theurgist's soul. It serves as a medium by which the individual soul may participate in the divine image.

Invocation is a symbolic and imagistic journey. A unitary reality leads to an epiphany which links consciousness and unconsciousness. The trans-rational mythic imagination borders the unconscious. It provides a route for us an archetypal encounter, echoing the seeds of expanded consciousness.

If we fully experience the archetype and are apprehended by it, we get a glimpse into the imaginal reality which transcends ordinary perception. The mage enters the image sympathetically. Intuition emerges as gnosis, knowledge without previous learning.

We call such awesome emotional intensity a numinous experience. We are aroused by the power, presence, or realization of a divinity -- an uncanny, mighty spirit, a tremendous mystery. True imagination embodies the divine wisdom of the soul through percepts, affect, and concepts. Psyche or soul is our image making capacity.

Hillman's psychology is rooted in the "poetic basis of mind", aesthetics, and imagination. If everything is poetry the literalisms dissolve into depth of experience rather than scientific philosophy or practice. This brings back soul to the process through imagination, fantasy, myth, and metaphor. Word, metaphor, and epiphany can lead to a theurgic expansion of soul.

Hillman said, "Here I am working toward a psychology of soul that is based in psychology of image. Here I am suggesting both a poetic basis of mind and a psychology that starts neither in the physiology of the brain, the structure of language, the organization of society, nor the analysis of behavior, but in the process of imagination." (RVP)

Gaston Bachelard suggests in The Poetics of Space, "to go so far and so deep, [we] must go beyond the sentimental resonances with which we receive... a work of art."  We become sensitized to the resonances "dispersed on the different planes of our life in the world.

While the repercussions invite us to give greater depth to our own existence. ..."reverberations bring a change of being." The poetic act grips us entirely leaving a phenomenological mark of exuberance and awakening new depth in us. Universal mind pours itself into the profundities of the soul.

Bachalard says reverberation, "has a simple phenomenological nature in the domain of poetic imagination. For it involves bringing about a veritable awakening of poetic creation, even in the soul of the reader, through the reverberations of a single poetic image. By its novelty, a poetic image sets in motion the entire linguistic mechanism. The poetic image places us at the origin of the speaking being."

Raw poetic power arises resonantly within us as experience and deep memory. "But the image has touches the depths before it stirs the surface. ...it is at once a becoming of expression, and a becoming of our being. Here expression creates being."


Ensouled Life

Only when the soul enters the material cosmos is there need to honor its generative power, to make a relationship with the interpenetrating divine through that particular worldview.

Our concern is process, meaningful connected patterns over time not just outcome, worldwork as well as individual arc. Emergence is a process by which order appears “spontaneously” within a system. We increase our ability to create, express, collaborate and enliven our life.

Over time processes lead to  the appearance of emergent features, such as knowledge and transformation. When many elements are allowed to mingle, they form patterns among themselves as they interact, activating latent phenomena -- the taking in of Source, the Many into One, breath of life, breath of compassion, breath of union.

"Nevertheless,  we will become inflated many times over the course of any system of spiritual development. Its equal-and-opposite counterpart is depression, again a literal description because the energy one normally has available is depressed, pushed down into the unconscious. The cycle of inflation and depression is inevitable if one opens a channel to the unconscious; the key is to recognize as soon as possible that we are becoming either inflated or depressed. Once we do, often the recognition itself is sufficient to center us once more. If not, it is effective to ground ourselves in the normal activities of life, especially those involving physical effort, or those which involve detail, which require our full attention." (Robin Robertson, The Shadow's Gift)

Does such entanglement provide the basis of universal consciousness? When the mind lets go of its rational order and enters into unstructured chaos it emerges later with a new structure. If beliefs arise, they include a 'belief in the inherent importance of all parts of ourselves and all viewpoints in the world around us'. Somatic and cognitive fluency meet in a flow state of dynamic processing expressing as pleasurable interest.

Magic facilitates an ego which can not only penetrate, but also diffuse its awareness.
The seer views the transcendent self and is seen by it. Over time the seer identifies with the Self, and I-Thou polarity dissolves.

From the holistic perspective you embrace higher values, realize your inherent divinity, and enlarge your potentials. The boundary between the seer and the seen collapses into cosmic consciousness. The seer becomes a Sage.

This flexible ego can form a more harmonious relationship with subconscious processes. It does not abort the transformation in the middle of the process through wrong value judgements and interference.

Archetypal psychology is poetic vision. The totality of the psyche has its own aims, which are not necessarily those of the individual ego. Psychic activity is paradoxical in nature. It looks both forward and backwards.

Theurgy is the 'edge-work' of philosophy, a process metaphysics approach to matter and ontology which emphasizes “flow” rather than permanence and can be traced ultimately. Process metaphysics is a natural approach to complex systems.

Complex systems theory assigns nature the tendency to self organize—to construct complex structures and processes. It makes emergence a genuine metaphysical possibility. The parts collectively form the stable base among which the system processes occur.

In theurgy, an embodied philosophy, the greatest teacher is direct and unmediated experience of the image-making capacity of the soul. Unconscious psyche and matter are one. The theurgist intentionally gives the voice of the unconscious form that actively engages the ego so personality can be transformed by it. We have to face our darkness to find our light.

Theurgy is a fluency framework. Archetypal thinking helps us conceptualize an approach to subjective metaphysics without foregoing critical thinking -- participatory enaction anchoring a number of spiritual meanings and the open-ended questions of the personal myth. Metaphysical action becomes more important than metaphysical assumptions or theories.

Perceptual insight during elaboration, also referred to “aha!” moments. Naturally-arising light, the indivisible emptiness-luminosity, when the naked mind, free of everything, dwells in the uncreated state, revealed in the transparency of the spiritual epiphany.

The light in nature is the divine in the world. Myth, the interplay of cosmic principles, and memory are the basis of our relationships. The root of existence is matter and spirit --the deep nature of reality and experience, veiling and revealing its divinity.

Traditions of 'Light' continue to inform our conceptions of reality. What we call reality and consciousness depends on our level of observation and mystical penetration. The quality of vision we have expresses penetrating ideas exploring the complexity or “depths” of any given phenomenon and reconceptualizes polarities. The most common error is conflating Consciousness and Awareness. Consciousness is a product of widespread communication, while awareness is a focal capacity. Do our attentional habits create our experience? What reality are we in?

For Hillman, "the purpose of a metaphysic is to provide meaningful, soulful, and beautiful order to the world we live in, complete with all the facets of life that we experience in our day to day lives. ...Knowledge becomes gnosis when things and experiences, by virtue of their being known, suggest their subtle bodies in the Anima Mundi. Rather than abstracting us from the world, knowing takes us more directly into its soul as aesthetic presentation."

"The way to see the Gods is to know the world. Practical knowledge, common sense, therefore cannot be divided from metaphysical knowledge....metaphysics becomes the praxis of an essentially lived life in which being, substances, method, order, and other traditional topics of metaphysics become qualities of soul." (Adam Elenbaas, 2006, Why Use Only 7 Planets?)


The Approach

There is is growing interest in practical theurgy grounded explicitly in Neoplatonic texts. What draws us in may be an aesthetic interest at the beginning, or an affinity for a different world related to deepening engagement. The process unfolds in natural but  unexpected ways.

Reciprocal interaction manifests between the aspirant and the divine through natural and acausal effects. The aspirant instantiates the potential of the psychic field. Thus, our character is forged in the alchemical mix of ordinary life and the 'big dream' of psychic being, rooted in our-present Source. Effective dreams have the power to change us.

Rational viewpoints are complimented by emotional experiences and intuition, deeper vision, and a timeless feeling of shared compassion for all living beings. The theory is one of emergent phenomena and consciousness. We can naturally aspire to wisdom, holiness, and humanity. They don't have to interfere with one another, be surprising, peculiar, or sensational -- there is no onslaught of compulsive weirdness.

In a materialist culture, while guarding against our collective and idiosyncratic delusions, how can we confront the problems of living an ethical life in a society plagued by dissension, vice, and corruption? We tend to  forge our own approach to ethics and well-being, even if consulting wisdom traditions and modern research, rather than forcing a singular point of view, diversity rather than pathology.

The significance or meaning of life is a central topic in philosophy, art, religion, medicine and psychology though any definitive answer remains elusive. Ethics or morals (personal accountability) should help us cooperate with one another. But there is no moral super-principle that undergirds us all besides humankind’s survival.

Meta-ethics examines our notions about what constitutes ethics or morality relative to the position of others. Related issues are lifestyle choices, decisions, respect, impartiality, responsibility, identity, duty, principles, empathy, compassion, and conscience or consciousness.

The flattening of affect or emotional neutrality is the enemy – the aspect that conditions poor choices and ethical erosion as the acceleration or speed of cognition increases in our mindnumbing modern lives and we become dulled to the field of perception (Damasio 2004). Its been called information overload and future shock. Ethics is Aesthetic.

It means living deliberately, with global intentionality, which is an artform in itself – living with awareness and acting from that center. It is an aesthetic choice for ‘artful living’, living life in an artful manner in harmony with flow and creativity. We choose enriching experiences over consumerism is generative and creative. Magic expresses the fluid interpenetration of the ordinary and imaginal or soul realms.

Theurgy is a theophanic metaphysics, a mythopoetically informed, practice. Awakening dormant intuition, we cultivate an aptitude for revelation and communication of the divine. An imaginal theophany is hierophantic, relying  on a certain ability and level of perception and consciousness, with eyes that "see through" events into their pattern. Epistemologically, the divine is "that" which is beyond the imaginal and out of which the appearance comes (epiphany).

Our philosophical ethics are tied to our aesthetic sense and metaphysics, to our worldview – especially for artists and scientists. The mechanistic view is one of greed-creating scarcity, a sense of there not being enough of whatever resources to go around (Fuller). The worldview provides the ground for our beliefs, ideas and lifestyle choices about what is right and what is wrong. This paradigm is tied to our health.

Whether we seek transformation, to honor the gods, or a poetic flight of ideas connected by the unconscious, we are making soul and deepening character. If we "see through" the gods, rather than transcending, they mirror the spectacle of our naturally fractured lives with awe and compassion. We sense the right moment, find the right words, use the natural magic of special places, have the natural magic, rather than rational attitude, and become a field of wisdom.

'Opening the eye of the soul' alludes to enlightenment, and means to obtain knowledge through introspection and visionary sight to view the higher forms of existence, the source of life. Perhaps our answers are in the riddles of life, the gaps or  the lacuna in the world's theological beliefs, not a singular belief. Michael York uses the term “deific pluralism” rather than “polytheism.”

Hillman has argued for a psychology that acknowledges all the myriad facets of our nature as important and integral to our general psychic well-being.  Whereas Western psychology has largely tended to be "monotheistic" in its emphasis upon rational ego-awareness, Hillman suggestes the need for a more "polytheistic" view of psyche, that draws fruitfully from the pantheons of ancient mythology for a more fitting representation of psyche's diversity and needs.

Carl Jung noted, "...that "the One" should meditate, and that the world should be produced by the spirit in its creative role, is a conception which goes directly back to the philosophy about the Nous in antiquity." (Modern Psychology, Alchemy, Pages 59-60.

Archaic influences remain within us -- the preliterate culture of poetry, song, and myth; unconscious, lived in a magical integral world patterned by myth and ritual. They express locality of focus and ethical concern. Each time our vision scans over the inner landscape we experience new impressions, flowing from one experience to the next.

Awareness is self-arising waves of potential from which different potential outcomes of reality and perceived outcomes emerge. We don’t consciously choose our thoughts or our feelings – we become aware of them.

Memories accrue from experiences and that ambience, character or atmosphere accumulates to effect the soul. Our attention to details (ambience), memory recall, and information provide insight about situations that are outside of normal understanding about time and space.

Jung spoke of the two-million year old human within us, the ancestral soul – the primal soul. The instinctive self, rooted in nature, speaks the forgotten symbolic language of the unconscious. Our unconscious still functions like it did four million years ago as complementary facets of a deeper reality emerging in amplified symbols.

The first achievement of the transformation of instinctual energy by our primal ancestors is magic. Psychization transforms an instinctual or sensory perception, rather than energy, into an experience. Magic is just part of the human experience. But notions of attainment remain elusively ahead of us. If, as Jung says, all we can know is the god-image, what does it mean to be the image of God?

In this vast night, be the magic power
at your senses' intersection,
the meaning of their strange encounter.

And if the earthly has forgotten
you, say to the still earth: I flow.
To the rushing water speak: I am.
R.M. Rilke, The sonnets to Orpheus, XXIX

As Liber Novus says, "You can enter only into your own mysteries." Non-Ordinary states of consciousness can heal suffering. They can be accessed in a number of ways, including our subject, theurgy, which has the potential to unlock a new level of insight and self-awareness. What most people believe can be attributed to the gods, that is, the archetypes of the collective unconscious, whether we perceive them consciously or not.

It is also true for tending our psychic wounds and embracing personal and collective shadow. As Anaïs Nin reminds, 'We do not escape into philosophy, psychology, and art--we go there to restore our shattered selves into whole ones.'

We cannot take an ego-driven approach to growth and development. That is like pulling on a seedling sprout until we uproot it. It cannot be forced to completion, even to feed a hunger for meaning and experience, but must take its course.

Meaning is inherent in life processes down to the sub-quantal level. Life is filled with soma-significance expressed in the felt-sense of ambiance, gestures, words, non-ordinary states of consciousness, aesthetics, and more. Pre-verbal communication is through gestures, utterance, and action.


_________________________________________
Today, we define our own concept of existence, of meaning, of the universe, and of the mystery of human life. Naturally, we tend to combine innovation with tradition for a more adaptable, fluid, and dynamic view, incorporating current perspectives.

In a materialist culture, while guarding against our delusions, how can we confront the problems of living an ethical life in a society plagued by dissension, vice, and corruption? We tend to  forge our own approach to well-being, even if consulting wisdom traditions and modern research, rather than forcing a singular point of view. Perhaps our answers are in the riddles of life, the gaps, not a singular belief.

Archaic influences remain within us -- the preliterate culture of poetry, song, and myth; unconscious, lived in a magical integral world patterned by myth and ritual. Each time our vision scans over the inner landscape we experience new impressions, flowing from one experience to the next. Awareness is self-arising waves of potential from which different potential outcomes of reality and perceived outcomes emerge.

Jung spoke of the two-million year old human within us, the ancestral soul – the primal soul. The instinctive self, rooted in nature, speaks the forgotten symbolic language of the unconscious. Our unconscious still functions like it did four million years ago as complementary facets of a deeper reality emerging in amplified symbols.

The first achievement of the transformation of instinctual energy by our primal ancestors is magic. Psychization transforms an instinctual or sensory perception, rather than energy, into an experience. Magic is just part of the human experience. But notions of attainment remain elusively ahead of us. If, as Jung says, all we can know is the god-image, what does it mean to be the image of God?

In this vast night, be the magic power
at your senses' intersection,
the meaning of their strange encounter.

And if the earthly has forgotten
you, say to the still earth: I flow.
To the rushing water speak: I am.
R.M. Rilke, The sonnets to Orpheus, XXIX

As Liber Novus says, "You can enter only into your own mysteries." Non-Ordinary states of consciousness can heal suffering. They can be accessed in a number of ways, including our subject, theurgy, which has the potential to unlock a new level of insight and self-awareness. What most people believe can be attributed to the gods, that is, the archetypes of the collective unconscious, whether we perceive them consciously or not.

It is also true for tending our psychic wounds and embracing personal and collective shadow. As Anaïs Nin reminds, 'We do not escape into philosophy, psychology, and art--we go there to restore our shattered selves into whole ones.'

We cannot take an ego-driven approach to growth and development. That is like pulling on a seedling sprout until we uproot it. It cannot be forced to completion, even to feed a hunger for meaning and experience, but must take its course.

Cicero spoke of philosophy as critical to healing the mind (Tusculan Disputations). One power we have is the power of self-observation. But it usually is not very well developed, especially around the unconscious, which is the core of our lives, the totality of the life processes within us -- an individual concrete and creative response to the mystery of the world.

In Revisioning Psychology, Hillman describes Ficino's spiritual 'height psychology,' rather than a depth psychology:

"When "body" is disparaged in Ficino in order to affirm soul, it can be psychologized to mean the empirical, literal, physical perspective, particularly the perspective of practical action which had less significance in Ficino's scheme of things than did Venus and the voluptuousness [sic]. ... The opposition is less between soul and fleshly sensual joy - for voluptuousness in Ficino was a model for spiritual delight - than between interiority and outwardness, or what we have called the metaphorical and the literal perspectives."

Early philosophical views failed to notice the central importance of metaphor in understanding our reality. Recent works, such as Metaphors We Live By have closed that gap, revising the central assumptions of meaning in the Western philosophical tradition. The 'inner journey' is a primary metaphor:

"The psyche is not an object, a thing; it is a process. Motion is its essence. Just as the outer landscape flows by when we travel, so before the inward eye images succeed one another in a constant motion picture. It is these which we tune in on when we shut our eyes to outer things and step into our chariots for a voyage within." (Sallie Nichols, Jung and Tarot: An Archetypal Journey)

Metaphor is a pervasive field of imagery intimately linked to self-narrative and internal descriptions of what our experience 'is like.' Everyday language is full of tacit metaphors that shape the way we think, act, characterize and interpret our experience -- alternative accounts beyond objective truth. It is fundamental to our conceptual system and frameworks , including worldview.

Lakoff’s (1988) definition of metaphor is a schema,  “a unifying framework that links a conceptual representation to its sensory and experiential ground.” His central thesis is that metaphors facilitate thought by providing an experiential framework in which new information may be accommodated, forming a cognitive map. (Metaphors We Live By)

Reality is in-formed by soul's metaphorical weave of mythical narrative. Soul (anima) is an active intelligence that forms or plots our fates. Being-in-Anima (esse in anima) is to be ensouled.

Soma Sophia, the Body of Wisdom is inherent dwelling within the body of Anima Mundi. Psyche is immersed in imagination, metaphor, poetry and myth, including scientific and spiritual technologies. Fantasy deliteralizes the illusory concreteness of matter. Images and fantasy are the carriers of meaning. Soul transforms events into experiences.

Implicit theories of the unconscious always take a central role in the metaphysics of spirit and framing the horizon of significance we give to the term 'magic,' encouraging participation and engagement. Every idea belief and concept is metaphorical.

When we 'see through' the Greek mythos from ancient times it shines through the “here / now” presence of our everyday lives. In the gap of image as metaphor, magic becomes the "as if" space between two senses of the same term or figure, where the literal and the metaphorical reverberate against each other.

In Real Magic, Dean Radin refers to magic as a natural aspect of reality that each of us is actually able to tap into. “The essence of magic boils down to the application of two ordinary mental skills: attention and intention. The strength of the magical outcome is modulated by four factors: belief, imagination, emotion, and clarity. That’s basically it,” he writes.

Jung describes the raw material of consciousness:  “Deep inside us is a wilderness. We call it the unconscious because we can’t control it fully, so we can’t will to create what we want from it. The collective unconscious is a great wild region where we can get in touch with the source of life.”


In many ways, such psychological categories are logical extensions of philosophical themes, not just looking at things but dwelling on them. In the depth psychological frame, the unconscious remains the well at the dawn of life, which we can still revisit via time-honored methods, engaging the psyche in new and different ways. Jung noted, "Our consciousness does not create itself—it wells up from unknown depths."

Mysticism can refer to visionary experiences, non-visionary via negativa experiences, or gnosis, direct spiritual insight into hidden aspects of the cosmos, or transcendence. But, the primordial images are the true force that shapes and channels instinct, occult or hidden forces active in the natural world.

Aspirants seek direct spiritual knowledge (gnosis) of themselves and the cosmos. James Hillman says, “The deepest subjectivity is not personal.” (Lament of the Dead) Even if we use therapeutic means from ancient philosophies or traditions, we don't have to drive ourselves toward a well-being target, psychologically or spiritually. Ancient wisdom can help us flourish and transform.

Recognizing and engaging the sacred means calling attention to a vital and important dimension of reality being threatened by onesided rationalization, secularization, and the mechanization of the world.


The Illuminative Vortex

The subject of the unconscious was in the domain of philosophy. The notion of the unconscious abyss and the essential self-revealing nature of pre-reflective non-differentiated being was fundamental to the natural-mystical philosophy of Neoplatonism.

Planetary Technoetics: Our 21st century aesthetic frame is essentially technoetic, described by artist Roy Ascott as a convergent mix of the emergent fields of art, technology and consciousness research. He further suggests that planetary technoetics is a sort of 'species' consciousness and gains "new insights from older cultural traditions previously banished from materialist discourse."

He describes a "fully differentiated interactive art process," outlining a five-fold path of connectivity, immersion, interaction, transformation, and emergence. (Planetary Technoetics: Art, Technology and Consciousness, 2004) We agree such tuning is the natural basis of a global interaction between organisms and of collective consciousness.

Ascott says such artists, "are prepared to look into any discipline, scientific or spiritual, any view of the world, however eccentric or esoteric, any culture, immediate or distant in space or time, any technology, ancient or modern, to find ideas and processes that allow for the navigation of mind and its open-ended exploration." (Cybernetic, Technoetic, Syncretic: The Prospect for Art, 2008)

'Technoetics is a convergent field of practice that seeks to explore consciousness and connectivity through digital, telematic, chemical or spiritual means, embracing both interactive and psychoactive technologies, and the creative use of moistmedia.'  (Roy Ascott 2008)

Its significance "in its power to provide for the release of the self, release from the self, the fictive “unified self” of Western philosophy. It lies in our ability to be many selves, telematically in many places at the same time, our self-creation leading to many personas and serial identities."

For this essay, the technology is Hermetics and theurgy. The Philosopher's Stone is like a psychic lodestone or vortex. The massa confusa of the vortex of pure information becomes gradually discernible. Emergence, or spiritual rebirth, a humbling not inflationary experience, is its telos.

Aesthetic Arrest: Clarity is artistic discovery of the universal. There is enchantment in the quality of wholeness. There is beauty in the rhythms of nature and our nature. Aesthetic response is an essential emotional aspect of alchemy that lends flow and harmony to the process of balance, rhythm and synthesis of immediate perception.

That flow is lyrical, epic and dramatic. Aesthetic signification is one thing, but the deep emotional impact of aesthetic arrest -- being suspended for a thrilling radiant moment in the eternal -- stops us in our tracks in a moment of realization.

We dissolve in the mysterious ground of being, the sublime wellspring of creativity. The mind goes still as primal awareness expands into wholeness. Something without physical form shines forth from the hidden world in that very moment.

These luminous experiences, true works of art, drive us onward in the Quest. We are struck with divine inspiration and the passion to see it through to completion. Sensuous cognition of beauty is a revelation, an astonishment that captivates our rapt attention.

Aesthetic arrest blows apart the illusory differences between the sacred and the profane. We are inspired in the a-ha moment, utterly dissolved in the momentary ego-death of its solutio that tears asunder illusory nature. This aesthetic experience is an act of surrender that is an epiphany. It makes us gasp for air and sparks a cascade of pleasure.

We become a part of the truth we seek at the paradox of participation. The alchemist lives at this paradox. The greening of the wasteland restores artistic expression. Voegelin calls each participant in therapeutic process and practice a simultaneous part and whole of a reality of consciousness like a marriage, polity, or cosmos. Alchemy speaks of the Royal Marriage, or paradoxical cosmic conjunction (coniunctio) of opposites.

We are directly connected to beauty and wholeness. We know what it means to exist rooted in the mysterious creative ground of being. As artists we are mythmakers, dreaming the alchemical dream onward. Myth is transparent to transcendent process in the Now-Here. In sublimatio we reach escape velocity.

In aesthetic arrest, the phenomenal field disappears as we come to our own Zero Point. Any artistic expression produced by this personal experience is likely to lead others to their own point of synchronization that creates an altered state.

Soul is made by narrating events in terms of myth, the metaphoric and symbolic dimensions of our experience. Poetics brings the archetypal into participation with the mundane by tending the currents of life.

Artists and mystics are aware of their own internal space and thus able to enter it, playing the mindbody like a musical instrument. Looking inside, they see the true nature of reality and can express that literally and symbolically. We all possess the creative potential. All creative acts are a marriage of spirit and matter, reaching down into the body as the source of our essential being and becoming.

Today, we might describe this resonance as accessing energy that regenerates the mindbody. Healing is an aspect of creativity; nature is within and without us. The Magus does not dominate reality but develops embodied psychophysical equilibrium, clarity, wisdom and compassion.

The abyss of the transcendent imagination is the archaic 'ground without a ground,' the positive significance of the negative, pre-perception. The root image of the abyss includes the zero-point, primeval waters, chaos, source of all existence, source of life and life’s return to this source, as well as the paradoxical death instinct.

It is also a 'window to eternity,' the Self-field or Plenum (Jung), transcendent ultimacy. It exemplifies conscious communion or participation in a timeless reality. This radically transformative pleromatic  experience of unitary reality is there from our inception.

Reconnecting with the unconscious is reconnecting with the mythic world, our instincts and intuition. We cannot repress our imagery without repressing our instincts. We don't search for symbols; instead, we are directly impacted by experience and how we metabolize it. Tacit knowledge means we know more than we can tell. The intuitive is difficult to explicate but it is possible—and valuable—to clarify.

Erich Fromm suggested eight basic needs: Relatedness, Transcendence, Rootedness, Sense of Identity, Frame of Orientation, Excitation and Stimulation, Unity, and Effectiveness (The Sane Society and The Anatomy of Human Destructiveness).

In many ways, such psychological categories are logical extensions of philosophical themes, not just looking at things but dwelling on them. In the depth psychological frame, the unconscious remains the well at the dawn of life, which we can still revisit via time-honored methods, engaging the psyche in new and different ways. Jung noted, "Our consciousness does not create itself—it wells up from unknown depths."

Mysticism can refer to visionary experiences, non-visionary via negativa experiences, or gnosis, direct spiritual insight into hidden aspects of the cosmos, or transcendence. But, the primordial images are the true force that shapes and channels instinct, occult or hidden forces active in the natural world.

Aspirants seek direct spiritual knowledge (gnosis) of themselves and the cosmos. James Hillman says, “The deepest subjectivity is not personal.” (Lament of the Dead) Even if we use therapeutic means from ancient philosophies or traditions, we don't have to drive ourselves toward a well-being target, psychologically or spiritually. Ancient wisdom can help us flourish and transform.

"Thus, the Stoics do not only say "I don't know whether my action will succeed." Rather, they also say: "Since I don't know in advance what the results of my actions will be, and what Destiny has in store for me, I have to make such-and-such a decision in accordance with probability and a rational estimate, without any absolute certainty that I am making the right choice or doing the right thing." (Pierre Hadot, The Inner Citadel)

"Now our image of the goal changes: not Enlightened Man, who sees the seer, but Transparent Man, who is seen and seen through, foolish, who has nothing to hide, who has become transparent through self-acceptance; his soul is loved, wholly revealed, wholly existential; he is just what he is, freed from paranoid concealment, from the knowledge of his secrets and his secret knowledge; his transparency serves as a prism for the world and the not world. For it is impossible to reflectively know thyself; only the last reflection of an obituary may tell the truth, and only God knows our real names. We are always behind our reflections—too late, after the event, or we are in the midst, where we see through a glass darkly." (James Hillman, Myth of Analysis (p. 92).


"Metaphysical gnosis is non-dualistic spiritual insight. . .comparable to that found in the Corpus Hermeticum between “lower” and “higher” gnosis, “lower” referring to philosophic learning, “higher” to direct insight into the Nous." "Cosmological gnosis illuminates the hidden patterns of nature as expressing spiritual or magical truths; it corresponds, more or less, to the via positiva of Dionysius the Areopagite. Metaphysical gnosis, on the other hand, represents direct insight into the transcendent; it corresponds, more or less, to the via negativa of Dionsyius the Areopagite." (Versluis)

Esoteric thought and ancient Egyptian mystical currents had a great impact on Renaissance culture, Neoplatonism, and the practice of pagan and Christian theurgy. Plotinus synthesized the ethics of the Stoics and Plato's metaphysics of the gods. Plato (ca. 429–347BCE), comprehends inspiration as a kind of unreason or ecstasy, inspired by an inner necessity, and creative impulse.

One scholarly model of "esotericism" concerns a perennialist, hidden, inner tradition. A second perspective describes world-views which seek to embrace an "enchanted" world-view in the face of increasing de-enchantment. Hanegraaff views Western esotericism as "rejected knowledge" by the scientific establishment and orthodox religious authorities.

Western esoterism is not a single inquiry; 'inner traditions', magical aesthetics, and movements proliferate. Initiatory societies professing esoteric knowledge such as Rosicrucianism and Freemasonry developed in the 17th century; the Age of Enlightenment of the 18th century led to the development of new forms of esoteric thought. New trends emerged in the 19th century that became known as occultism.
https://pure.uva.nl/ws/files/9244372/Esotericism_Theorized_Major_T.PDF
http://www.forbiddenhistories.com/basic-readings/
https://books.google.com/books?id=1X2bEHOk8L4C&printsec=frontcover#v=onepage&q&f=false
https://books.google.com/books?id=1X2bEHOk8L4C&printsec=frontcover#v=onepage&q&f=false

To Believe or Not Believe Is Not the Question

Recognizing and engaging the sacred means calling attention to a vital, important, mythic  dimension of reality being threatened by one-sided rationalization, secularization, and the mechanization of the world. The gods catalyze our personalities in the soul-field or imaginal dimension of our lives.

The older we get with maturity on the path, the more we seek what resonates with us, an evolving aesthetic, and our own references, rather than an effect or reaction. Even the Gods display vulnerability in their divinity and, like ourselves, carry scars that can't be seen. They are vulnerable, powerful, and definitively otherworldly. It is not myth we need to question but our own spiritual life that informs us throughout our lifetime in the remarkable fabric of our existence. How can we believe more in ourselves and the core, Self?

It is a philosophical awareness of the nature of image running through the Great Work and the mutual trajectory of our soul guides. Like imagery, the most meaningful and fully informed beliefs, opinions, and ideas arise from the unconscious and in no way are intentional. They are uncontrived, rather than trying to be relevant or even interesting.

Echoing the tension between superstition and reason, we can ask ourselves, after Paul Veyne, "Did the Greeks believe in their mythology?" They may have embraced the historical nugget of even imaginal characters and the core or heart of the myth, but not the literal details of the poetic narrations that emphasize the glory of the Greek spirit.

The original kernel became overgrown with an overburden of false legends over time. All legends were embraced as completely authentic. Their own ways of believing and being skeptical differ from our own; nor were their histories compiled like ours. They authenticated historical truth by consensus over the ages. History was a way of creating belief. They simply copied their predecessors, none of whom witnessed the events.

Historical tradition purports to be the memories of ancestors passed down to their descendants. Tradition is the presumed truth and history is born of it. History arises from inquiry, not controversy, so it is riddled with errors and gives rise to false beliefs of commission and omission. With undifferentiated fiction and reality, 'Truth' takes on a fictive aspect that includes the naivete of the believer. Myth is information and the poet is inclined to tell the truth or lie informed by the Muses.

They acted like myth and history shared the same realm of belief, a world beyond the horizon of collective memory. Are religion and history more fictive than art, history, or physics? The difference between fiction and reality is only the subjectivity of a believer. Veyne concludes truth is created not found.  (Did the Greeks Believe in Their Myths?: An Essay on the Constitutive Imagination)

Veyne reminds us that, "myth and logos are not not opposites, like truth and error," so the Greeks accepted myth as a subject of serious reflection over two millennia. The contradictions and historical reasoning are reconciled in a metaphorical approach to the 'supernatural.' Sallustius gave us the notion that myth is what is always happening, but never occurred.

He admonishes us, "Those who wish to hear about the Gods should have been well guided from childhood, and not habituated to foolish beliefs." He also said, "One may call the world a myth, in which bodies and things are visible, but souls and minds hidden." "The essences of the Gods never came into existence (for that which always is never comes into existence; and that exists for ever which possesses primary force and by nature suffers nothing): neither do they consist of bodies; for even in bodies the powers are incorporeal." (On the Gods and the Cosmos)


Cosmological Gnosis

Magic and its maps of meaning have to be restated in the language of its time. The ontological discourse of reality is no longer occupied solely by religious doctrine and appeals to supernatural forces. We have to confront our own ontological assumptions. Those drawn to the lure of magic and philosophy can use to either clarify or further mystify themselves through a variety of means and for myriad personal reasons.

We have to remain open to understanding since no single interpretation can be definitive. There are aspects only a practicing theurgist would recognize and understand. We can make the experiment and look for ourselves. Immersive experiences stimulate our senses—they draw us in, transport us to another place, and keep us in the moment.

The imaginal dimension of psyche and immersive experience is naturally esoteric, full of unspeakable things and unknowable truth. We call such assumptions, and the supreme essence of all of them God. We have repressed the contents of the unconscious while forgetting and disregarding the magic and mystery there. That rejection or marginalization in no way diminishes its usefulness.

The esoteric worldview reflects an autonomous relationship between psyche and cosmos. Esotericism was rejected and suppressed by science in the Enlightenment and by Protestant Christianity in the Reformation. That rejection or marginalization in no way diminishes its usefulness. This rejected knowledge and initiatory technology was pushed into the unconscious and a few secret societies.

Theurgy is, at root, the transfiguration of the commonplace. It is more than merely an 'alternative' spirituality, magic, astrology, alchemy, theosophy, quantum mysticism, or holistic healing. It's a sacred commitment to an inner depth dimension.

The “esotericism” of today's rational/skeptical,  romantic imagination, or new age idealism is not the “esotericism” of the social and historical past. Often it's the reverse of what we might imagine taking it out of context -- a creative reconstruction. Each theoretical viewpoint creates its own imaginal construct of practical magic. At the moment you do it, it brings some sort of relief, and that is the essential thing.

Dr. David Shaver says, "Reality, then, is not some kind of “objective” fact or knowledge out there in the universe, waiting to be discovered, but, rather, is an organizing principle existing between the mind and this unknown (and unknowable) matter existing in the universe. Reality, then, is an alignment or synchronization of nature and mind."

Belief systems are technologies of symbolism. Theurgic Platonist and Hermetic writing are symbolic modes of expression, innate gnosis, and ritual practices. They share a common purpose: to make the soul immortal and divine. These mysteries speak about the same process, as do Jungian and Transpersonal psychologies.

Jung amalgamated his theories from his Red Book experiences, ancient mystery religions, gnosticism, alchemy,astrology, Mesmerism, and Spiritualism. "The unconscious is the matrix of all metaphysical statements, of all mythology, of all philosophy, and of all expressions of life that are based on psychological premises." -C. W. Jung, CW 11

"In our metaphysics we declare our fantasies about the physical and its transcendence. A metaphysical statement can be seen as a psychological fancy about the relationship between 'matter and spirit'. [...] The archetypal neuros is collective and affects all with the metaphysical affliction."--James Hillman, Senex and Puer, Spring Publications, 2005


In the Neoplatonic cosmology, Radiant Light, The One, Nous or divine wisdom emanates archetypal Forms and Ideas, as well as the World Soul which animates the world, an ecology of souls. It mediates reality between matter and spirit. Theurgy promises a symbolic return to Paradise. It induces symbolic ego death and rebirth though soul consciousness, promoting expanded consciousness. The desire for life and death are paradoxically yoked.

Soul mediates and reconciles ordinary consciousness (life instinct) and unconsciousness (death instinct). Soul consciousness is the undifferentiated life/death instinct, identical to the function of intuition, the primal instinct. Soul is the archetype, intuition is the instinct.

Theurgy is the culmination of philosophical thinking. Philosophy is a prelude to a more transcendent existence beyond reason. Such anomalous experiences have conscious, subconscious and unconscious dimensions.

We may be aware, or only partially aware that it is happening, without knowing how it comes about or why it happens as it does. Is it precise or vague; happen slowly or quickly; is it open or hidden; explainable or unexplainable, expansive or contractive; partial or total; predictable or unpredictable; regressive or progressive?

Predictive coding of perception sheds new light on the concentration and visualization practices central to much of modern occultism and active esoteric philosophy movements. Predictive coding, which informs belief, choice, and reasoning, states that the brain continually generates models of the world. Optimizing predictions minimizes sensory prediction error. It also means expectations matter.

Our perceptions work by detecting matches and mismatches. If there is dissonance, it adjusts our internal structure by arousal and action to match the schema and external reality. Unconscious distortions arise that conform with our mythic structures or the mythology changes to conform with our experience.

As Gustav Kafka notes: “It's entirely conceivable that life's splendor surrounds us all, and always in its complete fullness, accessible but veiled, beneath the surface, invisible, far away. But there it lies—not hostile, not reluctant, not deaf. If we call it by the right word, by the right name, then it comes. This is the essence of magic, which doesn't create but calls.”

In The Red Book Jung reveals: "This meeting is magical and eludes comprehension. Magical understanding is what one calls noncomprehension. Everything that works magically is incomprehensible, and the incomprehensible often works magically. One calls incomprehensible workings magical. The magical always surrounds me, always involves me. lt opens spaces that have no doors and leads out into the open where there is no exit. The magical is good and evil and neither good nor evil. Magic is dangerous since what accords with unreason confuses, allures and provokes; and I am always its first victim."

Glisten Up: Esoteric Imagination

"Nature is not matter only, she is also spirit." ~Carl Jung; CW 13; Para 229.

We don't know the true nature of reality, but we continue to yearn for the fullness of existence and a nature that is independent of our conceptions of it, even an extra-cultural reality that is part of the natural world.

"Once upon a time there was a flower, a stone, a crystal, a king and a queen, a castle, a lover and his beloved, and that was a long time ago, in an island in the ocean five thousand years ago.... This is love, the mystical flower of the soul. This is the center, the self... no one understands what I mean. Only a poet could say that..." --C.G.Jung, the Hermetic Circle (by m. (Serrano) P. 60

Esoterics and the esoteric imagination are rooted in the natural fusion of philosophy and religion. Esoteric practices provide techniques of cultivating mental imagery. Imagination is central to esoteric practices which produce powerfully subjective experiences. Special knowledge is often sought through intimate experiences with mediators. Practices focus on sensing, visualizing, and feeling the divine directly.

In Ch 13.1 of Corpus Hermetica, Hermes tells Tat that the experience of rebirth cannot be taught in an ordinary manner and he reveals his divine status, essentially identical with the secret magical light of primordial awareness, the first and last matter, worshiped by means of silence alone:

"I have nothing to say but this: seeing within me a formless vision that came from the mercy of god, I went out of myself into an immortal body, and now I am not what I was before. I have been born in Nous. This thing cannot be taught, nor can it be seen by the physical body .... Now you see me with your eyes, my child, but by gazing with bodily sight you do not see what I am. I am not seen with such eyes, my child.3" (Shaw)

Henri Corbin said, "The often-abused word 'esoterism' refers to the inevitable need to express the reintegration of the human being into symbols." Likewise, the word 'occult' is misunderstood, when it merely means 'hidden' and implies the lure of secrecy. It is hidden because it is experiential by necessity. It reinstates our humanity.

It includes ecstatic experience in the Neoplatonic tradition and quest for wisdom. Gregory Shaw describes how Iamblichus "unified the teachings of Plato and Aristotle within a Pythagorean framework and integrated this philosophic synthesis with the oldest forms of traditional worship." https://www.princeton.edu/~hellenic/Hermeneutica/ShawPaper.pdf

Shaw contextualizes modern interpretations. The unitive not conceptual state was what the aspirant was always after. "...when the initiate’s particular and mortal perspective is replaced by the universal perspective of a god."

"Our initial mistake is to read Platonism as dualism, which leads us to assume that Platonists want to escape from the material realm to enter the noetic world of immaterial Forms (as if these were separable to begin with!). This, Trouillard argued, is a misreading of Plato based on a literalizing of his mythical language regarding the Forms; 24 it is certainly a misreading of theurgic Platonism. It is precisely this kind of dualism that Iamblichus criticizes in Porphyry who had suggested that gods are distant from the world and cannot be engaged in material rites, a position that Iamblichus lamented." (Shaw)

Shaw also describes dualistic and unitive views as stages in the process: "Fowden’s careful reading of the Hermetica shows that the monism and dualism regarding the cosmos are not contradictory themes but reflect different degrees of spiritual awakening in aspirants.30
According to Fowden, in the earlier stages of hermetic paideia (for the notion of initiation and learning are combined) the initiate embraces his body, the world, and even his sexuality as expressions of the divine.31 But in the more advanced degrees of initiation —outlined in CH 13 and NH 6.6—the initiate leaves his body and materiality behind. For Fowden the monism evident in some hermetic texts —affirming the powers of the divine in the world—is superseded by the dualism of escaping from the cosmos in the attainment of gnôsis.32 Copenhaver summarizes Fowden’s interpretation as follows:

"Scholars have taken pains to analyze and schematize parts of the Corpus as monist or dualist, optimist or pessimist, but Fowden proposes to see such variations as sequential rather than contradictory. Thus, a positive view of the cosmos as good and worth understanding would suit an earlier stage of the initiate’s labors and, hence, a treatise focusing on a time when the body’s needs were still great while a negative treatment of the world as evil and unworthy of thought might befit a farther station in the spirits journey... closer to the culmination of gnôsis , which entailed liberation from the body.33"

Esotericism is full of psychologically rich sources from visions and trances to ritual, initiation, hidden correspondences and esoteric hermeneutic techniques. Thematic issues include  the textual-interpretive, practical and conceptual dimensions of Western esotericism. Late Antiquity emphasized ecstatic experience, reflected in aspects of the ‘Platonic underworld’ of Hermetism, Gnosticism, Magic and Theurgy.

The Platonic framework includes: Platonic mania; ritual and contemplative inductions of ecstatic experience; ancient terminologies for altered states of consciousness; Neoplatonic epiphanies; philosophical vision and ecstatic vision; the fate and legacy of the ‘shamanism’ concept in classical studies; initiatic and oracular experience in Platonism; and modern psychological perspectives on ancient ecstatic experience.

In Ficino’s Florence, mania was central to the praxis of the Platonic world view in Natural Magic. There are strong similiarities between narratives of “soul flight” in ancient Mediterranean cultures, spanning diverging theological/philosophical traditions over at least a millennium of history.

Modern revivals and experimentation continue. In that we find our relationship to our fate and renewal as well as every phenomenon relating to the human universe, growth, love, creativity, and its dark side - death. To find that both limits us and determines and reveals us.

Plato suggested to perceive desire, is to bring the soul into that state where it is close to its greatest light, to its becoming, to its true destiny. Individuation mirrors the soul's journey. The soul travels along the journey as it “sticks to the realm of experience and to reflections within experience” (Hillman, 1975, p. 69).

Eldo Stellucci reminds us that, "The INVISIBLE is the "connecting network" and in which we experience our authentic existence if, as Heraclitus says, "the hidden plot is stronger than the manifested one" (fr.55 / A 20), adding that "the true constitution of each what is it used to hide "(fr 123 / A92). So it will be the surprising and numinous encounter with the invisible to make the "VISIBLE" significant of that ulteriority of meaning that really nourishes our psychological life. The invisible opens the visible to the Mystery that lives there. But what is this "invisible"? What is this network that connects? How do we experience it and where do we meet it? What happens really and psychologically on the border between the visible and the invisible?"

Dramatic Mirror

Psyche mirrors Cosmos. Events can be grouped by meaning as well as cause. Nature is our mirror. Reflection is just one way that visible light may interact with matter and the main way the universe gets created. Light reflects off of the field of matter (Higgs field).

Psyche is both a mirror of the subjective ego and a reflection of the whole psyche, a combination of the intentional and phenomenal. Dreams mirror and reflect psyche, whether we are seeker, aspirant, mystic, or mage.

Images mirror another mirror, (perception), a filter through which and a mirror in which we see ourselves. We can't privilege the conceptual over the imaginal. Images are not signs, representations, symbols or allegories but direct experience of "the individuation of images," avoiding the reduction to mere concepts of these images that 'arise' of themselves, independent of ego.

Image is not what we see but how we see. The image is a consequence of an imaginative look connected to a poetic usage, to an image of fantasy.. We see ourselves made visible in metaphors. Biogenesis mirrors the cosmic process of creation. Images organize themselves into fantasies through archetypal pattern. For now we see in a mirror, dimly, but then face to face with Cosmos.

Still, Hillman says, "Reflective insights may arise like the lotus from the still lake of meditation, while creative insights come at the raw and tender edge of confrontation at the borderlines where we are most sensitive and exposed - and curiously most alone. To meet you, I must risk myself as I am. The naked human is challenged. It would be safer reflecting alone than confronting you. And even the favorite dictum of reflective psychology - a psychology which has consciousness rather than love as its main goal - 'Know thyself'' will be insufficient for a creative psychology. Not 'Know thyself' through reflection, but 'Reveal thyself', which is the same as the commandment to love, since nowhere are we more revealed than in our loving."

Is it possible that regaining our own interiority correlates with rediscovering infolded dimensions of nature and time? Interiority and exteriority are basic components in philosophy. Reflection is a metaphor for the continuum of the subject-object in the mirror-of-the-mind and the interiority of perception and its illusion of projected exteriority.

Interior domains include naturalism's aesthetics, intersubjectivity, and consciousness (Zimmerman). Psychology is the discipline of interiority. Identity includes both psychological interiority and physical expression.

The mirror would reflect all of the souls and powers in the universe and when the souls of shamans went to the world of souls it would show them the way. What we can extract from it is a mirror of our own soul and its treasures. We learn to see ourselves 'depersonalized in the mirror of the human spirit.'

The evolution of art mirrors our liberation from time, space and personality. Artists work in imagistic space with no beginning, middle, or end -- what comes through the permeable consciousness, including trains of images. “The Gnostic artist is also a magician for he materializes thought forms in all that he does. These materializations are not always conscious, hence he is also a type of medium.” (Michael Bertiaux, Voudon-Gnostic Workbook)

Rainer Maria Rilke depended on an inspirational wind or angel sweeping through the poet. In a 1921 letter, he wrote, "I believe that as soon as an artist has found the living center of his activity, nothing is so important for him as to remain in it and never go further away from it (for it is also the center of his personality, his world) than up to the inside wall of what he is quietly and steadily giving forth; his place is never, not even for an instant, alongside the observer and judge."

“It is the psyche of the artist that is the product, it sprung from your own well, it’s your own water”, says Sweden’s great painter Karin Mamma Andersson. “The moment you dig into something, it becomes a sort of self-image.”

Jung believed individuation can lead us out of the hall of mirrors and return us to our Self, calling of the soul back into the heart of being. Self is both a mirror of the subjective ego and a reflection of the whole psyche. Grounded intuition of a centered sphere of soul opens a microcosm that mirrors the Cosmic macrocosm: "As Above, So Below.”

The night sky is the soul's mirror, showing light in the darkness, the luminous darkness that steers the course of individuation. We belong to a world—and a self—that is ever in a state of becoming. The night sky is the soul’s mirror, a reminder that light is embedded even in the deepest darkening, a “seed plot of a world to come.” (Costello)

For centuries, "black mirrors" used in a practice called “scrying," (“to perceive”) were employed to assist the conscious mind to perceive and appropriate Unconscious contents. Elizabethan magician John Dee used an Aztec obsidian magical mirror. Michel Nostradamus in the 16th century used black mirrors for divination.

One technique is  to allow archetypal images to arise into awareness from the depths of the Unconscious. Using candles, pierced stones, black mirrors and the like in extraverted ways have no objective value; they’re simply one means to the same end. Televisions and computers are modern 'black mirrors.'

Jung held a mirror up to processes inside us. Jung mirrored the realization of the macrocosm within the microcosm. This movement has the effect of creating a mirror of consciousness. The place of the soul is the wellspring of mythological guidance.

The individual self is identified as soul in each system, and it is placed in what both Jung and Plato call the “third,” a level of being located in-between the divine Self or One, and the ego complex or sense based self. The Self radiates through archetypal awareness.

"Practicing the work of individuation in Jung or philosophy in Plato, which are similar paths, we can unite the opposites in the lower self. "The capacity to mirror divine life is an experience that is also a form of knowledge. Such knowledge is mystical rather than rational."

"Individuation and philosophy provide a path for realized being and real knowledge through the soul's capacity to mirror the divine. Jung 1970a, 336 referred to the experience of the absolute as 'objective facts', transmitted through psychic events." (Weldon, Platonic Jung)

The Great Work through philosophy or individuation involves a unity of the psyche. That creates an inner state where the individual soul is simultaneously aware of the ego or sensory world below and the divine One or Self above. Plato describes it as the realization of the macrocosm within the microcosm and Jung mirrors this idea of wholeness.

Philosophy arose from the image of the mirror of nature, adjusted and repackaged as worldviews and existential situations changed. The Renaissance humanists used the metaphors of the soul as 'mirror image.' The ancient Etruscan word for soul, hinthial, also meant an image reflected in a mirror.

Soul rests in the divine image with which we are utterly akin. It  embodies us and makes us One and inseparable. A mirror can represent the divine Sun., symbol of the Self. The Soul is like a mirror which reflects the vast interiority of the Divine Infinity, Soul brightly reflecting God’s image in our Inner mirror.

Instead of watching with biological eyes, we visit this Inner mirror through spiritual contemplation. Human nature mirrored in the cosmos is a theater designed by and for the soul. Plato uses the metaphor mirror analogy, the cosmic soul reflected in the heavens, in Book X of Plato’s Republic (596c–e).

Ficino in Platonic Theology, Book III, Chapter I, states that the Anima Mundi is the mirror of divine realities, the life of those mortals and the nexus of both. And in the De vita says: " The Soul mundi ... according to the Platonic oldest, by means of his reasons, he has built in the sky, beyond the stars, the astral figures and parts of figures, such that they themselves become figures, and impressed in all these figures certain properties."

The visible body of the universe mirrors as closely as possible the form of the invisible Cosmic Soul, mirrored in our psychic body. The zodiacal light rises from the horizon, envelops planets along the ecliptic, and intersects the Milky Way, revealing Plato‘s visible god, the celestial X that mirrors the World Soul.

Logical and mystical tendencies co-mingle within us. Each of us is on a spectrum somewhere between the poles of rational and irrational. We all have hunches we can’t prove and superstitions that make no sense. Some are very religious, and others believe in dubious conspiracy theories. Going overboard—letting the subjective entirely override the objective--is problematic; thinking and acting as if opinions and feelings are just as true as facts.

We desire a more meaningful relationship with self, others, and cosmos -- a world suspended between thought and poetry. Beyond our roles and dramas is the place where only energy, frequency, and vibration matter...that space where we remember who we really are. Soul contains our history, mystery, and our future. We are only immortal to the extent that consciousness is immortal.

Hillman suggests, "With the return of the soul [to the world], the literal can lose its dominion.The imaginal has become real, for many it is the real. [...] It remains an alternative [to the crisis of our western consciousness], that is, the way of the South, encouraging images [...] and developing "temples and statues" for "portions and phases" and pathologization of the soul: the elaboration of "recepticles acconci" for the psyche in the psyche Then we can put the tumult of our fantasies into the broadest deposit of myths, and by giving them the myth as a center we can take them off the streets, where they merely tumble following the impulses of the moment.I speak of an uninterrupted attention to the imagination, from first story told to a child up to the last conversations of old age.We talk about the recovery of the lost psychic space to contain and the lost mirrors to reflect."

"Our field needs to build rich and fantasy psychologies again such as classical mythology, the arts of memory and alchemy; like the psychology of Jung, like Neoplatonism, which gave order and culture to the madness of the Renaissance and the Romantics. Because what happens to our culture is what happens to - OUR - culture, our fantasies and individual images, they are moralized and repressed by us, or diagnosed and imprisoned, or exploited and betrayed, or drugged and derided. The soul of our civilization depends on the civilization of our soul. The imagination of our culture requires a culture of imagination." (Re-Visioning Psychology)

The quest for the transpersonal and hyperrational spiritual essence is more than what impels us to the moral life; it is unity, light, and completion. If religion provides magic for the masses, magic is a 'religion' of individuation and self-transformation.

Psyche or soul, the subjective center, merges with the primordial universe in an idealized gnostic apotheosis. Mystics tell us the divine is formless. For Plato, the virtues paled in comparison with the highest capacity of the soul, which is the mystical beholding of the eternal.

"We must begin by overcoming our virtuousness, with the justifiable fear of falling into vice on the other side. This danger certainly exists, for the greatest virtuousness is always compensated inwardly by a strong tendency to vice, and how many vicious characters treasure inside themselves sugary virtues and a moral megalomania." C. G. Jung.

"The body is a most doubtful friend because it produces things we do not like; there are too many things about the body which cannot be mentioned. The body is very often the personification of this shadow of the ego. Sometimes it forms the skeleton in the cupboard, and everybody naturally wants to get rid of such a thing." Jung. Vol. 18.

Archetypal psychology emphasizes the unconscious defined as imagination with an emphasis on images and soul, preoccupation with Greek and Roman mythology, and insistence on treating the dream only in its own terms.

As a technology, magic is not tethered to its real or imaginal history in by-gone eras, but is recreated by each individual for their own path. We've used couriers, telegraph, and telephones to communicate, and now we have contemporary versions of even more efficient devices and ways to use them.

We now have the capacity to use cutting edge as well as ancient technology for altering consciousness. New mythologies are linked to new media. Highly adaptive, magic readily reinvents its technologies in accordance with progress. There are other methods, from yoga and Sufi dancing to drugs and meditation.

Our rituals have always taken place in the realm of the imagination. We aren't bound by medieval or even Renaissance means of connecting with an experiencing psyche, nor is our magical practice, though it may reference the history of such notions. We might describe it as a coherent resonance locking with the circuitry of the universe, but in an organic, not mechanical way. Magic makes a great metaphor for exploring the human condition.

Magic is a valuable tool for examining and reflecting the experience of living in the simultaneously glorious and terrible present -- more big data analytics than situational analysis. But 'magical thinking' or the appropriation of magic for serving personality deficits means 'standing too close to the mirror' to see them.

Do we abandon traditional practice when we use apps to hone in on magical timing, or use online sigil generators? Will we have to choose between nature and the new technology? In Magick in Theory and Practice, Crowley explains: “Magick is the Science of understanding one’s self and one’s own situation. It is the art of applying this knowledge in action.”

Authenticity, living out of and clarifying our essence, requires we cultivate a capacity for nuance and duality and master the art of living with opposing truths. The true philosophical art isolates them as they form and re-form in the flowing stream of deeper reality. We contemplate them to assimilate them as they pass.

Our long personal pilgrimage begins with the formulation of our own philosophy, a deliberate and habitual orientation toward wisdom -- a more spiritual, self-contained magic.

A cultured person has some kind of original philosophy, the practice of individuality and self-knowledge, a reflective and considered tapestry of understanding focused on the mystery of life. We live by it secretly and profoundly for many long years as means of protecting it from disintegrating elements.

Gnosis makes us an authenticated user. Our user value-added creations are generated in the content-creating imaginal landscape. We don't need to 'literalize' the magical aspects, even while employing them. Self-arising transformation or individuation works on us whether we dogmatically 'believe' and practice it or not. Real magic transcends the technology of regular rules. What we find is often surprising and subtle, too aglow with silent radiance to fit into our intellectual templates of understanding.

What is truly magical concerns the ultimate comprehensibility of the process. We don't necessarily understand exactly what's going on to make psyche do what it does, but it's a matter of convenience. Magic is the art of self-culture through deeper awareness and heightened livliness. Culture becomes wisdom when it is diffused into the fiber and root of life informing our character, compassion, and ethics.

The ultimate explanation of the "magical" effect would be mundane physics -- a field of superimposed probability waves. The uncertainty principle implies the existence of an undiscovered means of transferring information nonlocally between the aspirant's consciousness and the entangled quantum realm.

We know as much as we need to know to make the technology work and don't care so much beyond that. We could learn what's really going on, probably, at least according to psychology and neurology. But we have to consider unforeseen consequences, the effects of our actions beyond our conscious intent. User as content generator and diffuser gives us an important role in the information process.

In the case of something truly magic, though, we don't have that confidence. Something that runs on truly supernatural principles, not bound by ordinary mathematical laws of physics, would ultimately be ineffable. There might be a few comprehensible layers, but deep down, the ultimate operating principle remains fundamentally unknowable.

That sets even the most advanced technology apart from magic. For something to be technology, it needs to be based in rules that are fundamentally knowable, given enough time and effort. Magic is not. No level of super-science goes so far beyond human understanding to truly be indistinguishable from magic. Yet we can experience it subjectively when we venture past the limits of the possible a little way into the impossible.

Magic is simply a system we treat like magic, a key distinction to get the desired effect without the nonsense of idiosyncratic thinking or overblown ego -- using the operating principles from the user's perspective. As in media, it is a case of "user as content", with the unconscious as content creator...Self as content author. The magical quest itself remains a journey of self-knowledge and transcendence. Aspirants will continue to find their sense of sacred meaning in their own way.

Synchromorphic Transformation

William Blake said, “Enlightenment means taking full responsibility for your life.” As Eldo Stellucci puts it, "When a-causality enters our life and confronts us with orders of coherence implied righteous by meaning, it is probable that we are preparing to cross new psycho-conscious morphogenetic fields that will further transform our existence."

Self-referential symbols and symbolic intersubjectivity in liminal space enable certain styles of consciousness, supersensory images of the sacred. Theurgy is at once a teaching tool and a spiritual connection. It is one way of closing the gap between ‘symbolic’ representation and symbolic interaction. The resolution of paradox requires a change in perspective. "We don't really heal anything; we simply let it go," said Jung.


Consciousness itself is miraculous. Gurdjieff regarded a miracle as the “manifestation of the laws of one cosmos in another cosmos" of nested hierarchies and scale invariant patterns. Unity in multiplicity is the greatest paradox and miracle of all. Cultivating subtle attention is cultivating spirituality. Our consciousness becomes more complex internally over time.

Crossing that threshold means stepping beyond sociocultural conditioning into the enchanted world of nonordinary awareness. What is miraculous is our ability to move from one state of being to another, from sleep to awakening, from numbly repeating what we think we know to seeing something new and marvelous that was hiding in plain sight.

The whole being can even fuse in ecstatic communion with divinity. This suggests that Consciousness initiates a form of top-down evolution on the Darwinian genetic being. It is the mental and physical context of the universe at all scales.

In The Red Book Jung notes, "The image of God casts a shadow, which is as big as he is. The upper sense is big and small, it is as large as the space of the firmament and tiny as the cell of a living body."

Hillman summarized his counterpoint objections to Oriental transcendence and idealism in Revisioning Psychology:

“If divinity is in our freedom from hindrances and not in our inhibitions, complaints, and grotesqueries, then Oriental transcendence will hardly look to pathology for what might be entering us through it, asking what door is opened into soul through our wounds. Instead it urges: rise above psychological hassles and tangles, be wise – not snared, court bliss – not affliction.”

“My characterization of the Oriental denial of pathologizing is Western, reflecting the way it is used by Westerners. For what we do with Oriental transcendent methods derives as much from the Western psyche as it does from the Eastern spirit. In the East this spirit is rooted in the thick yellow loam of richly pathologized imagery – demons, monsters, grotesque Goddesses, tortures, and obscenities. It rises within a pathologized world of want and despair, chained by obligations, agonized. But once uprooted and imported to the West it arrives debrided of its imaginal ground, dirt-free and smelling of sandal-wood, another upward vision that offers a way to bypass our Western psychopathologies. The archetypal content of Eastern doctrines as experienced through the archetypal structures of the Western psyche becomes a major and systematic denial of pathologizing."

"If I have disparaged the transcendental approaches of humanistic and Oriental psychology, it is because they disparage the actual soul. By turning away from its pathologizings they turn away from its full richness. By going upward towards spiritual betterment they leave its afflictions, giving them less validity and less reality than spiritual goals. In the name of the higher spirit, the soul is betrayed.” (p. 67)


Forewarned, we have to recognize from the framework of theurgy, consciousness is different from that of psychology, quantum science, and neurology and is used differently. An experimental consciousness is concerned with participation, direct experience, and the paradigm-changing dialogue between experience and interpretation. Interpretation is built into perception.

Encounter, in or out of ritual space, is experiential discovery that helps us realize the mythic and sacred are the cosmos -- the unseen within as well as the spacious spectacle of the whole sky without. We might conjecture that the constellations and wandering stars were like sigils to ward off the Nothing.

Schopenhauer remarked that mankind clings, "to the thought of Magic in all places and at all times, notwithstanding frequent failure; and we come to the conclusion, that this thought must, to say the least, be deeply rooted in human nature, if not in things in general, and cannot be a mere arbitrary creation of the fancy."

We may become aware of a need and desire for ritual -- "a gnostic impulse" for insight beyond radical dualism that awakens us from a long ontological sleep. Some aspirants act this desire out in ceremonies and invocations, (theurgy), in personal or popular culture revivals drawing on Neoplatonic and other roots.

In Theurgy, spiritual yearning is not concretized but remains metaphorical though enacted. Magical intelligence includes transcendental technologies -- technologies of the self through which we construct our own identities -- a relationship between games of truth and how we construct our self-image.

We perform transformational operations that effect our bodies, souls, thoughts, behavior, and beliefs -- our cultural programs. So, magic gets labelled subversive and transgressive. We may find ourselves introduced to an objective ontological phenomenon underlying our experiences, unmediated by cultural frameworks.

Not for self-appropriation, magical technologies allow nature to do the work, like the wind that fills a sail. Theurgy is like using a magical sail to get nature's cooperation. The Greek word techne implies an extension and optimization of life's potential through repeatable processes.

Jung remarked that, "The magical word is one that lets "a primordial word resound behind it"'; magical action releases primordial action." (Letters Vol. 1, Pages 59-63). And, "Do not forget that the original meaning of all letters and numbers was a magical one!" (Letters Vol. 1, Pg. 528-529)

And in The Red Book: "The practice of magic consists in making what is not understood understandable in an incomprehensible manner. The magical way is not arbitrary, since that would be understandable, but it arises from incomprehensible grounds. ...The magical way arises by itself If one opens up chaos, magic also arises."

Ascent to heaven is an archetypal motif of exceptional metaphysical importance in philosophy and religion. At these “holy moments” we can experience unity akin to a both a Neoplatonic and Jungian ideal.

Prof. Greg Nixon (2010) suggests: "Such a system is not primarily representational at all, but is instead driven by autopoietic (self-creative) processes so never  presented  (concretely perceived) ideas, images, or beings can be called forth thus extending reality into abstract palaces of the imagination. Once such an abstract image is communicated and conceived, it is becomes part of the reality of non-representational human experience. If it is experienced, its reality cannot be doubted (cf . Eliade, 1963; Frankfort & Frankfort, 1949), and humanity enters the realm of the sacred."

Our consciousness spontaneously arises from the space of awareness. We each have a conscious and unconscious worldview, a system of interconnected beliefs. Can we be certain of any beliefs as 'truth'? Plotinus warned, "The way to truth was the journey of a lonely person to that which is eternally alone."  There is no consensus on theories of truth.

Though strongly held and well-justified, some of our presumed philosophical/conceptual "facts" will naturally turn out to be mistaken. A cosmology is a poetic vision of the cosmos which fulfills the soul’s need for placing itself in the vast scheme of things, by connecting the end to the beginning.

The world's meaning is immeasurably immense as polyphonic psyche. The mystical ascent to the sky is central to the Egyptian, Platonic, and Hermetic traditions. Spiritual flight, ascent to the noetic realm through transcendence, is common in Neoplatonic literature.

The descent and ascent is one of manifestation and reintegration. The desire to seek greater knowledge leads to unification of consciousness. That desire is sacred because it arises from the domain of myth and caring for the soul by exploring the personal and collective unconscious. Myth allows us to see many things at once by collapsing complex processes into understandable, simplified forms.

McLuhan uses terms such as “integral awareness",, “organic interrelation”, “organic whole”, and “organic unity” to show how use of myth helps us explain and understand our reality. McLuhan says, "For myth is the instant vision of a complex process that ordinarily extends over a long period." A mind overloaded by facts reverts to myth to understand the world.

"Myth is contraction or implosion of any process..." "myth...capsulates a prolonged process into a flashing insight." "Our inner experience, increasingly at variance with these mechanical patterns, is electric, inclusive, and mythic in mode. The mythic or iconic mode of awareness substitutes the multi-faceted for point-of-view."

He continues in Understanding Media, "...myth and Jungian archetypes are collective postures of the mind with which the written form could not cope, any more than it could command mime and gesture." "Whenever any new medium or human extension occurs, it creates a new myth for itself, usually associated with a major figure", in our case Plato, Hermes Trismegestus, and the Neoplatonics. (Understanding Media)

"The Word and image, like male and female, are opposites complementary. Every time a culture elevates the word written at the expense of the image, the patriarchy dominates. When the importance of the image replaces the written word, female values and egalitarianism thrive."
(Leonard Shlain, The Alphabet versus the Goddess.The conflict between word and image, p.15)

For Jung, it is the symbolic process that must be made conscious. It is not the concept but the symbol that opens us to the mythic dimension and symbolic conscience.

Hillman found desire something to work with and make Holy through attention and discipline that iterates over time. A trajectory forms when  the result of applying a given function is fed again into the function as input, and this process is repeated.

Jung understood our god-images are mirrors of our own unconscious desires. This is our renewed image of the sacred and holding it in tension between heaven and earth. Yet it is our most ancient notion of encounter with the numinous.

We repress the contents of the unconscious, disregarding the magic and mystery there, at our own peril. Sacred ritual re-invokes our ability as carriers of divine presence. Sacred rites, places, and objects use metaphor to make a connection between humanity and divinity. In the Renaissance, magic was another term for Hermeticism.

Desire is holy, as depth psychology, the romantics, and the Neoplatonists insisted, because it touches and moves the soul. Desire creates a reciprocity between human and divine through a palpable and lived relationship with the sacred psyche. It is invaluable, even just to redeem us from existential crisis through practice and service.

We need to separate our constructions from a illusory interpretation of the facts of reality, as available to experience. How can we integrate different theories relating to the basis of reality?  No shortage of comparisons and correlations between spiritual notions, metaphysical ideas, and scientific theories has been made.

Phenomenology indicates a way to research where we can be open to the phenomenon and to allow it to show itself in its fullness and complexity through our own direct involvement and understanding. Understanding arises directly from our personal sensibility and awareness. Direct contact creates an intimacy with the phenomenon through prolonged, firsthand exposure and immersion.
 
We meet the phenomenon in as free and as unprejudiced a way as possible so that it can present itself and be accurately described and understood. The hopeful result is moments of deeper clarity in which we see the phenomenon in a radically fresh and fuller way.

Sacramental Function

"Know Thyself is revelatory, non-linear, discontinuous; it is like a painting, a lyric poem, biography thoroughly gone into the imaginative act."  --James Hillman, Healing Fiction

This inner journey to the level of archetypes and principles is the quest to know the nature of reality, the infinite, absolute mystery at the core of ourselves and the universe. It leads to philosophy, art, and science. Without beauty, the soul shrivels and dies. It is our inner self, the spark of light and love that resides at the core of our being.

It also leads to magic in the classical sense, but that was made taboo and transgressive. Nevertheless, it is a recurring theme of myths and tales -- the titanic energies of those forces that are beyond us. Desire leads us through our images and dreams like Ariadne's thread.

If magic starts in desire, it still needs direction in a greater frame of timeless time. Sacred psychology is an ongoing operation with the soul's images. It means joining a greater life; dying to our current selves and being reborn in our eternal selves.

But the human condition suffers estrangement and alienation from nature and our own nature. So, how can we become a partner in symbiosis with nature -- as the human beings we would like to be in an optimal trajectory with our destiny? Marion Woodman says, “Destiny is recognizing the radiance of the soul that even when faced with human impossibility, loves all of life. Fate is the death we owe to Nature. Destiny is the life we owe to Soul."

It has been sought in universals, transcendental idealism, radical dualism, empirical materialism, existential nihilism, and deconstructionism. Relativistic perception is the opposite sense or position. Paradoxical tension between spiritual transcendence and soulful immanence is breathing life into the textures of our experience.

The notion of paradox comes from a consciousness conditioned to think in terms of opposites, dualistic paradox.  Self-referential paradox feeds back and annihilates itself.  Such bivalence (binary logic: this or that; true or false; black or white) can be superseded by multivalent consciousness which perceives in terms of degrees.  Multivalence more accurately reflects the complex dynamics of consciousness.

As in the case of fractal generation, solutions are not found in terms of this or that, but in terms of degrees of fractional transformation, relationships.  Fuzzy philosophy is based on acceptance of degrees of truth, the "grayness" of most propositions (truth values), the fractional solutions of fuzzy logic.  Human consciousness is a self-referential system which embodies this principle of a connection between logic and chaos, in holistic ("whole brain") awareness.

It's been sought in philosophy and religion to connect back to self and God. For the theurgist, 'it is a sacrilege not to preserve the immortality of the soul, raising it to the level of the holy and uniting it to the divine.' (Damascius, Phil.Hist .19 Athanassiadi)

In Hymns to an Unknown God, Sam Keen said, “My life is the text in which I must find the revelation of the sacred.” This alternative approach requires our ongoing personal engagement with religious and mythological traditions, and the sacred dimension of each individual’s life story from a metaphorical, archetypal, and imaginal perspective.

Through pluralism, psyche has escaped the absolute domination of the sacred function of myth by traditional religions, working with the spiritual dimension of personal mythology (Krippner).

A phenomenological approach to magic is an "as if" reality with which we participate --  a creative, mythopoetic approach. We open to the religious dimension of myth in terms of personal mythological consciousness -- beliefs and experiences that order, shape, and direct our lives. We don't perceive the world through ideas but through events we
live through.

Ritual enables a psychic shift within the participant toward a specific way of thinking and conceptualizing which produces a 'sacred' state of mind. As we enact a ritual our psyche moves deeper into the fantasy of the metaphorical enactment, causing an increasing identification with the symbolic meaning.

At some deeper level we have an implicit desire to make deep meaning of both inner and outer life. These metaphors are the bridge by which we come to 'understand' the divine. The divine takes on a form familiar to human experience, yet dependent on human experience in order for it to be real. We may feel the sacred animal joy, the instinct of poetic and aesthetic participation when we engage in the process.

Theurgy is both psychosomatic (physical influences of emotional factors) and psychosemantic; the meaning of the word or 'utterance' is largely the result of imagination, “imaginational heart.” Neoclassical practice is the desire for the self to reveal itself as a pantheon of gods and goddesses that mirror the cosmos.

Theurgic speech of the birds and solar knowledge echoes the tongues of the gods and their songs, chanting out the universe by the secret Name of everything, back to the ineffable Silence. The rites themselves also 'speak,' manifesting noetic realities of the archetypal realm, transporting and transmuting the theurgist with the divine.

“This feeling for the infinite...can be attained only if we are bounded to the utmost. In knowing ourselves to be...ultimately limited–we possess also the capacity for becoming conscious of the infinite. But only then!” (C. G. Jung)

"Just remember that I am, and that I support the entire cosmos with only a fragment of my being. Behold, Arjuna, a million divine forms, with an infinite variety of color and shape. Behold the gods of the natural world, and many more wonders never revealed before. Behold the entire cosmos turning within my body, and the other things you desire to see." (Bhagavad Gita)

"With a drop of my energy I enter the earth and support all creatures. Through the moon, the vessel of life-giving fluid, I nourish all plants. I enter breathing creatures and dwell within as the life-giving breath. My true being is unborn and changeless. I am the Lord who dwells in every creature." (Bhagavad Gita)

The universe is infinite, and so is the mind, not in the individual personalistic sense, but in terms of consciousness. ‘Nous’ is an ancient word for what we now call nonlocal mind or
consciousness. Many philosophers and modern physicists consider ‘consciousness’ as the
fundamental basis of all that is.

The Greeks conceived of the mind as both limited and infinite, human and divine. The root of this notion comes from Neoplatonism, Hermetic, and occult sciences, attributed to Hermes Trismegistus. The mind is not localized nor confined to the body but extends outside it. This notion lies at the root of sympathetic magic.

Logical Lies, Psychological Symbols, & Aesthetic Metaphors

Older strata of the unconscious remain active within us despite modern explanations and contextx. Belief urges actions. We act our beliefs. The stronger we believe, the more action takes over, the more motivated we become.

Philosophy is done within the context of a worldview. The dilemma of the personal cannot be solved personally. We need to deal with collective events more mythically, as they rework our lives. Theurgy engages with rites of alchemical transformation, mystical union with the noetic Sun, revelation of the divine face, salvation as return to the divine.

But psychology cannot provide metaphysical beliefs. Jung's crucial move was distinguishing between God and the god-image. The metaphysical influences on the Western Tradition include Hermeticism, Neoplatonism, Kabbalah, Gnosticism, alchemy, and astrology.

Depth psychology avoids metaphysical positing with a stance of non-deciding but opening, a Presencing. We don't have to believe literally to engage in aesthetic practices that foster and refine psychic life everyday. Depth and resilience to the mystery of existential suffering that tries our souls has been called the 'dark sacred' in the spiritual frame of reference.

Jung suggests in the Red Book, that 'the magical way arises by itself. If one opens up chaos, magic also arises.' "One can teach the way that leads to chaos, but one cannot teach magic. One can only remain silent about this, which seems to be the best apprenticeship. This view is confusing, but this is what magic is like."

When the mind lets go of its rational order, lets the old form die, and enters into a bifurcation or unstructured chaos, the whole person emerges with a new form, embodied as a creative expression, an intuition, or as healing. The deepest effects result in a new self image Most often it is characterized by an element of novelty and surprise, since it apparently does not originate in what came before. Both healing and medical intuition are examples of emergence. It is a spontaneous solution to a problem.

The physical universe as a whole is the extrinsic appearance of universal inner life. The reality of universals is deconstructed by not presuming them. How can we  experience and confirm the particulars of the universal Idea or Form, which has the opposite characteristic to the particular?

The new 'realism' is indeterminate -- how things are presents itself to consciousness in some kind of immediacy. The ancient philosophers sought it in magic. Metaphysical realism views the ways things are as always outrunning our ability to represent them. Pure potentiality, the condition of possibility of an event, does not take place if it has no place to be.

Natural philosophy returns in the “new” concept of mind, life and matter emerging from the nature of the quantum vacuum, the energy sea that underlies all of spacetime. Space is no longer secondary to matter. Absolute space of the vacuum is the primary reality.

The things we know as matter (mass, with properties of inertia and gravitation) appear as the consequence of interactions in the depth of this universal field. Our “essential nature” must be here, now. And in the emerging concept there is no "absolute matter," only an absolute matter-generating energy field.

The philosophy of cognitive science deals with the traditional issues of cognition and transcendence. Phenomenology and philosophy provide constitutive explanations that describe the structural conditions of possibility of phenomena. Science can provide ground for revising philosophical theories about them. Both phenomenology and transcendental philosophy answer to naturalistic epistemological constraints. (Wheeler)


Though most don't practice this archaic structure, magic has always been part of the human story from the rituals of ancient shamans. Shamanic magic is the root of religion, medicine, philosophy, art, and science. All magic is ultimately shamanic, but not all aspirants are shamans.

Some are theurgists actively participating in the transpersonal and numinous, the spiritual Mysteries of the soul, divine Self-Revelation, and living resurrection, a return to wholeness. The mystery of resurrection is the creative power of visionary imagination.

Theurgy has roots in Egyptian initiation rites, Orphism, Neoplatonism, and Kabbalah. It contains the concept of spiritual evolution, and ultimately unification with God or the Godhead at its core -- the virtual substrate.

The existence of unconscious mental processes presents us with an acute philosophical challenge. The true nature of mind reminds us us that perfection is an illusion, and that we are simply ‘reality’ experiencing or exploring itself.

In Jung the concept of the ‘archetype’ is inseparable from the concept of the ‘collective
unconscious.' ’In From Cliché to Archetype, McLuhan conceptualizes the activated archetype as a ‘cliché ’This is an equivalent term for what he had termed the ‘medium’ or ‘technology’, but specifically refers to the function of a technology in use. Symbolism is the art and technique of breaking literal connections. Technology is an extension of our own bodies.

Even 'utterance' -- metaphysical power words -- is an extension of ourselves. For example, the spells, or "utterances", of the pyramid texts are primarily concerned with protecting the pharaoh's remains, reanimating his body after death, facilitating ascent to the heavens, the image of the afterlife during the Old Kingdom. McLuhan calls ‘acoustic space’, the ‘sense-ratio’, ‘media-environment’, ‘archetype’ or ground.

All experience is correlated to an ‘archetype’ extant in the unconscious. A cliché becomes an archetype through resonance, repetition, and retrieval by consciousness. The unconscious form activates when we consciously set out to retrieve one archetype. Magic is retrieved when it enacts ritual and invokes specific archetypes. We unconsciously retrieve others; and this retrieval recurs in infinite regress.

We can relate theurgic practice to McLuhan's description of art. The tool is a work of art. Every technology is created in the first place as a work of art, while every work of art, in its repeated use, becomes a technology (CA).

McLuhan says that ‘The function of art in a tribal society is not to orient the population to novelty but to merge it with the cosmos.... The primitive role of art [is that] of serving as consolidator and as liaison with the hidden cosmic powers ...’ (CA, 177)

Image, Gesture, & Words

Around 1964,McLuhan began using Jung’s term ‘collective unconscious’ to describe the effects of technologies: "All technologies are collective unconscious." ‘Technologies would seem to be the pushing of the archetypal forms of the unconscious out into social consciousness."... (Counterblast 30-31)

Deities or archetypes may have evolved to smooth interpersonal relations by including an understanding of human types, along with rules for helping the different types relate with one another. If the deities are just reflections of ancient evolutionary pressures, with a dash of neuroanatomy thrown in, we still have same pressures today so the ancient archetypes still "work", irregardless of any objective existence of gods and goddesses.

But McLuhan required no transcendental reference, no Platonic life of forms in an abstract realm. The life of the forms is always here, now and we participate in their creation. What we call the unconscious is Nature and media reflecting ourselves back to ourselves. His method was 'probing' the (unconscious) environment, and, McLuhan tells us, it has utility across all fields of the arts and sciences.

There is no archetypal realm beyond the relations we have with the metamorphosing cosmos. We use them to express and interpret our experiences -- what appears grounded in the spontaneous action of the psyche, expressed through image, gesture, and word, which transcend the ego.

Jung's archetypal concept is of a psychic content and mythological processes that may be ‘projected’ upon objects in the environment. Jung claims archetypal projection is the way in which individuals ‘assimilate[s] all outer sense experiences to inner, psychic events’.

The state of pure awareness is that silent space between thoughts. That gap, inner stillness, connects us to the field of pure potentiality of the void, universal and persistently present truth. In non-duality we are our experience, just experiencing it with awareness. Theurgy is a pro-active choice toward choosing something we wish to experience.

Transcendental Magic

The theurgist is symbolically sacrificed on the altar of wholeness. The aspirant essentially becomes an 'altar' of worship, through ceremony, speech, gesture, and concentration. Right-brain spiritual and religious imagination creates a specific 'atmosphere' and an exaltation of consciousness that activates the 'temples' in the cranium with alternate states of consciousness.

Modern magic emphasizes the Great Work of spiritual evolution -- Self-transformation or transmutation. Reuniting the soul with the divine was believed to result in communication with one's personal angel or higher self. The unconscious has many voices because the notion of moving along a single plane of narrative awareness is totally alien to the nature of language and the unconscious.

"Hermeticism is the science of nature hidden in the hieroglyphics and symbols of the ancient world. It is the search for the principle of life, along with the dream (for those who have not yet achieved it) of accomplishing the great work, that is the reproduction by man of the divine, natural fire which creates and recreates beings." (Eliphas Levi)

Theurgy is artistic engagement with technology. Individual mind engages the archetypes of the collective unconscious. The illusion of content siphons off all attention, mechanical repetition and reoccurance, and from the forms and effects.

This magnum opus is analogous to Jung's individuation process, where psychic transformation follows an archetypal and universal process. It unfolds through integration of our conscious and unconscious aspects.

What was initially fragmented and broken, is restored and synthesized. A whole and unique individual emerges; an individual who fully accepts, and is one with, him or herself, is fully authentic and embraces their destiny. It is a movement toward consciously collaborating in the realization of one’s unique destiny.

The sacredness of the Opus, or Great Work, is the central idea. It is a holistic perspective. One must be self-oriented, rather than ego-oriented. The adept is also diligent, patient and virtuous. We must have that integrative potential within for self-realization -- for becoming whole or 'holy.'

Magic requires an inward seeking, just like the process of individuation. It is a solitary task for no one may follow where you go. But there may be guides who will help inspire your faith and dedication to the task. Others have been to the territory you will explore, but none will accompany you.

The Anima Mundi, or Soul of the World acts as the soul-guide to the highest region. We experience an imaginal Reality -- the world ensouled as living divinity, consciousness in its material unconsciousness. The putrefying contents of our psychophysical existence are elevated through insight and revisioning to the very means of our rebirth, and the unblocked, clear perception of our existential Reality.*****

Divine Loving Presence

In On the Mysteries, Iamblichus successfully argued that union with the Gods could not be achieved by mere philosophical speculation, but only by moving beyond concepts to a non-dual union with the divine through sacred rites and theurgy.

In a sense, the Soul is already "there". But consciousness from the lower bodies, and lower planes must be withdrawn upwards before It is reunited with its True Self, or Soul.

In On the Gods and the World, Neoplatonist philosopher Sallustius noted: "Now the myths represent the Gods themselves and the goodness of the Gods - subject always to the distinction of the speakable and the unspeakable, the revealed and the unrevealed, that which is clear and that which is hidden.”

Magic is woven into the cosmology of Greek mythology, cosmic perspectives in which the soul participates. Neoplatonists distinguished between divine or High Magic and low magic for personal gain. Some theurgic rites involved a form of self initiation.

The theurgist does not coerce the Gods; the Gods themselves who elevate the theurgist by giving light.  The Hidden Stele describes adoration to a "spirit who enters into me, convulses me, and leaves me kindly according to the will of God."

The aspirant senses an intense feeling of upward movement, as if being literally pulled by a magnetic force, the attraction of the radiant field of spiritual love. That pull attracts like a magnet, escorting the emanated soul back to the Source, absorbing the soul into the Absolute.

Ritual is the medium of the art of ceremonial magic, creating a channel for the unconscious potential of the Unmanifest -- a bridge between aspirant and deity for the sake of union without ulterior motive. It is a creative outlet for pathos and the mythologizing tendencies of the psyche. It allows a life lived in close connection to psyche, interrelated with the mysteries of life, death, and transformation.

Theurgy is not reviving a dead faith but building relationship with living essence. Everything is and remains metaphorical. Mythic animation of archetypal figures and revivification of myth though the archetypes remain literally unattainable. Epistemological metaphors are 'how we know what we know.' When an archetype activates, it is primarily through a number of psychological mechanisms that influence behavior.

Theurgy intentionally activates that archetypal process. Theurgists aspires toward a longer or shorter experience of insight into true identity and what is hidden in the depths and the highest spheres of heaven. We learn to “think with the heart,” to seize and embrace spiritual values and bring them down to earth. Shakespeare suggested, “Go to your bosom; Knock there, and ask your heart what it doth know.”

Heightened State
Both art and ceremonial magic are means of manipulating symbols, words or images, to facilitate changes in consciousness and readjust our relationship with the cosmos. Art draws forth the potential of the unmanifest. An aesthetic response to beingness opens us up to our unconscious and intuition.  Understanding and aesthetic response lead to the formulation of wisdom and true knowledge -- the Radiance of Here and Now.

In the western mystery tradition, magic (wisdom) is a ‘living’ or evolving philosophical system and paradigm that morphs with developments in science, thought, and culture. It helps us actualize our philosophical perspective, personal ethics, and self-realization.

John Keats reminds us, 'Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?' He also noted, "There may be intelligences or sparks of the divinity in millions -- but they are not Souls till they acquire identities, till each one is personally itself."

Keats's view of the "world as a vale of soul-making"  -- a heartful world of meaning, touchstones and transformations -- is echoed in Archetypal Psychology and its Neoplatonic roots. It is a creative response to life's vitality and events -- the idea of working with the things that happen to us.

James Hillman realized, “The Spiritual point of view always posits itself as superior, and operates particularly well in a fantasy of transcendence among ultimates and absolutes.” Spirit views soul as vague and inferior but Hillman imagines them balancing one another.

Magic hints at the idea that the universe is in sympathy with everything else. That all things, by the mere fact of belonging to the same system, are one. It reconnects us to the experience of wonder, with the unconscious, the wisdom of the body, and the forms of natural images -- the Self. It honors the anima and the animal, while respecting the polyphony and mysteries of theophany. We delight in the paradoxical, enigmatic, ambiguous, and contradictory.

Theurgy describes the practice of rituals, sometimes seen as magical in nature, performed with the intention of evoking the action or invoking the presence of one or more gods. Every gesture of the hand, every placement of the foot, every sound, every movement is the language of wisdom. Our ordinary sense of time and space dissolves.

Jung says, "The ego has to acknowledge many gods before it attains the center where no god helps it any longer against another god." (Letters Vol. II, Pgs. 257-264). "The archetype is, so to speak, an “eternal” presence, and it is only a question of whether it is perceived by the conscious mind or not." (CW 12, Para 329).

It especially concerns the goal of merging with the divine and perfecting oneself as a deathless (immortal) body of light. In this perfection of the human body-mind, our microcosmic soul merges with the World Soul, enabling our participation in wisdom. As Jung suggests, "The Self might equally be called the God Within."

"By heightened unconscious performance we mean that peculiar automatic process whose results are not available for the conscious psychic activity of the individual...In this field we meet with a not unjustifiable skepticism on the part of the scientific pundits...occultism has claimed a special right to this field" (Jung, Psychiatric Studies, Vol 1, 80).

Bodies of Light

Theurgy is ceremonial Magic, ranging from shamanism to the mysticism of the Neoplatonists, in which divine consciousness and powers enter the human soul. Theurgy is the worship of the Gods as a philosophical way of life, rather than formal religion.

The practice unites the opposites. It builds a subtle, immaterial body of light as a vehicle for soul travel. "The body of light is a spiritual term for the non-physical body associated with enlightenment, known by many names in different spiritual traditions:

Christianity: “the resurrection body” and “the glorified body”,
Taoism: “the diamond body,” “the immortals” and “the cloudwalkers.”
Tibetan Buddhism: “the light body” or “rainbow body”,
Vajrayana: “the diamond body”,
Kriya Yoga: “the body of bliss”,
Vedanta: “the superconductive body.”
In some mystery schools, it is called “the solar body.”
Rosicrucian: “the diamond body of the temple of God.”
Ancient Egypt: “the luminous body or being” (akh).
Old Persia: “the indwelling divine potential” (fravashi or frav)."
Hermeticism: “the immortal body” (soma athanaton).
Judism: the Merkabah, Cube of Space or Throne Chariot of Qabalah; The Diamond Body.
Sufism: “the most sacred body ” (wujud al-aqdas), “supracelestial body ” (jism asli haqiqi).
Tantrism: “the vajra body,” “the adamantine body,” and “the divine body.”
Gnosticism and Neoplatonism: luminous “the radiant body” of the Uncreated self.
Alchemy: the Emerald Tablet calls it “the Glory of the Whole Universe” and “the golden body.” Philosopher's Stone, The alchemist Paracelsus called it “the astral body.”

Communication is through interaction and true participation between gods and aspirants in ritual. A great attraction to the gods exists which arises freely from the soul. This same great power, Eros, reciprocally descends from the gods. We can experience gods in our daily life, but theurgy is the formal means for worship, communicate with, and experience the Gods.

"Soul becomes psyche through love and it is Eros that engenders the psyche [...] The creative is a result of love. It is marked by imagination and beauty and by the connection with tradition as a living force and with nature as a living body. This perception of instinct will insist on the importance of love: nothing can be created without love and love reveals the origin and principle of all living things, as in Orphic cosmogony." (James Hillman, Myth of Analysis)

"In individuation we ground ourselves in the part of the feminine, Eros, that is relational and feeling, that comes from the heart. And, we learn that our inner relationships are the foundation for our outer ones, as well as our relationship to life and the Divine. It is how we accept ourselves, find the courage to sacrifice our self-images again and again in order to relate to our complexes and find the promise of an enlarged life that actually frees us from our past and self-defeating habits." (Bud Harris, Becoming Whole: A Jungian Guide to Individuation)

Theurgy means "God-working" -- magic used for personal growth, spiritual evolution, and becoming closer to the Divine. It includes a range of esoteric subjects including natural magic, Qabalah, angelic hierarchies, planetary seals, angelic sigils, magical correspondences, and theurgy.

Theurgy and Magic

"Our psyche can function as though space did not exist. The psyche can thus be independent of space, of time, and of causality. This explains the possibility of magic." ~C. G. Jung, Emma Jung and Toni Wolff - A Collection of Remembrances; Pages 51-70.

Theurgy and magic are the poential for the participant to work with natural laws. These laws are under the dominion of the Gods. Since theurgy is communication with the gods, union with the power of nature is possible. The world thinks and feels and imagines. Alive with its own desires, its own memories, it lives with experiences, regrets, and longings that interfuse with our own.

Theurgy has nothing to do with mundane superstition, practices which are called in ancient Greek goetia, sorcery, or black magic. Goetia should be viewed as trickery.
Theurgy is genuine high magic, entirely selfless and performed only as necessary. Such magic is great because its source is the Deathless Gods. Trivial false magic fails because the Gods cannot be compelled to act for the self-serving designs of the mundane.

Genuine theurgy is not magic since we cannot force the Gods to appear through prayers and incantations. iIf that were so, then beings which appeared could not possibly be Gods, but could only be deception. Theurgy is worship and, by means of our love, we invite the Gods to come. Theurgy occurs in a field of mutual freedom enjoyed between Gods and mortals.

In tradition, the rituals are too sacred to display publicly, being the formal means we use to communicate with the gods, an intimate and private act. We do not put our rituals on display. They are not meant for the eyes of the casual onlooker who has no understanding of what they see.

Theurgy is for sincere and well-meaning individuals who desire it with pure heart, who respect what it is and ho are willing to take the time and energy to learn the foundation of knowledge which makes their meaning comprehensible.

Thæourgós - (theurgus; Gr. θεουργός, ΘΕΟΥΡΓΟΣ. Noun.) individual who conducts ritual, a priest or priestess. The word means divine worker, and ritual (thæouryía) is the divine work of the worship of the Gods. The cosmic Thæourgós is the Dimiourgós. - Cf. Iæréfs.
Thæouryía - (Theurgy; Gr. θεουργία, ΘΕΟΥΡΓΙΑ. Noun. divine work) ritual, the worship of the Gods.
Thærapeia - (therapeia; Gr. θεραπεία, ΘΕΡΑΠΕΙΑ. Noun.) service to the Gods, worship, ritual.

Theurgy (from the Greek theos: God, and ergon: work), is the highest, the most pure
and also the most wise aspect of Magic. We begin with the latter, keep only the essence and most refined purity, is to consummate the former.

According to Charles Barlet, “Ceremonial Magic is an operation by which Man seeks
to constrain – by means of the very play of Natural Forces – the Invisible Powers of
various Orders to act in accordance with what he requires of them. To this end, he seizes
them, surprises them, that is to say through projection (by means of analogical “correspondences” which comprise the Unity of Creation); these Powers over which he is
not master, but to which he can open extraordinary pathways, to the very heart of Nature.
To this end he uses Pentacles, special Substances, rigorous conditions of Time and Place,
which he must observe under pain of the gravest of perils. For, if the path sought is even
a little lost, the audacious one will be exposed to the force of these “Powers” before which he is but a speck of dust..” (Barlet: l’Initiation, January 1897 edition).

https://footnotes2plato.com/2012/03/03/more-reflections-on-james-hillmans-archetypal-psychology/

http://www.hellenicgods.org/theurgy---thaeouryia---theourgia
http://www.markfoster.net/rn/texts/practicalkabbalah-part2.pdf
Chaldean Oracles
https://books.google.com/books?id=Ow0VAAAAIAAJ&printsec=frontcover&dq=chaldean+oracles,+google+books&hl=en&sa=X&ved=0ahUKEwjr2KiO4ePbAhXDt1kKHboOD3kQ6AEILDAA#v=onepage&q=chaldean%20oracles%2C%20google%20books&f=false

Gregory M. Nixon, "Myth and Mind: The Origin of Consciousness in the Discovery of the Sacred" (322-323): https://www.academia.edu/295004/_Myth_and_Mind_The_Origin_of_Consciousness_in_the_Discovery_of_the_Sacred_

WHY NOT THEURGY?
And What Is It, Anyway?
Iona Miller, (c)2018



"The practice of magic consists in making what is not understood understandable
in an incomprehensible manner
." ~Carl Jung, The Red Book


"At last I discovered that they [The East] call the unconscious consciousness,
indeed enlightenment
." ~Carl Jung, ETH Lectures, Page 204.


"Seeing into darkness is clarity.
Knowing how to yield is strength.
Use your own light and return to the source of light.
This is called practicing eternity."
--
Lao Tzu


Picture


INTRODUCTION

"The creation of the world becomes the archetype of every human gesture, whatever its plane of reference may be. Every construction or fabrication has the cosmogony as paradigmatic model." --Mircea Eliade, The Sacred and the Profane

Like our Medieval, Renaissance, and Enlightenment counterparts, we are rightly concerned with the true nature of reality. Philosophies and rituals evolve over time. The 'New Renaissance' paradigm recognizes an urgent need for change and multidimensional renewal in a period of crisis for philosophy, the arts, science, and society. Our awareness allows us to confront and engage the symbolic dimension of the imaginal.

The great enigmas of our existence remain the riddle of matter, the origin of the universe, the origin of life, and the human mind or consciousness (including supramental activity). Post-metaphysical philosophy has become a matter of therapy and discovery. We are looking at them now as self-organizing, open systems beyond the individual self, appearing as the phantasmagoria of the unconscious.

Consciousness, dimensions, and infinity consciousness
are divine forces. Extended consciousness and the laws of nature impact and influence us and we are impacting and influencing there -- a greater capacity for life and creation.

Phenomenology investigates the consciousness-self as lived experience. Deeper understanding comes only through direct experience which kindles the light of knowledge. In modern terms, it concerns ego-transcendence into cosmic selfhood. Self, a dynamic multiplicity, is the unifying archetype and the organizing principle of Psyche.



Archetypal Cosmos

Heaven has become for us the cosmic space of the physicists...
But 'the heart glows,' and a secret unrest gnaws at the roots of our being.
” --C.G. Jung


We are philosophers; we seek wisdom. We are in a romance with the Cosmos, the dark hunting ground of the Unknown. What is reality and what is it to be a human being? Like pandisciplinarian research, natural philosophy explores the cosmos by any means necessary to understand the universe. Form maps onto meaning. Nature is integrated biological wisdom. 

Theurgy, natural magic, is the intuitive handmaiden of natural philosophy, a conscious experiential approach. Theurgy allows the soul to participate in creation as a co-evolving, co-creative presence in spiritual practice and psychological inquiry. The felt presence of direct experience is direct experience of felt Presence.

Consciousness experience is constructive in the sense that it is the result of ongoing self-organizing and self-creating (autopoietic) processes. The combined effect is an 'associational trance,' accomplished through associational strategies which access experiential responses.

We either consciously or unconsciously co-create the world we cognize. In the transcendental sense the word “world” signifies the absolute totality of the sum total of existing things. Self , (the stateless state prior to thoughts, memory, emotions, associations, perceptions, attention or intentions), increases while ego diminishes within the intentional relational field.

What is driving our psychology? What is the one concept that organizes everything in our
life? Disidentification clears the content of consciousness so we can celebrate the Self (multivocal dialogical nature).


Lived experience includes both self-referencing and no-self-referencing states of mind. Only self-referencing contains the constitutional shifts reflecting major changes in development and health. The indivisible continuum of life is a therapeutic premise.

It's not enough to just have a philosophical discussion. We extract from the code what it is we are to be doing. It's not what we learn but the doing that matters. Real magic is the imaginal power of the psyche, divine inspiration. It is a natural acquisition of human development, refinement of the soul, the spirit of fluid movement, expanded consciousness.


Consciousness, self-organization and information are connected at the level of semantic significance. Transpersonal consciousness, interconnects nonlocally in a participatory holistic and indivisible way with all levels of the universe. The unconscious is a source of latency, ingenious expressions of natural intelligence, indeterminacy, and pure potential.

"That is how we should understand the pleroma, the fullness, which is the origin of the existence of the world, where everything is contained but in potentia, as a possibility, anything can come out of it." (Carl Jung, ETH Lectures, Pg. 254).

What is the potential of awareness? Are we entangled with all minds? Is there a collective unconscious? What is the focus of consciousness, attentive awareness, and role of intention? How does it relate to the information of perception and objects of perception?

What is objective and what is subjective? What are the roles of learning, habits, and phenomenology, the distinctions of perception and reality, positive and negative feedback? Is consciousness always unchangeably subjective, while information and the energy fields that carry it are always unchangeably objective? 


Theurgy is an integral art, rather than integral knowledge, opening doors into the realm of the collective unconscious. It clarifies ways of dealing with this primordial ocean, full of dangers and creative potentials. It presumes  an engaged spirituality transforms the world and that the world can exercise an influence on the foundational structures of human consciousness.

As transitional objects, symbols are the origins of works of art and the life of the mind. Magical consciousness is an associative mode of thought, a compliment to rational analysis. Theurgy generates and integrates patterns of experience, connected living systems within a timeless matrix, a phenomenological map of the “cosmic man.”


The first lesson in magic is to “Know thyself,” after the Delphic oracle: "My advice to you, whoever you may be, Oh you who desire to explore the Mysteries of Nature; if you do not discover within yourself that which you seek, neither will you find it without. If you ignore the excellence of your own house, how can you aspire to find excellence elsewhere? Within you is hidden the treasure of treasures. Oh Man! Know thyself, and you will know the universe and the Gods." (Temple of Delphi)

Characterized by its diffuse and holistic orientation and sense of permeability of boundaries between material and non-material perceptions of reality, magical consciousness leads to a certain “knowing with others.”


Al-Jili (Jili, 1983), the 12th century Sufi, says: "Each individual of the human species contains the others entirely, without any lack, his [her] own limitation being but accidental... For as far as the accidental conditions do not intervene, individuals are, then, like opposing mirrors, in which one fully reflects the other..." (p. xxv)

Mythical figures are eternal metaphors of the imagination, the dynamics of psychic reality. 
Consciousness of archetypes extends the limitations of our observations and knowledge base. This is the looking-glass of the soul, our imaginal interface with the divine and the laws of form.



The Cosmic Sublime

A
 cosmic sublime implies a noetic or global consciousness. The 'cosmic sublime' is an aesthetic ideal of a grandeur captured by a cosmic perspective, a sublime glimpse of cosmic power. It can be obtained from contemplating phenomena of a planetary scale, as well as the emotions associated with experience of the sublime -- unrepresentable grandeur.

Likewise, Cosmic Consciousness is grand, sublime, and beyond description. The mind and speech return from it baffled. This divine cosmology reflects an infinite cosmic space perpetually expanding into the exhilarating infinite.

Our awe of the sheer power of the universe is a transcendental engagement with space. 
The mind is so entirely filled with its object, that it cannot entertain any other. The passion aroused by the great and sublime in nature is astonishment.Understanding is the inner sense to which the outer senses are connected.

Kant said that as an earnest exercise of the imagination, the sublime permits the mind to go beyond limiting sensibility. The cosmic forces affecting human inner and outer senses are represented in the concepts of human understanding and in the ideas of human reason. All life “belongs to a single cosmic, dynamic system,” subject to a cosmological system of forces or primordial matter.”

What could be more simply magical than art which can continue to exert its influence and grandeur over centuries? The evolution of art styles through historical art cultures demonstrates the evolution of consciousness. 

The sublime works both in human art and cosmic nature. As an aesthetic category, the cosmic sublime provides a vantage point for us to view how the human mind confronts and conceptualizes grandeur of an infinite dimension. A Taoist approach merges the aesthetic subject with the primal simplicity.

The cosmic sublime arising from a material point of origin rather than the rhetorical is more sublime. A spectrum runs from painful finite experience of the cosmos to joyful ideas of the vastness of space.

Transcendence becomes immanence, thinking in terms of cosmic space. Energy, matter, and time are rendered transcendent in the cosmos, beyond space and time, beyond the Big Bang singularity, beyond ourselves, and narratives of spiritual transcendence.


Do we need this transdisciplinary approach for a better understanding of both Nature and human arts? Why is aesthetics more related and applicable to cosmology than other divisions of metaphysics? One arguments is that cosmology is not solely metaphysical but must relate to physics for the completeness of its conceptual representations. 

There is am inherent relation between aesthetics and cosmology. Aesthetics investigates the appearance of physical objects, human understanding, sense-intuitions, and sensory perceptions. The source of any aesthetic concept arises in the way cosmic forces communicate human inner and outer senses.

We need a simultaneous transition between the sensible and supersensible realms for the completeness of human understanding. We apprehend transition only when the moving forces do not exceed our intellectual or intuitive capacities. Our sense-intuitions and understanding can't apprehend and conceptualize any motion beyond our imaginative capacity.

Poetic approaches claim contact with the gods for inspiration, passion, and poetry -- a flight of the mind, generating thoughts of the sublime. Poetry can create a sense of transcendence, grandeur and the infinite, through which we can penetrate the very heart of the universe and confront its immensity, even if those depths are overhead.

The sublimity is of the depths within heights or the bottomless heights. We stare down into the abyssal void where it all takes place. Infinity opens out into a vast depth, the innermost treasure of the sky, concealing nothing in any direction. 


Jung suggested myth is a revelation of the divine life in humanity, our unconscious grasp of the history of the world, the wild energies of creation, and our sense of embodiment. There are interdependent unconscious neural, phenomenological, and cognitive levels of embodiment.

Mind is not separate from bodily experience, but is naturally more than our conceptual experience. It is irrational. nonlinear, and entangled. There are no consistent level-independent truths. Even embodied truth is not absolute, objective truth, nor does it need to be but it allows us self-reflection.


Magic is a mytho-poetic irrational aspect of consciousness with its own form of reason -- associative thought, understood as a form of knowledge in its own right. What is going on when we communicate with spirits, divine the future or heal the sick? How can magic, as a mode of consciousness, be examined while avoiding the polarization of materialistic reduction and an uncritical belief in spiritual presence?

Lévy-Bruhl tried to described mystical mentality in terms of participation mystique, a mytho-poetic attitude with multi-leveled analogical relationships, a metaphorical holism with its own 'logic'-- a correspondence between phenomena. It is direct experience of the co-existence and identity of things that critical thinking would separate.

The two type of thought are present in all societies -- in pop terms, left and right brain thinking, a reasoning in different categories. Symbolically rich rituals amplify right-brain processing, the alternative consciousness of magical thinking. The psychological approach to such material is to engage it as an 'as if' reality, including autonomous personifications.

Pablo Neruda spoke of a literary genre, magical realism, 
a genre of narrative fiction, art (literature, painting, film, theatre, etc.) It encompasses a range of subtly different concepts, expresses a primarily realistic view of the real world, and adds or reveals magical elements. This narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction.

Amplifying our experiences can reveal their depth, purpose and significance. It creates sacred narratives. We inhabit a multiple metaphor environment. Initiates participate in myth as a lived experience through metaphor, gesture, and imagination.

Despite historical changes and enlightenment thinking, mystical and imaginal notion exist side by side with empirical knowledge. A magical orientation of mind makes analogical connections (rather than logical separations). Meaning, significance, purpose, and intentionality are hallmarks of magical thinking. Magical consciousness is a living, breathing unity-in-multiplicity, an intuitive “metaphorical language.”

Any dualisms of mind and body. mind and culture, or self and other are irrelevant in this perspective. The imaginal world is full of non-physical minds, acting not by mechanical laws, but by the entangled psychic laws of motivation, intention, desire, and emotion. 

Animism is a relational psychic ontology found cross-culturally. Magical thinking is predominantly animistic; indeed, magical consciousness could be said to be animist thinking in action. The psychic worldview requires no explanation with physical facts. Even consciousness does not arise from known physical laws.

Echoing Neoplatonic notions, physicist Nick Herbert suggests in Elemental Mind that, far from being a rare occurrence in complex biological or computational systems, mind is a fundamental process in its own right, as widespread and deeply embedded in nature as light or electricity.

Theurgy is a panpsychic philosophy. Panpsychism is the doctrine that mind is a fundamental feature of the world which exists throughout the universe. Panpsychism, in philosophy, is either the view that all parts of matter involve mind, or the more holistic view.

The universe is an organism that possesses a mind. It is stronger than animism, which holds only that all things are alive. 
Panpsychism doesn't believe that all matter is alive or even conscious but rather that the constituent parts of matter are composed of some form of mind and are sentient.

In context, mystical thought is normal, complex, and developed and not necessarily taken literally. To the mythmaking mind, rituals don't recall a miraculous event; they are that psychic and spiritual event. The environment as a holistic behavioral field is neither inner nor outer, but both/and non-material and material. 

This orientation can be described as analogical rather than logical, a web of connections. Within this conception, there is no contradiction between apparently mutually incompatible and exclusive states such as “life in death” or “unity and multiplicity of being.”

The key concept is engagement with an inspirited or ensouled world, primary process discourse working on conscious and unconscious processes. The core human psyche is an analogical mode of consciousness, 
multiples centers of consciousness.

A felt sense of the participatory awareness of magical consciousness and non-material perception of reality do not exclude a search for the naturalistic, with wide ramifications that affect the whole organism and its environment.

Analytical and analogical thought in reality occur simultane
ously all the time. Such universal features of human thought were first reported by Plato and Aristotle and carried forward in Neoplatonism. Plotinus argued that the universe should be considered a god itself. 

Aristotle called the soul equivalent to the psyche, the animating “principle of life." He imagined psyche as the form or soul of all living organisms, including plants and other animals, as well as human beings. 

Marsilio Ficino (1433–1499) and Giovanni Pico della Mirandola (1453–1494) regarded magic as an elementary force pervading natural processes. Iamblichus and Proclus insist that true communion with Truth and the Divine are achieved not through rational contemplation alone.

Philosophy involves “theurgy” or ritual acts involving affective, associative magical thinking. There is no way to truly approach and connect with the Divine and highest level of knowledge without accessing non-verbal, physiognomic, and ecstatic/ 
emotional modalities. 

Magical experience is intrinsically personal, a network of connections special is its relation to a synchronous pattern of connections. Meaning comes through a process of associations. Experience changes how magic is perceived.



Magical Consciousness

Magic is an orientation of consciousness and mode of thinking. Jung notes, "Thinking is life just as much as doing is." Magical consciousness is affective, associative, and synchronistic, shaped through individual experience within a particular environment. T
he real impact of magic happens at a more fundamental level of individual awareness that includes emotions, feelings, and beliefs. 

Theurgy is an active intentional imaginal act. Archetypes [or gods] are rooted in gestalt, figure-ground perception. We look for objects that we can distinguish and name to make sense of what we see, and so interact with them. The figure-ground principle states that we instinctively perceive objects as what we should be focusing on.

Poets exploit our habitual figure-ground organizations in extra-linguistic reality to shift attention from one aspect to another by inducing us to reverse the habitual figure-ground relationships through poetic effect -- the event-structure metaphor, instinctive event cycles.

Theurgy is a primary modality for mythodrama, combining a variety of arts -- a transpersonal approach in the interdisciplinary sense,
transforming old conceptual frameworks to account for new experiences and inner sources of human existence.

It is not so much about curing people as about assisting in psychospiritual growth, which can solve the pathologies of one stage by advancing a person to another, a profound personality transformation. Bringing to consciousness all deeper suppressed feelings liberates us from dependencies, fears and superficial boundaries.

P
syche is a multi-layered being relatively autonomous from consciousness, which encompasses the divine element. Mind, matrix, and metaphor integrate patterns of experience. If we talk too freely about anything within us that carries power, it starts to lose that power.

One tacit metaphor is the event structure metaphor "PURPOSEFUL ACTION IS A JOURNEY." The purpose of the action is expressed by the place   to which the journey leads. A more specific instantiation of this metaphor is "LIFE IS A JOURNEY," and it is revealed in autonomous self-arising images.

Purpose is reintroduced by the metaphor: light as knowing, understanding, or proper guidance. Emergence is a holistic approach to change. The nothingness or openness is light, luminous radiance, is the primordial ground of all that is.

Consciousness-at-rest and conscious-energy are the two primary manifestations of the one ultimate, self-contained consciousness. The power of the ground includes biological instincts, emotive potentials, autosymbolic imagination. It is a source of psychic energy, covert impulses, and unconscious projections. 


The fluid self reveals the myth of the fixed personality. The thoughts we experience as idle and free-flowing, for example, echo the flow of figures moving in and out of the ground that is the conscious mind. If we focus, these figures can become more fully formed and brought completely into awareness by attending to them more vigorously.



Figure-Ground

Figure-ground organization shows that, “Insight is a patterning  of the perceptual  field in such a way that the significant  realities are apparent; it is the formation of a  gestalt in which the relevant factors fall into  place with respect to the whole.” (Heidbreder, 1933)

We are strengthened by exposure to a range of perspectives. The figure is the image that stands out from the ground. The gestalt principle that applies most to space is that of figure-ground. The principle of figure/ground is one of the most basic laws of perception. A figure 'stands out' against an undifferentiated ground.

The unbounded and formless ground does not move us towards meaning-making and figure formation. But it provides the "context that affords depth for the perception of the figure, giving it perspective but commanding little independent interest" (Polster & Polster, p. 30).

Ground evolves from our past experiences, from our unfinished business, and from the flow of the present experience. Our entire life forms the ground for the present moment (p. 32). 
Perceptual organization drives us to creating a figure to pay attention to. They are based more on our creative application of prior experiences instead of the data and information directly available to us in the moment.

We need to consciously understand patterns being constructed in the human pre-conscious mind. These pre-conscious effects simultaneously impact the human psyche and beliefs: Enhance, Obsolesce, Reverse and Retrieve (McLuhan, Laws of Media). They impact our memory storage and retrieval. Our technologies and religions are all about re-membering.

Our environment is structured by our paradigms or worldview. The deeper we go the more the ground comes to the fore. It reminds us to attend to what is out of awareness where nothing is determined as much as what is in awareness.

Thought-creating beings live in a mental universe beyond conceptualization (universal mind), patterns of continuity and discontinuity, unremitting invisible effects that shape us whether we notice or not, and natural consequences. The One is ineffable, incomprehensible, super-celestial unconditioned reality. Plotinus's maxim claims the Absolute "has its center everywhere but its circumference nowhere."

Root drives animate archetypal expression, forms, and metaphors drive its action in the psychological landscape it operates in. The confluence of the rational and irrational that helps or hinders the soul's ascent to the divine is perhaps best described as imaginal -- the realm of soul. Ordinary consciousness becomes extraordinary.

Even our physics tells us we only experience an illusory sliver of an infinitely larger reality. There is a kind of progression that leads us to wisdom. Contemporary art also explores and questions notions about vague beliefs and subliminal conceptions. 'The Other' means that the subject is imaginal, the otherness within the self, beyond the artist's own range.


Jung’s archetypal Self is the archetype of wholeness or unity, ultimately and inescapably  otherness itself. This “ultimate other” is always purely potential, forever beyond our experience. There are elements of consciousness -- objects, ideas, beliefs -- that may be illusory. Religion is a natural phenomenon.

Imagination is the liminal space that is essential for consciousness and the unconscious to connect. Ritual practices encourage us to reconnect to the renewing function of affect and imagination. Imagination is a piece of heaven concealed within us, a divine connection to the cosmic One Mind, “the Star in Man, a celestial or supercelestial body.” (Rulandus, Lexicon of Alchemy, 1612). We voice various possibilities.

The tacit self is grounded in embodied practices, generally inaccessible to conscious awareness
Tacit, inarticulate, taken-for-granted contexts of human meaning are grounded in our embodied capacities, dispositions, shared practices and forms of life. They constitute a fundamental condition of intelligibility of meaningful human activities and expressions.

Our individual encounter with our psyche, dialogical otherness within the self, and the bringing of its elements into consciousness is central to the process. The sense of the other in self is animated by its own agency. The Other can't speak for itself, so we speak for the Other, and as we do the Other becomes us. From necessity, myth breaks into being. As Blake said, "Imagination is not a State: it is Existence itself."

Philosophy of nature (Latin, philosophia naturalis) is described as the philosophical study of nature and the physical universe. Theurgy, a Neoplatonic practice, is active participation in the theurgic world as theophany, a 'breathing with' the divine, divine inspiration, a living moment granted by a deliberately and exquisitely configured universe.

Some people may be genetically predisposed to ritual by the VMAT2 gene, associated with mystic experiences, including the presence of God and feelings of connection to a larger universe. It plays a key role in regulating the brain levels of serotonin, dopamine and norepinephrine.

A 40% of the variation in self-transcendence is due to genes, but beliefs are social memes. In one sense, 
we approach religion like a relationship: the fantasy that there is a Magical Other out there who will fill all our voids and meet all our needs.

We are wired to experience God. Different researchers have slightly different names for the religious syndrome. Ramachandran calls it “the God module.” Persinger calls it the “God experience.” Both researchers indicate waves of temporal lobe excitation with hemispheric coherence underlie spiritual experience and religious belief. “The Kingdom of heaven is within.” Sub-clinical temporal lobe epilepsy also correlates with so-called spiritual experiences.

This later spiritual interest can be rooted in subjective experiences of a variety of phenomena kindled by electrical instabilities in the brain. They include, but are not limited to depersonalization, time distortion, anxiety or panic, floating or falling sensations, peripheral imagery.

A sense of presence either sacred or malefic, apparitions, downloading of memory sequences and false memory confabulations or fantasies, voices and visionary experiences range from heavenly to hellish, and a panoply of psychophysical manifestations.


Grounded in the fundamental nature of the soul, consecrated ritual work is directed towards the gods. We create simulations of alternative realities. By becoming receptive to their illumination, we become like them. Gods that had once been worshiped as idols became worshiped through the whole living self.

Knowing their ontological essence means we learn to live ethically through them. Our living reality is that as individuals we secure our being by transcending our individuality for identification with the universal.

The theurgist performs actions, facilitating natural sympathies in the quest for transcendence that align soul with continual revelation. It affirms primordial particularity while elevating the particular to the universal. The private realm of introspection is a non-social phenomenon that simulates an encounter, so we can 'live out' fulfilling imaginative occurrences within that analogue space.


Soul participates in all material things. Connectedness is a biological imperative. The physicality of ritual affirms the divinity of the material cosmos against thoughts that it is irredeemably fallen. All objects naturally participate in the divine. All objects are considered images or symbols of the gods -- the immanence of divine energy. The universal is only active and authentic in the particular.

Psychic influence can be drawn down into terrestrial likenesses. Theurgy connects heaven and earth; theurgists are those who connect the heavens and earth, who gain mastery over the illusory nature of reality itself, while realizing there is no question of 'controlling' the gods. The universe and the unconscious are inherently irrational.

An aesthetic approach to astrological symbolism and significations aligns it with the hieratic arts, particularly through visual representation, poetry and music. Music of the spheres, like harmonious sensory music, is divinely rational, though capable of manipulating the irrational parts of the soul for the purpose of the ascent to the divine or the One, the hypercosmic realm.

Neoplatonism included a complex relationship between divination, rationality, and ritual. Theurgic magic neither seeks to manipulate nor constrain the gods. Theurgy and contemplation were interlinked ways to truth of transcendental mysticism.

The help of the gods for the soul to ascend was actualized through theurgy. The general non-coercive theory of ritual practice is that symbols draw down divine energy into the theurgists's soul, permitting a union with the gods.

The highest stages were noetic, immaterial, and incorporeal conceptions -- 'seeing' drom the perspective of the gods. Inner ritual needs no overt physical expression for transforming the theurgist's consciousness. Truth is perceived beyond reason. The final stage of union is non-discursive.

The gods 'call' to us and the theurgist 'calls' back by invocations.  The cosmic feedback loop is closed, like the serpent biting its tail. Theurgy works by invoking the gods through their symbols connected to their divine causes, a continuous emanation of divine energy, or divine love allowing sympathy to arise. The Chaldean Oracles alluded to divine love and reversion of the soul to the divine and the transcendent One.


Plotinus claims that magic is always already there in nature. It culminates in a loss of self, absorption into the divine by becoming one (henosis) with God. The last words of Plotinus were "Strive to bring back the god in yourselves to the God in the All" (Porphyry, Life of Plotinus 2).  Such transcendental idealism and self-consuming love was the telos of post-Medieval philosophy. 

Renaissance theurgy and alchemy were concerned with techniques to transfigure or spiritualize the human body, to divinize the soul. The body is considered a location of greatest individual authenticity. The most authentic center of Individual soul and the All-Soul are one (Ennead IV.1). Nature is Soul's expressive act. Pico emphasized that high magic is not
so much working wonders as diligently serving nature as she works them.


Consciousness is the crown of Nature. Consciousness of Crown is super-consciousness. The entire universe implodes through our consciousness. It remains our greatest mystery and frontier. It is rooted in the internal qualitative aspect of the quantum functioning of the 'ground of being,' at the threshold of psyche and matter. The “threshold” represents the metaphorical separation of conscious mind from the unconscious, the invisible, unbounded realm. 

Indivisible awareness of the absolute space of all phenomena is beyond the duality of external and internal space. Primordial consciousness of the process of reality is non-dual consciousness/awareness. Absolute space is the central metaphor, void of of matter but not devoid of an infinite subquantal ocean of energetic potential.

Natural  philosophy  returns as the concept of mind, life  and matter emerging from the
nature of the quantum vacuum, the energy sea that underlies all of spacetime. Space is no longer secondary to matter. Absolute space of the vacuum is the primary reality.

Things we know as matter (mass, with properties of inertia and gravitation) appear as the consequence of interactions in the depth of this universal field. Our “essential nature” must be here, now. And in the emerging concept there is no "absolute matter," only an absolute matter-generating energy field.


All manifestations emanate from configurations of this absolute vacuum. Empty space is full of seething energy. Psyche or soul is a purposeful self-regulating system that is directed toward amplifying innate consciousness and individuation. We can consciously realize our role in the universal drama taking place.

So, knowledge of the source field is self-knowledge. Consciousness is described as the root of matter, including our own matter. Whether we call it the boundless reality of God, or the pre-spacetime vacuum that gives rise to matter, this Mystery is the quintessence of impenetrable darkness that contains the spark of life.

Ervin Laszlo proposed that the quantum vacuum, the field from which the universe is born, is conscious with all the information from the Big Bang to now. Laszlo says the universe as conscious life emerges from the quantum vacuum. Such field theories are a metaphysic so can never be known in their entirety.


Even Scientific American (Kastrup, Stapp, Kafatos; 2018) reports, "our argument for a mental world does not entail or imply that the world is merely one’s own personal hallucination or act of imagination. Our view is entirely naturalistic: the mind that underlies the world is a transpersonal mind behaving according to natural laws. It comprises but far transcends any individual psyche." (May 29, 2018, "Coming to Grips with the Implications of Quantum Mechanics").

"The claim is thus that the dynamics of all inanimate matter in the universe correspond to transpersonal mentation, just as an individual’s brain activity—which is also made of matter—corresponds to personal mentation. This notion eliminates arbitrary discontinuities and provides the missing inner essence of the physical world: all matter—not only that in living brains—is the outer appearance of inner experience, different configurations of matter reflecting different patterns or modes of mental activity."

"According to QM, the world exists only as a cloud of simultaneous, overlapping possibilities—technically called a “superposition”—until an observation brings one of these possibilities into focus in the form of definite objects and events. This transition is technically called a “measurement.” One of the keys to our argument for a mental world is the contention that only conscious observers can perform measurements."
https://blogs.scientificamerican.com/observations/coming-to-grips-with-the-implications-of-quantum-mechanics/

"What preserves a superposition is merely how well the quantum system—whatever its size—is isolated from the world of tables and chairs known to us through direct conscious apprehension. That a superposition does not survive exposure to this world suggests, if anything, a role for consciousness in the emergence of a definite physical reality."

"Now that the most philosophically controversial predictions of QM have—finally—been experimentally confirmed without remaining loopholes, there are no excuses left for those who want to avoid confronting the implications of QM. Lest we continue to live according to a view of reality now known to be false, we must shift the cultural dialogue towards coming to grips with what nature is repeatedly telling us about herself." (Bernardo Kastrup, Henry P. Stapp, Menas C. Kafatos)



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From 'the Ground' Up

Primordial consciousness is the internal aspect of the fundamental quantum field of potentiality. Many contemplatives throughout the world report that introspective inquiry can lead to knowledge, not only of the ultimate ground of being, but of the fundamental laws of nature as well. (Wallace)

Physicist Archibald Wheeler suggested the 'imagination' of primordial consciousness (an empty energy field of potentiality with luminous clarity, self-awareness) "brings all of creation into being." Emptiness understands and illumines itself. Self-understanding is self-clarity, is self-awareness. By observing itself, psyche somehow transforms the properties of both bodies and unconscious contents -- the development of the soul as an individual self.

The most basic state of consciousness is essentially an absolute vacuum of consciousness, analogous to the absolute vacuum of physics. 
Vacuum fluctuations cannot explain why spacetime arises and mystics call primordial awareness 'self-arising.

Continuous direct experience of the ground level of awareness is an experience of enlightenment, timeless awareness. Limited awareness dissolves into its universal source. Jung said,
"I simply believe that some part of the human Self or Soul is not subject to the laws of space and time."

Uncertainty is reflected in the ultimate foundations of the quantum and its implications. We cannot know it anymore than we can know the ineffable, the unconscious, or the self. The medieval metaphor for God or the God-image was 'the Cloud of Unknowing.'

THE SHADOW OF GOD: "The higher sense, however, is the path, the way, and the bridge to what is to come: this is the God who is yet to come, not the God who is to come, but His image, which appears in the higher sense. it is an image, and those who worship it must adore it in the image of the higher sense. The higher sense is neither a sense nor a contradiction, it is image and strength in one, magnificence and strength together. The upper sense is the beginning and the end. It is a bridge of passage and fulfillment. The other gods died because they were in time, but the superior sense never dies, turns into meaning and then into contradiction, and from the flames and the blood of the clash between the two rises the higher sense, again rejuvenated. The image of God has a shadow. The upper sense is real and casts a shadow. In fact what is real and physical that does not have a shadow? The shadow is nonsense. It is impotent and has no consistency in itself. But nonsense is the inseparable and immortal brother of the higher sense. Like plants, even men grow, some in the light, others in the shade. There are many who need shade and not light. The image of God casts a shadow, which is as big as he is. The upper sense is big and small, it is as large as the space of the firmament and tiny as the cell of a living body. " --Jung, The Red Book

Specific forms of consciousness emerge from a latent mode of consciousness when the appropriate conditions are met. That underlying consciousness is “the ground of becoming,” the nature of beginningless, naturally pure, radiant awareness. 

The ‘individual self’ is merged with the ‘universal consciousness’, the liberated state -- static, undifferentiated and universal. This superconscious state is a superposition of the awake, dream, and deep dream states (gamma, alpha, and theta brainwaves). There is no object-subject polarity (duality) in this universal state and it is unitary or singular.

Our awareness of the physical universe moves into the quantum level and subquantal substrate as awareness of conscious mind moves into the unconscious. We discover soul as a transcendent element linking conscious and unconscious, both physical and psychic that creates radical shifts in consciousness. It elevates understanding from the concrete to the symbolic image and beyond into the transcendent and invisible worlds. (Jane Weldonour, Platonic Jung, 2017)


All of Nature and our own nature arises from the omnipresent centerpoint of Zero-Point Energy or vacuum fluctuation, beyond energy/matter. There is an infinite realm of pure potential beyond the threshold of the Mystic Veil of manifestation. It is the primal Source of all light and life, love and wisdom, passion and creativity, healing and well being.

The strength of our connection to Source determines our relative psychophysical health, our freedom to be and express our essential nature, and to manifest our own potential. The "software" of human personality is a construct of interlocking concepts. "Reality" is what our brains make of the sensory input fed through biological transduction.


Massless virtual particles are constantly being created and destroyed everywhere, including our bodies. They arise from and sink back into the void. Our whole body flickers in and out of existence at the quantum level in trillionths of a second. Quantum mechanical zero point oscillations are real; an incessant dance of subatomic particles flicker into and out of physical existence. Each of our quantum re-creations is an opportunity to transform utterly. Given the equivalence of mass and energy, the vacuum energy must be able to create particles.

The essence of consciousness is described as a return to our origins, undifferentiated primordial consciousness. Primordial awareness is pre-conceptual and pre-linguistic nothingness, openness, emptiness or voidness -- the Absolute spaciousness of the ground of being. This "change of mind" implies making a decision to turn around toward the Light, to face a new direction -- a spiritually transformative change of heart.

Miller, Iona, Holographic Archetypes https://holographicarchetypes.weebly.com/

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Neoplatonic Philosopher-Practitioners

Like Buddhism, Neoplatonism, a magical philosophy of nature and our nature, is a transformative theory and practice for uniting divided consciousness with its unified non-dual source, self-arising luminosity, the unconscious.

Both Plato and Jung described a natural world of opposites that have to be distinguished to reunite. We cannot understand Soul 
or our own cavernous inner recesses, with rationality or language. Soul is innately numinous, perplexing, paradoxical, but above all, experiential. 

We can discover the soul for ourselves through imaginal experience of the existential and initiatory dimension, finite and infinite being, by building and living in our spiritual body. William Blake said, "Imagination is not a State: it is Existence itself." Heraclitus considered soul as 'limitless depth.'

We might add the epistemological necessity of Beauty in its archetypal and spiritual nature, as a means of experiential apprehension opening and embracing the aesthetic dimension of the soul. But even scenes of great beauty can also conceal deep darkness, including the dim light of mythic consciousness.

Our mistakes, imperfections, improvisations, and sorrows are woven into the beauty of it all with a life-affirming 'yes.' Hillman concurs that imagination is not a mere faculty, but more akin to being and becoming, a process of deepening and re-visioning, ensoulment or soul-making, rather than any final destination.


"The claim that it is a faculty has been precisely what has deceived us most about imagination. We have considered it one function among others; whereas it may be essentially different from thinking, willing, believing, etc. Rather than an independent operation or place, it is more likely an operation that works within the others as a place which is found only through the others — (is it their ground?)." (Hillman, J. (1979), "Image-sense," Spring 1979, p. 133)

The innate essence of being is transformed through active mentation in the act of Creation, cosmic consciousness, incorporeal levels of awareness. There is an innate intelligence and fundamental awareness that unfolds within us.

Soul shares the same nature as that which illuminates it, access to being and access to soul's truth. Illumination arises as rediscovery and remembrance -- discovery of the truth of oneself. Soul grasps the dual-unity of being and becoming.

The Transpersonal Self, unchanging in essence, is reality, sharing the same nature as Universal Reality. The Transpersonal Self on its own level must use the superconscious as its vehicle of experience and expression, as a means through which its energy is “transformed” or “stepped down” into a form that can be realized by personality (Assagioli). 

https://kennethsorensen.dk/en/the-superconscious-and-the-self/#The_Self_as_the_Void

Our personal Zero-Point is our sub-atomic core self, our Essence or fundamental character present in each quantum which connects us directly with our hyperspace Source. The invisible Lifeforce behind the Mystic Veil of Zero Point fluctuation is formless and more fundamental than matter/energy.

We have our existence through this evanescence and in it as the infinite bound within us. It is the radiational and vibrational quanta in matter. ZPE correlates with the primordial mindfield. Psyche is not separate from matter. We are a psychophysical Reality. We are a microcosmic expression of the metaphysical axiom of scale invariance: "As Above; So Below."


THE ESSENCE OF BEING: This upwelling ZERO POINT creative process manifests cosmos, nature and consciousness. It dissolves and regenerates all forms. It is the source of formation, transformation, healing and creativity. It is the center of Being. The essence of this transformative, morphological process is chaotic -- purposeful yet inherently unpredictable holistic repatterning.

Healing is the psychophysical equivalent of creativity. Creativity is embodied inspiration and imagination. To the extent we intentionally commune with the source of infinite peace, love, health, bounty, and oneness we encourage their manifestation in outer reality. Their embodiment is the natural result of personal growth.


Creation is a co-creative act of life and sentience. “Communion,” suggests a shared identity that precedes any interaction. The divine influx of the higher spiritual world is experienced as luminous and numinous, an opening to the sense of eternity, infinity, and universality, as the aspects which help us proceed along that path.

But, “co-creation”specifies the making of something new. Such a spiritual ecology enables such co-creations or synergies. We are awash in an ocean of symbolic manifestations and imagery of the timeless patterns of human life. The 
the absence of specific quality is the void in a positive sense, which contains all life, to which everything belongs, and in which all is combined (Assagioli).

Metanoia, a fundamental transformation, catapults us out of ordinary awareness into a state of ecstasy and bliss that is transcendent experience of the reality that everything is connected in a 'participatory universe.' A microcosm of the 'continuous creation,' we renew and rebirth ourselves in a continuous process of Metanoia.

Metanoia is access to being, access to its own truth, and a complete transformation of the soul. It is a reorganization of memory in relationship to the truth and the self. Focus changes from rediscovery of the depths of the self to the soul's obligation to say what it is. The injunction becomes 'go to the truth, but on the way don't forget to tell who you are authentically, or you will never arrive at the truth.'


"I must, before I die, find some way to say the essential thing that is in me, that I have never said yet – a thing that is not love or hate or pity or scorn, but the very breath of life, fierce and coming from very far away. Bringing into human life the vastness and the fearful passionless force of non-human things," (Bertrand Russell, letter to Constance Malleson, 1918).

The Neoplatonic worldview is the basis of metaphysical insight and visionary revelations through contemplation. Cosmos pervades all aspects of existence; each human soul participates consciously or unconsciously; and we can embody divinity through visionary intuition and experience even in the mortal life. We transcend ourselves by overcoming our limited domain.


In the Neoplatonist view we have a certain strength of reality of our own but need to participate in a bigger strength and story for understanding greater or higher things -- participating in operations of the gods. The mechanism of self-excitation, self-observation, and self-reflection is a fundamental aspect of non-individuated primordial consciousness.

In post-traumatic growth, t
he intense experience of crises creates an opportunity for the conscious and volitional rearrangement of the self, including a reformulation and reprioritization of one's values and beliefs. We can form a new image of our ideal personality. With this ideal as a guide, the lower aspects of the self are inhibited and higher goals and aspirations emphasized.

Rituals and magical practices of Platonic theurgy transform consciousness by traversing the porous boundaries of the objective and subjective, subliminal and supraliminal. Theurgy is facilitation by 'hidden' correlations and correspondences between mind and matter. An inborn latent pattern of the individual self is capable of uniting all levels of Being in the soul.

States of identification with those realities include the visionary insights of ineffable union. When mind reflects
on its own operations, it inevitably generates active forms of transformation of information, which do not have to have “come from” anywhere.

The psychic and physical, psyche and substance includes nonlocal interconnections and interdependencies underlying consciousness. Consciousness is more than a retrospective narrative.  The narratives of religion draw upon thousands of years of narrative in mythology and ritual. Quantum cosmology continues to echo and substantiate in the macrocosm what also takes place in our microcosm -- vacuum fluctuation of the ground state.

The core aim of mystical paths is direct experience of deep and transcendent aspects of reality. The Path of Return is described in many ancient metaphysical doctrines by encounters with the World Soul, the Demiurge or Universal Mind (cosmic consciousness), and the Good or the One, the hidden source beyond being, the undivided source of manifestation. 


How do we explore the depths of our reality and experience, seeing underneath that which appears on the surface? We are mostly unconscious everyday, thrown back on unknowing, seeking the as-yet-unknown reality of our unknown possibilities.

Chuang Tzu said, "In the deep dark the person alone sees light." Traditions of 'Light' continue to inform our conceptions of reality. What we call reality and consciousness depends on our level of observation and mystical penetration. Kabir says, "Wherever you are is the entry point."

The most common error is conflating 'consciousness' and 'awareness'. Consciousness is a product of widespread communication, while awareness is a focal capacity. Jung said, "Consciousness is essentially the psyche's organ of perception, it is the eye and ear of the psyche." (ETH Lectures, Vol. II, Page 98).

There are many natural approaches to the unconscious, to the paradoxical mystery of Self and non-Self -- conscious, unconscious, ritualized, hermetic, religious, therapeutic, philosophical, psychological, magical, and artistic. This approach to the ongoing flow of experience is post-analytic and extra-analytic, aesthetic, and poetic. 

What is philosophy for? How should philosophy be done? Should philosophy protect us against dangerous illusions by being a kind of therapyShould we loosen the grip of the assumptions of previous, metaphysical philosophy? Nature has an aesthetic sensibility and a sensuality that is visceral.

Can we steer clear of revisionary metaphysics? What are the psychological effects of believing in ideas? Here we have an account not just of concepts but of things or phenomena. Every belief has some connection to experience but the connection is never direct. Ontological beliefs about reality are answerable to experience.

The Roman Cicero thought the study of philosophy prepared one for death. The later and Neoplatonic thinker Plotinus asked, ‘What, then, is Philosophy?’ He answered, ‘Philosophy is the supremely precious’ (Enneads, I.3.v): a means to blissful contact with a mystical principle he called ‘the One.’

Nothing is isolated in this cosmos. We are not limited to space and time in a linear way. We become incandescent. A supernormal stimuli provokes a supernormal reflex, a transcendent response far beyond what we know begins to speak through you -- supersimultaneity. The autonomy of meaning is fused with the irreducibility of experience.

Why can we translate the patterns of nature into so many different symbol systems and different substances? Why do central metaphors work? We are literally as old as the universe, inchoate energy older than space or time, as old as the protons that make up our existence, pre- and post-linguistic. A material miracle turns nothing into something -- a soup of atoms: quarks, galaxies, stars, molecules, cells, and DNA -- an infinite well of souls.

How does the cosmos, of which we are part, create explosive novelties, electrifying inventions, colossal shocks and breakthroughs, astonishments? How does a cosmos of elementary particles and gravity make the impossible real, the ordinary into the new reality? What is our relation to a conversational cosmos that is the root of our identity? How does cosmic creativity work its wonders in human beings?

We're aware we didn't do this, that there is supernormal intelligence. But we are more than that. We work symbiotically with all the other human beings, bacteria, the plant and animal world, and it all contributes to us minute by minute, collective brain, reciprocally influencing one another. The gods are in our imaginations, emotions, passions, hearts, and minds, guts, and gonads.


We are embedded in nature and ensouled or rooted in the mystery of Being and Words to be spoken. To the ancients all language was divine, mythic, metaphorical language of participatory evocation and remembrance. Care of the soul was natural and instinctual, expressed through ritual, ceremony, sacred sites, an oral tradition of story, myth, and art.

We are concerned here with immeasurable interiority -- the fundamentals of images, imaginal and transformative aesthetics -- the relation of substance and image, and the 'divine darkness' (super-consciousness) of Pseudo-Dionysius. He says that after all speaking, reading, and comprehending of the names ceases, there follows a divine silence, darkness, and unknowing. 

Living images come to light and life through transformation and theophanic revelation, received through encounter. In divine self-revelation God (unmediated Presence) manifests to humans, through “union” with the ineffable, invisible, unknowable godheadOurs is a philosophical, psychological and transformative art that does not flee from the existential Abyss of the transcendent numinous.

Inner connectedness is the antithesis of the void. Dissolution of the boundary between conscious and unconscious states is unitive knowledge of the One Mind or One Soul at work both within and without. The unitive experience, Krishnamurti says, is not an experience since the experiencer has dissolved.


Myth is the key to our memory of deep time and our potential realization. Mythic forms, the polyphonic and mythical basis of the psycheare stored in our own protean memory banks. Some operate as sophisticated unconscious behavior guidance systems: perceptual, evaluative, and motivational. Romanticism regards religion not as a body of truths and skills to be tested, but as an evolving expressive art.

Theurgy 
is doing divine things, performing sacramental works. Theurgy is a practice-led inquiry, mechanism of change, and a transformational mystery. It is one of many means for the liberation of archaic memory images. It presumes a deep knowledge of the secret nature of things and the hidden connections that hold things together.

The foundations of Platonism are the theory of forms and the immortality of the soul. Greek philosopher Thales said, "the whole world is full of gods." The idea that the world itself in all its particulars has soul was reborn in the Renaissance as
Neoplatonism, a "mystical theology."

Its spirit phenomena include visions, revelations, ecstasy, prophecy, truth
. Its metaphysics includes unity of the universe, hierarchy of being, transcending the cycle of birth and death, and becoming like god. Symbolic death leads to transformation (rebirth) through creativity.

The path of our awareness is natural liberation, ecstatic transcendent dissolution. The distinction between the persona ("the mask of the soul") and the shadow (a sort of "counter-persona") is, from a philosophical perspective, akin to the difference between falseness (appearance) and authenticity (essence). 
What is the meaning of  “light”  in this context?  The
persona is fake light for the authentic (but heavy and darkened) shadow.


"Fear of self-sacrifice lurks deep in every ego, and this fear is often only the precariously controlled demand of the unconscious forces to burst out in full strength.... It is possible to cut beyond ego-consciousness, to become aware of the enormous treasury of ancient… knowledge welded into the nucleus of every cell in your body." --LAM
https://ionamillersubjects.weebly.com/archetypal-light.html

Co-Emergent Process

"Before the soul can see, the Harmony within must be attained, and fleshly eyes be rendered blind to all illusion. Before the Soul can hear, the image (man) has to become as deaf to roarings as to whispers, to cries of bellowing elephants as to the silvery buzzing of the golden fire-fly.Before the soul can comprehend and may remember, she must unto the Silent Speaker be united just as the form to which the clay is modeled, is first united with the potter's mind. For then the soul will hear, and will remember. And then to the inner ear will speak." (Blavatsky, The Voice of the Silence)

Theurgy uses mental images, including memories and memory objects ultimately to facilitate cognitive-affective access to self-arising non-dual states of consciousness -- archaic primordial awareness. Within each of our vital experiences is an image, bearing meaning, that contains and structures it and directs us.

Speech is the groundwork of magic; being is the principle, speech is the means. Logos realizing itself is the revelation of speech confirmed by acts. The chain may be established in three ways by signs, by mystic speech, and by contact in Neoplatonic, Hermetic, and  Kabbalistic  theurgy
.

Jewish mystics view the names as “access codes” that allow them to tap certain aspects of divine power (Mid. Teh. 3.2). To invoke God’s name in the world means you can invoke God’s presence—if you are in the appropriate moral and spiritual condition. The theology of divine unity that grounds all Jewish
theurgy.

Theurgists are not asked to believe in a god, but called to meet them in living contact with Supreme Consciousness. Individual contact is the corner-stone of relationship with the Great Presence. Universal life fills and reveals all truth. It is the state of reality in which we become nobody and we remain as we are, which is deathless awareness. An enlivened world beckons toward cosmic space.

"Eternity is not something that has to come. Eternity is not even a long period of time. Eternity has nothing to do with time. Eternity is the size of here and now that it is excluded from the thought that moves within time terms. If we don't get it here where we are, we won't get it anywhere else." (Joseph Campbell, The Power of Myth)

The theurgist learns to function effectively at higher levels of arousal to amplify the experiential awareness field. Theurgists take on the forms of the gods that Proclus called the primordial and self-sufficient principles of being. When aroused we expand our sense of self even to the cosmic scale even as our focus narrows (cosmic consciousness).

Primordial awareness is your basic self, your subjectivity, your awareness. Awareness is non conceptual knowingness, light, or luminosity that illuminates itself and illuminates experience.

The paradoxical image of a darkness that shines mirrors the threshold of psyche and matter, the virtual vacuum fluctuation, where photons flit in and out of existence. Manifestation arises from the same dark source as the Mystery of illuminated darkness.


'...the mystery of the structure of the universe, was in themselves, in their own bodies and in that part of the personality which we call the unconscious, but they would say in the life of their own material existence. ...They thought that instead of taking outer materials you could just as well look inside and get information directly from that mystery because you were it. After all, you too were a part of the mystery of cosmic existence, so you could just as well watch it directly. Even further, you could ask matter, the mystery of which you consist, to tell you what it is, to reveal itself to you.' (M.-L. vonFranz)

This darkness filled with light or a shine contains the qualities of both light and darkness -- an ethereal body that is not simply material but also “subtle” and primordial. The subtle body links subjective and objective realms. Theurgy is a creatively emergent participatory self-organizing process.

The subtle body is consciously mobilized in theurgy, impacting physical, cognitive, emotional, and spiritual life. Heightened body awareness is the source of emotion and agent of healing. Subtle body is the same substance as Diamond Body, body of light, astral body, glorious body, the Self, or God. Soul for Plato was a body of light in dynamic motion.

Jung considered subtle body a transcendent idea beyond language and philosophy, because it is beyond time and space, i.e. the virtual substance of the Self with the qualities of light (virtual photon flux).

https://books.google.com/books?id=AW--DgAAQBAJ&pg=PT134&lpg=PT134&dq=,threshold+of+psyche+and+matter&source=bl&ots=GcMgm33ggg&sig=YYdyHYBGfK3OPIfIjSgyyq9r7ro&hl=en&sa=X&ved=0ahUKEwigzJbXy6nbAhXky4MKHXlpAEI4ChDoAQgoMAA#v=onepage&q=%2Cthreshold%20of%20psyche%20and%20matter&f=false

The divine darkness is light-giving, a fertile darkness from which all things of the world shine forth, its own intrinsic luminosity is lumen naturae, the light of nature. As he died, Goethe said he saw 'black light.' Jung called the soul “an eye destined to behold the light.” 

Light is another way of speaking about knowing, consciousness, openness, a sense of potentialities. The metaphysical theory of light is also known as the Neoplatonic principle of emanation. Light is the primary metaphor for consciousness (naturally manifest awareness, luminous and empty) that drives our spiritual and therapeutic sensibilities.

Dzogchen  teacher,  Dudjom Rinpoche writes, ”although hundreds or thousands of explanations are given, there is only one thing to be understood. Know the one thing that liberates everything -- awareness itself, your own true nature.” 

Exalting the entire perceptual field with stimulation evokes a paradoxical switch to transcendent cosmic emptiness -- the beingness of all being. Nothingness or openness, voidness, or spaciousness of the ground of primordial awareness is openness to light, luminous radiance.

The metaphysical theory of light is also known as the Neoplatonic principle of emanation. Light is the primary metaphor for consciousness that 
drives our spiritual and therapeutic sensibilities.

In Neoplatonism, the unified Divine Principle, which Plotinus calls ‘the One’ and to which the Areopagite refers as ‘the ever-radiant Light’, descends into the lower world and becomes absorbed by material objects and particular forms. Each material form contains a particle of the ideal Light. The whole universe becomes the world of lights, each of them striving to return to the One, to reunite with the source which endowed them with radiance. (Roklina)

The primordial ground of all that is becomes the nucleus of radiant light at the heart of all beings. Extremes of hypo- and hyper-arousal create mystic experiences of the Self, which are interpreted as bliss whether as an experience of the Plenum of cosmic consciousness (hyper-arousal) or the Void (hypo-arousal).

At their extremes, meditative and exalted states reflect psychological and physiological paradox. At the moment of ritual climax or “eureka” there is a dramatic switchover to the sympathetic system in the experience of the unborn and undying nature of luminous awareness, awareness of awareness which is awareness itself.
 After the ceremonial act there a return to the recuperative parasympathetic system. https://ionamiller.weebly.com/emotional-alchemy.html

Psychic Archaeology

Jung's individuation is a process of transformation that brings the personal and collective unconscious into consciousness to be assimilated into the whole personality. Natural individuation is an unconscious process that follows the natural course of a life and passages in which  individuals become what they always were.


Transformation in individuation is often experienced, and described, as a process of turning inwards. It emerged partly due to the renaissance and post-renaissance epistemological need to interiorize psychological life (Romanyshyn 1982, 1984) We need to take “inner” literally so. We can also look outside with an interiorizing vision, rooted in an increasingly interiorized soul life -- an interization of self, community, world, and cosmos.

While Jungians and post-Jungians stop short of promoting unitive experience, some of its philosophy maps onto and provides a contemporary context for Neoplatonism. Life-changing experiences, unitive mystical experiences are generally spontaneously occurring states of consciousness characterized by a sense of unity or “oneness” that transcends sensory or cognitive apprehension (Stace, 1960). 


Stace explained that in profound spiritual experiences the complex multiplicity of normal consciousness collapses into a simpler state where a sense of an all-encompassing unity or “oneness” with others, the world and/or “God” is felt. He emphasized that there is a collapse in the most fundamental dualities of consciousness (i.e., self vs. other, subject vs. object and internal vs. external) in the unitive state. 

Stace identified seven core characteristics or universal components of the spiritual experience: 1) diminished spatial and temporal awareness, 2) diminished subjectivity (equivalent to increased objectivity), 3) feelings of profound joy and peace, 4) a sense of divinity, 5) paradoxicality (where two opposing things appear to be true), 6) ineffability (the difficulty of expressing the experience in words) and 7) a sense of oneness with the world, otherwise known as “the unitive experience.”

Jon Mills suggests, "Despite it being the focal point of his theoretical system... Jung vacillated between viewing archetypes as analogous to primordial images and ideas inherited from our ancestral past, formal a priori categories of mind, cosmic projections, emotional and valuational agencies, and numinous mystical experience, but the question remains whether a ‘suprapersonal’ or ‘transubjective’ psyche exists."

Lionel Corbet says, "Some of Jung's writing reveals a non-dual sensibility, especially when he describes the Self as the totality of the psyche, and in his stress on the unus mundus and synchronicity. But overall he tends to favor a dualistic approach to the psyche; he never relinquishes the importance of the ego, he believes that the Self needs the ego to become conscious of itself, and he does not focus on pure consciousness beyond its images."


Without hypostatizing the idea to some otherworldly plane, Jung suggested our primordial behavior is informed by archetypal images. This is the difference between a psychological and a metaphysical, "spiritual," or religious approach and worldview. Jung saw consciousness as "essentially the psyche's organ of perception, it is the eye and ear of the psyche." Even the scientific view is still infused with unconscious myths and symbols, as "all that comes into our heads proceeds from the unconscious." (ETH Lecture II, April 27, 1934, pg. 98).

Metaphysics is a broad area of philosophy marked out by two types of inquiry. The first aims to be the most general investigation possible into the nature of reality: are there principles applying to everything that is real, to all that is? We can abstract from the particular nature of existing things what distinguishes them from each other, and what can we know about them simply because they exist? 

All it takes is literally looking at the matter more closely. In Matter and Memory (1896), Henri Bergson suggested that memory 'imports the past into the present while contracting many moments of duration into a single intuition, while reshaping it. Multidimensional memory resonates in many directions, intersecting pasts and undefined futures. When the personal level collapses into the archetypal core, we have a unitive experience. We look forward and backward in a different way.

Paradoxically, it requires digging down into the unconscious strata of the deep past with 'psychic archaeology,' with its intrusions, excursions, and displacements.

Such a journey implies the creation of a set of beliefs and emotive issues imperative for such an irrational underground journey where time is abolished. There is always a context for a process. Enduring pressures must have kept driving people underground, as they drive our emotional descents today.

Relevant artifacts may or may not be found in definable layers of exposed strata. The archaeological matrix has distinct features revealed in the ways that ancient societies thought and their symbolic structures. The cave itself is an integral part of the image. Picasso implied inherent genius when he said of the cave painters, "None of us could paint like that."

We can only attempt to discern the context and thought processes of ancient people. Cave and community were once synonymous. Parietal art is the archaeological term for artwork done on cave walls or large blocks of stone. Of prehistoric origin, some date to 40,000 years or more. The deep realm of no light gives birth to the creative impulse. Every color is an illumination in ensembles of images stacked upon one another.

We should remember such art was dynamic not static, likely accompanied by music and chants, as well as flickering light that encourages pareidolia. The image-maker interacts with the animated cave wall, which comes alive with imagination. This is not just making art, but making something special.


We can respond to a stimulus, usually an image or a sound, by perceiving a familiar pattern where none exists. Was this the suggestive template of early art as well as nature, dreams, and rituals? We still see creatures and faces in unusual places; they inhabit and enliven our imaginal world. Just because you change your religion, or change your gods, doesn't change that special places remain sacred.

We're still somehow squeezing through narrow openings in the translucent material of our depths. We may hear the thunder of underground streams doing their own sculpting in the depths. It forces us to crawl again, even to slither down mud banks, little realizing a confrontation awaits informing our exhausting journey. Each nook and cranny a potential revelation, such crawlspaces can even lead upwards to new passages at higher levels.

Is it any wonder that when we turn within we still grope our ways through the dark of the labyrinth of subterranean passages and chambers with metaphorical flaming torches and delicate tallow lamps?
Is the entrance to our underground passage blocked by ancient debris, by the Paleo- and Neolithic baggage of our remote ancestors? The questions we can ask about those original artists are the same ones we can ask of ourselves today.

Why did they undertake such a hazardous journey 13,000 years ago; what emotions did they experience; why did they believe their art was important; what did they believe about the images on the wall; what did the subterranean journey do for them?

Why does the human mind fashion unseen forces and spirits? They take us to the heart of what it is to be human today. Like geological history, our lives can be punctuated with virtually catastrophic events from which we rise or fall.

The way we answer these questions leads through the labyrinths of Western thinking, cultural circumstances, and philosophy Long before Plato, the 'mind in the cave' was the oldest image of the emergence of consciousness and art.

Areas of interest revealed in discovering our human antiquity include personal identity, selfhood, subjectivity, memory, consciousness, spirituality, emotion, motivation, cognition, madness, and mental health. 


Psychological anthropology and archeology is the study of human mental activity in the past. The archeology of our current behavior uncovers hidden sources. The “ruins” of personality architecture and cultural landscapes are hidden sources, including  intentional and nonconscious motivations.

The in-depth surface may be tilted or contain burrows, or other anomalous features, metaphorical and real. We have to keep digging underneath the obvious and questioning meaning and our interpretations, mining for psychological gold and the fossilized bones of our ancestors for their lived and unlived lives.

Psyche exists as a source of knowledge: "…nature exists without human aid, can deal with her processes herself, has everything in herself to bring about transformations, to move from the depths to the heights and down into the depths again." (Jung, Modern Psychology, Page 42).

The secret is inside the creation and based in the study of nature and our own nature. We become more integrated by bringing more of the unconscious and mythic into consciousness. Fundamental awareness has no intrinsic form, content, or characteristics. So awareness is less about the dualism of mind and matter, light or dark, or polarized good and bad, but more about the dualism of awareness and the contents of awareness.

Continually recurring fundamental ideas can arise from the archetypal potentials of objective psyche. Generally similar ideas are modified by era and context. We can recognize their archetypal core. We live in archaic identity with the absolute unconscious. Archetypes are the psychophysical interface of emotion and energy, linking inner and outer realms.  The form of opposites become distinct but conjoined as they enter consciousness.

Such numinous assertions and feelings produced by psyche may or may not express universal 'truths'. We perceive the psyche with intuition, but not everyone has discriminating intuition and clarity. Our universal vision is as limited as our rational and irrational human vision. Intuition exalts and redeems us through connection with our core -- the midpoint of our internal Cosmos.


Sacred symbols resonate in the archetypal levels of the human psyche and can cause spiritual change and expand consciousness. Transformation is from a mechanical or conditioned mode of being to a lively energetic being.

We learn to function at coherent energy levels that can be manipulated with various subtle methodologies to harmonize the flow of vital energy, letting us know and be known in the inner realm. Novalis said, "The seat of the soul is where the inner world and the outer world meet. Where they overlap, it is in every point of the overlap." (
Blutenstaub, Pollen)

Individuation is “coming to selfhood” or “self-realization,” the act of becoming a distinct and integrated unity. It is the explicit realization of what was previously implicit and latent, the extension of personhood beyond the human.  It is a completely natural process necessary for the integration of the psyche -- patterns, coherence, connectedness.

The Jungian process of individuation involves the addition of unconscious psychic tropes to consciousness in order to achieve a trans-conscious center to the personality. Jung never intended this addition to take the form of a complete identification of the Self with the Unconscious. 

Passage through adulthood reveals the need for the realization of natural potential to be an innate process. We exercise it without conscious awareness. The psychological approach echoes ancient philosophy, healing, and magic disciplines. Those lacking such experience can never understand it, but that does not nullify its existence. Getting it conceptually is not the same as knowing it experientially, thus, all "esoteric" secrets remain concealed from the uninitiated.

“The difference between the "natural" individuation process, which runs its course unconsciously, and the one which is consciously realized, is tremendous. In the first case consciousness nowhere intervenes; the end remains as dark as the beginning. In the second case so much darkness comes to light that the personality is permeated with light, and consciousness necessarily gains in scope and insight. The encounter between conscious and unconscious has to ensure that the light which shines in the darkness is not only comprehended by the darkness, but comprehends it. ...the source from which the individuation process rises and the goal toward which it aims is nameless, ineffable.” (C.G. Jung,  Answer to Job)

Jung calls individuation an unconscious natural spontaneous process but also a relatively rare one, something: “only experienced by those who have gone through the wearisome but indispensable business of coming to terms with the unconscious components of the personality.” (1954, para 430). 

Picture

Jung said, "Consciousness is essentially the psyche's organ of perception,
it is the eye and ear of the psyche." (ETH Lectures, Vol. II, Page 98).


Picture



Deific Self

Arguably, individuation can do without the teleological goal of attaining the Self in all its humanity and divinity, but in magic it is primary. The presence of this deific self is not indicated by wonderful personal powers but by archetypal images. "As all images can gain this archetypal sense, so all psychology can be archetypal … ‘Archetypal’ here refers to a move one makes rather than to a thing that is” (Hillman 1977 b). 

The glorification of a subject to divine level, apotheosis, means"making into a god", a belief, and an art. It isn't tools that set humans apart, but art, including the invocation of cosmic apotheosis. From earliest times art and religion went together, the power to represent and create -- the genius of artistic instinct.

If the expression isn't rigid or blank, even a statue can signal interiority and invite us as spectator to psychologize it. It acquires a body, a soul and that is what allows us to interact with it, to bring it into existential partnership. The ideal body proportions, a god-like or perfect form, embodies harmony and virtue of the cosmos.


Art is an adventure into an unknown world. Art engages our spiritual impulses and has always been used to express our spiritual longings. The noetic field is the most inviting medium because it is not flat, but multidimensional.

"...mythical figures... provide the poetic characteristics of human thought, feeling, and action, as well as the physiognomic intelligibility of the qualitative worlds of natural phenomena.”
 We are, "deliberately affiliated with the arts, culture, and the history of ideas, arising as they do from the imagination." (Hillman)

The collapse of superpositions of all potential,
 a multiplicity of perspectives, into the singular embodiment of the aspirant means transformation and augmentation as an archetypal image. Archetypal images universalize, depersonalize, and amplify. Everything has a symbolic dimension. This conviction evokes the deific self-image, enlivens the deific mask as we recognize its essential and collective importance.

What do we assume about how the human self reacts in the presence of God, gods, or other 'divine' forces, entities, or elements? What does it mean to physically embody human as temple and cosmos in material being -- juxtaposition, fusion, blending? What is the essential nature of our lived relationship to the divine, the blended self, the centripetal and centrifugal self, divine fluidity and embodiment -- divine/nondivine self-conception? 

Magic is an archaic way of encouraging the unfolding potential of natural individuation, including a way of thinking about the world. In “Access to Western Esotericism,” Antoine Faivre says that magic rears its head when we try to process correspondences that “unite all visible things and likewise unite the latter with invisible entities.”

Magic has always been a traditional but controversial approach in which action precedes reflection. Theurgy is an esoteric approach to enlightenment -- a great multidimensional magical system of self-cultivation through initiation and divine works of consciousness rooted in the subliminal realm. "The magical word is one that lets “a primordial word resound behind it”'; magical action releases primordial action." (Carl Jung, Letters Vol. 1, Pages 59-63)

The mystical center or inner temple of humanity is an internal numinous reality,  the way we perceive and interpret the world and intuitive recollection of implicit memories. An important part of memory actually belongs not solely to what emerges on the surface of our affective consciousness but equally to what stays in the background.


The past remains: not as hidden senses or traces in some deep repository of the mind, but rather in the way these events shape and change one’s experience and thereby prefigure the totality of one’s attitudes towards the present and the future. The unconscious past-horizon is what enables the present itself to be experienced in a way that has a meaning within, and is coherent with, the whole of our experience. 

Unconscious Goal Pursuit

In nature, the “unconscious mind” is the rule, not the exception. We can discover the intentional nature of the unconscious, the unsuppressed mind. Raising subliminal content to consciousness intensifies it. The unconscious mind is a pervasive, powerful influence over such higher mental processes, priming and automaticity effects; it is highly intelligent and adaptive.

The interaction of unconscious reflexes and explicit, conscious memory is to simulate future, potential actions
 --being and becoming. Unconscious goal pursuit is an open-ended system. The active goal or motive is the local agent by which the genetic influence from the distant past finds expression. Evolution works through motives and strategies. Studies show that unconscious goal pursuit produces the same outcomes as conscious goal pursuit.

Conscious goal pursuit makes use of already-existing unconscious motivational structures (Campbell, 1974; Dennett, 1995). The goal operates on whatever goal-relevant information happens to occur next in the supraliminal experimental situation, which could not be known to us beforehand. The unconsciously operating goal is able to adapt to whatever happens next and use that information to advance the pursuit of the goal.


The goal concept, once activated with or without the participant’s awareness, operates over extended time periods, with or without the person’s conscious monitoring, to guide thought or behavioral impulses towards the goal. This is essentially the transformative process and multidimensional source intelligence.

In contextual priming, the mere presence of certain events and figures automatically activates not only our representations of them, but all of the internal information (goals, knowledge, affect, symbol chains) stored in those representations that is relevant to responding back. The unconscious is no less flexible, complex, controlling, deliberative, or action-oriented than conscious awareness. Individuation actualizes the latent existential self which is creative, living, fluid.

Spirit Becomes Personal

Theurgy is a 
sacramental mystery rite that overlaps into the realm of magic and the occult. It is a ritual process in which the initiate’s mind and vision is purified to behold and “see” the majesty of the gods, through consecrations, prayers, unintelligible incantations and various meditative practices.

The theurgists were concerned with purifying and raising the consciousness of individual practitioners to the point where they could have direct communion with the gods. They inherited the tradition of ancient Greek Mysteries which aimed to introduce the candidate directly to the gods.

Magic, a triggering stimulus, develops a relationship between them. With theurgy, ideally one could experience union with the divine and prepare ritually for the peak experience of encounter and union with the innermost core of reality. The transcendental condition of the possibility of all knowledge is human as a concrete, embodied, spiritual being who is not above and outside empirical reality but is distinct from purely natural human.

The theurgist had a concrete embodied experience of the doctrines and truths developed on paper. The new living reality comes alive. We are a small universe is the basis for knowing ourselves. Truth as a living force creatively transforms reality. This theurgic aspect of knowledge is the field effect of absolute space.

Direct experience became the only way to determine fact from legends of antiquity. The Egyptian theory of salvation became the purpose of Greek philosophy. The doctrines of Plato are traced to their Egyptian origin, as he taught nothing new. Magic is the key to the interpretation of ancient religion and philosophy.

http://www.thehouseofsankofa.com/books/eBook%20Stolen%20Legacy.pdf

To be a philosopher was a vocation and a commitment to a way of life. In their day Greek philosophers were a minority of undesirable citizens, who were victims of relentless persecution at the hands of the Athenian government. Anaxagoras was imprisoned and exiled; Socrates was executed; Plato was sold into slavery and Aristotle was indicted and exiled; while the earliest of them all, Pythagoras, was expelled from Croton in Italy.

That conscious-unconscious connection is honed down through time into the beyond, not blocked by their philosophy. Concept activation and primitive associative learning can occur unconsciously, enhancing our ability to process subliminal-strength information. (Bargh, Morsella, 2008)

Sacred Art of the Adepts

Magic is a holistic approach prioritizing transpersonal aspects of the unconscious, enhancing complementarity of conscious and unconscious. There are two main approaches in the phenomenological understanding of the unconscious. The first explores the intentional theory of the unconscious.

The second develops a non-representational way of understanding consciousness and the unconscious, 
the pre-cognitive life of subjectivity. This sedimented unconscious contributes to the way we implicitly interpret reality, fill in the gaps of uncertainty, and invest our interactions with meaning. Archetypes are our non-representational relation to the past, a sort of over-the-horizon GPS from our archaic past.

Theurgy means ritual knowledge, theoretical and operative which connects the aspirant with the one Self, "One" or "All", or "Universal Mind", the unitive agent, ‘perfectly ineffable’,  even "God," to experience other entities and spiritual realities. Divinity is nothing other than the Gods themselves.

A wealth of esoteric knowledge is managed and deployed in an intuitive system organized in a contemporary operational key. Each of these experiences have powerful consequences in the awareness of the Initiate. Proper alignment with the divine current is what true, authentic, and genuine initiation does.

Magic and theurgy share similarities but differ in approach, agency, and intentionality. Both employ varying degrees of ritual, and use mental imagery or words to express the desired goal. In magic, the rituals, mental imagery, and words are used to raise and empower the personal ego and its egoic will. Theurgy is not personalistic, and the rituals, mental imagery, and words are used to merge the personal will with God's Will, The Way of the Heart.

The theurgist gets into a special state of mind, direct access to the wondrous mystery of existence, an ascent into darkness and silence, contacts universal knowledge or Source, and unites in a non-dual epiphany, an experience of sudden and striking self-realization. We can extract meaning from stimuli of which we are not consciously aware.

Theurgy is presented as more elevated than theoretical philosophy, as a legitimate method of ascent in Neoplatonism. It is really a self-selecting path for the very few who are called to the ancient philosophical practice, a synthesis of magic and cosmogony.

Understanding is crucial to properly engage the material and non-material cosmos through the hieratic art. The "hieratic" style, means "sacred" or "holy" -- a sacred aesthetic of awe. “Sacred art,” hieratics implies ritual bound art is a relating quality, awareness of the aesthetic dimension. The hieratic image of an immobilized body is neither passive nor idle, but a disciplined body keeping still -- a statement of undisturbed presence, focus and concentration, even transport.


Visionary Art combines the Humanist and Hieratic Styles throughout history. Hieratic design can be understood anthropologically as an iconographic and ritual mode rooted in imagery, body habits, and physiological disposition. It is characterized by enhanced body postures and embodied power. It elevates the visual and acoustic environment.

Inspired Philosophy

Theurgy is a stepchild of Platonic philosophy, but part of a more ancient tradition -- the hieratic discipline of the Egyptians passed by the Pythagoreans on to the Hellenic Greeks. The story pf spiritual ascent and mystical union has history in it, but it is also a mystery tradition invented and maintained by writing about it. The audience are already philosophers with reverence for the written word. Divine revelation alone is true philosophy.

Theurgy can be applied in principle to any ritual. 
It flourished and evolved from its original, pagan associations with The Chaldean Oracles in the second century, through a peak in the 3rd to 6th c., to the Christian mystical theology of “Pseudo”- Dionysius the Areopagite in the early sixth century.

“For the theurgists do not fall into the herd which is subject to Destiny,” says the Chaldean Oracles. It implies, the theurgist is not compelled to reincarnate, but may choose to do so to help others on the path.


Porphyry was a skeptic, while Iamblicus was an enthusiast. Critics naturally wondered if theurgy is really essential and whether it achieves what its supporters claim. Each stage must be viewed in its own context. Philosophical discipline and theurgic practice is largely private but sometimes performed with a small group of initiates.

All eras or stages don't map onto one another, but contain discontinuities in timeline, theory and practice, different elements and emphasis, with common underlying themes within the ascension mode, connecting humans and the divine, and producing visions.

Theurgy is the work that the gods themselves do, presumably in and through the theurgist, who becomes a vessel for divine action. It helps enable activation of the full potential of the individual soul at the highest level possible in the hierarchy of reality.


The ancient philosophy, in its original Orphico-Pythagorean and Platonic form, is a way of life in resonance with the divine or human intellect (nous). It is also the way of alchemical transformation and mystical illumination achieved through initiatic 'death' and subsequent restoration at the level of divine light. Cosmic initiations were aimed at the pneumatic and luminous vehicles of the soul. The aspirant is made whole again after dispersion into multiplicity.

The divine way of life that had been the inheritance of Platonists and Pythagoreans was being lost, according to Iamblichus, due to mistakes in metaphysical thinking, especially the exaggerated importance of abstract thought over the direct experience of the gods. He encouraged theurgists to receive the gods in their bodies. For Iamblichus, our aesthetic experience is not an obstacle to deification; it is, in fact, the only way to embody the god.

This is the practice of primacy of experience over belief signifying a heightening in the sensory and imaginal dimensions -- a convergence of  the peculiar properties of visual space,  tactile space, kinetic, proprioceptive, and cosmic spaceIt emphasizes manifestation of the divine in the created world, as natural objects, the self, and art.

Modern philosophy mirrors the old notion of animism. Animism is mirrored in modern scientific theory as panpsychism, the doctrine or belief that everything material, however small, has an element of individual consciousness. Emergent panpsychism denies that macroexperience is grounded in microexperience.

Panprotopsychism is the view that fundamental entities are proto-conscious: they have certain special properties that are precursors to consciousness and that can collectively constitute consciousness in larger systems. If it is the ground of macroexperience, all phenomenal truths are grounded in protophenomenal truths concerning these entities -- for example, fundamentals of mass and charge.


This ground for both physical and phenomenal properties may be mixed -- some  phenomenal and some protophenomenal or unrelated to the phenomenal. Panprotopsychism does not need subjects at the bottom level. (Chalmers)

The idea that some fundamental physical entities have protophenomenal properties is a modern retrieval of archaic thought. It's all ensouled psychic being with phenomenal properties. Animism is the extension of human mind into nature.


Neoplatonics is a philosophy, metaphysics, and magical practice. The practice of natural magic is one of its major recommendations. The theurgist enters that ontological reality 'as if' it was real. Shaw (1967) contends that theurgy was a coherent approach, a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. We wake up to ignorance to transform it into wisdom.

Theurgy (3rd-6th c. CE) defines not what the soul does, but what the gods do through the soul. Iamblichus replaced the philosophical ascent of Plotinus with the divine ascent of the theurgists. Both begin with quieting the senses. The later Platonists were after more than a rational understanding of divinity. They wanted to recover an “innate gnôsis of gods ... superior to all judgment, choice, reasoning, and proof.”


Psyche fosters the deliteralization of life. Animism informed all life as the worldview that animals, plants, and inanimate objects—possess a soul or spiritual essence. As Plotinus said, "The stars are like letters which inscribe themselves at every moment on the sky. Everything in the world is full of signs. All events are coordinated. All things depend on each other; as has been said: "Everything breathes together."

To recover this gnôsis was to recover our divinity and Iamblichus maintained that the Greeks had lost touch with this sacred mystagogy -- radical non-dualism. Iamblichus unified the teachings of Plato and Aristotle within a Pythagorean framework and integrated this philosophic synthesis with the oldest forms of traditional worship.

Proclus integrated theurgy with culture, religion, philosophy, myth, and ritual. His key principle was that theurgy and philosophy are both rooted in imitation of the divine demiurgical activity of the cosmos.


Theurgy ritually enacts a way to enter mysteries that discursive thinking, necessarily divided, cannot penetrate. Theurgy is not opposed to philosophical thinking but is its culmination. The theurgy of the later Platonists followed Plotinian lines of reflection to the very roots of thought. The Lesser Mysteries, cleansing of the soul from bodily fixation, is a means to receive the transformative vision, the Greater Mysteries.

Theurgy is described as an effort to bring the Platonic tradition closer to Plato himself (and Pythagoras) and away from the radical dualism of the Gnostics. Theurgy implies a worldview whose consideration of the sensible world is deeply embedded in Plato's demiurgic cosmogony and Hermetic rebirth. The writings of theurgic Platonists and Hermetists share a common purpose: to make the soul immortal and divine. 

Unlike the dualistic and gnostic deprecation of matter, material embodiment became the vehicle of salvation for theurgists,  an attempt to ritually realign the human soul with the cosmosThe practice of this hieratic art united theurgists with gods through rituals specifically coordinated with their conditions and capacities. Deified theurgists do not escape from their bodies or from nature. They embrace both from a divine perspective. 

An initial mistake is to read Platonism as dualism, assuming that Platonists want to escape from the material realm to enter the noetic world of immaterial Forms. This misreading of Plato is based on a literalizing his mythical language regarding the Forms.

It is certainly a misreading of theurgic Platonism. From a theurgic perspective, dualism and acosmicism mark a preliminary stage of the initiate’s experience followed by a monist or non-dualist embrace of the entire cosmos, one that marks the culmination of rebirth and immortalization. The initiate's limited, mortal view is replaced 
by the universal perspective of a god, the goal of both theurgy and Hermetism. (Shaw)

Hermes insists that rebirth into divinity “cannot be taught.” Hermes demonstrates rebirth as  becoming united with the will of the Demiurge, participating in cosmogenesis, chanting or singing the universe into being. Entering this state is shifting orientation from part to whole, from mortal to immortal.

Rebirth is giving birth to the cosmos. 
The trigger for this transmission is silence, when the mind becomes still, when we become utterly receptive. What cannot be thought can still be received and enacted.

Iamblichus maintains that theurgy cannot even be thought. For Iamblichus “contact with the divine is not knowledge (oude gnôsis).” True knowledge of the gods, he says, cannot be reached through dialectical discussion, for “what would prevent theoretical philosophers from achieving theurgic union with the gods?

Generated by the gods, this world is the channel of return: “Iamblichus’s solution was that the blessedness of embodiment as portrayed in the Timaeus was available to the particular soul only by imitating the activity of the Demiurge, and this was possible only through theurgic rites” (Shaw, 55).

Magic was pursued as enactment of the divine will and an aid in regeneration. Organic unity of the cosmos was held together by natural correspondences that could be harnessed. Active natural magic can positively reshape identity and destiny.

Theurgy is way beyond our ordinary frame of reference. Even among those occultists, mystics, mages, or Jungians who might flirt with alchemy, qabalah, and astrology for symbolic insight, few become masterful practitioners of such arcane mantic arts and magical formulae

The real revival of Neoplatonism ignited when humanists revealed the treasures of late antique Greece to the Renaissance intelligentsia of Italy, France, and Germany. A quintessential religious philosophy, Neoplatonism has motivated the development of both systematic metaphysical speculation and mysticism. Plotinus tried reconciling the Platonic paradigm of the philosophical life with highly elaborate metaphysics. 

The orientation of this movement was an avid intellectual curiosity directed toward imaginal contemplation mainly in terms of the classical ideas and Gods, and by a particular devotion to Eros and to soul. It was held in the net of Neoplatonic metaphysics dependent on the Platonist fantasy of the psyche. Consciousness itself is essentially non-local existing outside of time and space.

Plotinus described an order of three primary, hierarchical realms or hypostases: the One or Good, Intellect (nous), and World-Soul (psyche). The One, worshiped in silence, is a complete unity-in-itself, nondual. The Intellect, the second hypostasis, is a unity-in-diversity. Its nature is undivided while multiplicity simultaneously subsists within it. As the Intellect is a unity-in-diversity, the World-Soul is a unity-and-diversity.

Plotinus asserts that our world and all entities are ensouled. The World-Soul is immanently present everywhere and in everything. This soul is the bearer of a precise form of consciousness. The plurality of souls subsist within a totality. Individual souls are the many facets of the world soul itself.

They also inform the human microcosm (immanence), as well as the universe of the macrocosm (transcendence), and the path of aspiring to the Good -- a participatory metaphysics. This Neoplatonic cosmology of reciprocal sympathy is a top-down view of the universe that is very human, namely what it means to be human.

Theurgy in Neoplatonism

Neoplatonism designates a strand of Platonic philosophy that began with Plotinus in the third century CE against the background of Hellenistic philosophy and religion. Neoplatonist notions on the subtle body inspired Renaissance thinkers such as Marsilio Ficino and Paracelsus in their formulations of the (World or Cosmic) Soul, spiritus, and the astral body.

In Neoplatonic metaphysics, spiritus governs and animates the body. Ficino defines spiritus as the element which links the immaterial soul to the material body.
It retains images and memories perceived by the soul and elaborates new representations. Our memories are encased in fantasy. Through establishing contact with this spiritus we can contact the World Soul and the stars, for they are present in this spiritus.

The corpus mundi and anima mundi became linked by the ‘spiritus mundi’. According to Ficino it was ‘necessary’ to practice the ‘magia naturali’, natural magic. He rejected the more ‘demonic’ magic and conjuring that needed to be excluded, to nourish the spiritus and to support a healthy state of being.


Renaissance Neoplatonists developed the overall idea that the microcosmic Soul could merge with the macrocosmic World Soul that enables us to participate in universal wisdom. Spiritus was considered the first instrument of the Soul and it took a central place in the discourse of magic.
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The three basic principles of Plotinus' metaphysics are called by him ‘the One’ (or, equivalently, ‘the Good’), Intellect, and Soul. Plotinus believed in one universal soul, which correlates with the Anima Mundi in which symbols are adoring the immaculate holiness of life. When Proclus proclaimed, "The God is One, the gods are many," he distinguished philosophical monism from polytheistic theology.

The objective psyche is the imaginal world revealing the secret essence of the gods. In the soul psyche is as real as the physical world. Finding, knowing and using mystical signs characterizes the theurgist, a master of the hieratic art. That symbolic understanding becomes fully incarnated by the grace of divine revelation and different modes of 'presence' at all levels of reality.

The Neoplatonists also referred to an imaginal body, theochema, a vehicle for operating in the subtle realms -- a subtle body or virtual reality. Synonyms include 
the astral body, the glorious body, the spirit-body, the radiant body, the resurrection body, the luciform body, the celestial body, the ‘augoeides’ (radiant) or ‘astroeides’ (star-like or sidereal body), and the diamond body. 

The Western origin of the subtle body is rooted in Hermetic, Platonic, and Gnostic literature. The phenomenon was considered the heart of several forms of magical, mystical, and alchemical practices related to esoteric traditions such as (Tibetan) Buddhism, Theosophy, and Hermeticism.

This body of light, the central structure of worship, can be developed by magical (theurgic) practices. Theurgy is experimenting with the underlying categorical structure of imagination. The symbols of the gods are opaque to the human mind and do their work by themselves. They are for use, not explanations.

Theurgy relates ultimately to nondual experience beyond discourse. The dialogical self can be seen as a multiplicity (radical plualism) of I positions or possible selves, with a decentralized, polyphonic character. This view dissolves the sharp "self-not self" boundary. 

Transpersonal theory is wholly based on the "Dynamic-Dialectical Paradigm," conversations between the ego and the dynamic ground of psyche (Washburn, 1988).  Its static representation is the "Structural-Hierarchal Paradigm." In the therapeutic context, Jungians refer to this dialectical process as "active imagination," engagement of the ego and the unconscious.  

Proclus thought that since philosophy is related to the divine, it should not disregard mythology and theurgy. Myth represents relationships outside space and time as events in mythological history.

Theurgy's invocations symbolically evoke divine illumination. T
he awakening of the occult life residing in the Divine Name is an image which enlarges the soul's field of vision. Symbolic operations resonate with the imagination and permit communication with the gods. Initiation is theurgic, and ideally culminates in nondual experience.

The history of theurgy is the history of the soul and our cosmological relationship to it and to spirit. Theurgy is an emotionally-loaded topic and magic, naturally, has been the object of religious persecutions in an attempt to keep paganism at bay, as described in Gregory Shaw's Theurgy and the Soul:

"Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240-325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. The theory and practice of theurgy was the most controversial and significant aspect of Iamblichus's Platonism. Theurgy literally means 'divine action.' Unlike previous Platonists who stressed the elevated status of the human soul, Iamblichus taught that the soul descended completely into the body and thereby required the performance of theurgic rites--revealed by the gods--to unite the soul with the One. ...Iamblichus's ideas persisted well into the Middle Ages and beyond. His vision of a hierarchical cosmos united by divine ritual became the dominant world view for the entire medieval world and played an important role in the Renaissance Platonism of Marsilio Ficino. ...But modern scholars have dismissed him, seeing theurgy as ritual magic or 'manipulation of the gods.' Theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. (Gregory Shaw, Theurgy and the Soul)

Magic is more than the mere use of occult qualities or invisible principles to bring about, by invisible media, a certain effect. The Greek word for magic means wisdom. How should wisdom be pursued and activated? Neoplatonism was an evolutionary leap from the dubious superstitious magic, conjuring, and necromancy of the Middle Ages. 

The special knowledge of the magician is an understanding of the invisible cords which connect everything. Since the only means for manifesting the supra-cosmic gods was through the unity and sympathy of the material world, the theurgies which worked in both orders (spiritual and physical) have the same divine cause and are integrally related. 

Magic is transformation, and the magician causes transformations in the inner world as well as the outer world. We must start with the inner world, however, in order to achieve the necessary self control. 

There is a theurgy which concerns itself with worldly or material benefits from the intramundane gods working through sympathy. Another higher type of theurgy makes use of the lower level of reality but transcends it by analogically becoming it.

The aspirant is raised to the divine level and communes with the transcendent gods for immaterial benefits which concern the very 'salvation' of the soul and union with the radically transcendent divine
The writings of theurgic Platonists and Hermetists describe a common purpose: to make the soul immortal and divine.
 
They Know the Self

The central idea of philosophy is to 'Know Thyself.' If the theurgists were not interested in the ego-fulfillment of lower magic, what exactly were they seeking in rituals of unification? The profound understanding of the one self, the depth of the human being, and the nature of ultimate reality...the mind looking at itself. Cosmological mysticism with theurgy is a means to that nondual end -- using ritual to ignite the unitive state that transcends it.

There was a time when being a true philosopher meant loving wisdom in its nakedness, seeking the underlying principles which embodied her through direct experience -- pure awareness of awareness. The magician finds Nature beautiful in her essential nakedness, and hopes for a sacred union. We should pursue wisdom in that same nakedness -- non-conceptual, pure, intrinsic or natural primordial awareness -- empty awareness. 

The "Great Perfection" of Tibetan Buddhism aims at discovering and continuing in the natural primordial state of being. Dzogchen refers to such self-liberation as 'the ground of primordial perfection,' sustaining our experience of being in naked awareness, by remaining within the field of timeless awareness, wisdom awareness, the radiance of awareness. Kabbalah calls it Ain Soph Aur, Limitless Light, "boundless (infinite) light." Radiant wholeness is the energetic field of being.

Light is an excitation of empty space, which is really a plenum. It is an unobservable infinite energy field – a sparkling, radiant diamond-expanse. This diamond-like clarity of truth unveiled is perceptible through meditation, wisdom, inspiration, creativity and genius. Undifferentiated creative energy is the source of Knowledge, gnosis.

There is tremendous spiritual potential in emptiness. A return to the absolute void is a return to the womb for rebirth after destructuring or creative regression. It means a process of ego dissolution and personality deconstruction, swimming upstream against the flow of the stream of consciousness to our Unborn roots. We reach “escape velocity” beyond our personalistic behaviors, emotions, thoughts, and beliefs about who "we" are. 


The ego "takes the plunge." It lets go and dissolves its old matrix, its old boundaries. When its boundaries melt, ego-consciousness dissolves into deep consciousness. The "wave merges with the ocean," and experiences its own deep transpersonal nature.

It awakens to an infinitely wider reality of universal energy waves. In the ocean of creativity, "your own consciousness, shining, void and inseparable from the great body of radiance, has no birth, nor death." All substances are part of our own consciousness. This consciousness is vacuous, unborn, and unceasing. (Leary, 1964)


Jung associated universal mind, as the transpersonal source of being, with the Collective Unconscious, which contains all information in subtle form. All things in the universe have a connection with the universal mind. Nothing can exist without that unmanifest connection to everything else. Separation is an illusion for we are all one.

Jung termed the nondual "Pleroma," where nothingness is the same as fullness"...an Absolute in which there is no division between subject and object. Jung intuited this nondual Pleroma to be a collective transpersonal reservoir, an ocean of collective unconscious. From this omnipotent universal Pleroma our individual psyches coalesce around "attractor archetypes." In this sense Jung echoed the eastern axiom: "Emptiness is Form, Form is Emptiness."

Cutting through mere stillness reveals an undivided, wide-awake, clear and vivid state. Jung described his intuitive apprehension of the Pleroma exhaustively in Seven Sermons to the Dead. Jung's Plenum is a field of universal potential, unbound luminosity and infinite awareness. We penetrate the true nature of all phenomena.

Only the radiant state of clear consciousness remains. All clarity comes from this luminous substrate shining through normal sensory and mental phenomena. All phenomena emanate from absolute space, including those that constitute our subjective phenomenal experience. Absolute vacuum is only realized by contemplative insight in primordial consciousness. Awareness becomes limitless in scope. All states are permeated by the clear light of primordial awareness. 

https://photonichuman.weebly.com/wisdom-light.html

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Metaphysical Magic

Arguably, theurgy as metaphysical magic is the most controversial and significant aspect of philosophy. Metaphysical levels are also psychological states. Plato gave us a place in the cosmos, the one Self. Aristotle explained methods of absorption. Subsequently, the Stoics gradually built the bridge that linked universal pneuma with individual pneuma and health. Iamblichus, however, called the highest virtue ‘theurgic’ and was followed in this by his successors.
https://books.google.com/books?id=F_JsRSCAqy8C&printsec=frontcover#v=onepage&q&f=false

Theurgy is a highly eclectic system of spiritual development rooted in Platonic philosophy, using contemplation, ritual, and the employment of an elaborate cosmology. It is a wedding of Platonic mysticism and philosophy, Chaldean occultism, and the Near-Eastern magic of the time, ensoulment or “animation,” of  sacred images.

It is not simply mediumistic. It has an aspirational ideal of self perfection (nondual), a dubious goal today if pursued as obsession. Perhaps we can call it using free creative acts to realize our god-given potential. 
Orphic theology was highly regarded by the late Platonists in the line of Iamblichus, who defended theurgy, based on the validity of the distinction between religion and magic.

Iamblichus thought invocation of the gods was the culmination of Platonic philosophy. Plato himself contended when you play, the noblest game is consecration to the divine. We must play philosophy as if we had no boundaries in searching for our own ignorance (synoptic vision).


Theodosius I encouraged and allowed the wide-scale massacre of philosophers and magicians, the ruin of Hellenic and Roman temples (which functioned as libraries), and the destruction of the famous Temple of Apollo at Delphi. In 393 CE, all pagan rituals were banned. The final banishment of the philosophers came under Emperor Justinian, when an extraordinary part of the western spiritual heritage was destroyed.

The paradigm of theurgy is 
activation of divine potencies in matter. Theurgy was retrieved with hermetics, Plato, and the Alexandrian mystics in the Renaissance by Ficino, Bruno, and Pico. These greatest thinkers of their era had humanistic and magical concerns. The pinnacle of the human condition is to be exalted and consumed in divinity.

Pico was a both a Neoplatonist and a humanist who synthesizes all the strains of Renaissance and late medieval thinking. He thought magic was a means, not an end, a way of purifying the soul and enlightening it before it sinks into the divine abyss at the peak of its non-dual experience. The soul’s perfection or teleiosis was still imagined as the climax of a rite of initiation. The ultimate was a loss of self, absorption into the divine by becoming one (henosis) with God.

The project that Dionysius defines at the start of the Mystical Theology is to move inward as well as upward to the divine “darkness of unknowing,” a voyage that demands “unqualified and unconditional withdrawal” from the world and finally from the self. The aim of this experiential theology is to be something, not to know something.

Bruno both criticized and endorsed astrological concepts. Bruno and Pico used kabbalah as an alternative method to contemplate nature. Their curriculum included  grammar, rhetoric, moral philosophy, poetry, and history from Latin and Greek literary authors. Ficino's theurgy significantly influenced John Dee's magical practices.

Bruno adopted Kabbalistic elements in his cosmological system because of the mystical efficiency of the theosophical and theurgic Kabbalistic approach. He also accepted the magical Egyptian religion of Asclepius and saw the Egyptian magical religion as Neoplatonic theurgy and ecstasy, the ascent to the One.
 The creation and application of magical images is integral to Bruno's philosophy. Theurgy means "acting on god" as opposed to Theology.

First and foremost, theurgy is about the soul, with the aim of incarnating a divine force. The ingredients were the same in all of these cultures: the simultaneous existence of a spiritual philosophy which united humanity with the heavens, of a detailed paradigm for medicine, and of a sophisticated cosmology. In all three, an invisible life force or cosmic breath played a central role in the Renaissance rediscovery of Neoplatonic theurgy.

Though neither Iamblichus or Ficino were outspoken supporters of ritual magic and magical images or talismans that the Picatrix instructs how to create, they both use the same tools in their theurgy. Likewise, the two systems are not mutually exclusive as all three sources use the same techniques for similar effects. Theurgic invocation and rituals accessing the divine mind were the antecedents of Christian sacraments.

Natural philosophy included what we now call science. They believed that the liberal arts should be practiced by all levels of "richness." Plotinus held you don't need wealth, status, or even grace to discover your true self, the immaterial nature of pure thought. They also approved of self, human worth, and individual dignity. They believed that everything in life has a determinate nature, but our privilege is to be able to choose our own path.

The hieratic rites synchronize mind and soul with divine truths and exposes them to transcendent essences. The theurgist’s voice fills with the power of invocations and sacred words. Movements are synchronized with cosmic forms and inner transformations. Intent and focus are placed upon images that are connected to a higher essence, connecting an apparent diversity with a transcendent unity, renewing our relationship with the numinous.

The archetype of that energy finally steps forward to touch the ceremony with its energy. Proclus tells us, its power travels through all components of the ritual like lightning travels through all objects without losing its own essential nature. All the senses and energies of the theurgist fill with an overarching unity.


The divine essence of the soul  raises itself above intellect to absolute being. Iamblichus says the aspirant becomes “filled from above with transcendent gods." Iamblichus thought that theurgy changed the character of sensation and imagination in order that the soul's vehicle might be filled with the good -- divine light, the fire of truth.

Archetypal Psychology

Archetypal psychology revived the Renaissance perspective in the 1970s with works like Hillman's Revisioning Psychology and Facing the Gods, and Miller's The New Polytheism. It isn't about animating statues and making personalistic talismans, but animating ourselves and the world, again. The symbol is not a material object, but an internal 'likeness,' the images of the gods in our souls. The divine names are regarded as “vocal images.”

The Soul is the bearer of its precise form of consciousness. As Raffaele Floro says: "Soul consciousness is Knowledge, but knowledge of the objective psyche, which means on the one hand to go beyond the personalistic vision of Soul and on the other not to consider in a literal sense the relationship with the interior. ...life events only as personal occasions that escape any meaning except the utilitarian one, while the impersonal attitude [we could also say transpersonal] towards Soul allows to cross the moments of life as experiences lived on an archetypal level and illuminated by a sense that is present in the depths of the soul, but of a soul that is not simply "within me" but rather "I am within the soul." ("In Search of Soul, The Return")

This reflection is amplified by Hillman, who says: "The more we concentrate [the soul] inside and interpret the interiority in a literal sense as something that is within our person, the more we lose the sense of the soul as a psychic reality existing in all things."

The soul is the seat of psychological experience. Partial revelation is revealed by reason. Archetypal psychology conceptualizes from the point of view of the soul, or more accurately, from what the ego imagines to be the point of view of the soul. It claims to be Neoplatonic but is selective about which methods it adopts from that philosophy, perhaps both unconsciously and deliberately so.

Experiencing the archetypes as personified gods and goddesses active in our lives reveals the great powers shaping our moods, choices, and actions. But theurgy is the road less taken in this pursuit. It has a history of academic disrespect and religious misunderstanding and persecution.

Figures of the Greek mythological imagination still inhabit the contemporary psyche. We can find mythical backgrounds for personal experiences and how the Gods & Goddesses influence symptoms, ideas, attitudes, relationships, & dream imagery.

They also effect our beliefs and worldview, whether or not we are aware of it. Philosophy helps us wake up from false thoughts about the self through breaking through via discourse and dialogue about the Self. Socratic method questions with critical thinking 
to draw out ideas and underlying presumptions. Platonic methods and their fundamental dialogues 

Mind is a symbol for the conception function. Philosophy is mind distilled to a very high degree. We look at the roots of our thoughts, and see the grounds of our belief are inadequate, and no longer believe our own fictions.

Plato is a psychologically profound spiritual discipline for eliciting and revealing our deepest assumptions. Ideas help us to separate ourselves from physical "facts."  It purifies the mind by using the mind itself, seeing the nature of the mind. The only difference is whether you want to understand it or not.

Philosophically, the worst thing of all is to have a false idea of the nature of self and soul. Soul is not about forming conceptions, receiving sense perceptions, or the private mental, physical, or psychoid worlds either. 


Soul is a 'root metaphor.' There is no escaping soul. There is psychological meaning in everything. Any psychical state then can be input to a psychological experience. For Hillman, even death is a metaphor, perhaps akin to the ego death of spontaneous regeneration or rebirth. Soul doesn't understand things the way our egos do. "The soul is less an object of knowledge than it is a way of knowing the object, a way of  knowing knowledge itself." (Hillman, Revisioning Psychology, 130-131.)

Hillman sought to shift "the focus of Jung's psychology from individuation to 'soul-making.''' It's not as if we can stop the natural process of individuation, even if we actively change our perspective. Beliefs are conceptual not phenomenological. Do we have to negate philosophical insight and illumination brought about by rational understanding and analysis? Analogy and allegory is central to Plato's thought and its application.

How can we retrieve Plato and Neoplatonic roots (16th c. revival), and tetrads (Platonic tetrologies)? Jung tried with alchemy, Hermetic thought, and quaternities to describe Light and images seen, and image thinking whose source is belief having nothing to do with the visible world. The language of our problem has to fit the predicament.

Natural things and their source include the soul which emerges from nature. But Jung always avoids Plato and his philosophical spirituality, sudden metaphysical enlightenment as a gift of god -- the Divine Luminosity. (Grimes). To have that vision, Plato says you have to 'become' the One itself, inwardly in one's self, completely one out of many. Plato says to 'study the words of the [nondual] philosophers,' and they are quoted in alchemy.

Jung echoed Platonic notions when he said we need imagination, meditation (repeated dialogue with the self), and devoted connection to source. The Anima corporalis sustains the life force of the inner dialogue process over a long period of time, including amplified attention to dreams to awaken the Nous, the intuitive part of the soul, akin to the divine.

Ultimately, soul and mind are not ontological realities, but invented terms that fill a logical need. 
Soul is not as transcendental, nor as biological, as either metaphysics or science would have us believe.

"On the one hand it is about life, about how people think, feel, behave, their problems and their ways, not about the organs and functions with which they do this. On the other hand, it is also about spirit and the meaning of life to people and the meanings are not exhausted by a history of ideas
." (Christou, The Logos of the Soul, 30)

The philosophers work by making themselves One and turning the mind upon the soul. The secret of enlightenment is hidden in the unconscious mind. Where the philosophers agree, the truth lies hidden. Alchemists used their arcane language to avoid the inquisition so they could study the philosophers as more than a dead system. Philosophy as taught in academia remains dead, because misunderstood and not applied.

Ego oppress the inner multiplicity and also is a symbol for the one unified, consistent point of view that arises when the inner multiple voices are squelched. The problem is the basic drive in seeking spiritual freedom is a drive for [ego] security. The ego can't attain it.

We can grasp that insecurity, become vividly aware of own state of separation from divine, and focus on the desire to reach the supreme. The solution is becoming vividly aware of that out-going process. It uses the self to grasp the nature of the self.

Egoistic concerns block the pursuit. Continually focus on that and what the motives are to become more knowledgeable. This is the beginning of the way of realization, which helps us separate from and and focus on ego and its functions. This insight, the innate failure to understand, is the beginning of the spiritual path, a shift in consciousness.

We can only resort to finding the Presence in our way of realization, what is watching and what does the action. Let the self exist and function as it will, no discipline but love toward the supreme. Psychological phenomenon of the soul can only be observed by attachment and involvement. Plato would say everywhere we are blocked is ignorance; we are caught in an [unconscious] belief web we do not know, subject to the dialectic.

Soul is really not a concept, but a symbolic source for a point of view.
The only true observer of a psychological phenomenon can be the experiencer. Subjectivity is so implicit in the psychological experience that the experience is its own description. It cannot be adequately described in any so-called objective language.

Our basic interest is selfless love for the Mystery of Life, directed toward realization as its proper end, to which we can awaken. The divine performs in and through us and there is no 'us.' It becomes the natural goal of nondual reflection, relaxing into it. You don't identify with what is going on or interfere in it. Watch it take place. What you will you experience; you have just those experiences you will. That perception of a moment in eternity awakens realization of the self.

Soul is a unifying principle. The inherent value of theurgy is becoming clearer, as a Neoplatonic practice. "
In other words, only when imagination is recognized as an engagement at the borders of the human and a work in relationships with mythic dominants can this articulation of images be considered a psycho-poesis (David Miller) or soul-making." (Hillman, Archetypal Psychology, 27.) 

Intellectual grasp, the exercise of intellect and understanding of the state of numinosity and Beauty itself is always accompanied by bliss. The intelligible world becomes an object of cognitive experience. What makes it possible is divine luminosity, the good, the One, which is the self -- an unfolding of the vision of Beauty in itself.

We have to establish the themes and actors behind our dramas, even without actively changing anything with discipline, but understanding in our own minds. Mind builds its notion of reality via conceptual formulation — the creation of ideas and reasoning power, inherent power of the word and discourse. Ideas are the unspoken word.

The ideas that the universe is in constant change and that there is an underlying order or reason to this change—the Logos—form the essential foundation of the European world view.

https://books.google.com/books?id=yV-ZE8pyZjkC&pg=PA87&lpg=PA87&dq=,logos,+james+hillman&source=bl&ots=aLlBeGXVEx&sig=ZW4p5PM1kY5D-hgPzGRdX5vB_8E&hl=en&sa=X&ved=2ahUKEwjJgtih9u_aAhVvpVkKHVzeD0A4ChDoATAIegQIABBW#v=onepage&q=%2Clogos%2C%20james%20hillman&f=false

Mythos and logos naturally co-exist in theurgy. Logos (word, thought, principle, or speech; utterance, logic, or reason) is used by philosophers and theologians. Philosophy deals with human reason (the rationality in the human mind which seeks to attain universal understanding and harmony). Logos is revealed in the kind of thought that accesses unchanging self-same Being, real and true, not through sense experience, which is unstable and untrue. 

For Plato, Logos was the rational activity of the world soul created by the demiurge. It could be revealed through Ideas accessed by an intelligence stimulated by the dialectic of philosophical discourse. Aristotle thought the Logos was the inherent formula determining the nature, life and activity of the body, as well as, more narrowly, ‘significant utterance.’

These ideas inspired the Stoics to see dynamic Logos as a supreme directive principle, the source of all the activity and rationality of an ordered world, both intelligible and intelligent. The rational underlying structure of the universe is a concept which later underpinned the practice of ancient Stoicism. It was the ‘seminal reason’ or underlying principle of the world, manifest in all the phenomena of nature.

Theology deals with universal intelligence (the universal ruling force governing and revealing through the cosmos to humankind, i.e., the Divine). The Greek philosopher Heraclitus appears to be the first to have used the word logos to refer to a rational divine intelligence. 

Philo of Alexandria interprets the Logos, which is the Divine Mind, as the Form of Forms (Platonic), the Idea of Ideas or the sum total of Forms or Ideas. Logos is the indestructible Form of wisdom comprehensible only by the intellect -- Anima rationalis, an exaltation of the soul into the highest vision - clear light.

Can we cherry-pick Neoplatonism for concepts while ignoring the apex of its spiritual methodology and practice in theurgy and magic? What is Neoplatonism without theurgy? How does one "make soul"? Mind is a different order of reality. The third order of reality created by the soul is equal to neither that of the body nor that of the mind, nor to the sum of the two. The soul does not construct its reality out of literal sense impressions.

If psychology as a science must emerge from the point of view of its subject-- soul -- how do we make soul without logos, the contrast of noumenal and phenomenal, what we think is real? How do we 'see' psychologically without logos, a logic or set of first principles by which the soul operates?

What is the logos of the soul in the philosophical, not theological sense? How can we imagine genuineness and depth tied to life in all its particulars, rather than the false self? Hillman uses some theological insights that help bolster his own ideas about soul. He does not consider the soul of theology to be wholly equivalent or wholly dissimilar to the soul of psychology. 


Neoplatonic spiritual practices, and in particular theurgy, are at the root of Jungian and Archetypal psychology, a comprehensive understanding of the universe and our place in it, acknowledging and unifying both material and spiritual phenomena, the exterior and interior perspectives. Practice is the ladder of theory. It begins with a magical act of consecration which connects the aspirant to unique power sources through initiation.

The telos — the end — of these practices is integration of all components of the psyche, transpersonal as well as personal. The result is a psychologically undivided person, homo individuus, who understands —experientially as well as intellectually — their role in the life of the universe and in particular in the evolution of humankind — their “phylogenetic destiny” — and can engage the spiritual dimension to fulfill that destiny better.

Symbols are used to invoke a divine being into the theurgist’s presence to facilitate communication. In analytical psychology the corresponding process is called active imagination and is often used to engage dream figures or complexes, which are autonomous sub-personalities in our psyches.

The contemporary practice tends to depend more on immaterial symbols than on material symbols, but some psychologists recommend the use of special clothing or a regular temenos for the operation. Gods and daimons — that is, archetypes and complexes — are invoked, for example, by calling their appearance to mind along with the dream context in which they appeared.

The practitioner may invoke the spirit out loud or in their mind. Subsequent meetings can be arranged through the use of agreed upon symbols, tokens, invocations, ritual actions, and so forth. The next step is a kind of surrender, waiting for some signs of animation in the
surroundings, some evidence of the presence of an autonomous spirit.

Then the negotiation begins. Analytical psychologists stress the importance of treating the
spirit with respect while retaining your moral autonomy. This is the way we
negotiate an accommodation between contemporary life and our animated paleolithic god.


Epiphanic Encounter

Theurgy has universal potential for epiphany and is the forerunner of western occultism. We are speaking about what it means to take on the shape of the gods in a ritual or ceremonial setting. We engage through the human body, its interactions, feelings, emotions, and postures. The aesthetics of religion focuses on sensory perception or embodied consciousness of the receiver and producer of signs and how signs are perceived subjectively through non-linguistic phenomena.

Theurgy is the root system of the Mystery tradition. Philosophical or psychological theurgy doesn't rely on diluted relics from the Golden Dawn movement, Crowley, and subsequent sects with idiosyncratic practices, Jewish Kabbalah, or Christian Qabalah derivatives, or reinvention of Freemasonry. It doesn't require the stock arsenal of the modern hermetic school of aspiring magicians, gnostic countercultures, or their competing schools. 

The history of magic came to include elements as diverse as Pythagoras and Orpheus, the Hermetica and the Neoplatonists, amulets and hieroglyphics, sacrifices and dream interpretation, the magic of herbs and healing, the history of astrology, the lore of curses and spells, folk customs, and ceremonies, Christian magic, Jewish mysticism. This is the pleroma of western esotericism.

All that remains is to choose how we bring this wisdom into life once its traces have been found and its symptoms confirmed. The wisdom of the theurgist, the sufi, the shaman, the yogi, the Taoist, and the Buddhist is not different.The ornamentation of this unitive wisdom with Platonic-Hermetic philosophy and practical magic is what we call Theurgy.


How can we revision theurgy and hermetic philosophy beyond the Greco-Egyptian form of mysticism or today's personalistic occult, new age, or eclectic practice? Highly emblematic “hieratic” art is woven with philosophical, mythological, and cosmological symbolism.

Can archetypal psychology weave a cosmogenesis and whole fabric of reality, rather than parsing out practices such as astrology and alchemy? Is it trying to avoid the accusation of mysticism that plagued Jung?


How can we make it 'real' and relevant for ourselves, embedded and enhanced by the Neoplatonic roots of Archetypal Psychology? Can it help us avoid the pitfalls and pratfalls of misguided inner authority when Orders are out of order?

How do we bring
the understanding of this energy to a more transcendent level? We can't just wave our magic wands and make it so, or 'go to Kabbalah', weekly, or consult the local mage for the secrets of the universe, though some try. We have to do the rigorous work, the Great Work.

The post-Jungian school of thought has already embraced the archetypal methodology of alchemy and astrology, poetics and aesthetics as symbolic specialties. Such disciplines each have and extend our own repertoire of nuanced languages for psychic experience. But what is the status of a Self-directed process in a therapy that declares the notion of Self obsolete to retrieve polytheism?

Tetrad

Theurgy and magic are among the oldest of human endeavors. Marshall McLuhan adopts a revealing frame he called his Tetrad: “…we learned that they applied to more than what is conventionally called ‘media’; they were applicable to all the products of human endeavor, and also to the endeavor itself!"


A medium is any human technology, including magical, philosophical, or spiritual. The medium retrieves in a new form for amplification what has been obsolesced earlier,  reminiscent of the framework described by McLuhan -- a compressed vision of history, language, metaphor, and technology. In this case, the retrieval is recasting, a means for direct experience of a soulful connection with the cosmos.

McLuhan's Four Effects (laws of media) compliment Aristotle’s Four Causes: Material, Efficient, Formal, and Final. The Four Effects are Retrieval, Reversal, Obsolescence, and Amplification or Enhancement. They apply simultaneously, not linearly or sequentially, mirroring the Four Causes. If applied properly and inventively, their perceptual impact is aural/visual, discontinuous, resonant interplay, as they reveal already present or future features of media, culture and technology, including spiritual technology.

Magic As Media

In retrieving ancient gnosis, people often look, consciously or unconsciously, to failed worldviews of by-gone eras. Usually, the best of the practice is adopted and recontextualized to modern views. So, our question becomes
what statements can we make about theurgy that anyone can test — prove or disprove — for oneself?"

If theurgy is retrieved as a spiritual technology, its reversal potential makes materialism and superstition both obsolete with direct imaginal experience and re-enchantment through the World Soul.

What does the artifact 'theurgy' Enhance or intensify or make possible, or accelerate? One answer is self-initiation, which by-passes objections to cultic practice with informed self-direction in an experiential / experimental mode. Theurgy retrieves the old gods and ancestors.


The method is what matters. It is applicable to any form and content of media, theory or human artifact. We found that everything man makes and does, every process, every style, every artifact, every poem, song, painting, gimmick, gadget, theory, technology — every product of human effort — manifested the same four dimensions.” [Laws of Media: The New Science, Marshall and Eric McLuhan, University of Toronto Press, 1988]

Every new medium enhances some human faculty or function, or builds upon an existing medium. As McLuhan notes and we can apply to theurgy, "every technology extends or amplifies some organ or faculty of the user." 

Enhance means Amplify. Extend. Speed up. Intensify. Increase. Upgrade. Improve the quality, value, reach of… For example, even standing becomes more than standing, breathing more than breathing, walking more than walking, speaking more than talk.

Transitional states of consciousness and liminality, body cultivation, sensual reconception, even animal mimesis, and mirroring are increased in ceremonial rites. Ritualistic behavior, hieratic gestures, enhances commonplace behavior -- walking, sitting, standing, lying. The transition is between physiological functional body posture, acting attitude, ritual creativity, and religiously meaningful aesthetic form from standing prayer to walking meditation.

Subtle senses are aroused of the Divine, of dreaming, of the mythic and imaginal, of desire, of memory, of synchrony, of presence, of exchange. Theurgy enhances or amplifies aesthetic ideologies, hieratic images, rhythm, balance, tension, and energy that generate awe and experiences of holiness, including kinesthetic postures, dynamic motions, and stillness different from common behavior. Even sitting and standing become symbolic, stylized corporeality.

Obsolete doesn’t mean dead — just no longer in charge, like the ego, materialism, or literalisms, in service to soul -- "when one area of experience is heightened or intensified, another is diminished or numbed.” [LoM, viii]. It might include monotheism, self-containment of the body, semiotic over-writing in religious contexts, and perhaps, human hierarchy, for example.

Reversal means "every form, pushed to the limit of its potential, reverses its characteristics.” [LoM, viii] Every medium also retrieves, reclaims, brings back, revives some previous medium like theurgy, but not in a retro but a more psychological way.


The invitation is to try them out on your own terms and topics and see what effects you can discover in the emergence of new (or old) media. What does it enhance? What does it make obsolete? What does it retrieve that had been obsolesced earlier? What does it flip into when pushed to extremes?” There is not one single answer to the questions. There are usually many. Answering the questions can be playful, a game. Treat it like brainstorming.

A medium is any human technology, including magical, philosophical, or spiritual. The medium retrieves in a new form for amplification what has been obsolesced earlier,  reminiscent of the framework described by McLuhan -- a compressed vision of history, language, metaphor, and technology.

The aesthetic dimension and focus is most fecund for those phenomena that are not conservative or over-determined in a religious way. We cannot separate the spiritual dimension from the aesthetic and sensory. The retrieval of Theurgy is recasting, a means for direct experience of a soulful connection with the cosmos.


McLuhan's Four Effects (laws of media) compliment Aristotle’s Four Causes: Material, Efficient, Formal, and Final. The Four Effects are Retrieval, Reversal, Obsolescence and Amplification or Enhancement. They apply simultaneously, and not linearly or sequentially, mirroring the Four Causes. If applied properly and inventively, their perceptual impact is aural/visual, discontinuous, resonant interplay, as they reveal already present or future features of media, culture and technology, including spiritual technology.

Divine Self-Remembrance

Sacred ceremonial rites facilitate the Neoplatonic goal of soul's ascent to its divine source. For soul to co-create the cosmos it must remain in contact with its own source in noetic being. Theurgy stands alone as an exemplar of direct mystical experience between the soul and the divine. We can take an aspirational view toward it, whether we choose to practice this elegant and ancient method, or not. Direct experience is an entwining of the visible tangible sense-perceptual surface with its invisible imaginal depth.

It can still inform our practice with perceptual immediacy, sympathic magic, prayer, astrology and divination. From Plato, Plotinus recognized that the stars were ensouled, and he accepted the role of planetary gods in steering the souls for their descent to embodiment.

Plotinus treats “all soul” and the World Soul as one. He affirms the highest part of the soul is undescended, and that our soul has a common origin with the World Soul in Soul-Hypostasis. Hypostasis (Greek: ὑπόστασις) is the underlying state or underlying substance -- the fundamental reality that supports all else. In Neoplatonism the hypostasis of the soul, the intellect (nous) and "the one" was addressed by Plotinus.

Theurgic rites were seen to imitate the life of the gods. When we dive down into the nature of reality, we find it is all consciousness. Theurgy arises freely in the soul from a great attraction to the Gods. This great attracting power, is called Eros, Ǽrohs (Gr. Ἔρως).

The power of Love and Desire (Erôs), directed toward Beauty, raises the soul toward the Beauty of The One through an attempt to ritually realign the human soul with the cosmos. Every object within this grand vision appears clearly as a ripple on the ocean of Eros, a wave of yearning for the deep Source it will shortly return to. The self-concept of the advanced theurgist is also transfigured. 


Plotinus discussed magic in a broader context of the effects of music, divination, the arts of love, astrology, prayer or healing. In Hermetics, the three parts of wisdom are alchemy, astrology and theurgy, holding everything together on the macrocosmic level as a World Soul. Plotinus accepted a transcendent source and cause of sympathy in the one immaterial soul, the source of both the soul of the world and our souls, and the final explanation of unity in the cosmos.

Theurgy means "God-working," magic used for personal growth, spiritual evolution, and for becoming closer to the Divine, and
 relies on an alliance with divine spirits (i.e. angels, archangels, Gods). Alchemy is the key to theurgy. The disciplines illuminate and potentiate one another. Astrology provides the timing.

The Archetypal Vision

Neoplatonism and archetypal psychology share major themes and approaches. Archetypal psychology is inspired by Neoplatonism. According to James Hillman, archetypal psychology is inspired by and rooted in the Neoplatonic tradition of Plotinus, Porphyry, Iamblichus and Proclus.

Theurgy has been ignored or largely under-reported in both Jungian and Archetypal psychologies, though it is the core of the magical traditions that emerged in the Middle East in archaic times. It is a heartful way we come to know and embody the gods, and the gods come to know us. This mutual engagement with presence is through direct experience, tending to them, and our inner and outer life with soulful devotion.

In antiquity, the God was quite simply that, with or without multiple attributes. But there has never been a single theology. As they say, "the gods always appear together." Much like modern Hindus insist their religion is not “polytheistic,” the ancient Greeks believed in Deity without a particular identification with one god among a pantheon of others. The poetic formulation of a pantheon had little to do with the actual elements of worship, theology and social culture which dominated life.

Such philosophies, now called Neoplatonism, were resurrected in the Renaissance. Ancient theology is the doctrine that a single, true theology exists, which weaves through all religions, and was given by God to man. Our notions of ancient theology come from the Florentine Renaissance scholar who revived Platonism, Marsilio Ficino (1433–1499). 

Working for Cosimo di Giovanni de’ Medici (1389–1464), Ficino translated books and manuscripts, such as Greek texts, into Latin. He was about to translate the works of Plato, when about 1460 a Greek manuscript from Macedonia was brought to Florence by a monk. It was an almost complete copy of the Corpus Hermeticum.

Cosimo demanded that Ficino translate the Hermetica even before Plato. He presumed it was the wisdom and knowledge of the legendary Hermes Trismegistus. The the aging Cosimo wanted to read these 'more ancient' original sources before he died. Ficino did finish the translation just before Cosimo passed away in 1464. However, though attributed to antiquity, the Hermetica actually dates to the second and third centuries CE, though older surviving wisdom was likely woven into it.

Unity in diversity is the core of the Hermetic theme. The human form and soul is a reflection of the entire universe, and vice versa, so we carry a divine spark. Mind, consciousness, soul, and spirit permeate the universe and the material world. It is a manifestation of the universal soul and consciousness, which we experience directly through our imagination.

Egyptian philosophy, alchemical death/rebirth rites, dealt with transformation, elevation, and immortalization of the soul, for the dead and initiates. This Hermetic wisdom included
the Asclepius (sometimes called The Perfect Word), a text known as the Emerald Tablet (or Smaragdine Tablet/Table) and the Corpus Hermeticum. The core of the Corpus Hermeticum consists of fifteen dialogues, the first fourteen of which were included in the manuscript that Ficino initially translated.

The first dialogue is known as the Pymander (Poimandres, Poemandres, Poemander). Pimander is sometimes translated as “Man-Shepherd,” but recently it has been suggested that it actually means “Knowledge of Re” (or “Ra”, the solar deity of ancient Egypt). 
Hermeticism transcends both Monotheism and Polytheism as well as Deism and Pantheism within its belief system, which teaches that there is a transcendent God, The All, or The One.

Ficino used the Pimander title for the entire Corpus Hermeticum whose reputed followers were Orpheus, Aglaophemus, Pythagoras, Philolaus, and Plato. In later works Ficino stated that Hermes Trismegistus introduced theurgy to the Egyptians while Zoroaster (Zarathustra) preached it among the Persians as a very ancient font of wisdom and divine knowledge (Frances A. Yates, Giordano Bruno and the Hermetic Tradition, 1964, pp. 14–15).

From Egypt, Plotinus had a special reputation for astrology, magic and the occult, so
we can assume familiarity with magic on his part. His desire to pursue ancient wisdom would have reinforced respect for high magic. His work reflects familiarity with magic in Gnostic and Hermetic writings. 


Animate Mind

Iamblicus in 
De Mysteriis suggests, it is not by discursive reasoning or through philosophic thinking alone that we come to know the gods. It is through awakening the higher spiritual powers by the rite of magic. The wisdom and knowledge of the secrets of the universe of the long ages is consummated through this natural magic. We seek them not for power, but for self-knowledge, to comprehend reality as it is, rather than its distortions and projections.

"Gods and goddesses appear as the very structure of reality. 
"The Gods and Goddesses are not cute allegories and analogies, figures of speech for evangelizing and moralistic orators, just as they are neither psychological nor social roles. Rather, they are worlds of our existence; the deepest structures of reality."  (D.L. Miller)

In Chaldean and Egyptian initiation, the soul travels the theurgic path; it flies upward, carried by sacred chanting of mantric names (simran) accompanied with inner visualizations (dhyan) and divine epiphanies (radiant form).  For Proclus, the theurgic ascent is also comparable to the rite of hieratic invocation.

The ascent is conducted by initiation, contemplation, esoteric knowledge (gnosis), or by invocation of the Holy Name. 
Proclus compares theurgic ascent to the process of invocation, implying that each name recited or invoked lead the initiate to the supercelestial realm described in Plato’s Phaedrus, and even to the ineffable One.

Divine names are vocal images. To know the language of the gods means to be transfigured already during one’s lifetime. At the level of divine Intellect to which the Neoplatonic philosopher aspires, creation and the act of naming are identical. The ascent to the noetic realm (the all-transcending Silence) is conducted by certain dialectical, contemplative, and theurgic use of names, appropriate for each level of theophany and equated to the divine images.

The soul moves back from images to their noetic archetypes.  The Mesopotamian incantation-priest (ashipu), for example, imagined himself able to journey to both the noetic realm and the netherworld in the guise of a star, to be incorporated into the court of these gods, the heavenly retinue.

Like depth psychologies, perennialism describes the essential bond between the material world and the mind, between the mundane and the spiritual, between the external and internal worlds. Our approach is not literal or 'magical thinking,' or spiritual improvement, per se, but a practical means of engaging in the unconscious in its full range of potential expressions, whether we call that world mind, soul, or use some other label.

Sacred Method

Myth is embodied in godforms, indigenous inhabitants of psyche. The entire panoply of symbolic correspondences, for which the god-form is the nexus, can be deployed interactively by the aspirant. We assume the task of 'form-giver' and careful observer of these evocative images and impulses 'from the deep.' 

In the magical operation known as 'assumption of the god-form,' the participant identifies with the archetypal power and co-creatively enacts symbolic behaviors. The main thing is to find the archetype within ourselves. Such energy surfaces from within,  transformed by the renewing of your mind.

Such archetypal figures are symbols, too.  They become animated by our active imagination as intermediate power. We see through their eyes and such visionary apperception of reality is true theophanic vision, meaning "appearance of a god" which refers to the appearance of a deity to a human.

If we do not project it outward in personification, it remains embedded and embodied within us,
a harmonious reintegration of parts (restoration of the scattered Osirian eidos in accordance with the whole truth, maat) and noetic satisfaction. 

Symbolic expressions between the noetic archetypes and their existential images (the participating theurgist) complete the soul’s divine measures and reveal its re-assembled immortal body. The body is an index of the soul’s capacity to receive a divine presence. That soul engage the powers bestowed upon it, accelerating its emergence by means of theurgic rites.

In the Timaeus, Plato describes how the ratios of the soul are refined
. Through the correct performance of measured theurgic rites the initiate imitates the activity of the Demiurge, conjoining parts to wholes and integrates the psychosomatic multiplicity into the presiding noetic unity.

We make sense of the noetic archetype or Platonic idea by assimilating it to our body, mind, and spirit, and a unity lying beyond. Henri Corbin spoke of “images in suspension”... "a concrete spiritual world of archetypal figures, apparitional forms and angels, an epiphanic space where the images of the archetypal world lie suspended." Like a votive statue awakening to life we become animated by the upwelling archetypal energy.

The theurgist creates an imaginal bridge between the archetype and the physical world, a powerful spiritual alignment between a magical persona and aspects of deity. We do not have to be or become 'gods,' except during ceremonial identification. This doesn't serve the ego's grandiosity, but soul. Basically, you invite the energy of the deity to be consciously present in you, accessing your innate godlike multidimensional power which remains impersonal.

Your consciousness does not leave, but becomes temporarily melded with the archetype. You assume the attributes of the deity, taking on its presence. The culmination of the rite is the assumption of the godform, where the aspirant is seized by the archetypal power called up. The creative power of this form subsumes the theurgist. This is the Opus of the Great Work, the process of Self-transformation.


By identifying ourselves with ancient idealized expressions in the form of 'gods,' we awaken similar potential within ourselves. We reflect the spiritual qualities of that deity which animates our being. We clothe our selves with their Astral form. Akasha simply means “space” in Sanskrit. Besides observable objects, another thing, which is not perceptible, must be looked upon as real. Absolute space as a continuous background fabric connects everything in the universe.

Structured Vacuum

We identify with that god, so that at the appropriate moment it is as if the god, not ourselves, is performing the ritual action in a fine body. Immortal divinity doesn't unite with the mortal, but with the divine in the mortal. It unites with itself, indifferent macrocosm with indifferent microcosm.

Whether we zoom out or zoom in, is it not possible that the same information processes engendering consciousness at one observable domain are occurring at smaller scales as well? We can extend our metaphor into engtanglement connecting the individual and universal.

https://ionamiller.wordpress.com/2012/01/29/consciousness-entanglement-and-reality/

An important goal of interdisciplinary dialogue on consciousness is to derive a general model that accommodates multi-level analysis of body-brain-environment.  To have consciousness, a sense of separateness in the non-entangled state must exist as a precondition.

Therefore, in the entangled state, there also exists a kind of collective conscious (some would say collective unconscious), which acts as a kind of reference for the rest. 
Bell proved that reality is non-local. In other words, even though all the quantum facts are local, these facts cannot be simulated by an underlying local reality. Any reality that fits the facts must be non-local and entangled.

Whereas entangled states represent the unity in the cosmos, non-entanglement allows for individuality and apparent separateness and duality. We can examine the broad range of phenomena including quantum-level events, biological processes related to ‘ordinary states,’‘pathological’ states (e.g., mental illness) and so-called ‘non-ordinary’ states such as transpersonal experiences and claims of psychic functioning.

Cosmologists speculate the quantum vacuum is filled with entangled particles. Entanglement is the basis of quantum cosmology. 
Every particle in the universe is connected to every other particle, so that nanosecond to nanosecond they interact and are coupled across the vast distances of space. Entanglement has been suggested as an explanation of anomalous cognition and psi. Like cosmos, we  behave in an entangled and in a quantized individualistic state.

Structuring the vacuum potential is an opportunity for rejuvenation at the fundamental creative level -- the negentropic source field. The missing 'structured' or archetypal part not described here must then be partly made up of virtual particles and photons. Because vacuum structures can be topologically stable only in three space dimensions time is irrelevant. This manifesting divinity communes with the nonmanifest divine in the cosmos.

Much like there are different ways a black hole can put energy out into the galaxy, such energy emerges from a 'black hole' of cosmic unconsciousness, resonating with the absolute space of our own primordial being, pervading everything, interacting with everything as quantum vacuum fluctuation. Your 'divine self' isn't 'yours', it is simply local. The structured vacuum is common to our immaterial and material being and archetypal structure.

This source of the material world reorganizes and energizes our psychophysical structure at the finest level. Space is not empty but a plenum of information as old or older than the creation, full of potential wisdom, knowledge and light. Manifestation is
noetic and life-giving power, descending “soul,” imagining our potential forward because it has already experienced it, from cosmogenesis to our consciousness, our 'singularity.'

Thus, invocation becomes a genuine encounter with the divine presence, with the immanent “indwelling” of God’s transcendent energies. The information processes underlying life consciousness reside at a much deeper, intrinsic level of the universe. The  gods do not  literally dwell on earth in their cultic receptacles (statues, temples, human bodies, animals, plants), but rather install themselves through “animating” images and symbols, including ourselves, once we gain consciousness of the process, symbolically or otherwise.

  “It is plain, indeed, from the rites themselves, that what we are speaking of just now is a method of salvation for the soul; for in the contemplation of the ‘blessed visions’ soul exchanges one life for another and exerts a different activity, and considers itself then to be no longer human – and quite rightly so: for often, having abandoned its own life, it has gained in exchange the most blessed activity of the gods. If, then, it is purified from passions and freedom from the toils of generation and unification with the divine first principle that the ascent through invocations procures for the priests, how on earth one can attach the notion of passions to this process?” (Iamblichus: De myster.41.9-42.1).

We taste their immortality as our own before returning to ordinary consciousness after temporarily incarnating deity, symbolically and perhaps more than metaphorically. They also speak and manifest archetypal realities. This presumes we are not arrogant, narcissistic, heroic, power mad, or otherwise possessed or driven by shadow or over-zealous ego in our practice.

Ancient godforms describe human behavior sets and transformational forces. To invoke a god through theurgy we clear and consecrate a working space and make it sacred. We arouse that superconscious potential within us and feel its dynamic force. Then we create a vivid and vibrant picture of the deity's characteristic appearance, attributes, attitudes, symbols and myths. The image is built detail by detail using concentration and visualization.

Perfumes and corresponding colors, numbers, metals, plants, animals, stones, etc. help complete the atmosphere of that universal force with excess correlation. This can be done physically or mentally once the process is internalized. Through mimesis, we can imitate the quality of those autonomous forces with an empathic connection which can expresses through us at that time.

David Miller explains that The New Polytheism “is the reality experienced by men and women when Truth with a capital 'T' cannot be articulated according to a single grammar, a single logic or a single symbol system."


"We enact many myths in the course of our lives. We feel deeply the configurations of many stories. We are the playground of a veritable theater full of Gods and Goddesses. What do the Gods and Goddesses want with us? Our task is to incarnate them, become aware of their presence, acknowledge and celebrate their forms, so that we may better be able to account for our polytheism."5

Consciousness ineffably and inherently permeates the mundane world. Psyche is different from matter. This is the ancient understanding. That consciousness appears in a diversity of forms that can be nurtured internally and in the world at large through an essentially polytheistic soul-making is the position of Archetypal Psychology.

Being 'called' to do so, we learn to differentiate the personalities of the gods and goddesses within our selves, a multi-centered god-image. Such is the powerful instinct, the destiny of some souls who are called to the artform of theurgy and to actively participate in the Mysteries. The soul seeks the underworld (descent) and the spirit seeks the stars (ascent).

We can acknowledge variousness, diverity, and many-sidedness in our creative imagination. It is inherent in our philosophical condition, when metaphors, stories, anecdotes, aphorisms, puns, dramas, and movies, with all their mysterious ambiguity, seem more compelling than the rhetoric of political, religious, and philosophical systems.


"Thus, that sense of weakness, inferiority, mortification, masochism, darkness, and failure is inherent to the mode of metaphor itself which defeats conscious understanding as a control over phenomena. Metaphor, as the soul’s mode of logos, ultimately results in that abandonment to the given which approximates mysticism.

"—The metaphorical transposition—this ‘death-dealing’ move that at the same time awakens consciousness to a sense of soul—is the heart of archetypal psychology’s mission, its world intention." (Hillman, "Senex and Puer" in *Puer Papers*, p. 22) 



Multiple meanings exist with principles of relativism, irrationality, indeterminacy, and plural logic systems. Multiple centers mean polytheism. Everywhere we stand is a new center of meaning in the universe. Polytheism is not a historical or an academic matter. It is a feeling for the deep, abiding, urgent and exciting tension that arises when we experience the radical plurality of physical, social and psychological life. 

We discover that a single story is not adequate to help in understanding the nature of real meaning. The beauty of stories is not only that they contain many elements all of which are moving in some process, but also that each element has many potential meanings, all at once. We are gripped by their stories, images, names, and rhythms. The narrative is the symbolic expression of a lively process, the plurality of life and meaning. 

Proclus recognizes theurgic art as intellect (nous) acting by means of discoursive reason and imagination. All manifested realities, being just a plaything of the gods (as Plato explicitly states: Leg.VII.803) appear as the demiurgic dream of the Creator. The entire animated cosmos is like the miraculous ship constructed by the Egyptian initiate in the Duat, using the secret names and words of demiurgic (and, therefore, “magic”) power.

In this way both the Egyptian initiate, one who enters Duat before his physical death, and the Platonic philosopher follow the divine Intellect (the solar Atum-Ra) who produces all things and “in his bottomless thoughts” contains causally and in single simplicity the unified knowledge of all things and all divine works (theia erga) which are accomplished by the very fact of conceiving and noetically beholding them. It is, as Proclus says, “as if by the very fact of imagining all these things in this way, he were to produce the external existence of all the things which he possessed within himself in his imagination." 

Therefore the soul is capable to see and to know all things, including figures of the gods who essentially are without any shape and figure, in this “Osirian” mode by entering into itself and awakening the inner powers which reveal the images and symbols of the universal reality. Neither the outward, nor the inward psychic seer is capable of seing without images. Thus, the nature of the things seen, in each  case, corresponds to the nature and preparedness of the seer.

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"If the soul rises up to the gods, she becomes god-like and able to know the above and the below; she then obtains the power to heal diseases, to make useful inventions, to institute wise laws. Man has no intuitive power of his own; his intuition is the result of the connection existing between his soul and the Divine Spirit; the stronger this union grows, the greater will be his intuition, spiritual knowledge. Not all the perceptions of the soul are of a divine character; there are also many images which are the products of the lower activity of the soul in her mixture with material elements. Divine Nature, being the eternal fountain of Life, produces no deceptive images; but if her activity is perverted, such deceptive images may appear. If the mind of man is illumined by the Divine Light, the ethereal vehicle of his soul becomes filled with light and shining." -IAMBLICHUS, 333 AD

"Neoplatonism abhorred outwardness, the literalistic and naturalistic fallacies. It sought to see through literal meanings into occult ones, searching for depth in the lost, the hidden, and the buried (texts, words, leftovers from antiquity). It delighted in surprising juxtapositions and reversals of ideas, for it regarded the soul as ever in movement, without definite positions, a borderline concept between spirit and matter. ... [I]t recognized the signal place of imagination in human consciousness, considering this to be the primary activity of the soul. Therefore any psychology that would have soul as its aim must speak imaginatively. It referred frequently to Greek and Roman mythical figures - not as allegories, but as modes of reflection." [Hillman, Re-Visioning Psychology 198]

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~ooOoo~
Archetypal psychology is rooted in a philosophical and psychological Neoplatonism. To live a fully human life, to become téleos (complete), we need to unify, integrate, and harmonize the conscious and unconscious aspects of our souls. We can maintain truth in spirit to that with which we begin our adventure.

Individuation connects us with the archetypes and their unified root, called the Higher Self, the Highest Soul, the God-image in the individual soul. The inward heaven is universal, whether imagined in psychic or subquantal imagery.

Knowledge of God requires more than a correct concept of what a God is. It requires conjunctions between the ordinary and the divine. The ultimate principle of Absolute Being 
is unconditioned and beyond limitation and conceptions, “beyond being,” an undetermined vacuum potential in the natural world.

This plenum/void lies at the heart of matter, the interface of psyche and matter that underlies all manifestation. We are initiated through a loving conjunction with the external natural world by participating in the Mystery that is pulsating with life, connecting with inner and outer transformation. Ideas are only made true by events.


We invite psychic forces more fully into our lives to aid spiritual realization. Both philosophy and theurgy include contemplation and action (ascent), conceived of as a spiritual way of living in accordance with the divine patterns and autonomous archetypes to fulfill our telos, endless repetition of the human repertoire, including the death/rebirth cycle. To enter that world is to enter eternity, here and now.

For the late Neoplatonists, theurgy is in fact, performed by the gods themselves (including all traditional liturgies, rites, and sacrifices. They are ordained, revealed as essential if the initiate priest is to attain the divine through the ineffable acts which transcend all intellection (Iamblichus De mysteriis 96.43-14).  Iamblichus remarks, “the light of the gods illuminates its subject transcendently” (De myster.31.4).

Theurgy cannot be viewed simply as a ritualistic appendix of Platonism, but rather as its innermost core and its hidden essence. All acts are theurgical which involve the direct assistance of the superior classes (angels, daimons, and semi-mythic teachers) and which activate the self-revelatory illumination in re-ascending from the inferior to the prior, the human prototype.

Theurgy is not about the force of will. We reach out with theurgy, but are transformed by grace. So, a theurgic union with the gods is the accomplishment of the gods themselves acting through their sacramental tokens. The awakened divine symbols by themselves perform their holy work, thereby elevating the initiate to the gods whose ineffable power recognizes by itself its own images.

According to the late Neoplatonists, the gods are present immaterially in the material things, therefore the theurgic seats of elevating power are regarded as receptacles for the invisible divine irradiations involved in the cosmic liturgy of descent and ascent. The body, in its perfect primordial form serves as an image (eikon) of divine self-disclosure, the condition and quality of embodied matter indicate the soul’s internal condition.
http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools


Operative Theurgy

The contents of the Hermetica tend to be deeply varied; its approach to God and creation at times panentheistic (God is the whole cosmos and beyond), monist, at other times dualist (gnostic), polytheistic, pantheistic, and at other times just confusing. The main message of The Hermetica, following Hermes Trismegistus, is toward a direct knowledge and experience of God through gnosis. It still takes the Great Work to turn consciousness states into mature stabilized traits.

It begs the question: what is the nature of the Divine, and is it possible for us to achieve gnosis of that nature? One can practice philosophical theurgy or philosophical polytheism without joining a cult, developing a public occult persona, taking on the full magical lifestyle, Hellenic polytheism, or associating with dark forces or the black arts.

Hermeticism or Hellenism is not an organized movement though it has a theistic aim. It transcends the current prejudices and group think of contemporary paganism/polytheism.

The psychological approach is simply rooted in love of psyche, a devotional polytheism with no dark metaphysical pessimism, compensating theological virtues, or conceptions of faith. It simply recognizes the dynamics of the psyche as an intermediary of the lowest to highest experiences available to mankind.

Proclus believed that a philosopher “should be the hierophant of the whole world in common.” He was a true polytheist, who also honored the goddesses and gods from many pantheons and traditions. Polytheism and its practice of theurgy can promote 
pluralism, individuality, non-conformity, multiplicity, and an openness to encountering, experiencing, and honoring the divine in many different forms.

Theurgy is a way of transmuting personal into universal experience and life-enriching wisdom, a sanctification through devotion celebrating cycles of renewal and change. Theurgy is a practice that facilitates our circumabulation of psyche, recognizing all other divinities.

We don't have to believe in its ontological reality to use it for self-knowledge. We can simply make the experiments and see for ourselves what creating depth relationships with cosmic principles brings to our lives. Each Hermetic text had an anonymous, eclectic, and spontaneous origin, recognizing the many and the one. A well-informed mature practice can be self-directed and practiced in much the same way as meditation. While a teacher can help one avoid pitfalls, we don't have to to submit to anyone's 'power.'

All the negative cliches are from occult, not psychological or philosophical practice. Theury is magic without spells, though it uses ritualized language and correspondences. Alchemy and astrology are related arts also used as creative practices in archetypal psychology.

Philosophical theury is less about power and will, and more about wisdom and knowledge. It is a Middle Way, a balanced path, not a willful or traditional practice, controlled by a rampant heroic ego or the ideas and influence of others. The whole point is to find our own specific way, and formulate our own means of experience and engagement, without taking it literally.

There is no need to think in Absolute terms, or to strive for ultimate unities. In fact, that runs counter to the spirit of archetypal psychology, and a number of Hermetic commentators. For example, Hillman rejected a metaphysics of of an idealized zealous striving. Winther believed that Jung’s and Swedenborg’s emphasis on achieving the unity (conjunction) of a multifarious self is detrimental.

"After all, it is a form of one-sidedness to be obsessed with a this-worldly self-ideal, always striving after completeness. The self as a complexio oppositorum isn’t the whole truth about the human self. The self is really complementarian" (Mats Winther, 2011b, here). 


Curiously, though rooted in Neoplatonism, Archetypal psychology has largely ignored its technology of theurgy, (practices/rituals aimed at uniting with the divine), preferring alchemy and its abstruse symbol language to the direct experiential mode of the traditional magus. Perhaps this is because the notion of 'magic' is controversial and has been co-opted by an eclectic melange of new age practitioners.

Widely embracing such notions brings accusations from 'magical thinking' to 'black magic.' It could be seen as an epistemic rupture with the science fantasy underlying psychology. The implications range from insanity to a selfish appropriation of divine resources, but it is simply a means of raising the ordinary human to the universal. Each movement of theurgy appears to communicate distinct moods and aspects, weaving a quasi-narrative of progress through struggle and darkness toward resolution and light.
 

Imagine the hapless client who comes for therapy and finds a core of magical practices and Neoplatonic metaphysics at the center of the therapeutic practice. Yet, Archetypal psychology likes to deny any spiritual root and present itself as no method, no metaphysics, and no dogmatic spirituality.

But just because psyche likes to express itself in a certain way, as archetypes, it says nothing 
about the metaphysical constitution of the world. Its truths are true in the imaginal, in the 'as if' reality. To bring such notions into the ordinary world would be an invasion by the unconscious. We simply seek to become conscious of our diversified nature, our personal complexes, and to transcend their direct and indirect domination over the soul. The psychological goal is to engage and unite the soul, or to make it whole again. 

Perhaps one problem, besides skepticism and loathing of esoteric paradigms, is lack of contemporary exemplars who demonstrate the 'proof of the pudding.' It's safer for self and clientele to remain at the plateau of Jungian conventionality with its bullseye target of the Self, with its archetypal ducks all in a row, march through the agility course of persona, shadow, anima/animus, and self. Jung often echoed failed worldviews from history while attempting to unpack, justify, and reconcile his therapeutic and spiritual ideas. That can be part of a sincere search for soul.

Hillman intentionally marginalized what he called Jung's metaphysics (and the notion of the Self), but engaged in a curious denial of his own, even while recognizing its roster of philosophical antecedents.

We don't need to continue that denial, but can boldly experiment with the magical technology without taking it literally or reacting to it religiously as a Christianized, Kabbalistic, or pagan heresy. Kabbalah promotes human participation in the process of divine manifestation and unification of divine attributes. The transcendent aim enhances
our theurgical, alchemical and mystical life, but also to bring the Spirit into the matter, to symbolically unite the King with his Queen.

Wolfson makes the important point that “it is necessary to reintegrate the theurgic and mystical elements of the religious experience of the kabbalist," too. Dr. Israel Regardie suggested that western esoteric tradition dispensed with the religious and metaphysical aspects of kabbala leaving a simple philosophical system based on the glyph of the Tree of Life as the framework of practical magic for direct experience. Other theurgic mystical paths are the deity work of Vajrayana Buddhism and the 'body of light' tradition in Sufism.

Neoplatonic theurgy traces back to its roots in Ancient Egypt. The ancient philosophy, in its original Orphico-Pythagorean and Platonic form, is a way of life in accordance with the divine. It is also the way of alchemical transformation and mystical illumination achieved through initiatic ‘death’ and subsequent restoration at the level of divine light. 

Philosophy restores the soul’s wings and leads the purified lover of wisdom to Heaven. As a means of spiritual reintegration and unification, ancient philosophy is inseparable from the hieratic rites. The Platonic tradition of philosophy ultimately derives from the Egyptian and Mesopotamian temple liturgies and rituals, reinterpreted and revived by the Neoplatonists under the name of ‘theurgy’ in late antiquity. (Algis Uzdavinys, Philosophy and Theurgy in Late Antiquity)

The Neoplatonic world view has moved closer to psyche by giving experience and observation priority over philosophical, metaphysical, or epistemological theory. What the Neoplatonists demonstrated was a willingness to at least make the experiment for themselves, without assuming magical practice was a reviled ticket to eternal damnation. Rather, as a way of realization, it instantiates a return to our psychic and spiritual roots. 

A Participatory Approach

Theurgy offers us a participatory understanding of creation, engaging soul through the minds of the gods with sacred ceremonials. For theurgist, the magical energy that they use comes directly through the deity that they are focusing upon.
 Acknowledging many gods simply recognizes the irreducibility of religious pluralism. Growing always takes experimentation, risk, and willingness to change and transform -- the core of archetypal freedom.

Participatory thinking doesn't have to trap us in relativistic dilemmas. We can simply remain open to the potential heuristic value and validity of alternative epistemic frameworks, archetypal principles, and embodied spiritual potentials and transformative energies. We recognize the imagination as an epistemic bridge between embodied experience and mental conceptualization.

Sure, we can also retain recognition of the value of fragmentation, dissolving, breakdown, and descent -- but in our self-directed practice, we don't have to be limited to that. Isn't this the basis of the royal marriage of soul and spirit, embracing the whole cycle of human potential?

We need to move beyond the strictures of outmoded postmodern dialectics and deconstruction to define our reality. This is the realm of noetic states that emerge through meditative, visionary, ecstatic, and contemplative practice. It includes the centrality of the body in spiritual and practice and experience, the role of empathy, the erotic, and emotion in spiritual knowledge, and the connection between the sexual and mystical.

Perhaps, these are some of the reasons that Jungian and post-Jungian practice has lost traction in the general public and in the psychological and spiritual supermarkets. But this has been largely due to inability to compete against psychiatric drugs and the monopolization of treatment by object-relations, ego-psychology, and quick-fix brief therapy that treats problems not people.

All that is spiritual is not developmental, heroic, or escapist. Transpersonal therapies are more open to embracing spiritual technologies for integration, but theurgy has not made inroads there, either, through oversight or whatever reasons. They speak of theurgy bluntly as the use of magic to achieve spiritual salvation. Theurgy remains the less appreciated 'road not taken,' except perhaps by those powerless to resist its call.

The failure of anti-depressants and other psychoactive treatment have led to studies showing that talk therapy remains just as effective, but more difficult to bill. It is time to implement and experiment with the core practices that underlie this philosophy of treatment, whether in the consulting room or in self-directed pursuit of self-knowledge.

Yes, it is complex, symphonic, and elegant, but it is also engaging and perhaps more fulfilling. We don't need to fear the complexity that is inherent in learning any artform at a masterful level. Would you deny your God a mere 10,000 hours of joyful practice?

That impulse is at the root of Theurgy as a Way of Return, through which we realize that the other world already exists in this world. I
t is a means to share or participate in the creative energies of the gods by constructing and consecrating their material receptaclesTheophany was resonance between the individual and god through the holy work, an emergent theosophy. Eternity is eternal presence.

Natural magic recognizes the creative power of the imagination and the value of caring for the soul by creating sacred space and time for such epiphanies. Individuation is a natural developmental process which can progress unaided to its natural end (Jacobi), as we see in those who have grown into wisdom and spiritual authority.


The Neoplatonic invocation of pagan deities was for the purpose of attaining unity with them. This unitive state is identical with von Franz’s alchemical goal of the union of the total person with the unus mundus.” The soul is our shared living presence -- that radiance we share with the divine, one infinite, all-embracing presence that infuses us all with life and vitality.

The concept of an underlying unified reality from which everything emerges and to which everything returns is also the energetic principle, the world-soul, unified psychophysical reality. Jung's archetypes 
are psychophysical patterns that reside in this transcendental layer of the universe.

Theurgy is an ancient philosophical spiritual practice, rooted in shamanism. Ancient Egyptian hieratic rites deal with spiritual alchemy including gnostic paideia as well as in transformation, elevation, and immortalization of the soul of the true philosopher or the initiate.

The Greek term theourgia may be some now forgotten Egyptian, Akkadian, or Aramaic term related to the complicated vocabulary of temple rites, festivals, and hermeneutical performances. Hermeneutics is the study of theories and methods of the interpretation of systems of meaning, including interpretations of experience, or human behavior generally, including language and patterns of speech, social institutions, and ritual behaviors. 

Theurgists follow the paradigms of cosmogony and serve as vehicles of ascent conducted by the divine powers themselves. Accordingly, it would be incorrect to think that the Chaldean Platonists of Roman Syria, those who allegedly created and promoted this term, theourgia, also invented the thing itself, that is, the tradition of hieratic arts and of their secret, theurgical understanding.

Neoplatonic theurgy attracted deities with whom the theurgist could connect and be transformed. Given that Neoplatonism was a philosophical system, these deities did not need to be assimilated with the gods of mythology. They personified the symbolic ontology of primordial forces.

Theurgy includes the practice of rituals, sometimes seen as magical in nature. The magus emulates the creative forces of the Primordial Presence, but more than emulation, he or she participates in a continuous creation with moments of eternity breaking through. Paradoxically, the highest heaven equates with the deepest stratum of the unconscious, or unus mundus, our natural abode beyond time and space. 

The theurgists invoke the action or evoke the presence of one or more gods, with the goal of a unitive experience. "...enlightened with the knowledge of visions, being both consecrated and consecrators of mystical understanding, we shall become luminous and theurgic, perfected and able to bestow perfection." (Dionysius EH372B)

The elementary universe is as much psychic as physical, as much consciousness as informed matter. Theurgy is the Art of raising the human soul to its own divinity through ritualistic practices which bring that soul into harmony with the divinity and diversity of the World Soul. These practices transcend the rational mind, and partake of the deeper Mind pervading the natural world. 

Initiation begins the process, whether it is natural individuation, traditional, or self-initiation. Initiation magic is any act that sets these transformative forces in motion. We choose to commit to an arduous self-directed symbolic process.

Ritual evocation of the secret divine names was important because language is a foundational means of ascent to the divine. 
For example, in ancient Egyptian ritual, speech not only makes the archetypal realm of noetic realities manifest in visible symbolic tokens and actions, but also performatively accomplishes theurgical transition and transposition of the cultic events into the divine realm, thereby establishing relationship between the domain of noetic Forms and series  of manifestation. In this hieratic context, the term akhu means “radiant power”, “noetic light”, “solar intelligence”, and is closely related with the conception of eidetic and demiurgic name (ran, or ren).  Instead of supplying definitions, Egyptians would state names, that is, the sacred and secret names of things and actions that the priests had to know to exercise the radiant power of the words” http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools

Initiation into magic is self-dedication -- the moment when we make an explicit commitment to fulfill two obligations: 1) to realize to the utmost our individual potential, and
2) to serve other people with everything we have.

These two themes express the Great Work. They are often one in the same thing. That meaning unfolds slowly like individuation. The visionary grace is experiential contact with the archetypal gods in a spiritual dimension through a mystical theology. The theurgist can only prepare to accept the divine operation of symbols. We encounter these entities as real. They appear as distinctly other, like the presences we meet in dreams.


Such visionary experience was called a daimon by the poet Yeats, and an angel by Henri Corbin. The archetypal image emerges from the anima mundi, as a theophanic manifestation mediating between the sensible and the intelligible world. Theurgy is a bridge through which higher beings reveal themselves. It's a truism that the gods never appear alone. The theurgist takes on the shape of the gods, connecting spiritual and physical world.

Enactment & Engagement

Theurgists themselves are of the archetype Mystic or Saint. For them "philosophy was conceived as a sacred rite" and Plato a hierophant that revealed the world as theophany. Plotinus, once valorized as a “rational mystic,” practiced visualizations with all the features of a theurgic rite. His reason become an organ of theophany or cosmogony. 

The Platonists of late antiquity believed that Plato was "divine and Apollonian." They recognized divine power throughout all of nature. The supernatural was not elsewhere but here, in nature. Gods were everywhere: in plants, in rocks, in animals, in temples and in us.

Theurgic images (godforms) can be incredibly elegant and complex depending on the aesthetics and ritual spaces available. Thee more corresponding elements employed in the archetypal field, the clearer the atmosphere of that form. Ideally, nothing in the field gives a dissonant signal because it doesn't fit.

We invite the figures, let the dialogue take its course, focus on ethics, and consciously perform the symbolic behavior. Focusing on personal meaning, its intrinsic value arises from the experience itself. The symbols themselves are healing and promote integration. Theurgists not only believed in God, but knew Him through their knowledge of His attributes as they exist in the Astral Light, or, as the old world Kabbalists called it, the Matrix of the World. 


Theurgy demands commitment, preparation, and focused Intention. The rituals of Theurgy are accomplished through ritualistic prayers, which result in focusing the mind with symbols or archetypes that represent thoughts, qualities, virtues. One of the powers of theurgy is the ability to select our archetypes based on the situation. 

What Jung called individuation, the Neoplatonists called henôsisknown only through a theurgical processes of UnionIn Neoplatonism, the Inexpressible One is the ultimate principle of unity beyond all duality, beyond conceptualization, beyond Existence and Non-existence, beyond even Being and Non-being.

Individual Gods are understood as expressions of this ineffable Unity, as Beings radiating from The One, unified by Sameness and distinguished by Diversity. Neoplatonism recognizes the procession of The One into Multiplicity and Matter, and their return to The One in an eternal (timeless) cycle, often symbolized by the Ouroboros serpent. In the sacred  myth, the Child's return, reborn, restarts the story, the essence of the Ouroboros cycle.


Both individuation and Neoplatonism, which fused Plato with other mystical traditions, suggest waiting until one is well-established after midlife to begin such practice. We learn to see with imaginal eyes the panoply of available images of the anima mundi, world soul and world mind. Often divination helps us discover something about the past that illuminates the present.

An expansion of consciousness includes unconscious contents so far as possible. First they are discriminated, then integrated. This integrative process brings one into contact with the unconscious archetypal forces that regulate all human lives, that is, to encounter the gods and goddesses. These eternal forms are as important to us as to our ancestors.


We learn to use their power to experience the intense awareness and recognition of a state of emotions symbolized in an imaginal pattern, natural principles, or universal prototype. Three shared phases include purification (soul/discursive mind), illumination, and unification. The gods can be consulted by oracles, but it works best if we are in a quandry and remain open to the question of interpretations.

Religion, philosophy, and theurgy were all ancient ways of life to learn how to live better, including practice using prayers, offerings, sacrifice, if  not dogma and belief. What is important is to honor the gods not what you believe about them. Hence, it remains a Mystery.


The mutual goal of Jung's active imagination and theurgy is to live in partnership with the unconscious, self-discovery, and integration of the individual psyche. Communication is through the language of symbols and interaction with archetypes and complexes. When we invoke gods and daimons through symbols, they respond in symbols.

We complete the circuit between heaven and earth. We learn to see with the eyes of the soul. Jung stressed that it is mysterious and paradoxical, because it unifies all opposites, transcending being and not-being. It is beyond discursive reason and can be approached or grasped only by means of metaphors and symbols. 


To speak of a world ensouled is to recall the Platonism and Neoplatonism. The Neoplatonists describe the fundamental nature of reality and allow us to peer into the reality construction process that separates us from our Source. The Renaissance Neoplatonists imagined the universe as a fountain with the flow of the soul of the universe running through all things of the world and then circling back to the ultimate source.

"In the Plotinian view, the soul at its highest in the Intellectual-Principle "has a nature lending itself to divisional existence" and is "attached to the Supreme and yet reaches down to this sphere." It partakes of the nature of both the infinite and finite-the unified and eternal and the multiple and ephemeral. But it "is parted without partibility" because no matter how fully it seems to divide itself among the transient multiplicities, its eternal unity is never sundered. I'll say more below about how the soul can appear to fragment and yet never lose "the vision inherent to that superior phase." (Mansfield)

Psycho-Physical Reality

According to James Hillman, archetypal psychology is rooted in the Neoplatonic tradition of Plotinus, Porphyry, Iamblichus and Proclus. Proclus describes the cosmos as the holiest of shrines, suggesting, “[Plato] speaks of the cosmos as an agalma (shrine) of the everlasting gods because it is filled with the divinity of the intelligible gods."

Proclus conceived of theurgy as a ritual method of recreating the characteristics of a god and tool of spiritual development. He systematized Plato's doctrines of recollection to include the soul's universal concepts and innate knowledge to bring them to conscious recognition. 

Hillman argues  that the rediscovery of soul and its paradoxical nature enabled the Renaissance. While psyche is in us, we are also in it. This ancient philosophy was a system of practices constituting a way of life and essentially a sacramental mystery rite -- a philosophy now seen as a prototype of Analytical and Archetypal psychology. 

All things are one and the pleroma of being is indestructible.  Divine powers knit together the energies of the sun, planets and stars, and they operate on all bodies, animate or inanimate.  This is the notion of cosmic sympathy. This doctrine of sympathy applies to man in both body and spirit, in the magico-religious worldview of The Magus.

Hillman credits Plato's “Myth of Er” as his own source of understanding the notion of the daimon. The personal daimon is always grounded in the impersonal and unknowable depths of the psyche, but is also a manifestation of the Anima Mundi, or Soul of the World, the imaginal world  -- Renaissance philosopher Marsilio Ficino's concept of Anima Mundi.

Mythic persons and archetypal events influence the psyche by conditioning perceptions, generating meanings, and shaping our lives. Our journey is a deepening, a 'seeing through', as James Hillman expresses it.


The three basic principles of Plotinus' metaphysics are called by him ‘the One’ (or, equivalently, ‘the Good’), Intellect, and Soul.  Plotinus believed in one universal soul, which correlates with the Anima Mundi. The objective psyche is the imaginal world of the soul where psyche is as real as the physical world. The Neoplatonists also referred to an imaginal body, theochema, that carried you like a vehicle, or subtle body.

Hillman's theory is phenomenological Neoplatonism which means that only what we see should be regarded real, i.e., only what is apparent to consciousness is existent. Connections between our life and soul embody our soul-making process. 
Beauty has been defined by the neoplatonists as invisible presence in visible form and a divine enhancement of earthly things. According to Hillman, beauty is food for the soul. 

Everything is personified and speaks through the masks of image and symbol, a matrix, field, or infinity of  metaphor. 'Truth' is a semiotic fiction, ultimate rooted in fundamental Uncertainty, making the boundary between real and illusory fuzzy, a Cloud of Unknowing. It is more pursuit of the truth that is important than any particular truth.

The central question, “What is the nature of psychic reality?” can only be answered by direct experience.  We can enter this Renaissance world of angels, daimons, gods and goddeses, aesthetics, personification, divination, poetics, and spiritual abstraction in our philosophical inquiry to rejuvenate our own souls.

An information transduction process occurs in our lives when we translate ideas into action or live what we aspire to.  We can manipulate our reality and harness our energies, through concentration on purpose.  Through this means we have the ability to change our desires into a new reality through skill, preparation, effort, persistence, commitment and integrity.  We need to be aware where we are focusing our energy; what our objectives are; how we are communicating with others, and what we want others to see and believe.

We need to let Spirit guide that process of unfolding potential. The Egyptian Hermes Trismegistus was full of this metaphysical spiritual power.  He is the godfather of all the Hermetic Arts, the mystic arts and occult powers, as well as science.  He has power over language, writing, and signs like his predecessor, the Egyptian god, Thoth.

The Hermetica included works on magic, alchemy, astrology, healing, gnosis, theurgy, ritual and philosophy.  These texts were based on notions of sympathetic magic, that like substances sharing an essence could influence one another through resonance effects.  Likewise the hypnotic and magnetic qualities of charismatic individuals can create rapport with others to influence them.

Renaissance theurgy was described by Ficino as the translator of Plato, Plotinus, Proclus, the Hermetica, the Orphica, and especially Iamblichus and his largest surviving text, “On the Mysteries.” But Pico changed the character of western theurgy and esotericism by introducing the Jewish Kabbalah. Agrippa matured his predecessors’ work into a encyclopedic system, to which the physician Paracelsus wed alchemy while founding modern medicine. Bruno burned for dreaming of a bigger restored Pagan world.


Jung's is a more aspirational spiritual psychology (height), whereas Hillman prioritizes polyphonic psyche and soul-making (depth), including darkness and descent. Multiplicity of consciousness shows in the dissociability of the psyche into many complexes.

Renaissance Neoplatonists also evoked ancient thinkers in their personified images. The great men of the past were living realities to them because they personified the soul's needs for spiritual ancestors, ideal types, internal guides and mentors who can share our lives with us and inspire us beyond. We can also invoke the inspiration of our philosophical ancestors in Depth Psychology.

Jung related archetypes, unconscious potentials for psychical activity, with Platonic Ideas. These archetypal ideas or forms define the transpersonal structure of mind and correspond to phenomenological investigations of the Neoplatonists and of Jung. The deepest parallels or correlates arise because both conducted phenomenological experiments in the structure of the psyche, using techniques with similar effects that map onto one another.

Theurgy is an arcane tradition. Activating archetypes and complexes, theurgy invites or invokes, calls up or calls in the gods and daimôns, in much the same way that divination invites synchronicities. Theurgy, consciously performed symbolic behavior, is an often-overlooked multidiscipinary creative and expressive artform that meets and invites the grace of the transcendent function.

Modern theurgy is a valuable psychological soul process. 
Service means an imagination of caring for soul. Invocation is divine union. For the theurgist, the imaginal opens an epiphanic space, arousing images from suspension in a visionary apperception of reality with their own goals, techniques and outcomes. More than artistic or poetic, true theophanic vision is a wellspring of esoteric meaning.

In a pamplet W.B. Yeats wrote for the Golden Dawn in 1902, he contends that, "The central principle of all the Magic of power is 
that everything we formulate in the
imagination, if we formulate it strongly enough, realizes itself in the circumstances of life, acting either through our own souls, or through the spirits of nature."


Psychoid

Psychoid means
the transcendental and psychophysical aspect of the archetype that describe the  archetypal structures and behavior of organic and  inorganic matter. Both inside and outside, psychical and physical are rooted in archetypal numbers and complex dynamics, for example as shown in Pythagorean theory and the 10 spheres of the Kabbalistic Tree of Life with its extensive lists of archetypal correspondences and correlations. The soul guide initiates the transformation process. 

How can the demands of the archetypes (our genetically and neurologically encoded paleolithic gods) be satisfied in the context of modern life? This is one purpose of both Jungian techniques (such as Active Imagination) and Neoplatonic theurgy (and similar spiritual practices), which facilitate negotiation between the conscious ego and the unconscious.

Invocation conjures the image of the theurgist as primordial man in the imaginal realm of the breath and human speech expressing the creative power of the divine. The theurgist participates in the continual creation of the divine -- all things are manifestations of the breath of God. Breath speaks itself as a microcosm of the cosmic macrocosm.

Theurgy is a valuable technique for evoking and invoking the gods, which is rarely used in Jungian work, though praised in Neoplatonism. It should be added to the typical dreamwork, alchemy, and active imagination as an interdisciplinary means of connecting and relating to archai or paleo-gods. 


The theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious. In Magick, we transcend the limits of ordinary consciousness and commune with various forms of divine consciousness.  

The identification with a given energy is accomplished by a three-fold ritual.  1). Separation from the profane or ordinary state of consciousness.  Dissolution of the ordinary state of consciousness.  2). The transition stage, or twilight zone which lies between.  Creative or chaotic consciousness.  3). The new order or perception of reality which occurs in the sacred time of the soul.

Identification with an enhanced sense of self, greater well-being. Hermes is the lord of boundaries, or doorways, the threshold or liminal area.  The inbetween, or twilight zone, in enables a state of receptivity to become established.  It allows an emptying process, a letting go.

Ritual acts reawaken deep layers of the psyche.  This brings the mythological or archetypal ideas back to memory. Though the basic, or original forms of Magick and schizophrenic fantasy (wish fulfillment) spring from the same roots, they are not synonymous.  Magick is, in general, the transition from passivity to activity.  The Will is essential.

Realistic action does not follow schizophrenic magic or magical thinking.  The fantasy is a substitute for action.  In lower forms of magic, practiced for personal gain or ego gratification or power, the ego is either weak or absent, or over-inflated.  In ceremonial Magick there is a conscious effort directed at self-transformation, by harmonizing conscious and unconscious cycles or rhythms. 


Sacred Rites

Theurgy doesn't need to imply literal worship, except through attention, nor is natural magic an artifact strictly of the overweening heroic ego. It does not even have to be aspirational or developmental, as much as a relational ritual tradition.

Stimulating right brain activity with creative engagement produces revelation, feelings of conviction and discovery, numinosity, and mystery, opening worlds of becoming and being. The theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious.


Hermeticism was not embodied in a single religious group, but instead was a philosophical system that is at the root of many traditions, some of which remain robust. Among the original esoteric texts, The Hermetica included works on magic, alchemy, astrology, healing, gnosis, theurgy, ritual and philosophy. Sympathetic magic contends that like substances sharing an essence can influence one another through resonance.

Hermetics is a Spiritual Technology. 
This natural means of self-initiation demands self-honesty, self-responsibility and an overarching desire to live life as a spiritual path. Generic symbolic languages such as esoterics, alchemy, and Qabalah help articulate the phenomenology of inner experience.

Hermeticism is a blend of ancient Egyptian religion, philosophy, science and natural magic, with elements of Greek Paganism, Alexandrian Judaism, ancient Sumerian religion and Chaldaean astrology/astronomy, and Zoroastrianism. It is associated with the philosophical schools of Platonism, Neo-Platonism, Stoicism and Pythagorianism.

Unlike Plotinus who broke from Platonic tradition and asserted an undescended soul, Iamblichus re-affirmed the soul's embodiment in matter believing matter to be as divine as the rest of the cosmos. He contended that that "the entire body of the cosmos is ruled by the World Soul..." and that macro/micro dynamics [as above; so below], requires that our vehicles both reveal and veil our essences.  Marie-Louise von Franz (1974, 7) says, “The
lowest collective level of our psyche is simply pure nature.”


Iamblichus insisted on a special position for the human soul. It is separate from nous and the other higher souls, and holds an intermediate position between them and nature below. Hermetic rebirth and immortalization of the soul is realized as giving birth, not escaping from the world but creating it. Without the physical body it would not be rebirth.

Natural Philosophy & Natural Magic

To read hermetic rebirth as an escape from the material world is to miss the demiurgic dimension of the soul’s immortalization; this is certainly important for theurgists and Hermetists as well. He thought the goal of theurgy is insight and to “establish the universal soul in the demiurgic god in his entirety, distinguishing the universal soul from the particular soul. 


One’s physical body is no longer a prison but becomes the nexus through which divinity is hermetically revealed and concealed. The initiate then exists in a particular mortal body but at the same time, as Hermes reports, “I went out of myself into an immortal body ...that is co-extensive with the cosmos." Hermetic rebirth means the initiate is reborn by giving birth to the world from the mystery of original silence. The way of Hermes is the way of immortality concealed and revealed in our mortal existence.

For the later Platonists, divinity is not a state; it is as an activity, an energy. Theurgy is demiurgy, world-generation via the ordering of pre-existent matter. Theurgy is "god work" that enables the embodied person to participate and communicate with divine energies. Archetypes are empirical, stable, and public sources of transcendent meaning, giving rise to archetypally meaningful situations or relationships that are numinous (hallowed, miraculous, uncanny, supernatural).

For example, in ancient Egyptian ritual, speech makes the archetypal realm of noetic realities manifest in the liturgical realm of visible symbolic tokens and actions. It  also performatively accomplishes theurgical transition and transposition of the cultic events into the divine realm, thereby establishing relationship.

Theurgy is an archetypal process of mythic renewal. Theurgy is concerned with the work of spiritual regeneration, an ancient discipline, revered and nurtured throughout history by those few who know it, yet, barely acknowledged or understood by most.

The theurgist is in a conscious archetypal relation with the divinity, with the image as a medium for interaction. A convergence of related symbols activates an archetype or complex and invites projection of the corresponding god or daimon onto the image. The symbols tune the image animating it to become a vehicle to facilitate communication.

Exploring specific archetypes and complexes residing in the unconscious, the
theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious. 
initiates participate in this and actualizes it in themselves -- the archetype manifests in them. Hillman comments that “we become precisely the activity we enact, the memory we remember; man is many, Proteus, flowing everywhere as the universal soul and potentially all things” (Hillman, Loose Ends, 1978, p.151).

Theurgical practices facilitate individuation by enabling an accommodation and assimilation between our conscious minds and the personal and collective unconscious. This process advances from the daimons of the personal unconscious, to the archetypal gods of the collective unconscious, toward their root and source, the archetypal Self, the God-image, The Unspeakable One. 

This contact is accomplished by means of symbolism, the discursively inexpressible and logically unconnected.  Jung calls the symbol-making faculty of the mind the
transcendent function . In theurgy a symbol is something in the seira (the lineage) of a god,
whether it is an animal, plant, or stone, a mineral or a myth, a hymn or poem, a
drawn character or even a number.

A symbol is an inherent component of an archetype or complex, which can activate the archetype or complex, or by which the archetype or complex manifests in consciousness. A symbol serves both to invoke a god or daimon and to signal the arrival of a paleo-god or daimon.

Some symbols are inherent in the phylogenetic structure of an archetype and
are therefore universal, common to all humankind. Other symbols are in the
personal associative network that constitutes a complex or sub-personality arising
from the archetype. These symbols may be personal, cultural, or common to some
other group. In effect they invoke or signify a specific daimon (complex) that is engendered by a generic god, but associated with the individual or group.


Iamblichus understood the soul’s divinization as non-dual: "The benevolent and gracious gods shine their light generously on theurgists, calling their souls up to themselves, giving them unification, and accustoming them, while they are still in their bodies, to be detached from their bodies and turned to their eternal and noetic principle."

http://www.esotericarchives.com/oracle/iambl_th.htm
https://www.princeton.edu/~hellenic/Hermeneutica/ShawPaper.pdf
https://web.eecs.utk.edu/~mclennan/papers/EvolutionJungTheurgyUPS.pdf
http://web.eecs.utk.edu/~mclennan/papers/MacLennan-ISNS-2012.pdf
https://pdfs.semanticscholar.org/658b/e80b1da95ecdf3245a6e00229244507f2906.pdf
https://web.eecs.utk.edu/~mclennan/papers/MacLennan%20ISNS%202014%20rev.pdf
https://www.researchgate.net/publication/242238106_Individual_Soul_and_World_Soul_The_Process_of_Individuation_in_Neoplatonism_Jung

https://books.google.com/books?id=LxBg-ldSBUkC&pg=PA185&lpg=PA185&dq=,transpersonal+psychology,+theurgy&source=bl&ots=bMWgHwWBBl&sig=nNBXQwTM6dhUUKHl66Pwt7APV7A&hl=en&sa=X&ved=0ahUKEwjBtvGGqdvaAhVQs1kKHSBfDLkQ6AEIcjAI#v=onepage&q=%2Ctranspersonal%20psychology%2C%20theurgy&f=false

https://books.google.com/books?id=tTuJK1aovJEC&pg=PA108&lpg=PA108&dq=,theurgy,+paleo-gods&source=bl&ots=EUetxd94Hk&sig=NOfYQ9Cawc95kGd_mho3KIzq0yA&hl=en&sa=X&ved=0ahUKEwih45TcmNbaAhUJ3VMKHXIZAF04ChDoAQgtMAE#v=onepage&q=%2Ctheurgy%2C%20paleo-gods&f=false

Corbin’s mundus imaginalis was also called mundus archetypus, a concrete
spiritual world of archetypal figures,60 apparitional forms and angels, an
epiphanic space where the images of the archetypal world lie suspended--
Corbin used the expression “images in suspension”.61 Visionary
apperception of reality, and therefore true theophanic vision, was granted
by a spiritual faculty called active imagination, an intermediate power
which could produce symbols (archetypal figures could be intended as
symbols too).

C. G. Jung, Tibetan Tantra, and the Great... (PDF Download Available). Available from: https://www.researchgate.net/publication/305209675_C_G_Jung_Tibetan_Tantra_and_the_Great_Goddess_An_Exploration_of_Sacred_Entities_and_Archetypes [accessed Apr 26 2018].

http://www.radikaliai.lt/didysis-zaidimas/3235-voices-of-the-fire-ancient-theurgy-and-its-tools

For Plotinus the order of reality consists of three primary1, vertically graded realms or hypostases: the One (to hen) or Good (to agathon), Intellect (nous) and World-Soul (psuche). Plotinus says that the three hypostases endure within the human microcosm as well as in the universe of the macrocosm. The One/Good is the first2 cause, primal existent, source and goal of all things3 and the central axis upon which Plotinus' overall worldview revolves around4. The One is a God-beyond-God, transcending all predications of being, number5, essence6, existence7, name8, form, attribute, thought and limitation; a complete and absolute self-contained unity-in-itself. It is the Supreme Reality and Being-beyond-being (metaousia). The One is identified as such so as to deny all multiplicity of it9.

From the One proceeds a second principle, the Intellect (nous), which, as the Divine Mind, functions as the efficient cause of all things. Nous is the Intelligible universe holding the Ideal Forms (eidos) or perfect archetypes of every existent within itself and as such is the realm of Being (ousia)10. Therefore, it would be more correct to call the Intellect Theos (or God) rather than the One. Intellect begets the World-Soul which in turn engenders nature (phusis) and the material cosmos. At the furtherest end of this reality is privational Matter (hyle) - absolute negation and source of evil.

The procession of hypostases from the One to the World-Soul is one of necessary emanation. The One is superabundant source and it overflows and emanates Intellect without in anyway diminishing11. Intellect contemplates its Source, overflows and emanates its offspring, the World-Soul,



Towards the paternal Harbour
Proclean theurgy and the contemplation of the Forms
Robert van den Berg
http://www.kheper.net/topics/Neoplatonism/Proclus-theurgy.html
R. M. Van Den Berg
Proclus' hymns: essays, translations, commentary‎
"Proclus' Attitude to Theurgy"
Anne Sheppard
The Classical Quarterly, New Series, Vol. 32, No. 1 (1982), pp. 212-224

Iamblichus' De mysteriis: a manifesto of the miraculous‎
Emma C. Clarke

Theurgy and the Soul: The Neoplatonism of Iamblichus
by: Gregory Shaw

Iamblichus: De Mysteriis (Writings from the Greco-Roman World, V. 4.)
by: Iamblichus, Emma C. Clarke, John M. Dillon, Jackson P. Hershbell
J.dillon "Iamblichus' Defense of Theurgy: Some Reflections"
The International Journal of the Platonic Tradition 1 (2007) 30-41
The Greeks and the Irrational by: E. R. Dodds

Gregory Shaw "After Aporia: Theurgy in Later Platonism" in
Gnosticism and Later Platonism: Themes, Figures, and Texts (SBL Symposium Series, No. 12.)
by: John D. Turner, Ruth Dorothy Majercik

Offering to the Gods: a Neoplatonic perspective.(Critical essay)
Magic, Ritual, and Witchcraft | June 22, 2007 | Butler, Edward P. |
Sarah Iles Johnston "Rising to the Occasion: Theurgic Ascent in its cultural mileu" in Envisioning Magic
ed. Schafer, Kippenberg
Riders in the Sky: Cavalier Gods and Theurgic Salvation in the Second Century A.D.
Sarah Iles Johnston
Classical Philology, Vol. 87, No. 4 (Oct., 1992), pp. 303-321
Witchcraft and magic in Europe: Ancient Greece and Rome
By Bengt Ankarloo, Stuart Clark
G. Luck, "Theurgy and Forms of Worship in Neo- platonism," in Religion, Science and Magic: In Concert and
in Conflict, ed. Jacob Neusner
Luck, G. (1985). Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds.
Naomi Janowitz
Icons of Power: Ritual Practices in Late Antiquity (University Park, PA: Penn State University Press, 2002)

The Chaldean oracles: text, translation, and commentary‎
Julianus (the Theurgist.), Ruth Dorothy Majercik - Philosophy - 1989
Hans Lewy The Chaldean Oracles and Theurgy
Garth Fowden The Egyptian Hermes


Pseudo-Dionysius and Theurgy
Shaw, Gregory, "Neoplatonic Theurgy and Dionysius the Areopagite"
Journal of Early Christian Studies - Volume 7, Number 4, Winter 1999, pp. 573-599
Dionysius the Areopagite and the Neoplatonist Tradition (Ashgate Studies in Philosophy & Theology in Late
Antiquity) by: Sarah Klitenic Wear and John Dillon
Coughlin, Rebecca. “Theurgy, Prayer, Participation, and Divinization in Dionysius the Areopagite.”
Dionysius 24 (2006): 149-174.
Burns 'Proclus and the Theurgic liturgy of Dionysius', Dionysius 22 (2004), 111–132.
The theurgical self: The theological anthropology of the Pseudo-Dionysius
by: Hotz, Kendra G., Ph.D.
Carine Van Liefferinge, La Théurgie des Oracles Chaldaïques à Proclus. Kernos Supplément 9. Liège: Centre International d'Étude de la Religion Grecque Antique, 199. Pp. 319. ISBN (ISSN) 0776-3824. EUR 40.00. reviewed here http://bmcr.brynmawr.edu/2003/2003-07-40.html
Theurgy in Kabbalah
Kabbalah: New Perspectives by Moshe Idel
Bernd Roling "The Complete Nature of Christ: Sources and Structures of a Christological Theurgy in
the works of Johannes Reuchlin
in The metamorphosis of magic from late antiquity to the early modern
by Jan N. Bremmer, Jan R. Veenstra - 2002
Wolfson, Elliot R
Abraham Abulafia - Kabbalist & Prophet: Hermeneutics,Theosophy,Theurgy
Wolfson, Elliot R
"Language, Secrecy, and the Mysteries of Law: Theurgy and the Christian Kabbalah of Johannes Reuchlin,"
Kabbalah: A Journal for the Study of Jewish Mystical Texts 13 (2005): 7-41.

Seth Lance Brody, "Human hands dwell in heavenly heights: Worship and mystical experience in thirteenth century Kabbalah" (January 1, 1991). Dissertations available from ProQuest. Paper AAI9211913.
http://repository.upenn.edu/dissertations/AAI9211913
The Enlightened Will Shine: Symbolization and Theurgy in the Later Strata of the Zohar (S U N Y Series in

 
 Sources on Late Neoplatonic Theurgy
EGYPTIAN MAGIC RELATING TO LATER CLASSICAL THEURGY
Boylan, Patrick, Thoth: The Hermes of Egypt, Oxford University Press, Oxford UK, 1922 (Laysthe groundwork for the later “thrice-great” Thoth who becomes Hermes Trismegistus.Dieleman, Jacco, Priests, Tongues, and Rites: The London-Leiden Magical Manuscripts andTranslations in Egyptian Ritual, E.J. Brill, Leiden, 2005Ritner, Robert Kriech, The Mechanics of Ancient Egyptian Magical Practice, The OrientalInstitute of the University of Chicago,


Know Thyself is revelatory, non-linear, discontinuous; it is like a painting, a lyric poem, biography thoroughly gone into the imaginative act."  --James Hillman, HEALING FICTION 

A FUZZY REVOLUTION?

We can read the progressive theories of leading-edge science as modern myths.  They both create and reflect changes in collective consciousness and the global worldview.  These new myths permeate culture, fomenting change and opening new conceptual territory for exploration. The "new myth" seems to be one of "guiding fictions," even "healing fictions."  

Mythic consciousness and its practice, ritual life, requires a telos to create momentum--the dynamics of consciousness.  The fictional carrot dangles, ever-present before us.  As a culture, we are in the position of having to take ritual fictions (including scientific theories) seriously, while recognizing their status as fiction at the same time.  This means being in two ontological "places" at once, facilitating the development of new ways of thinking about the nature of knowledge, being, and reality. The myths are bigger than any one of us.  

Yet through Creative Mysticism we can enter the imagination, not as an exercise in "doing our own thing," but as a disintegration of the reference points that make it possible for the archetypal energies to live through us.  Thus radical deconstruction of ego leads beyond the paradoxes of yoked opposites.  Dogmas dissolve and merge on their own.  The surety of fact melds into psychic reality.  The new myth is not one of polarity, but plurality--panoply. Given these choices, each of us is faced with a struggle to acquire an authentic sense of identity.  We have been saddled with a cultural mandate to "pick one" and sustain a strong ego identification at the expense of empathy, compassion, and perspective.  What for one is a liberating experience is terrifying for others, or leads to the despair of cultural disenfranchisement.  

Our sense of identity impacts us individually, socially, and existentially.  Broadening those boundaries opens us to an expanded sense of self. In my own search for identity, I first became aware of the notion of paradox as a teenager.  I was given a button with the cryptic message, "Have you been to the Paradox?"  Puzzling over its meaning, I finally found out it was a music club, which I subsequently patronized.  On the broader scale, I became aware of another club--a "Reality Club."  I continue to visit "the Paradox" as I define and refine myself, through opening not only to the opposites but to all degrees of interpenetration between.  

At this "inn between," I've many times found the thread of my chaotic trajectory through life. Traditionally logic and chaos have held sway in two separate camps.  But what of that boundary domain where the two meet and progressively meld into one another?

In this "twilight zone," two threads of the new science revolution have come together in a "sacred marriage" between logic and chaos.  Ian Stewart (1993) gives an example of dynamic logic: "You take the train of thought involved in assessing the truth value of a set of self-referential statements and convert it into a dynamic process.  Then you can apply all the techniques of chaos theory to that process.  The escape-time plot is inspired by exactly the same method that creates all those wonderful multi-colored images associated with the Mandelbrot set: swirling spirals, sea horses, cacti, stars, and so on." 

This statement could also be read as commentary on the self-referential consciousness process expressed as "Know Thyself."  This Apollonian dictum is the utterance of the ancient god of logic Himself.  The Jungian method of "Know Thyself" means a radical activation of imagination.  It calls to us, echoing through the aeons--urging us to turn our consciousness back on itself, assessing and experiencing the relative "truth" of what we find within. Jung's solution to this injunction is summarized by Hillman: We have already been given the clue in the instructor's manual as to how this third realm traditionally called 'soul' can be re-established--and by anyone.  

Jung says he treated the figures whom he met "as though they were real people."  The key is that as though; the metaphorical, as-if reality, neither literally real (hallucinations or people in the street) nor irreal/unreal ('mere' fictions, projections which 'I' make up as parts of 'me', auto-suggestive illusions).  In an 'as-if' consciousness they are powers with voice, body, motion, and mind, fully felt but wholly imaginary.  This is psychic reality... "

Hillman points out that we can remember, associating backward and downward into the forgotten and repressed.  And in psychic reality we find a multiplicity of answers to all major, archetypal, sorts of questions--relative answers.  Each archetypal perspective has its way of self-knowing. In alchemy the multi-state paradigm is known as multiplicatio, which touches all points of the soul, all channels of images.  According to Hillman, it is "spirit's self-knowledge in the mirror of the soul, soul's recognition of its spirits." 

There is no single way of knowing thyself, even though psychology has favored the method of introspection and insight.  According to Hillman, "Know Thyself terminates whenever it leaves linear time and becomes an act of imagination.  A partial insight, this song now, this one image; to see partly is the whole of it.  Self-understanding healed by active imagination." 

Our unique method of knowing ourselves is through our own epistemological metaphors which reflect "how we know what we know" about ourselves.  They are the result of our personal experience of archetypal experiences--our direct experience of the nature of reality, expressed as image.  The non-linear co-relationship of simultaneous cause/effect means that archetypes become embodied as specific, yet dynamic, imagery.

The imperative to know ourselves challenges us to reflect on our identity, beliefs, assumed truths, interpretations, and even our archetypal experience and self-understanding.  This dynamic recycling of consciousness creates/reveals the dynamic flux of holistic feedback patterns.  It establishes a patterning matrix--a strange attractor--reflective of the organism's relationship to the whole, through a unique relationship of chaos and order.  

The whole brain approach to existence is both/and chaotic and logical--logically chaotic, chaotically logical.  It is a holding of the tension of the opposites between the logical and natural mind. Complex systems, such as human beings, manifest emergent properties which tend to be non-linear.  They are sufficiently context dependent that they become unpredictable under normal circumstances.  

The reason has to do with the fact that sufficient context dependence leads to self-reference.  That is, insofar as one part effects another part, which in turn effects the first, the first can be seen to be effecting itself through the mediation of the second.  Multiply the parts and the system gets really out of control, at least as an object of modelling.

Godel proved why such self-referential systems are inherently unpredictable.  Any finitely axiomatized formal system rich enough in entailment to manifest self-reference displays true theorems not deducible from the axioms.  Since all mathematical modelling systems can be formalized as axiomatic systems, and since the project of such modelling is the essence of deterministic reductionism, it follows that systems capable of self-reference cannot be reduced to deterministic causality.  They can be modelled, but they become descriptive of organization, rather than predictive of future states (Naser, 1993, Bridge-L). Like a fractal, the individual embodies the whole, to a greater or lesser degree, depending on the initial conditions of existence.  The physical body is conditioned by physical laws.  

At the mesocosmic level, we either exist or we don't, we're alive or dead.  But the flow of our essence within the whole is not so black and white.  We remain ourselves, despite the loss of discrete body parts or faculties of perception. At the quantum level, our atomic "matter" merges with the environment and the vacuum of non-existence.  The I-Not I dichotomy breaks down in pure consciousness.  Our physical constituents remain, even after death, with their own molecular and quantum perceptions, but the genetic information becomes obsolete.  

We all decay according to the same biological process. Free of the gravitational valley of corpo-reality, consciousness can soar unfettered.  When consciousness flows into an "escape-time plot," we experience the boundary-dissolving transcendence of cosmic consciousness.  An increased sense of freedom comes with liberation from the gravity of literalism.  Yet we are neither exclusively biological nor psychospiritual beings.  The nature of our existence is both/and--psychobiological.
https://ionamiller.weebly.com/paradox.html

Picture

PSYCHE EXISTS AS A SOURCE OF KNOWLEDGE
Iona Miller, (c)2015


…nature exists without human aid, can deal with her processes herself, has everything in herself to bring about transformations, to move from the depths to the heights and down into the depths again. ~Jung, Modern Psychology, Page 42.

We can experience gnosis not as a medieval religious belief but because
it happens to us unsought and unexpected. Gnosis is not Gnosticism. It doesn't require belief, scripture, or Apocrypha. The transformative perspective, observable in its real effects, unlocks the hermeneutics of the creative imagination. The life of the unconscious goes on within us without our conscious knowledge.

Gnosis is an emergent property, not merely an introverted religious attitude. Embracing gnosis does not mean embracing Gnostic dogma or medieval doctrines -- participatory convictions based on personal desires and fears. The secret is inside the creation and based in the study of nature and our own nature. We become more integrated by bringing more of the unconscious and mythic into consciousness.

Can we find the absolute in the depths of our soul -- the very source of symbols? Even physics declares our personal experience is profoundly subjective. There are two principle attitudes -- devotion and gnosis. Gnosis is not a philosophy, nor a way to rationally comprehend the world.

All that is knowable is our immediate subjective experience. Our most personal "I" is our core subjective experience which is identical to awareness. That awareness is the ground where the objects of awareness -- sensations, thoughts, images, memories, and emotions -- fluctuate and intermingle. Fundamental awareness has no intrinsic form, content, or characteristics. So awareness is less about the dualism of mind and matter, light or dark, or polarized good and bad, but more about the dualism of awareness and the contents of awareness.

Gnosis is not a ready-made religion but a more comprehensive view allowing psyche to speak for itself in dream, active imagination, synchronistic phenomena, premonitions, mythic living, and creative expression. "Self-redemption" is an arduous path that leads through self-deception. Insights in self-understanding come through grace, not labor or merit.

Gnosis is a spontaneous personal event of primordial psychic experience. Empirical experience of the psyche may appear in modern dreams. Experiences of the collective unconscious may be reflected in gnostic literature, but are not derived from it. Those lacking such experience can never understand it, but that does not nullify its existence. Getting it conceptually is not the same as knowing it experientially, thus, all "esoteric" secrets remain concealed from the uninitiated.

Continually recurring fundamental ideas can arise from the archetypal potentials of objective psyche. Generally similar ideas are modified by era and context. We can recognize their archetypal core. We live in archaic identity with the absolute unconscious. Archetypes are the psychophysical interface of emotion and energy, linking inner and outer realms.  The form of opposites become distinct but conjoined as they enter consciousness.

Such numinous assertions and feelings produced by psyche may or may not express universal 'truths'. We perceive the psyche with intuition, but not everyone has discriminating intuition and clarity. Our universal vision is as limited as our rational and irrational human vision. Intuition exalts and redeems us through connection with our core -- the midpoint of our internal Cosmos.

True gnosis is an expansion of consciousness. But according to our concepts, beliefs, and assumed truths (psychological presuppositions), intuition can produce understanding or danger and destruction. Jung observed that belief is transformed into gnosis by individuation. Eternal knowledge or perennial wisdom is not intellectual.

We imagine we are imagining "the real" but such consciousness can be used correctly or incorrectly. Because the psyche and archetypes are bi-polar they can produce either wisdom or utter nonsense. There is the path through the labyrinth that is a descent to the underworld, but there are also false paths, deceptions, and dangers on that path. Each must beware of spiritual pretensions and gnostic inflation, careful not to mistake ego for the interior Light, which helps us realize our own darkness.

Rationality cannot eliminate the irrational but is part of the same phenomena. Beliefs arise from lack of experience and knowledge of psychic dynamics. More than one heart has been misled. The naive take the manifestations of the unconscious -- this natural psychic activity -- at face value, mistaking them for the essence of the world or revealed truth. Insights appear as natural revelations. Numinosities appear paradoxically true and untrue.

Some manifestations are simply misguided inner authority or inferior notions, ideas, images, motivations, emotions, and the disturbances they create. A sense of certainty is no guarantee of accuracy. Experience is mythic, projective, and subjective. All of it adds up to nothing without psyche's infusion of value and meaning -- living psychological process. Conscious and unconscious comprehension are united by myth, which is preconscious and therapeutic.

We must be modest, not mistaking 'our truth' for 'the truth'. Yet, it remains important to continue to pursue the search for truth in our lives. We are led inside ourselves by the assimilation of myth -- an inner journey. Sapientia Dei is revealed through the archetypes. The Gnostics considered themselves members of a new aeon marked essentially by the rise of spiritual man. Trusting their own spiritual powers, they plumbed their spiritual depths.

Deeper layers of the unconscious are independent of culture and time. Myths remain myths even if some people take them as literal revelations or eternal truths. Myths are renewed in retelling with new spiritual language. In psychological insight, knowledge and understanding correspond with symbolic expression of the myth. Myths die when they no longer live and grow.

Gnosis is characterized by the integration of archetypal contents. The holistic perspective on external and internal mirrors the alchemical "unus mundus." Today the same Gnostic or alchemical symbols and motifs arise from the collective unconscious. But the Promethean creative spirit goes largely unnoticed. The chthonic part of the psyche -- undifferentiated consciousness -- is our life-sustaining structure.

Gnosis is a general human phenomena which can appear any time, anywhere, independent of tradition. Experiential knowing is a spontaneous creative phenomenon that reflects a rich reserve of ideas and images absorbed consciously and unconsciously, newly organized in novel ways -- familiar material placed in a surprising and creative context -- an achievement of particular genius.


Man in antiquity differentiated between man's "daemon" and his "own mind". 
~Carl Jung, Modern Psychology, Lecture VII, Page 50.


The world is an image to us, even when we have a scientific conception of it and assert: "This is so and so", it is still only an image. ~Carl Jung, Modern Psychology, Alchemy, Page 62.

But that "the One" should meditate, and that the world should be produced by the spirit in its creative role, is a conception which goes directly back to the philosophy about the Nous in antiquity. ~Carl Jung, Modern Psychology, Alchemy, Pages 59-60.






The theurgical practice called τελεστικὴ (telestikê) is a means of ἐμψύχωσις, ensoulment or “animation,” of a sacred image (ἄγαλμα), such as a statue.  It is accomplished by placing in or on the image appropriate sunthêmata, including stones, plants, animals, scents, and figures.  These material sunthêmata are supplemented by immaterial sunthêmata, such as invocations, chants, and prayers intended to “persuade” the god or daimôn to descend into the image.

Of course, as Iamblichus explains (De myst. 47, 6), theurgy does not compel a deity or daimôn; rather it prepares a suitable δοχή (receptacle or receiver).  This is like preparing an object to better reflect a particular color of light; a golden object does not “compel” yellow light to appear, but it allows the presence of the yellow in white light to become manifest.  Similarly, although the archetype is ever present, it is not normally manifest to consciousness.  Therefore appropriate sunthêmata (i.e., symbols linked to a complex or archetype) invite projection of the daimôn or god onto the image, which becomes numinous.  In this way, the theurgist is in a conscious archetypal relation with the divinity, and the image becomes a medium for interaction, that is, for exploring specific archetypes and complexes residing in the unconscious.

A common practice in Jungian analysis is active imagination, in which a person engages in dialogue and negotiation with an archetype or complex (Johnson 1986; Jung 1997).  This is closely related to the theurgical practice of σύστασις, or liaison, with a god or daimôn in order to establish an alliance with it.  As in the previous operations, sumbola and sunthêmata may be used to activate the archetype or complex; often the symbols are suggested by dream imagery.  Σύστασις may also employ a human or nonhuman receiver, including an animal, plant, or nonliving thing, to receive the projections, but no concrete receiver is required.
Encounters with daimôns are more common than those with gods (since daimôns are nearer to the ego), and such daimôns may serve as intermediaries for their ruling god.  Spirits engaged in σύστασις are not always truthful about their identity (or other things) for gods and daimôns are “beyond good and evil.”  Therefore, theurgists are very concerned with discerning the identities of the spirits they evoke (e.g. Iamblichus De myst. Bk. II).  Similarly, one is advised to maintain a conscious ethical stance in active imagination (since that is, in fact, part of the function of ego consciousness: Johnson 1986, 189–95).
Active imagination allows a person to interact with archetypes and personal complexes and to engage them in a critical dialogue concerning their desires, functions, and potential gifts.  In this way one may benefit by living in accord with archetypal reality and avoid futile attempts to deny the archetypes and complexes.  Further, psychological individuation proceeds by conscious integration of these otherwise unconscious personalities.  In theurgical terms, συστάσεις are important for acquiring familiarity with the archetypal realm and for bringing the theurgist into the ἐνέργεια of a god, in order to turn toward its essence and be actualized in it.  In this way theurgists may learn the will of the god so that they may act in better accord with it.  Συστάσεις are also important for negotiating with personal daimôns, who may otherwise possess others or ourselves in undesirable ways.  Finally, a daimôn may be recruited as πάρεδρος (familiar spirit or assistant) to help in various ways, including in the theurgical ascent.

The last theurgical operation that I want to mention is the most important, the ἀναγωγὴ or theurgical ascent.  In all the preceding, the divinity is experienced as “other,” but in the ἀναγωὴ the theurgist ascends so that their soul, so far as possible, unites with the god; that is, they experience deification.  The union may be with an individual god, especially the Demiurge, or more rarely with the Inexpressible One.  (Porphyry, V. Pl. 23, tells us Plotinus achieved it four times while they were together.)  In the latter case, by this contact with the Higher Self and by uniting with the archetypal Ἄνθρωπος, the theurgist is better enabled to live a fulfilling life in accord with Πρόνοια.  That is, at least for a time, the theurgist experiences themselves as a psychical whole, integrating the conscious, personal unconscious, and collective unconscious minds.

The operation makes ritual use of sumbola and sunthêmata in order to activate the archetypes.  These may facilitate the process of ascent when a more interior, contemplative approach, such as Plotinus advocates, is not effective.  The suthêmata may be classified as physical (substances, scents, and so forth), as audible (such as chants, hymns, and ονόματα βάρβαρα or magic words), and as mental or noetic (such as silent prayers).  All of these are effective for activating the archetypal Idea.
“Like knows like,” so in the ἀναγωγὴ the parts of the soul that are most like the One (or the intended god) must be separated from those least like it.  Therefore the conscious and personal unconscious minds must be quieted; that is, the ego and other personal daimôns must be pacified.  Separation is accomplished by the initiate enacting a symbolic θάνατος αὐθαίρετος (voluntary death), which therefore functions as a sensible sumbolon.  Death-and-Resurrection is an archetypal Idea; therefore, through symbolic death and ascent the initiate participates in this Idea’s ἐνέργεια and actualizes it in themselves (i.e., the archetype manifests in them).
The hylic daimôns, whose office it is to bring the archetypal Ideas into physical manifestation, must be pacified and opposed.  To this end, Heroes, recruited as πάρεδροι or assisting spirits, may be helpful in this reversion.  In psychological terms, properly constellated complexes may lead the way to the archetypes.


http://web.eecs.utk.edu/~mclennan/other-res.html#neurotheol


Archi-writing: Proto-linguisticality 
Derrida argued that as far back as Plato, speech had been always given priority over writing. In the West, phonetic writing was considered as a secondary imitation of speech, a poor copy of the immediate living act of speech. Pharmakon, in philosophy and critical theory, means remedy, poison, and scapegoat.

In Plato's Pharmacy, Derrida questioned this prioritizing by first complicating the two terms speech and writing. Derrida saw this complication in the Greek word φάρμακον pharmakon, which meant both "cure" and "poison". He noted that Plato argued that writing was "poisonous" to memory, since writing is a mere repetition, as compared to the living memory required for speech.

We have to look beyond the repetition of what is spoken out loud or written on a page to find the origin of the words. It is the in-between of what was meant by the writing and what was actually intended by the writing. The inner trace is already at work in speech and writing alike. For example, we find that Babel is 'heart' read in reverse (lebab). Egyptian 'spells' are among the earliest extant writings, and the root of our word 'spelling.'

In the neologism archi-writing, "archi-" meaning "origin, principle, or telos", attempts to go beyond the simple division of writing/speech. Archi-writing refers to a kind of writing that precedes both speech and writing; it differs from empirical writing. Derrida argued that archi-writing is a proto-language that it is already there before we use it. It is already has a pregiven, yet malleable, structure/genesis, which is a semi-fixed set-up of different words and syntax. This fixedness is the writing to which Derrida refers.

For our purpose, we can cite the example of archi -- Divine Names in Theurgy, which stand for numinous forces and the Self, also known as Tiphareth (Sun) in Qabalah. The Aramaic word for heaven or sky in Genesis 1 is Shamya which in Egyptian becomes Shem-re. Shamya in Hebrew is Shamayim.

The concept of the Divine Name (shem) is associated with the Sea (yam/mayim) and with fire (esh). Thus the name (shem) of the Divine Sea (yam/yammah) which is especially linked to divine mercy (khesed) became shamayim (heaven) and the name (shem) of the Divine Fire especially linked to divine Judgment (din/dinah) became shemesh (sun).

The Divine Names not only represent, but are the cultic universe. Hieratic “divine words” (medu neter , hieroglyphs) constitute the entire visible world. Multiform images, symbols, and traces of the ineffable, 'unspeakable,' divine principles.

In symbolic language symbols with a transformative and elevating power correspond with what is beyond any representation. They are woven into the very fabric of Being; they are directly attached and unified to the gods, which are themselves the symbolic principles of Being, the theurgic foundation of ancient civilizations  that mythically express the dialectic of the One and the Many.

They become visible through certain images, things, numbers, sounds, colors, omens, or other traces of presence, assuming a communicative meaning. The constants are light, sound, and cyclic dynamics of descent and ascent. Symbols serve as a ladder for ascent to the divine. Chanting out the universe by the Name of everything, back to the life-giving wombs and the ineffable Silence.

Plotinus evokes the soul by describing the Cosmos and World Soul. The ancient hieratic art  is based on the symbolic identity of the microcosmic human body and the animated divine statue. Plotinus in the Enneads (I.6.9, 7ff) describes the process of working on one’s own inner statue. Contemplation and noetic vision play important roles in theurgy. The soul is possessed by the divine and sees through the eyes of a deity.

This ‘demiurgic’ work is simply an interiorization of the ancient hieratic art (based on the symbolic identity of the microcosmic human body and the animated divine statue) that reveals its true esoteric meaning. Inner rituals of contemplation and theurgy evoke the affinities between symbols and intelligible dieties, attracting divine power into the aspirant's soul, a dynamic and conjunctive attraction of an image to its original.

Divine powers knit together the energies of the sun, planets and stars, and ... the various magical and theurgical procedures of which this literature is full. There is a fine line between magic and mysticism, especially in the use of divine names. Thanks to the image, we can grasp the archetype as well. Mysticism and theurgy can degrade into mundane magic, thaumaturgy -- the attempt to influence or control the physical plane. Then the master of the secret "names" himself takes on the exercise of power.

The radiant power of words is a given in ancient Egyptian ritual. Speech makes the archetypal realm of noetic realities manifest in the liturgical realm of visible symbolic tokens and actions. It also enacts theurgical transition and transposition of the cultic events into the divine realm. A relationship is established between the domain of Forms and series  of manifestation.

VOICES OF THE FIRE: ANCIENT THEURGY AND ITS TOOLS
Descending lights and animated cult images—Figures, names, and tokens of the divine speech—The overwhelming Name of God—The descending and ascending paths of Heka—The Silence before the gods and its creative magic—Hekate's golden ball as a rotating 'vocal image' of the Father—The Sounding breaths of the All-Working Fire—The Elevating rays of the resounding light—The rites of hieratic invocation and ascent—The Tantric alchemy and the Osirian mummification—Golden seeds of the noetic Fire—Theurgic speech of the birds and solar knowledge—Tongues of the gods and their songs--

Myth and symbol are what makes the impossible happen—Metaphysics of creation and its images in pharaonic Egypt—Theogonic appearances and animated stones—Theology of images and its esoteric dimension—Privileged habitations for the immortal gods—Beholding the ineffable beauties—Divine bodies and representations in Indian Tantrism—Sense perception and intellection in Neoplatonism—Divine light and luminous vehicle of the soul—Divine presence in images—Living images of the Egyptian gods—To be made into a spirit of light—Rites of alchemical transformation—The opening of the statue's mouth—Mystical union with the noetic Sun—Revelation of the divine face—Divine statues and their sacred gifts—Salvation as return to the divine

https://en.wikipedia.org/wiki/Archi-writing

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